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Have you ever wondered what happened to Dave the Dope Fiend?

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Along with the infamous jester Boo Boo the Fool and the greatly despised slave master Willie Lynch, Dave the Dope Fiend is arguably one in all Black America’s most iconic fictional characters.

Inspired by a single mention in Slick Rick’s 1989 hit: “The story of youngsters”, the name itself has aroused admiration and audience participation in nightclubs and parties for generations. Although the iconic song about a young person whose decisions get him into trouble with the law stays a part of the hip-hop canon, unanswered questions have been circulating in the minds of hip-hop fans for years.

Did he really not know what soap and water meant? How did he start smoking drugs? Why would he offer a spanking shotgun to a whole stranger? Most importantly, what happened to him and the kid he helped?

Well, we found the answers.

Everything hidden?

Here we go.

Once upon a time, not way back…

Not only has Dave the Dope Fiend never used drugs, perhaps greater than anyone in America, but he knows the importance of soap and water.

Born in 1975, David Darwin Dauphin was a straight-A student who spent his early life trying to escape poverty. Before crack hit New York, Bronx River Housing was a spot where people wore pajamas and lived slowly. Dave was the quintessential “magic kid” that everybody in the neighborhood protected.

He was going to win the 1984 Bronx Science Fair.

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In a college that gave birth to nine Nobel Prize winnersThe Bronx Science Fair for High Schools is one in all the best competitions in the K-12 academic community. Inspired by the bullying of his classmates, Dave created “So Fresh, So Clean” – a proprietary chemical process that allowed poor people to clean their bodies, even without access to soap and water. All he needed was a way to pay for the tests and supplies.

One day, a stranger approached Dave and offered him a job as a chemistry tutor for adults. It appeared like the perfect way to support his family and would actually help him win the science fair.

Growing up in an environment where people wore pajamas and lived slowly, Dave had no concept that he was actually teaching drug dealers how to cook crack. In his naivety, he tutored children who were as fascinated with chemistry as he was. Every day, Dave would go to the trap on the top floor of an abandoned constructing and explain chemical reactions, acid-base solutions, and the way to use Bunsen burners. He spent the remainder of his time in a well-equipped laboratory, studying, perfecting his invention, and preparing for the science fair.

On the day of the big science fair, Dave stayed up all night perfecting his project. He already had all of it found out. He didn’t even hassle to shower before his big presentation. Everything at the science fair went perfectly. (Except that the panel of judges asked him to compare the cost of Daves Dry Wash to the price of soap and water, which caused one in all his classmates to shout, “He doesn’t know what that is!”).

Dave’s Dry Wash took first place thanks to a landslide.

Dave didn’t even wait for the trophy. He ran to the trap to tell his “employers” that he was retiring. The drug boys were overjoyed that Dave had fulfilled his dream and was finally “out of the mask.” After a couple of minutes of celebrating, they left Dave alone to get his equipment. He had almost finished packing all the pieces when he heard a knock on the door.

Dave assumed that one in all his former employers would come to retrieve the shotgun that the “security guard” had left in the corner of the trap door to protect the “lab”. Who else would run up the stairs to the top floor of an abandoned constructing? Dave opened the door without even searching through the keyhole.

It was you, Stickup Kid.

The little boy misled

Tyson James, a shy but athletic third grader who mostly kept to himself, lived across the hall from Dave. Because Ty struggled with dyslexia – a diagnosis he discovered while in prison – he learned to struggle at a young age. That’s why his elementary school bullies knew higher than to retaliate when Tyson intervened in the frying of his third-grade classmate and neighbor.

“His name is (smack!)… David (smack!)… Dee (smack!)… Dauphin (smack!),” Ty announced, slapping his schoolyard bullies in the back of the neck with an open hand. “It’s Dave, the drug devil.”

Connected by proximity, poverty and a desire to escape the smaller of the Americas, the boys quickly became best friends. They even swapped clothes to make their wardrobes look more diverse. After Dave transferred, Ty was recruited by the midfield crew. When Dave came upon that his friend was robbing old people and running away, Ty left the crew.

“I would never be stupid enough to rob an undercover DT,” Ty said, using a standard term for an undercover detective. “I left this life. It wasn’t that I could not stop or that I got sick. Instead, Ty claimed he was framed and attacked by a corrupt police officer.

“He grabbed my arm and told me not to move; there was no need for interference,” Ty explained. “I was going to comply, but he punched me in the stomach and spanked me, so I escaped and ran around the block.”

This was the starting of one in all the most iconic chases in hip-hop history.

Ty also says that Dave was just in the mistaken place at the mistaken time. When Ty knocked on the trap door, Dave just smiled and said, “I won the science fair.” He expected Ty to be as completely happy as everyone else, but he immediately sensed something was mistaken.

