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Deborah Riley Draper on the Making of Say It Loud: A Deep Dive into the Legacy of James Brown

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Deborah Riley Draper directed “James Brown: Say It Loud,” a four-part documentary series produced by QuestLove and Mick Jagger. Courtesy

Deborah Riley Draper is a pioneering filmmaker with a talent for unearthing compelling narratives that bring cultural history to life. With roots in promoting and a passion for storytelling, Draper has carved out a distinct segment for herself in the documentary world, highlighting the wealthy and sometimes ignored features of African American heritage. Characterized by in-depth research and vivid storytelling, her work has gained critical acclaim and established her as a robust voice in historical documents.

In her recognized documental series Draper dives into the electrifying life of the legendary James Brown. The film takes viewers on an exciting journey through the ups and downs of Brown’s storied profession, from his humble beginnings to his meteoric rise as the “Godfather of Soul.” Draper combines archival footage, insightful interviews and expert commentary to create a narrative that not only celebrates Brown’s spirit and musical genius, but in addition highlights his pivotal role in Civil Rights Movement. Through her lens, Brown emerges not only as an entertainment icon, but in addition as a life force for social change, as his music and activism intertwine into the tapestry of American history.

Draper’s portrayal of Brown is each intimate and expansive, offering a multi-layered exploration of the man behind the music. The documentary highlights Brown’s dynamic performances, his constant motivation and his lasting impact on music and culture. By placing Brown’s story in the broader sociopolitical context of his time, Draper presents a nuanced and comprehensive portrait that goes beyond his stage persona to disclose the complexity of his legacy.

Ahead of the Emmy Awards, Draper shared with Essence details of the meticulous research and inventive decisions behind the craft, offering a behind-the-scenes have a look at the making of the documentary. She shared anecdotes from interviews with those that knew Brown best, discussed the challenges of portraying such a various figure, and explained how she managed to reconcile the musical and sociopolitical features of his life. This conversation shed light on Draper’s commitment to preserving and honoring African American history through her insightful storytelling, and her insights undoubtedly deepen our appreciation of each her work and the legacy of James Brown.

Director Deborah Riley Draper explores James Brown's legacy in a docuseries
Atlanta – CIRCA 2005: James Brown “The Godfather of Soul” performs at the Lakewood Amphitheater in Atlanta, Georgia 2005 (Photo by Rick Diamond/Getty Images)

ESSENCE: What inspired you to delve into the life and legacy of James Brown for this docuseries?

Riley-Draper: James Brown played a pivotal role for the Black community on and off stage during critical moments of the Civil Rights Movement and in conveying the message of the Black Power Movement and hip-hop. When I believe of James Brown, I believe of my father, who was born in rural South Carolina and raised in Georgia. I believe of my uncles and cousins ​​who held James Brown in high esteem not only as a singer but in addition as a black man who, despite seemingly insurmountable odds, was capable of achieve global fame. He is an incredible example of the lived experience of Black America; is a masterclass in work ethic and self-determination, and that alone is value exploring.

How did you come to work with executive producers QuestLove and Mick Jagger and what unique perspectives did they create to the project?

Questlove and Mick Jagger were already executive producers after I joined the project as director. They each have a deep knowledge of music history, especially James Brown. So it was my responsibility to seek out recent features of James Brown’s life and present them in recent and exciting ways. I loved reaching back to Questlove and Mick Jagger’s early exposure to James Brown’s music and the way it impacted their trajectory and position as artists and entrepreneurs as an instance its generational and global impact.

What challenges did you face in attempting to capture the essence of James Brown’s story in a four-part series?

James Brown definitely has enough life to fill an eight-part series. The challenge was to decide on which storylines to focus on with a view to give the audience as much as possible in 4 episodes, while maintaining energy and a coherent story and creating episodic cliffhangers. Because James Brown’s journey is so intertwined with the Black experience and a few of the most transformative moments in American history, I needed to create space for historical context in order that viewers could understand his decisions, actions, and reactions.

Can you highlight any particularly surprising or lesser-known features of James Brown’s life and profession that viewers can expect to see on Say It Loud?

