Entertainment
Simone Biles ends her Olympic comeback with a silver medal in the freestyle
PARIS (AP) — American gymnast Simone Biles didn’t get the golden send-off she hoped for.
On Monday, Biles won the silver medal in the freestyle final — her eleventh Olympic medal — after taking several costly steps off the line during her routine.
Brazilian Rebeca Andrade became the first gymnast to defeat Biles in the free exercise final at a major international competition, scoring 14.166 to surpass Biles’s rating of 14.133.
The bronze medal was won by Jordan Chiles, Biles’ longtime friend and teammate.
Biles, 27, considered the best in the history of the sport, was not at her best during the performance to music by pop icons Taylor Swift and Beyonce.
Still, she managed to increase her medal haul in Paris to 4 — gold in the team final, all-around and vault, in addition to silver, surprisingly, in her favorite event.
“I couldn’t be more proud of how I did,” Biles said. “I’m 27 years old and I’m finishing these Games with four medals. I’m not mad about it.”
Biles’ medal total (including seven gold, two silver, two bronze) now equals Czech Vera Caslavska for the second-most amongst gymnasts in Olympic history. She lost her probability to win a fifth medal in Paris earlier Monday when she fell in the balance beam final while ending fifth.
While it could look easy at times, it isn’t. She hit the mat during a floor warmup and re-wrapped her stubborn left calf before the competition, which she strained in qualifying last week.
Her passes weren’t perfect – she went over the line twice – but her difficulty level is generally so high that it doesn’t really matter.
Not this time. She received an execution rating of seven.833, which included 0.6 deductions for going out of bounds, allowing Andrade to win her second Olympic gold.
Still, Biles, wearing a red, white and blue leotard embellished with hundreds of rhinestones, finished the nine-day competition in Paris, once and for all silencing critics who had long ridiculed her for withdrawing from multiple events at the Tokyo Olympics three years ago.
She won a total of 4 medals, just one lower than eight years ago in Rio de Janeiro.
Chiles — the final competitor of the day — initially received a rating of 13.666 from the judges. After a delay, her rating was increased by 0.1 when she asked about the difficulty component of her rating, allowing Chiles to overtake Romania’s Ana Barbosu and Sabrina Maneca-Voinea for third place.
Biles said that after winning the show jumping final on Saturday, she noticed that her haters “are really quiet now, which is weird.”
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In contrast, the constant roar of support that followed Biles wherever she went at Bercy Arena, which became a hub for celebrities from across the spectrum — including former NFL star Tom Brady, who performed Monday — each time she performed.
The outdoor exercise is Biles’ signature event, where she will be able to mix the most difficult, boundary-pushing acrobatics in her sport with charismatic choreography to create arguably the most enjoyable 75 seconds of her sport.
However, the enthusiasm was somewhat dampened by an unusual execution blunder.
The show ends with Biles blowing a kiss, a small gesture she has incorporated into her show in various forms over the years.
Whether that was a goodbye kiss is an open query. Maybe even Biles’.
She has not yet spoken out about what awaits her after the Paris Games, although she has left the door ajar in case of a possible return when the Olympic Games happen in Los Angeles in 2028.
“Never say never,” Biles said after winning her second Olympic title in the ski jumping event earlier in the Games. “The next Olympics are at home. So you never know. I’m really getting older.”
She’ll be 31 by then, an age when most gymnasts have long since retired. But Biles is redefining that phrase in real time, and given the gulf that also exists between her and almost everyone else in the sport — barring Andrade, who pushed Biles as hard as she’s been pushed for nearly a decade — anything is feasible.
She won the silver medal about an hour after the balance beam final, in which half of the eight competitors jumped down the steps during a routine because they lost their balance.
Biles included. She lost her balance at the end of her acrobatic series and received a rating of 13.100, which put her in fifth place, tied with teammate Sunisa Lee.
Like Biles, Lee saw her gold hopes end midway through her performance when she fell in the same portion of the performance as Biles.
Later, the two Olympic champions and long-time friends, with 17 Olympic medals between them, lamented the strange atmosphere in the strangely quiet arena, which is generally filled with music all the time.
“It adds to the stress, just because it’s like, yeah, you’re the only one there,” said Lee, who will take some day off before deciding on her future. “So I felt pressure.”
Alice D’Amato of Italy won gold on the balance beam with a rating of 14.366. Zhou Yaqin of China won silver with a rating of 14.100, just ahead of bronze medalist Manila Esposito of Italy. Italy, which won silver behind the U.S. in the team competition, has never before won a medal on the beam.
