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Andra Day talks new album, plays a villain and regains confidence after vocal injury

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LOS ANGELES (AP) — Andra Day rose to acting acclaim after her starring role within the 2021 Billie Holiday biopic, however the soulful singer nearly lost the ability of her powerful voice in the method.

Day suffered a vocal injury after smoking cigarettes for her role in Lee Daniels’ “The United States vs. Billie Holiday.” It took her a while to get well from a hemorrhage in her vocal cords, but now it appears like the singer is back on form together with her latest album, “Cassandra (cherith),” which was released earlier this month.

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“Cassandra” – which is Day’s legal name – is her first album in nine years, since her debut in 2015 with “Cheers to the Fall”, which received a Grammy nomination together with the superb single “Rise Up”. On his new album, he explores the complexities of his past relationships and his spiritual walk with God.

Day has been attempting to regain her confidence since starring within the movie “Holiday,” which helped her win a Grammy and a Golden Globe for her acting and music. She trained her vocals in studio sessions and on several large stages, including several performances during Grammy week and the pre-Super Bowl game, where she performed “Lift Every Voice and Sing” earlier this yr.

In a recent interview, Day talked to The Associated Press about her latest album and how her faith helped her overcome heartbreak and her desire to play a villain.

The comments have been evenly edited for clarity and brevity.

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AP: How essential was it for you to deal with the problem of religion in “Cassandra”?
DAY: Faith is my entire foundation. It’s who I’m. If someone asked me to summarize my identity, I might answer: “I am a follower of Christ. I am a child of God.” What matters is the way you show up. No one’s perfect. When creating this album, I wanted people to experience the mistakes I made. You don’t desire to remain on this place. You need to grow out of it. No matter what mistakes I made or didn’t perform well, I used to be very loved.

AP: How has your faith helped you overcome heartbreak?
Day: This season I’m intensely reminded that I’m loved. That’s what I mean. I feel like I’m hard to like. I feel like when people get to know me they’ll think, “Oh God, she’s really not that great or interesting.” I’ve handled a lot of this type of imposter syndrome. This is the love I really want. There is a verse that claims that God’s plan shouldn’t be to harm you. But they’re there to provide you hope and a future. I stand by it. I imagine it. It’s very painful for me because I like really deeply – something I recently discovered. But at the identical time, it’s a reminder that God’s plan for me shouldn’t be nearly me on this romantic relationship. This could also be a part of it. It is wonderful. But that is a holistic issue that concerns every one’s life. His plans for me are good. God’s love and plans for me. This is what really helps me in the long run.

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AP: How badly were your vocal cords damaged?
DAY: Hemorrhage occurred. You could see inflammation of the blood vessels. I actually have one which is in pretty bad shape at once, nevertheless it hasn’t fully hemorrhaged, which is great. This was my rescue. It’s just drier, more hemorrhagic, more damage and breakdown.

AP: Do you regret smoking cigarettes to play Billie Holiday?
DAY: I began to wonder if it was the best decision. I used to be really desperate. It was my first role. But it definitely had… an impact. I left Billie feeling more confident due to who she was, how she walked across the room and dealt together with her own confidence issues. My voice as a singer. Over the last yr or two I actually have had serious self-confidence issues. It’s really hard when you already know your voice is one-way and then all of a sudden you are like, “Oh my God, I am unable to hit these (notes) or I’m having a hard time hitting these (notes). You need to determine sing again. This is totally new. It definitely affected my self-confidence. Recently, the situation appears to be improving.

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AP: Was smoking required for this role?
DAY: I didn’t need to smoke for Billie. I’m just awesome. It appeared to me that this was one in all those roles that required sacrifice. I simply cannot get it to burn well on screen.

AP: Has your voice reached your level recently?
DAY: We played on the Blue Note (jazz festival) in New York. God was so great. We sold out two nights. It was amazing. There were moments in this system after I felt prefer it wasn’t my very own voice. I used to be in a position to hit certain notes and reach certain places. Recently it has given me more confidence. I just have to get back on the horse and keep doing it and strengthening my muscles like all the pieces else.

AP: What are your future profession plans?
DAY: I would like to play more. I also need to make more music. I need to make more music, more consistently. I’ll take one other break someday. It won’t be one other nine years. I actually need to make EPs with artists I like. Just drop a whole bunch of EPs. All sorts of species. All sorts of styles. I would like to support the opposite producers who worked on this album.

AP: Is there a specific role you wish to play?
DAY: I like futuristic sci-fi stuff. I prefer to play a sort of warrior hero. Biographies too. There are three roles that I’m extremely focused on. I might like to play the unique version of Poison Ivy. I might definitely like to play Eartha Kitt and Angela Davis. These are my dream roles.

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AP: It can be interesting to see you play a villain like Poison Ivy. Why her?
DAY: This is the funniest a part of playing the bad girl. She’s only bad for you. She’s just bad for the audience. For me, as an actor, I do not play a bad girl. I never play a bad character. That’s what I learned from Tasha Smith and Lee (Daniels). To really play well and be convincing, all the pieces in your head needs to be justified. Every move I make. Every thing has its reason. Violent passion. How in my mind and head I do not function like that in real life because now I actually have justified every horrible thing I actually have done and said. I do not have a look at Poison Ivy like, “Yeah, I’m playing a villain.” I say, “My God, she is an amazing plant savior.” … It’s the difference.

This article was originally published on : thegrio.com
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Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month

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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.

This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.

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And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.

Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.

After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!

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This article was originally published on : thegrio.com
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Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album

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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”

Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.

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“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.

The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.

Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.

Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.

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“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “

Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.

Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.

Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.

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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.

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This article was originally published on : thegrio.com
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RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump

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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.

Trump’s takeover is a component of its wide campaign against the culture of “Woke”.

“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”

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Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.

Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.

Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.

Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.

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This article was originally published on : thegrio.com
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