I used to be surprised to learn that in the late Nineteen Sixties, James Brown created the Black and Brown trade stamps in collaboration with Oakland Raider Art Powell and Donald Warden, who were co-founders of the African American Association, the most fundamental institution of the Black Power movement. Members included Huey P. Newton, Bobby Seale and the parents of U.S. Vice President Kamala Harris. The front of the stamps featured James Brown’s face and encouraged support for black businesses. In its first yr, the enterprise grew to incorporate 1,000 dealers throughout California, generating over $1 million in sales.

How do you think that James Brown’s influence extends beyond the realm of music and into broader cultural and social landscapes?

From his hairstyle to his impeccable fashion sense, James Brown created a design that inspired his fans to emulate for generations. He was the first African American to own a non-public jet. He expanded what the American Dream can mean for marginalized communities. Dozens of entrepreneurs from James Brown’s restaurant owners, restaurants and record labels. Additionally, James Brown ought to be a Harvard Business School case study in marketing and branding. He understood the power of using his name and image in packaging, merchandise, and the musical performances he produced.

What archival materials or interviews were crucial in piecing together the narrative of James Brown’s life, and the way did you ensure the accuracy and authenticity of your portrayal?

I’m a researcher. I start with primary source material. I reviewed a whole lot of hours of interviews, listened to studio conversations, read a long time of newspaper accounts, and studied photos. The interviews were useful because I used to be capable of hear from James Brown and turn out to be accustomed to his body language, inflection and word alternative. It was very eloquent and informative. That’s why I selected James Brown as director to take us through each episode. James Brown brings his story to life. Our stories too often fall victim to reductive and reactive storytelling. Through archival footage, we witness James Brown say what he feels and “Say it loud.”

Director Deborah Riley Draper explores James Brown's legacy in a docuseries
NEW YORK – MAY 3: James Brown visits Harlem, New York to fulfill fans on May 3, 1979. (Photo by Richard E. Aaron/Redferns)

As a filmmaker, what do you hope audiences take away from Say It Loud in terms of understanding James Brown’s impact on music, activism and popular culture?

In November 1969, the cover of Look magazine asked the query: Is James Brown the most vital black man in America? I need viewers to know that James Brown was one of the most vital black men of the twentieth century. His music liberated our community and transformed us from Negro to Black people. This transformation was significant after the assassination of Dr. Martin Luther King, King, when our community had to know what the future might hold. The anthem “Say it Loud” is timeless and a staple in each the late Nineteen Sixties and today. During the summer of 2020, the lyrics and meaning of the song were chanted repeatedly. Without James Brown, would Janelle Monae, Usher and Bruno Mars exist as we all know them? Would hip-hop exist without James Brown, especially considering how foundational “Funky Drummer” is? James Brown had over 15,000 samples taken – that speaks for itself.

How did you approach balancing the celebration of James Brown’s achievements with a nuanced exploration of his personal struggles and controversies?

James Brown’s life began with trauma – he was stillborn. He struggled with internal and external challenges to get his life together. Like most human beings, his life is a road map full of right turns and just a few mistaken ones. The essence is to make use of your good and bad decisions as a lifelong curriculum. His life experience teaches us about ambition, trauma, fame, anger, blackness, anti-blackness, and work ethic. We have to see and understand what went mistaken in the same way we see what went right – that is how we unpack life.

What importance do you see in telling James Brown’s story now, especially in today’s sociopolitical climate?

When “Say it Loud” was written in 1968, the African-American community was in mourning and needed something tangible to positively mobilize. The Black community feared that civil rights gains could be rolled back. Then and now. The tenets of James Brown’s activism focused on education, pride in all things black, self-empowerment, and constructing systems and institutions that serve the needs of the black community. He believed that those that experienced celebrity owed their fans and viewers examples and paths for constructing community and thriving through educational and ownership opportunities.

How do you think that James Brown’s legacy continues to resonate with audiences each old and recent, and what does it mean for future generations?

James Brown’s work ethic, commitment and commitment to community are master class. Excellence in craftsmanship and exertions never gets old. He is the original of one.

This article was originally published on : www.essence.com
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Kamala Harris’ Reproductive Freedom Bus Tour Turns Into ‘Scandal’ Cast Reunion

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Gladiators reunite within the name of democracy.

The solid of Shonda Rhimes’ hit series Scandal will reunite to affix Vice President Kamala Harris and her partner Tim Walz in Michigan for his or her Reproductive Freedom Bus Tour. Actors Kerry Washington, Tony Goldwyn, Guillermo Díaz, Bellamy Young, Katie Lowes, Dan Bucatinsky, Scott Foley, Portia de Rossi, George Newbern, Jeff Perry and Cornelius Smith Jr. will join Harris-Walz for the campaign launch in Madison Heights.

