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Twitter fashion teacher Cora Harrington is going back to school

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Lydia Hudgens

“I really think it’s time for a rebrand, as they say,” Cora Harrington tells me over Zoom.

If you utilize X, the social media platform formerly generally known as Twitter, and tweet about fashion, you’ve got probably seen it. Maybe it was a thread extolling the advantages of wool dryer balls over dryer sheets. Or it was a tweet expressing opposition to counting on firms like Shein. Whatever it was, there’s an excellent likelihood you encountered content related to a username @Lingerie_Addict as Harrington consistently achieves virality. However, he is increasingly wondering when to change direction.

The handle is from her second profession. After graduating from college and starting her nonprofit profession, she launched a statewide crisis hotline for victims of violent crimes. Harrington then struck out on her own, devoting herself to her small but growing blog, initially called Stockings Addict. She later modified the name of the location to Addicted to underwear and ran it for 14 years, becoming the principal source of knowledge about intimate clothing on the Internet. Thanks to this brand, she has built most of her fans on the Internet. She has also published a book, an underwear guide that celebrates each size and gender inclusivity. Harrington’s status as a black queer woman often implies that her own perspectives include those which can be often forgotten. Two years ago she decided to leave.

Twitter fashion teacher Cora Harrington is going back to school
Lydia Hudgens

“As I was preparing to close, I was worried that I would miss it and that I might regret it,” Harrington now says of the move, which was covered by, amongst others, the media. The site archive stays online and folks proceed to use it as a resource. “It became part of my identity, both personally and professionally, in a way that I didn’t realize until I stopped doing it. For the first six months I felt a bit lost, not really sure what I was doing or what would happen next. I didn’t even know what I wanted to do.”

So she went back to school.

Now Harrington, who initially focused on online education related to intimate apparel, is already a yr into her master’s degree in fashion and textiles on the Fashion Institute of Technology. Earlier this month, she presented her research on the Unraveling Fashion Narratives symposium at Parsons School of Design. While it is going to ceaselessly retain its knowledge of the intimates area of interest, it has effectively exited the market and might now not sustain with what brands are doing. Instead, he is considering a brand new direction, specializing in fashion in a broader sense. Since she’s now not addicted to lingerie, she might have to change her online image.

“Now, being inside [school], “really combines a lot of the things I liked about ‘The Clothesing Addict’: the cultural commentary, the social commentary, the history of things, how they’re made, and the deeper dive into the show,” she says, explaining that she hopes her next step will be on some level of educating the public. “It’s very important to me that people learn about this space and I truly believe that despite the cliche and rude people on the internet, it really helps change their perspective for many people and that excites me.”

Online, the researcher joined a bunch of accounts including Rian Phin, Lakyn Carltonand others that provide recipients with fashion-related knowledge. They expose the secrets of fabrication, cutbacks and costs in a world that may often seem inexplicable. He often speaks on various viral topics in a market overflowing with voices.

Twitter fashion teacher Cora Harrington is going back to school
Lydia Hudgens

“I think it’s increasingly important to distinguish between influencers and fashion experts because I think the gap between those things has become even wider,” he says. “It’s obvious to me that there are a lot of people who don’t know [what they’re talking about] or who clearly copy other people’s notes and I think that’s really sad and unfortunate.” To counteract this, he often adds nuance and depth to the discourse, typically reframing conversations from trendy endpoints to less-discussed sources.

“One of the things I always come back to is the fact that all our clothes are made by people,” he emphasizes. “As Temu gains momentum and absolutely the love that folks have for Shein, I believe it’s increasingly more essential to emphasize that there are real individuals who put these items together. So if you go to considered one of these sites and discover a shirt for a dollar and a few rags, how much does the one that made it make? In a world of overconsumption and the need to give every post a brand new look, this may occasionally prove to be a dangerously touchy and, frankly, unsexy prompt, but ultimately it is mandatory.

Harrington’s tendency to critique the industry by highlighting those on the margins is still present today. She noted that there is a certain disdain in academia for historians who’re self-taught. Collections, donations, and artifacts are kept outside the canon just because the collecting researchers didn’t graduate from college. He cites Lois K. Alexander-Lane, who founded the Black Fashion Museum in 1978, for example. After closing in 2007, the museum’s exhibits were eventually donated to the Smithsonian Museum’s Conservation Institute.

“Then [Lois] “she did that job because she wasn’t an educational, and since academics didn’t think the work she was doing was essential, her work wasn’t treated with the identical respect that it is today,” Harrington notes. He notes similarities to the lack of knowledge about fetish, clothing and subcultures. “This is an ideal example of what I’m talking about.”

He’s going to help this type of gating to not less than start to change. “The space is more homogeneous than I think it should be and we should do better.”


