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Cowboy culture has always been a black culture

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CG Esperanza

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I grew up within the High Desert of Southern California, in the house of the famous Hollywood cowboy Roy Rogers. I loved the vastness of the desert, which meant there was room for animals like horses, but I never felt a connection to cowboys.

I didn’t know then that historically, one in 4 cowboys was black. How could I even have known – how could any of us have known – when the dominant representation of cowboys was white? White, male, violent and decidedly independent.

The Compton Cowboys are an exception to those stereotypes. Groups similar to theirs in Compton, California, or the Fletcher Street Urban Riding Club in Philadelphia have been riding around their cities for several a long time, representing a tradition dating back to the so-called American border. While watching movies with these black cowboys, I saw a lot of cowboy hats, but apart from that, the cowboys looked identical to people I knew. I loved watching them bring joy to their communities just by existing. The smiles on the faces of individuals watching them pass by made me smile. Seeing this joy, I knew it was time for a latest cowboy story: a black cowboy story, a story that focused on joy and connection – a story that celebrated community.

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Cowboy culture has always been a black culture
CG Esperanza

that is the story. It’s a kid’s picture book that tells the story of a little girl and her father who get up “before sunrise” to spend “just us time” on their horses. As they ride through the town streets, they gain a latest perspective, admire the sunrise and connect with the people around them, all while riding their beloved horses.

These aren’t the cowboy stories we grew up with, stories about good guys and bad guys, lonely men on the shooting range, and infrequently crammed with racist caricatures. Instead, it’s a story of community. It’s a story about grandmothers and their coffee, about the fantastic thing about an urban sunrise, about bonding with beloved companions, and, above all, about black joy. It can also be the primary traditionally published picture book to feature a Panamanian-American hero. My words are delivered to life by award-winning CG artist Esperanza, whose dynamic, whimsical and vibrant artwork always deeply moves the viewer. I’ll always be pleased about our cooperation.

The publication was released during a cultural resurgence of interest in black cowboy culture due to Beyoncé. From what I understand, it was born out of an experience where Beyoncé felt unwelcome while acting at the Country Music Awards. Is it possible that the dearth of representation of black cowboys influenced the pondering of those that selected to reject Beyoncé, individuals who believed that “you can’t saddle up”? We do not know needless to say, but we do know one thing: cowboy culture has always been a black culture (just because the country has always been black… but that is a different essay). People are starting to appreciate that cowboys can and have always looked different than those traditionally portrayed within the media.

Cowboy culture has always been a black culture
CG Esperanza

I used to be lucky enough to discuss with individuals who read, and their reactions were deeply moving. One woman broke down in tears and told me how much this book would mean to her granddaughter. Another said her students, a lot of whom ride horses, would like to see themselves portrayed within the book. This reception shows what number of stories like this are needed because connection and community are essential. Because black joy is revolutionary. Because we’re willing to rewrite old narratives that, as Beyoncé said, are “lies made of stone.”

“These old ideas/They are buried here,” and of their place we are able to create the world we wish to see. A world focused on community, connection and joy. I’m ready.

We are ready. Amen.

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This article was originally published on : www.essence.com
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Usher to provide the address of the Emory University class start from 2025 graduates

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It seems that there will not be much that Usher Raymond IV – Better, known to the world, simply as a USher – no. He can sing. He can dance. He can sing and dance while skating. He works. Sells Las Vegas residences. Performs philanthropic work.

And also performs the completion addresses. Usher was utilized by the University in its own yard. May 12 Usher will provide the address at Emory University 180. Ceremony of graduation and shall be awarded with an honorary doctorate in humanitarian letters from the institution. This will not be the first Usher Rodeo with an honorary doctorate; In 2023 Berklee School of Music in Boston He awarded the International Superstar with distinction. He also gave comments then.

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Usher will not be alien to Emory University. His non-profit, New Usher Lookwhich according to the website“He transforms the lives of malnourished youth through a comprehensive program that develops passion, global leaders”, has established cooperation with Emory’s University’s University Goizueta Business School in a 400-hour program helping to prepare teenagers for faculty. Apparently, non-profit influenced over 50,000 students.

“I spent my life following my spark – my passion – and trying to support young people when they find and follow their own passions. I am excited that I have the opportunity to talk to these amazing Emory students who graduate and prepare for imprint in the world – said Usher in Billboard statement.