According to The Hollywood ReporterThe solid’s appearance on the political tour is an element of the Democratic presidential candidate’s technique to win the 2024 election. According to the Harris-Walz campaign, the tour’s mission is to “highlight the stark contrast between Vice President Harris and Governor Walz, who will restore Roe v. Wade protections when Congress passes legislation to that effect, and Donald Trump and J.D. Vance, who will enact their dangerous Project 2025 agenda to ban abortion nationwide, restrict access to contraceptives, force states to report women’s miscarriages and abortions, and threaten access to in vitro fertilization.”

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The Reproductive Freedom Bus Tour, which kicks off September 3 in Florida, plans to go to key states across the country to debate the stakes of reproductive rights with Democratic and Republican communities. During the last presidential debate, attention focused on abortion rights and in vitro fertilization (IVF), as Harris pledged to revive nationwide reproductive rights, while Republican presidential candidate Donald Trump refused to commit to vetoing a nationwide abortion ban if he wins the election.

In August, “Scandal” stars Washington and Goldwyn, known for his or her iconic roles as Olivia Pope and fictional President Fitzgerald Grant, thrilled fans by reuniting to co-host the 2024 Democratic National Convention. Over the years, Washington has develop into known for her political advocacy. As a Democratic supporter, the actress has not only partnered with nonprofits to debate abortion rights, but additionally launched her own nonprofit, Influence Change, which “recruits other artists to promote civic engagement.”

“Democracies work best when everyone votes. As a public figure, it’s important to me to remind people of their political power and share any information I have that helps them step into their power,” she said, as previously reported by theGrio. “Artists, musicians, athletes, actors and creators have a unique opportunity to encourage voters. The combined reach of our networks can be used to inspire participation and ensure that more people take their rightful place as active participants in our democracy. I’m not speaking out because I’m an artist; I’m speaking out because I’m an American.”

This article was originally published on : thegrio.com
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Former Bad Boy artist Shyne reveals his true feelings about Diddy’s role in sending him to prison following Mogul’s recent arrest

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Former rapper turned politician Moses “Shyne” Barrow has broken his silence on the recent arrest of Sean “Diddy” Combs.

The Belize-born artist, once an integral a part of Diddy’s Bad Boy Records, has publicly shared his thoughts for the primary time on the music executive’s recent legal troubles.

Though he’s made it clear that Diddy’s legal troubles “don’t make him happy,” the “Bad Boyz” chart-topper stays adamant that his former boss “ruined” his life.

Former Bad Boy artist Shyne blames Diddy for his 10-year sentence for a 1999 nightclub shooting. (Photo: Prince Williams/WireImage; Paras Griffin/Getty Images)

Shyne’s statement got here just days after Combs was arrested on federal charges including extortion, human trafficking and prostitution, which resulted in Diddy being denied bail twice.

The case has made headlines, with many wondering about Diddy’s past. Not only are people bringing up his infamous “Freak-offs” and “Diddy Parties,” but in addition his infamous connection to an incident at a New York nightclub in 1999, where Shyne was partying with the Bad Boy founder and his then-girlfriend, Jennifer Lopez, before gunfire injured two people.

Shyne had no idea how his life would unravel after that night. His profession was cut short, and his life as a free man was marked by first-degree assault, possession of a weapon and reckless endangerment. The chart-topping star was sentenced to 10 years in prison in 2001 for his role in the altercation. He was eventually released in 2009 and deported to Belize.

Fast forward to 2024, and the 2 men appear to be on completely different paths. Shyne is now the leader of the opposition in the Belize House of Representatives, while Diddy faces charges that would land him a life sentence. Shyne shared his thoughts on his former boss’ case at a press conference in Belize.

“When I was an 18-year-old kid who wanted to do nothing but make my mother and Belize happy and be recognized for my talent and take over the world,” Shyne recalled in an interview with Channel 5 Belize. “I defended him and he turned around and called witnesses to testify against me.”

Shyne’s face remained impassive as he explained the role Diddy played in his legal struggles. “He contributed to… basically sent me to prison. That’s the context in which this (relationship) should always be described. I’ve forgiven. I’ve moved on. But let’s not pretend I was in Miami for Thanksgiving and Christmas.”