The awards podium has long served as a second home for Biles during a profession that features 41 medals in major international competitions, a number that will never be broken and — who knows? — may even be increased in Los Angeles.
Entertainment
She knows Suite celebrates Apple TV+ Doc ‘Number on the Call Archie “and Black Women’s resistance in Hollywood
Even when black women are visible, they still must fight to be really. This is one among the strongest take -out, the recent Apple TV+document that made the waves at the exclusive show run by The Wie Suite in New York.
It takes place in the luxurious New York Fouquet, the night was combined by an intergenerational meeting of black women – from fashion founders to Hollywood stars – in reflection on the message of the document: that for black women, breaking barriers in Hollywood never concerned talent. It was about survival, impudence and unwavering self -confidence.
Directing the award-winning filmmaker Sholi Lynch, the document accommodates sincere interviews with powerful actresses, including Viola Davis, Halle Berry, Angela Bassett and Whoopi Goldberg, taking a look at his journeys as leading women in a system that rarely gave them the highest places-the advantage of doubt.
During the event, the guests enjoyed the elegant reception of cocktails, after which the discussion about the show and panel moderated by the founder and general director of WIA Suite, Dee Poku. The participants were Shola Lynch, along with Lisa Price, the founding father of the daughter Carol and Jessica Cruel, editor -in -chief and magazine.
In a room filled with Changmakers-Ludzi akin to designer Fe Noel, actress Folake OlowoFoyload and founding father of Ami Colé Diarrha N’diaye-Mbaye-Rozmowa was intimate and urgent.
“It was amazing to be here with so many inspiring women who are their own numbers,” said Poku. “These women are so busy and have a crazy life, but understandable and felt the importance of gathering and supporting this film. As bosses, we can never lose sight of the importance of relying on ourselves when we move in our lives and career.”
This spirit of sister and solidarity is embedded in a movie that doesn’t pull out the emotional conscription of being the first, only or reflection. From saying that they should not beautiful enough to make a big screen to maneuver after exhausting the constant proved of their value, stories divided by black actresses “reflect the immunity needed to remain in the game.
Hattie McDaniel was the first black woman who won the Oscar in 1940 for “Best Actorsing Actors” for enjoying Mamma in “Gone with the Wind” and said that she hopes that she can be a recognition of her race. But the “supporting actress” category would turn out to be a little bit of her own ceiling, without every other black woman who doesn’t win the role of “the best actress”, apart from Halle Berry, twenty years ago in “Monster’s Ball”.
But the film accommodates powerful reminders of how black women actresses restrictions. In particular, Goldberg’s Whoopi journey stood out in the document. From making a stage production that helped to begin her profession in 1984-a fight for roles when Hollywood didn’t see her “Fit”, Goldberg Shatted Sufiing. She didn’t wait for the alternative; She selected herself. This example of Shol Lynch sees black women embarrassing outside Hollywood.
“After hearing that Dee Poku and Suite knew they wanted to organize a study, I was inspired to be part of the room and gathering similarly thinking people,” said Lynch. “You want to talk to women who are trying to be number one on their sheet of connections.”
Lisa Price added: “My deep recognition for the cinema, vaccinated by my father, made the film the main source of respite and insight. The victory of the Hallle Berry Academy was a breakthrough moment. This represented the rectification of historical supervision regarding the lack of diagnosis of Diana Ross for the injustice that has long worried me.”
For Jessica Cruel, the document was a moment of reflection on her own journey. “It inspired me to reflect on my own career from the writer to now the chief Edior. It is so important to remain faithful to his beliefs and allow the development of possibilities.”
When he showed himself, the crowd raised his glasses with a collective toast to the way forward for black women in Hollywood. It was not only a vacation of what these women achieved – it was a call to proceed, dreaming and demanding more.
This film reminds us of every part that black women were at all times greater than able to being primary on a sheet of connections – they simply needed to fight harder than most to get there.
The premiere around the world at Apple TV+ March 28, 2025 and is currently available to the stream.
(Tagstranslat) documental
Entertainment
Support is poured by the following shocking reception of Flaver Flav, which he converted after almost five years sober
Flavour Flav left fans when the legendary noise and public co-founder of the enemies began to Instagram with a brutally honest confession about stumbling in his sobriety-a few months before what could be his five-year milestone of a pure life.
Confession is a surprise for followers who watched milestone publicly rejoice since sobriety since 2020. His fifth anniversary is approaching October 19.