“I need bullets,” Ty replied. “Hurry up, run.”

Dave didn’t even move. Instead, he quickly showed Dave to the back door and handed Ty the shotgun. The police rushed in, threw Dave to the ground and handcuffed him. Just a few minutes later, in the middle of this madman’s sleep, Dave heard gunshots.

“We shot a kid,” a voice announced on the police radio. To this present day, Dave can still hear the screams.

“Just to be clear, it wasn’t Dave’s shotgun or his bullets,” he added. “First of all, I didn’t even shoot at them! According to police reports, they dispersed after I got the tattoo. However, during the trial, the jury discovered that that they had simply made this part up! Shotguns don’t even save.

Ty was sentenced to three consecutive life sentences for assaulting cops, armed robbery, resisting arrest, automotive theft and reckless endangerment. Because prosecutors alleged that Dave was Ty’s accomplice, he was charged with the same charges as Ty, in addition to RICO charges for the drug operation. “I don’t blame Ty,” Dave explained. “My life is the results of the decisions I even have made. I made a decision to work in a jail. I made a decision to tell Ty where the gun was.

While Dave had come to terms with the idea of ​​spending the remainder of his life in prison, his cellmate, Ty, was preoccupied with overturning his conviction. They got a second likelihood thanks to his friend’s commitment to true justice and each men’s commitment to sincere reparations.

Until Lakisha showed up.

This is not only one other mistaken path story

The statement continues:

When attorney Lakisha Holmes received a letter from inmate Tyson James, she immediately recognized the story. She knew all the details. The undeniable fact that she grew up in the Bronx River Homes had nothing to do with it, nor did the undeniable fact that Lakisha graduated from Bronx Science before attending Spelman and Howard Law School. Her birthday was the spark.

On April 21, 1988, lower than six hours after David Dauphin’s triumphant victory at the science fair and the life-changing abduction of Ty the Stickup Kid, “Jane Doe” welcomed her recent daughter into the world.

Lakisha all the time thought her mother was joking when she insisted she was the “pregnant lady” from one in all the most played songs on Black radio. Dave’s letter was proof that her mother was telling the truth.

Lakisha called her mother, who revealed that she never identified Ty as her kidnapper and, in fact, never implicated Dave. Many witnesses testified that only people on the town called the Dauphin “Dave the Dope Fiend”. Together they found the false police reports and revealed the truth. Lakisha’s mother even found her original witness statement, which supported Ty’s claims that he was unarmed when police shot him.

“They didn’t have to shoot that boy,” Doe said in her original statement. “He knew deep in his heart that he was wrong.”

After thirty years in prison, the appeals court overturned the sentence. In its decision, the three-judge panel cited police corruption, falsified evidence and witness tampering. To settle one other federal civil rights lawsuit, the NYPD paid Dave and Ty $13.7 million for his or her wrongful convictions and agreed to permanently fund the mentoring program.

Today, Dave and Ty are co-executive directors of Knock ’em Out the Box, a free program offered by the New York State Office of Children and Family Services. While programs like The Innocence Project and Project BUILD serve incarcerated adults, Knock ’em Out the Box is the first to offer counseling and legal justice to juvenile delinquents featured in hip-hop songs. Past participants include: Millie (accused of pulling a gun on Santa Claus), together with dozens of youngsters whom my parents just didn’t understand.

When asked in the event that they had any bad feelings, they each admitted they regretted it. “I’m sorry to everyone I’ve hurt,” Ty said. “I reached out to my sister and told her I was sorry I was aiming for her head – thank God I missed her. I sent an apology to the old man I knocked down – I swore I killed him. I wrote another and another, sister and brother.”

“I wish I knew that white people actually don’t know the importance of soap and water,” Dave lamented. “Let’s imagine that we gave Jason Kelce support agreement. Dave’s dry cleaning could have been huge!”

Good night.


This article was originally published on : thegrio.com
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Zsela lets go and falls into uncertainty with her debut album “Big For You”

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LOS ANGELES (AP) – Zsela leans into the ebb and flow of uncertainty and encourages listeners to do the identical throughout her debut album, “Big For You.”

The album, which was 4 years within the making, is the follow-up to Zsela’s 2020 EP “Ache of Victory,” which she describes as “an imprint of time.”

“I’m connected to it because it will always be a part of my story, but I’m excited to talk about it with the new album,” Zsela said. “I worked rather a lot on myself and on this music. It took time. I feel really lucky that I used to be in a position to get the songs where I wanted them to be this time, and I’m really enthusiastic about where they ended up,” she said.

For Zsela, working on “Big For You” was a test of trusting her instincts and pushing herself beyond her comfort zone, each sonically and vocally.