Shyne suggested that he and Combs aren’t as close as some might think. Despite his forgiving heart, he made sure to set the record straight about their relationship.

“So let’s not lose sight of the cold, hard facts,” Shyne said. “This is not someone I vacationed with and he and I had this wonderful, intimate brotherhood with. This is someone who destroyed my life and I have forgiven him and moved on.”

For years, Shyne has worked with Diddy to bring resources to Belize, but Diddy has clarified that their partnership is strictly business-related.

“Don’t distort it like we’re boom bally. This is someone who ruined my life,” he continued.

Shyne’s evolution from rapper to politician has not gone unnoticed. When The Shade Room published press conference, many praised him for his grace and wisdom in handling the situation, with one commentator noting, “Shyne is the true definition of someone who will sit back and let God do the work.”

Another person said, “This man has really grown. Holding on to bitterness and resentment only hurts you, not the perpetrator. Let life deal with people. Karma never loses its address.”

“Forgiving someone without an apology is powerful,” said a 3rd comment.

Not everyone was impressed. Some wanted him to admit his role in his death.

“First of all, you ruined your life…let’s take responsibility,” the Shade Room commentary admonished. “That’s the problem, people not taking responsibility for their actions and how it leads them to destruction.”

Despite his troubled past, Shyne stays focused on his future and the well-being of his country. “Nobody has to fail for me to succeed,” he said, further evidence of his growth.

Meanwhile, the producer behind the success of artists like Mary J. Blige, The Notorious B.I.G. and The Lox is facing legal troubles. His legal team had proposed a $50 million bail to secure his release, but a judge denied the request, citing concerns about witness intimidation and flight risk. The music mogul will remain behind bars in Brooklyn as his trial approaches.


This article was originally published on : atlantablackstar.com
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Pharrell Williams ‘Irritated’ by Celebrity Political Endorsements

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Pharrell Williams shouldn’t be a fan of celebrity political endorsements. In an interview with Hollywood ReporterThe multi-faceted star shared her more “humanist” view of politics and her opinion on the music and entertainment industry’s involvement in elections.

“I’m more of a humanitarian. I like people who try to help others. I’m not sure I’ll ever vote for the far right. I won’t,” he reportedly said with fun. “But I’m not really into politics. I do like some of the politics; I think education is important. We have a nonprofit called YELLOW (whose mission is equality through education), and then there’s another 501(c)(3) that helps black and brown entrepreneurs called Black Ambition—those are the things I lean into. I’m not an activist, but I believe in action.”

As hundreds of men and girls rally to support Vice President Kamala Harris within the 2024 presidential election, Williams revealed his mixed feelings about celebrities publicly endorsing political candidates. When asked if he would allow any party to make use of his music of their campaigns, as Beyoncé did with Harris, Williams said no, adding that he sometimes “gets irritated” by celebrities getting involved in politics.

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“Sometimes I get annoyed when I see celebrities trying to tell you (who to vote for). There are celebrities I respect who have their own opinions, but not all of them. I’m one of those people (who says, ‘What the hell? Shut up. Nobody asked you,'” he explained. “When people come out and start thinking they’re righteous, they roll up their sleeves and go around with a sign saying, ‘Shut up!'”

In recent years, celebrity endorsements have turn into a key a part of each parties’ political campaigns. While Williams apparently has no plans to endorse anyone this election cycle, he publicly endorsed former Secretary of State Hillary Clinton in 2016. Similarly, he sent former President Trump a letter demanding that he stop using his song “Happy” at one in all his rallies.

“Politics is not my field of expertise,” he said, at a Clinton rally in 2016“But I am a human being. I am a human being with a family, a human being who shares this Earth with other people. These elections are simply too important. I could not sit on the sidelines and just remain silent.”

Social media users were quick to criticize the Louis Vuitton menswear creative director for his seemingly contradictory comments.

“I respectfully disagree, Pharrell. The voices of the informed can educate,” one user wrote on X.

“That’s a privileged approach, lol,” said one other as well as.

Regardless of your opinion on celebrity political endorsements, Williams’ statement reminds us how vital it’s to do your research and fully understand the ballot before casting your vote.

This article was originally published on : thegrio.com
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