This article was originally published on : www.essence.com
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Health and Wellness

Off-White™ and The New York Liberty Combine Fashion and Sport in Groundbreaking Collaboration – Essence

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Women’s sports are having a moment, and the most recent news confirms it: Off-White™ has been named the official curator of fashion and culture for the New York Liberty, a groundbreaking partnership between high fashion and women’s basketball.

As Liberty dominates the WNBA and seeks their first championship, this partnership couldn’t have come at a greater time. Given Off-White’s fame for setting trends and Liberty’s electrifying presence in the world of sports, this partnership is about greater than just basketball—it’s about culture, representation, and the long run of ladies in sports.

The multi-yr agreement, Off-White’s first collaboration with a U.S. sports team, will kick off with the revealing of a custom varsity jacket prior to Liberty’s playoff opener. Designed with the fierce harmony and unique brand aesthetic in mind, the jacket is the right mix of fashion and athleticism. But this partnership extends far beyond the court. Over the following few seasons, we will expect Off-White™ to release exclusive fashion capsules, host community-focused events and work with Liberty players to focus on key cultural moments like Women’s History Month, Black History Month and Pride.

Off-White™ and New York Liberty combine fashion and sport in groundbreaking collaboration
September 19, 2024; New York Liberty receives “Off-White” jackets as a present (Photo: Brandon Todd/New York Liberty)

This partnership is greater than only a win for Liberty and Off-White™—it’s an enormous step forward for girls’s basketball and women’s sports as an entire. The WNBA is having fun with a season of unprecedented growth, with viewership surging, arenas filling up and a roster of players becoming cultural icons in their very own right. From their glamorous pregame looks to their off-the-court activism, the WNBA’s players are redefining what it means to be an athlete. And the New York Liberty are on the forefront of this movement. Known for his or her fierce competition and ability to push boundaries, the Liberty turn heads each on and off the court.

“WNBA players are being embraced as style icons like never before, while also driving culture in ways never before imagined,” said New York Liberty General Manager Keia Clarke. It’s true—today’s WNBA stars are usually not only excelling in the sport, they’re also pushing boundaries in relation to fashion and culture. With this partnership, Off-White will help them proceed to thrive, pushing the boundaries of what athletes can do and the spaces they will occupy.

Off-White™ and New York Liberty combine fashion and sport in groundbreaking collaboration

Off-White™ CEO Cristiano Fagnani expressed his excitement concerning the partnership, saying, “Sports is evolving and women are making history by owning it. We are thrilled to partner with this inspiring team and together create a space that doesn’t exist by pushing boundaries to create the future. For everyone.” His words echo the feelings felt across the sports and fashion communities—a partnership built on shared values ​​of empowerment, innovation, and disruption.

The timing of this partnership is especially significant. Both brands are at pivotal moments—Off-White™ is fresh off its New York Fashion Week debut and Liberty is gunning for its first WNBA title. Their collaboration heralds a brand new era where fashion, sports, and culture seamlessly intertwine, especially for Black female athletes who proceed to interrupt barriers and define their very own space in the world of sports.

Off-White™ and New York Liberty combine fashion and sport in groundbreaking collaboration

As Liberty’s fan base grows and Off-White’s boundary-breaking designs proceed to push the boundaries, the probabilities for this collaboration are countless. It’s not only concerning the clothes, it’s about creating experiences that talk to the facility of representation. For Black women, this collaboration is one other reminder of how far we’ve come in the world of sports—and how far we will go when fashion, culture, and athletics intersect.

This article was originally published on : www.essence.com
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Health and Wellness

The looming crisis means New Zealand must rethink how it funds aged care

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Latest motions submitted to parliament Health Commission makes one thing clear: New Zealand’s aged care sector is facing a crisis.

This crisis is concentrated on the funding and staffing of aged care homes (ARCs) and residential care and support services.

But the federal government doesn’t should look far to resolve the issue. Australia has modified the best way it funds the sector, calling on wealthier members of society to pay a fairer share of the prices.

New Zealanders in nursing homes

Last yr, an estimated 32,000 people lived in residential aged care. The government’s means-tested residential care grant covers most of the associated fee of care for many who qualify – about 63% of ARC residents.

The ARC subsidy eligibility threshold is total assets of NZ$284,636 or less for a pair aged 65 or over. New Zealand Superannuation, the universal age pension, pays the remaining and provides a modest weekly expenses allowance.

Those with assets above the brink pay for their very own care, increasingly in “care apartments.” These beds, available only to those that can afford the associated fee, reduce what is on the market to subsidized residents, which creates equity issues.

In 2022/23 Health NZ contributed $1.352 billion to ARC providers. Resident fees contributed an extra $1.1 billion.

During the identical period, about 80,000 people over age 65 with social service records or chronic health conditions used home support services (at a value of $2 billion). These services included personal care, cooking, cleansing and respite care. Personal care services weren’t income or asset tested.

New Zealand’s aged care sector is facing a funding and staffing crisis.
Maskot/Getty Images

Elderly care overview

In July 2023, Health NZ launched Funding Review and models of elderly care services.

