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Tyler Perry Has No Motivation to Make Better Art — Andscape

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Tyler Perry did it again.

He released one other movie, Prime Video , starring Meagan Good and Cory Hardrict. The film was universally panned by critics, earning rare 0% on Rotten Tomatoes. And like lots of Perry’s projects, it plays on drained tropes, depicting abused black women and illogical plot twists. As at all times, Perry’s latest has reignited the controversy in regards to the value of his movies and where they fit on a scale that ranges from uplifting and funny to embarrassing for black people. These conversations have existed since Perry first donned a wig and called herself Madea. But the more interesting query is: What value does Tyler Perry see in his art, and what’s going to drive him to make it higher?

is a typical Tyler Perry production. It is a movie a few woman (Good) who’s abused by her husband (Hardrict), and her only salvation is a brand new man. The source of the trauma of the person who abuses her seems to be, in fact, his mother. The most striking moment of the film takes place in the primary scene, which takes place during a funeral and ends with the mother taking the body of her son out of the coffin. The scene, which became popular for being ridiculous, it’s outrageous, poorly acted, and doesn’t fit into the movie’s plot. And it’s indicative of the movie as an entire. It was filled with plot holes, lacked a story, and was generally incoherent. I discovered myself laughing greater than I felt an actual connection to the story and its characters. And that is been my experience with most of Perry’s movies, especially over the previous couple of years.

Since he burst onto the scene, Perry has made greater than 50 movies—many with poor scripts, shaky camerawork, and choppy production. Pressing play on a 2005 Tyler Perry DVD doesn’t provide a special quality than queuing up on a streaming platform today.

But that does not seem to be the rationale Perry makes movies. In the identical way Starbucks effectively acts as a bank that sells coffeePerry is a dynamic businessman who also makes movies. As the owner of Tyler Perry Studios, a multimillion-dollar Atlanta complex where every thing from Marvel Entertainment to his movies is filmed, Perry can also be an actual estate mogul. He’s also a motivational speaker who uses his story to uplift black people world wide. The movies are a part of the brand, but they’re one among the tenets of the Perry-verse he’s been constructing for a long time.

I first heard of Perry within the early 2000s, when bootleg recordings of his plays were going platinum in black homes across the South. Black Christian plays had at all times been popular, but Perry’s productions, especially those featuring his character Madea, were immediately distinguished by being as funny as they were dramatic. The plot of every play was secondary to the pleasure fans got from watching it and the religious messages they delivered at the tip. In this fashion, Perry built a faithful fan base—lots of whom remain loyal to him to today, watching his movies despite bad reviews or perceived shortcomings.

Because following Perry for thus long means buying into his journey as much as his work. And it’s hard to hear his story and never find it inspiring. A person who wrote his early work while living in his automotive and racked up massive debt to fund his plays has achieved success—and we’ve followed him along the way in which. And being a Perry fan also means hearing his story, told in his own words, which is a present in itself, because he’s a legitimate public speaker. Even as someone critical of his art, I’m still enchanted by Perry’s speeches.

Adding to Perry’s powerful story is the outpouring of affection he receives from his peers. His movies often give actors a second probability or just line their pockets after they’re in need. Taraji P. Henson credits Perry with being the primary director to pay her what she thought she was value.

“I asked for half a million,” she said. he told Variety in 2019.“I didn’t get paid like that until I was in my first Tyler Perry movie. He was the first person to break the norm that I got paid for movies.”

Hardrict It was saved say his salary was the very best he had received as an actor to that time. Perry also gave actors like Teyana Taylor, Lance Gross and Tessa Thompson their first leading roles. And while Idris Elba had already played Stringer Bell for 3 seasons in , this was Perry’s first time making him a number one man in a movie. Perry’s altruism toward black people in Hollywood has ensured that at any time when his name is mentioned by his strongest black stars, it’s mentioned with praise and flattering anecdotes about his character.

The real love that Perry’s peers and fans feel for him is a component of a rigorously curated ecosystem and lens through which his movies are judged. Sure, these movies don’t often give us a very good script or a deep plot, but they’re not judged solely on what we see on screen. They’re seen as extensions of Perry’s experience, and criticizing his movies is criticizing every thing he stands for. Pointing out plot holes then becomes something more: an attempt to take money out of the pockets of a person who uses that cash to uplift black people.

It doesn’t matter that Perry also used his considerable wealth and influence in battles with writers and writers’ unions. He reportedly fired 4 writers for in 2008. Apparently also wouldn’t sign contracts with the Writers Guild of Americaselecting as a substitute to work with non-union talent. The Actors’ Union also boycotted his 2015 play, , because he didn’t sign with them either. His ability to write and direct his own projects is taken into account a testament to his work ethic, but it surely also allows him to sidestep working with unions that fight for fair pay and advantages for his or her members.

