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Kendrick Lamar’s “Pop Out” delivered another knockout

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Sometimes, as I wrote on Twitter last night, you actually need to get on the market and show people. That’s exactly what Kendrick did last night in an epic performance. Someone on TikTok said, “Kendrick is June 16th and Drake is July 4th,” and after Kendrick’s The Pop Out concert last night, that rings true. Kendrick is black culture, while Drake is a giant crossover celebration. But before we go any further, we must come together to decide on a reputation for this historic program that the culture has seen as one, talking on Black Twitter and texting about how this program has given us life.

@shanellegenai on Twitter suggested we could call it that “Gangchella” or “Gangteenth” due to the way in which Kendrick combined the Los Angeles Bloods, Crips and Pirus at the tip of the show. (She also offered “Goonteenth,” “The Gangerie,” “The Blood Bonvention” and “Niggapalooza.”) The gang unity aspect was each uplifting and wild. The sight of red and blue dancing together on stage and their group photo demonstrated Kendrick’s cultural power – his ability to unite discordant people is unmatched in modern hip-hop. @michaelharriot wrote on Twitter: “Gangsta lounges weren’t on my Juneteen bingo card.” @actatumonline wrote on Twitter: “It’s guys with 14 bodies on stage dancing carelessly.” At the tip, they were together on stage in peace. @righttimeBomani said Kendrick deserves the Nobel Peace Prize for this. I wrote on Twitter “Not Like Us” became so popular that it united the Crips and Bloods.

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But no, it won’t be written as “Gangchella.” Many suggested we call it “Hatechella.” @mikebeauvais wrote on Twitter: “It’s like, ‘We are the whole world, but because we hate a guy.’ Kendrick went through all of his battle records, starting with “Euphoria,” moving through “6:16 In LA” and “Like That,” and ending with “Not Like Us,” which he performed five or six times in a row. I lost count in all this euphoria. You know you have a cult hit when you can sing the song five or six times and everyone wants to hear it again. @kevonstage wrote on Twitter: “Kendrick plays this song over and once again, identical to I do within the automotive.” @basseyworld wrote on Twitter: “Are you still a serial killer if you kill just one person repeatedly?”

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@porterhouseLA wrote on Twitter: “This is literally the culture that Drake doesn’t have,” and that is what Kendrick said multiple times during this battle. When Kendrick called Drake a colonizer and told him “we don’t want to hear you say (that word) anymore,” he wasn’t talking about biology. Not because he was mixed. This is because he lacks a deep cultural connection to African American culture because he isn’t African American. Everything Kendrick did on this battle demonstrated Kendrick’s cultural competency and cultural strength, and last night only added to that. He brought the celebs of Compton, from Dr. Dre to YG to Roddy Rich, and Los Angeles-born NBA stars Russell Westbrook and DeMar DeRozan danced with him on stage. I heard LeBron was homese. Is there anyone who won’t take part on Kendrick’s sonic stomping? (OK, J. Cole. Touché.) And he stepped out in a blood-red outfit that spoke to his Blood homies and to the legacy of Tupac, who in 1994 wore a blood-red sweatshirt and a blood-red hat. (That was a visible digraph. The man is a genius.) Drake is definitely within the culture, but Kendrick is the culture. It’s in his blood.

Many were hopping last night when Drake ended…@stagbechillin wrote on Twitter: “Damn, that was a nice funeral. They did the body nicely.” Of course Drake is not dead. He lost badly, and public embarrassment is devastating for somebody who cares about image and being liked. He may have to debate his PTSD together with his therapist, but make no mistake, his profession will go on. But he’ll eternally carry the stain of that loss, and maybe also the pain of watching an arena filled with people rhyming to songs calling him a pedophile. Because you realize Drake was at home watching his blood pressure go up and up. @drewscoty said“If I were Drake, I would cancel my Amazon Prime membership immediately.” Surely.

At the tip of the terrifying “The Heart Part 6,” Drake said it felt good to get out and take his pen to work, but what did he have left from the battle apart from scars? Kendrick could do an entire show on Amazon releasing his latest songs against Drake. It was an entire diss show. Like Versuz, which did not have a second MC. As I wrote on Twitter“Do you think that Drake will make battle videos each time he goes on tour? NO.”

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This article was originally published on : thegrio.com

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Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month

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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.

This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.

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And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.

Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.

After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!

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Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album

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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”

Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.

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“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.

The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.

Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.

Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.

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“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “

Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.

Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.

Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.

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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.

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This article was originally published on : thegrio.com
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RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump

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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.

Trump’s takeover is a component of its wide campaign against the culture of “Woke”.

“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”

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Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.

Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.

Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.

Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.

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