The aim of the review is to make recommendations that may ensure equitable access and outcomes for older people across New Zealand, while balancing the necessity to implement a cheap system.

The first phase of the review was accomplished in late December 2023. report Five key issues were identified and there have been no surprises:

  • residential care services for older people and residential and social support services are underfunded
  • the financing models used to distribute funds to the sector usually are not suited to the intended purpose
  • there are material ethnic inequalities in access to eldercare services
  • the aged care sector continues to face significant staffing pressures
  • Aged care issues are more serious in regional and rural New Zealand.

Phase two involves developing recommendations for service and financing models that may result in a more integrated model of care, efficient use of resources, and regulatory and financing systems which are fit for purpose.

Despite the federal government claiming $1.4 billion in savings under Health NZ, Seniors Minister Casey Costello says the federal government we don’t intend to chop spending on elderly care.

A recent survey found that 56% of respondents’ ARC establishments made a net loss within the 2022/23 financial yr.

Insufficient funding has caused some nursing home providers to scale back the variety of ARC beds of their facilities. Many smaller providers have closed beds or shuttered their doors for good.

In addition, an acute shortage of registered nurses will see greater than 1,000 beds closed permanently and 1,200 closed temporarily in 2023. It is not any wonder that Health NZ estimates a shortfall of 12,000 residential care beds over eight years.

But underfunding the sector is clearly a false economy. The cost of hospital-level care in ARC facilities is lower than 1 / 4 of the associated fee of a bed day in a public hospital medical ward.

As Aged Care Commissioner Carolyn Cooper says in her statement: last report:

A key problem is the shortage of a selected strategy and planning that takes under consideration the health needs of an ageing population.

Common crisis

The aged care crisis is just not confined to New Zealand.

The Australian government has just accomplished sector overview and adopted 23 recommendations of the Task Force on Care for the Elderly.

One of the more significant changes is the requirement for wealthier people to contribute more to overall costs, relatively than counting on taxpayer subsidies.

The urgency of this modification comes from the undeniable fact that greater than half of all residential aged care facilities in Australia usually are not financially viable. Providers need sufficient revenue to cover the prices of providing services. Every facility that closes reduces the supply of residential aged care for the elderly.

The Australian Government will proceed to cover 100% of the associated fee of clinical care services, while increased means-testing arrangements for each day living costs and non-clinical care will be certain that individuals with assets are in a position to self-fund their care.

Taxpayer funding will be certain that people without assets have access to the care they need.

These changes will improve the financial health of healthcare facilities and in addition improve intergenerational equity by reducing the burden on taxpayers.

An unimaginable burden

New Zealand could learn from Australia. NZ Statistics It is predicted that by 2028 the share of individuals aged 65+ will reach 20% of the population. Within 4 years, there may very well be 30 people aged 65+ for each 100 people aged 15–64.

Older persons are frequent users of health services, and most care and support for older people is currently funded by taxpayers. Without a change within the funding model, working-age residents will face an increasingly heavy burden.

The sector review must be certain that wealthier users of aged care services contribute adequately. Intergenerational equity must be considered in any redesign of aged care provision.

This article was originally published on : theconversation.com
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Health and Wellness

Fantasia Barrino’s Daughter Zion Celebrates 90 Days of Sobriety and Addresses ICU Rumors

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Fantasia Barrino has reached a brand new milestone in her journey to sobriety – she’s now 90 days sober. (*90*) 23-year-old opened up about her commitment to starting a brand new chapter.

“Happy 90 days to me 🙏🏽,” she wrote on her Threads account on September 4. (*90*) update is timely, considering a rumor recently broke that Zion was in critical condition within the ICU. (*90*) 23-year-old also addressed the rumor on her Instagram Stories.

“I’m not in the ICU,” she wrote. In a follow-up story, she added: “And wishing myself dead is really fucked up.”

Barrino’s last update on her journey to sobriety was in August, once we first reported on her decision to get sober.

“Today I celebrate one of the hardest challenges of my life,” Barrino shared with fans on Sunday, August 11.

“I was sick for 3 weeks but I persevered by the grace of God. I met amazing people on this new journey and gained community, love and unbearable support from my family. Happy 60 days today for me [red heart emoji]. If you’re struggling, I’m here to help and tell you about my journey.”

Zion hasn’t revealed what her sobriety has been for, but her transparency can still encourage many who’re struggling as well. Those aware of her mother, Fantasia’s, story has been capable of watch Zion grow over time. When Fantasia rose to fame on American Idol, Zion was by her side and a key part of her story. (*90*) singer gave birth to Zion at age 17, after she dropped out of highschool to live together with her boyfriend.

It’s also a time of transition for Fantasia, who enrolled in college last 12 months after earning her GED in 2009. We wish Zion more milestones of sobriety and strength on his journey.

This article was originally published on : www.essence.com
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