Then there’s the difficulty of the movies — and not only the standard of their stories. Beyond their plot flaws, Perry’s movies often perpetuate colorism, misogyny, moralizing, and stereotypes about blackness, gender, and who deserves retribution. These are real and valid critiques of Perry’s work. And they deserve to be heard.

But a part of Perry’s brand positioning is knowing that there’s a limit to the standard of his movies. No one watches them expecting an Oscar-winning film or anything close to one. Even his fans will let you know that his best movies are good “for Tyler Perry.” You see, his universe has its own unique rating system. And if Rotten Tomatoes gives a movie a 0%, then the film has sold itself, because that’s a good larger incentive for fans to defend his work or for critics to tune in to see how bad the film will be. That level of engagement is music to any streamer’s ears, because all they need is eyes on their product, which Perry delivers.

Tyler Perry is just too powerful at this point for anyone to make him do something he doesn’t want to do. And he doesn’t seem to want to make higher art. He can repeat the identical tropes to various degrees of weirdness and protect himself together with his legacy and good deeds. He could make movies which are poorly reviewed because people will still watch them. He can hide his union issues as a charity for essentially the most progressive actors he hires. And he can proceed to be a robust, self-sufficient force in Hollywood, with no way of slowing down.

That’s Tyler Perry’s experience. And it’s something to remember the subsequent time a movie starts with something as ridiculous as a family pulling a dead man out of a coffin.

David Dennis Jr. is a senior author at Andscape and the writer of the award-winning book The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride. David is a graduate of Davidson College.

This article was originally published on : andscape.com
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An attempt to save the image of Jeff Bezos’ future wife backfired after weeks of outrage and ridicule over her skimpy outfit

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Lauren Sánchez has apparently gained a popularity for her fashion hits and misses as social media users began following her every move.

Billionaire Jeff Bezos’ current fiancée stepped into the highlight long before she met the Amazon co-founder, after years spent as co-host of “Good Day LA,” a reporter for “Extra” and host of “So You Think You Can Dance,” and he even starred in a number of movies like “Ted 2.”

She faced criticism for posting a sultry selfie in November in a negligee-inspired gown by designer Laura Basca. In October, the 54-year-old again faced backlash when she showed off her latex Halloween costume as Catwoman.

Now, weeks after being deemed “cheap” and tasteless, the founder of Black Ops Aviation has turn out to be a subject of discussion.

Jeff Bezos’ fiancée Lauren Sánchez shows off a “winter white” look, weeks after critics slammed her busty latex outfit. (Photos: @laurenwsanchez/Instagram, Theimagedirect.com via Page Six)

On December 5, Sánchez and the business mogul attended The New York Times’ DealBook event in New York City. For the occasion, she wore a white Alexander McQueen suit and a white lace corset. The beaming bride-to-be sent two mirror selfies of her outfit, which she signed: “winter white.”

One follower particularly was stunned by the whole look he ejaculated that she was “very attractive and beautiful, gorgeous and stunning, charming and fantastic young lady, sexy, charming, charming and elegant” in the photos that Sánchez took.

Two other people swooned over the photos and wrote: “So chic and elegant!” and “You look great.” But as you would possibly expect from online viewers, not everyone was impressed.

When Page six published paparazzi photos from the trip, the critic commented: “It’s 30 degrees in New York and she gets out of the limo in a white Miami smock, her bra visible to everyone. No taste. Nothing. A cashmere turtleneck, flannel trousers and a wool jacket can be classy.

Someone else sharply asked: “Who can be the first to tell her that she looks tacky and not elegant and refined? Does she even know what sophistication means? A 3rd person noted: “She looks more like she’s wearing a bathrobe.”

Another person wrote in a comment from a licensed pilot: “White means…” possibly referring to rumors that Sánchez and Bezos are scheduled to exchange vows over Christmas. At least one person doubted the couple would have the opportunity to say “I do.” This person said: “This will be the longest engagement ever. They will NEVER get married and we all know why!!!!”

Sánchez told the “Today” show hosts that she was in the process of planning the big day last month. She didn’t comment on speculation about exchanging Christmas vows.

Renewed interest and scrutiny of Sánchez has increased as the pair have been spotted in various locations in recent months. The couple reportedly began dating in 2018. Their engagement was announced five years later, in May 2023. Their upcoming wedding can be a second journey for each of them.