Usher is one of the most successful musical acts in history, selling over 80 million records, winning many Grammy awards and has toured throughout the world since his profession in the mid -90s. His album “Confessions” from 2004 is the second best -selling album from 2000 and is taken into account by Rolling Stone as one of the best albums of all of all of all.

YES!

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This article was originally published on : thegrio.com
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The most iconic moments of the beauty of Robert Flack – Essence

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Anthony Barboza/Getty Images

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Robert Flack, a valued singer, songwriter and pianist, died on February 24, 2025, at the age of 88. The legendary singer, whose velvety voice again defined the soul and R&B, stays a everlasting icon of elegance, emotions and artistry. With timeless classics, resembling “Killing Me Softly with His Song” and “The First Time Ever and Wis See Your Face”, the singer died the audience captivated the audience along with her ability to weave delicacy and power in every note. Not only will we take heed to her repetitive music, but we won’t stop eager about its most iconic moments of beauty.

In the 70s Robert seriously swayed Afro – a daring statement of being black and proud – during performances at live shows, including the famous Newport Jazz festival. Two years later, she honored the scene of Ronnie Scott in London along with her hair drawn into the band, combined with dramatic long eyelashes, which defined her characteristic appearance. Always to experiment with hair, she also accepted braids decorated with beads, without effort combining style and cultural pride.

Just a few many years quickly forward, and Robert was still turning her head. While playing in Gillette Civil Rights 2010 between Cincinnati Reds and St. Louis Cardinals, she stunned the navy blue eye shadow, a dark light highlighter and daring red lipstick. The following yr, she performed at Bideawee Ball from 2011 with full rhythm – eyeliner, mascara, highlighter and its characteristic red lips. And in 2020 she performed unforgettable during the 62th annual Grammy Awards, wearing a beautiful curly crown and the same red lipstick that we met and loved.

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In honor of her everlasting legacy, we glance back at some of the most iconic beauty moments of Roberta’s incomparable flack.

This article was originally published on : www.essence.com
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Joe Freshgoods X New Balance 992 “Starn Well” is celebrating cooperation

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New Balance, Joe Freshgoods, Chicago

 


Joe Freshgoods selects five years and counts with New Balance because of his latest version 992 “Arged Well”, a tribute to his creative partnership with a characteristic brand of sportswear, which still supports his design talents and a contagious passion.

After Debut On the Joe Freshgoods New Balance 992 website, Chicago Creative is preparing for a wider version of February 28 via newbalance.com and chosen retail sellers. The new edition of the sneakers means the fifth anniversary of Joe of New Balance, milestone after almost stood before closing his now widely beloved and known brand.

The document coming in June 2025 is shared within the history of Joe’s success, from his start as an area Streetwearus brand in his hometown of Chicago to providing New Balance partnership in 2020, when he wasn’t sure find out how to keep his business.

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“He examines how the partnership influenced the global culture of sneakers and development transparency”, Joe common In the announcement on Instagram, “which was more important to me than just doing it about tennis games. This is a real life. ”

The trailer of the documentation offers access to Joe’s journey, presenting his modest approach to success and its influence on the Boston brand of sportswear founded in 1906. Since joining New Balance, Joe Robinson (higher referred to as Joe Freshgoods), a champion with a young history.

Five years later, with 20 Sneakers Publishing House and counting the most recent cooperation of New Balance Joe Freshgoods is a love letter for his creative journey with the Boston brand.

“Sometimes I feel that I shouldn’t be here. But I am here and say, “Oh, I’m good at what I do,” he says within the film.

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Project 992 “Agnish well” attracts the inspiration from the primary cooperation of Joe Freshgoods from New Balance – the edition of New Balance 992 “No Emotions”, also referred to as “heart anatomy”. It was a right away hit and celebrated in the course of the NBA All-Star weekend, and now charges resale prices around $ 3,000.

While the explanations for the New Balance revival may vary, many consider the primary release of Joe 992 to be a catalyst that enlivened the brand. Sneakers have pink and red suede silhouettes placed on an olive mesh base and accented saddle skin on the tongue and rear card.

Four sets of lace are attached, and the box is decorated with unique details reflecting the theme “aging well”. In addition, Joe Freshgoods designed the “Championship Dreams” leather university jacket to commemorate his five -year success as a designer.

“I wanted this jacket to capture the essence of the last five years – each project was a milestone, another closed chapter, another dream,” Joe signature Post on Instagram. “Over time, I had the honor to tell culturally important stories, and this jacket reflects this travel project according to the design.”

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This article was originally published on : www.blackenterprise.com
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