Hip-hop legend, known for its characteristic clock necklaces and “Yeah Boy!” Hatchpraze, he was transparent about his struggle with addiction in his entire profession. His last statement reflects his involvement in responsibility and authenticity despite this failure in his journey to health.
“I remain authentic for who I’m, and for me a big part of the last 4.5 years was a journey for me.
His statement continued to substantiate his slip and a request for understanding.
“I converted briefly,” he wrote. “I say this to grant my mistake and publicly attract. I am a man who makes mistakes and does not make me a bad man. I hope that those who are around me support my choice to be sober.”
Hype of the public enemy ended his message with a strong reminder of perseverance: “I came back to 1, again. Time has not stopped, my journey continues.”
Fans quickly gathered with the taste of taste when the Jasmine brand Again His statement, flooding comments supporting messages.
“Sobriety is really a journey from day to day. We fall. We are coming back,” wrote one of the commentators, while others added a straightforward but encouraging words corresponding to “It’s ok! Go Flav” and “Respect”.
Some supporters, nonetheless, questioned whether such a private fight needed to be publicly made available.
“Not everything must be made available on the internet, but great for him for putting health,” commented one person.
Another suggested a more strategic motivation: “Someone was Finna Snitch, a good job, winning before history.”
This is not the first time Flavour Flav was honest in his battles of addiction.
In January 2023 revealed The delightful financial number of his previous drug habit, spending from 2,400 to 2600 USD per day for six years – of almost $ 1 million per yr per substance.
The rapper’s sobriety journey began in 2020, running down with a turbulent period when he was temporarily faraway from the public enemy after the dispute with Chuck for the support of the Bernie Sanders group, Los Angeles Times Reported then.
Since the restoration, Flavor Flav has been giving concert events with a gaggle that recently announced thirty fifth anniversary of the celebration of the breakthrough single “Fight the Power” in London Royal Albert Hall on June 27.
In October last yr, during the World Mental Health Day, the taste of taste common Insight into tools supporting his sobriety, including therapy.
“I talk to the therapist. In fact, I talk to two,” he revealed in the film on Instagram. He also supported the application for AI therapy called Sonia, which he considered significant support during a good concert schedule.
Born William Jonathan Draton Jr., The rapper consistently formulated his journey of sobriety as each a private triumph and a platform to encourage others.
“I think God wanted me to live. And he knows that I am a mouthpiece for the world,” he said in previous statements, explaining his belief that sharing his experiences may prevent others from making similar mistakes.
Despite this temporary failure, Flaver Flav’s desire to publicly reset his sobriety meter shows the reality that many are fighting regeneration – this progress is not at all times linear, and susceptibility may be strength.
(Tagstotransate) flavery flav
Entertainment
The best new music this week: Ciara returns from “Ecstasy”, Alex Isley drops a completely new single, “Sinners” Rod Wave and more – ESENCE
Happy Friday, people. This week, music drops are pure magic.
Today, Ciara makes a dazzling return from “Ecstasy”, a stuffy groove, who proves that she remains to be the queen of the dance floor. “Mrs. GOODY shoes” by Alex Isley is a stuffy bliss, while Wave Rod has a heart together with her emotional “sinners”. Our list also includes Bigxthaplug, Destin Conrad, Sir and more.
Look on the best new music this week,
Ciara – “Ecstasy”
Grammy Ciara’s winner returned together with her single from 2025 from “Ecstasy”. Listen to this HERE.
Bigxthaplug ft. Bailey Zimmerman – “completely”
The rapper from Texas Bigxthaplug uses his rural roots with “All the way” with the participation of Bailey Zimmerman. Check the new record HERE.
Sir ft. Maeta – “from my hands”
Two essentially the most talented stars within the listeners of R&B gifts all over the world with their joint song “Out of My Hands” with Heavy luxury: light. Check it out HERE.
Alex Isley – “Mrs. Goods Two Shoes”
Alex Isley returned with the album “Mrs. Good Two Shoes”. Hear this HERE.
Wave Rod – “Sinners”
Just a few weeks before the discharge of “sinners” Rod Wave gives one with the identical name. Watch the movie inspired by the movie HERE.
PinkPantheress – “Tonight”
Today, PinkPantheress shares his first solo song of the yr from “Tonight”, which is trying panic! At the disco “Do you know what I see?” Listen to the song HERE.
Destin Conrad ft. TEEZO STOP – “Last time”
Destin Conrad and TEEZO TDZIENDOW are combined with a new album entitled “The Last Time”. Streamly send a new record HERE.
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