Sánchez was previously married to celebrity agent Patric Whitesell, with whom she has two children. She can be the mother of a son, whom she shares with Pro Football Hall of Famer Tony Gonzalez. Bezos was married to the mother of his three children, Mackenzie Scott, for 25 years once they divorced in 2019.


This article was originally published on : atlantablackstar.com
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Apart from the song with singer-songwriter India Shawn – Andscape

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India Shawn is a contemporary muse with a chilled nature, crafting love stories and heartfelt tales in smooth, charming songs. With over a decade of experience in the music industry as a singer-songwriter, Shawn has incredible strength. She was born in Los Angeles, and her musical roots reach throughout the country. Beginning her profession in her hometown, Shawn eventually found herself in Atlanta, where she immersed herself in the city’s deep-rooted R&B scene, further shaping her artistry.

“I transferred to ATL, I was in 10th grade, and that’s when my music journey really started,” Shawn told Andscape. “I met people who were trying to get by, so I ended up recording and learned what songwriting was really early on.”

Before releasing her debut EP in 2012, Shawn wrote songs and collaborated with artists similar to Chris Brown, El DeBarge, Keri Hilson and Monica. In 2013, she gained much more notoriety when Solange Knowles published her song “I’m Alive” on the Saint Heron compilationmarking her as an artist value watching.

Following the release of the single “There Must Be a God” from the Andscape soundtrack, she caught up with Shawn to learn more about the muse behind the vibes.


Singer India Shawn grew up singing in church with her family. “I feel like most of us R&B kids have that experience,” she said.

India Shawn

Name:
India Shawn

Hometown:

Los Angeles

Artistic soundscape

Airy, soft, telling a story, multidimensional, soft, mysterious, atmospheric

The oldest musical memory

Shawn’s soulful sound is deeply rooted in her upbringing, with influences drawn from her childhood memories and the musical culture of her church. “I sing with my sister all the time, and I also grew up singing behind my mom in church. She was the leader of praise and worship. So I feel like most of us R&B kids have that experience,” Shawn said. “I had these little solos in church, and I believe what made me consider in it was that after the service people got here as much as me with tears of their eyes and said, ‘You really moved me while you sang.’ “These early moments of connection with music and audiences laid the foundation for conveying depth and sensitivity through her music.

Influences

For Shawn, music, especially R&B, has all the time held a special place in her life. “Me and my sister are harmonizing in the living room, just picking some of our favorite songs, including for me Mariah Carey, Babyface, Boyz II Men and (and) Brandy,” she said of her early music memories.

Creative process

Shawn often draws inspiration from real-life experiences and relationships that influence her music. She weaves this into the authenticity and atmosphere of her songs, but she didn’t immediately recognize where her inspiration got here from. “It’s funny that it took me so long to make that connection, but I realized that I was telling my whole story and presenting my business through my music,” she said. “It took me two albums to realize, wait a minute, I’m giving people a lot to understand here… these aren’t just songs. This is truly the life I live.”

Challenges and development

As Shawn’s profession grows, so do his moments of appreciation and reflection. “I literally just thought about a very gradual progression of my career. It’s like step by step, but there are more breakthrough moments. My first tour, which was so beautiful, I just knew I could pack a room and people knew my lyrics and sang my songs to me. Those moments that make the waiting not in vain.”

Shawn has plenty of recommendation for up-and-coming singer-songwriters. Her biggest sacrifice? Collaboration is essential. “I think (cooperation) is really why I’m still here. So find your people… you’ll know when it feels right, you’ll have that freedom and fluidity, and you’ll be able to really create things and create without having to think too much.” He also shares the importance of patience. “Just be patient during the journey. This has been a theme throughout my profession. Let it develop. I feel like more things come from being in that flow and being present reasonably than forcing all of it.

Current project

There should be a God”, the lead single from Andscape , now streaming on Hulu, also serves as a teaser for Shawn’s solo album. “(This song) is such a manifestation of God’s love,” she said. “I think when you find yourself in a place of waiting, you can feel very hopeless. So when you see glimpses of God’s love again, or the fact that you know there is a higher power, there is a source that is thinking about you, has you in mind, has a perfect plan for you, it’s just like the clouds parting. And this is the moment, I understand. I understand that I had to go through all this to get here. And that’s exactly what I felt in the studio that day.”

Sheila Matthews is a digital producer at Andscape and a proud HBCU graduate. She believes “Return of the Mack” must have won a Grammy, and her Twitter mentions are open to all debate.

This article was originally published on : andscape.com
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ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is anticipated to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a take a look at 17 of the very best celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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