“I actually began experimenting with my voice in a way that influenced my writing. I had this character that I used to be singing with who got here on a day where I just wasn’t feeling my voice. So I assumed, let me try something different. Really different,” Zsela said of the album’s character. When asked where a particular character appears, she simply replies, “I feel it’s more fun to depart it to the listener to seek out.”

Singer Zsela poses for a portrait on Friday, May 24, 2024, in Los Angeles. (AP Photo/Damian Dovarganes)

Zsela has a wealthy, appealing voice. Its warm tone is intertwined with upbeat, dreamy melodies and instruments, especially heard on songs like “Fire Excape” and “Not Your Angel.”

“I feel like I’ve become more confident in just the practice of experimenting, of not being so precious, of being open to people and ideas, and really trying to practice listening to myself and where I want to go, and to the outside noise of the world,” she says.

However, when starting her transformation, Zsela says she really desired to strive for “lightness, fun and lightness” in any respect times.

“I really tried to bring it into the room whenever I was alone and working on what I wanted to say,” she said. “It’s almost like opening up and letting go and experimenting.”

“Big For You” was a probability for her to see how far she could go, establishing her creative confidence and creating an enthralling and energetic album, filled with musical tension and rest.

“My friend described this album as sweaty, it feels tense and hot,” she says.

“Big For You” in Zsela’s case means “I love you”, and the album is about love and all its complexities.

“The space we fill and move into the inside of affection is large. Like being ‘full for you’ and ‘filled with you’ and the complexity of the scale of the space we occupy and fill,” the artist said.

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The Brooklyn native takes listeners on an adventure that begins with the whimsical “Lily of the Nile” and ends with “Play” – a song that she claims “ends with a question about love.”

“It’s kind of leaving the album open and hopefully making you want to start over to see what the answer is or if there is one.”

She once more teamed up with longtime Frank Ocean and FKA Twigs collaborator Daniel Aged to provide alongside Gabe Wax.

“I keep my world of colleagues quite private. And that does not imply I don’t desire to ask more, but I feel the intimacy really built loads of trust and that was really vital to create that and to have the option to experiment and find your way home. “

Zsela has played many concert events with artists comparable to Caroline Polacheck and Arooj Aftab. However, this summer she shall be embarking on her first headlining tour and is looking forward to meeting listeners who enjoy her artistry.

“I can’t wait to see who’s in these rooms,” she said. “I’m excited to play these songs live. The whole time I was making this album, all I could think about was playing them live.”

The premiere of “Big For You” is scheduled for Friday. Zsela hopes listeners will absorb the melodies, lyrics and arrangements while driving with the highest down.

This article was originally published on : thegrio.com
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Lenny Kravitz embraced being both black and Jewish, which defined who he was

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lenny kravitz black media, lenny kravitz comments, thegrio.com

Lenny Kravitz is black and Jewish, and that dichotomy has meant a lot in his life. In our Masters of the Game interview, he talked about how he was often teased as a toddler for not being fully either side. “I grew up with kids, and I’m sure you have, too, who didn’t know how to deal with it because they thought they had to fit into one or the other,” he said. – And we haven’t got to suit into both.

Kravitz says his family advised him to rise above it. He said he was taught “to accept all that you are and to honor all that you are and to know that if you have different elements, it’s a gift, that you can draw from different cultures, different things and different aspects of yourself. It gives you more opportunities to work and a greater understanding that we are all truly one. We are all the same. We all come from the same source. So I think having that mix is ​​wonderful.”

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But Kravitz had a very powerful example of being pleased with who you might be in your individual home. His mother, actress Roxie Roker, was a part of the primary interracial couple shown on television when she starred in “The Jeffersons”, one in all the best television series of the late Seventies. “The Jeffersons” focused on George Jefferson and his wife Louise, aka Weezy, who were a part of the black upper class at a time when there have been few of them within the country and none on television . Roker’s character, Helen Willis, lived near the Jeffersons and appeared in almost every episode. Helena’s husband was white. Her character helped normalize interracial relationships within the media and helped Kravitz feel higher.

Kravitz proudly told me the story of how Roker got the job – the show’s creator, Norman Lear, asked her if she can be comfortable playing a personality who had a white husband. Kravitz said Lear said, “Now listen, I just want to talk to you about this because I need to make sure you’re comfortable. Because you’re going to, you know, hug and kiss this man. I don’t know how you’ll feel about kissing a white man. She pulled out a photo of her husband. He was a white man. Lear said, “I’ll see you on Monday.”


This article was originally published on : thegrio.com
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Timbaland inducted into Songwriter Hall of Fame; SZA wins young songwriter award

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The Songwriters Hall of Fame Induction and Awards Gala was an event to not be missed.

Legendary record producer Timbaland has reportedly been inducted into the organization’s 2024 class, with fellow songwriters joining REM, Steely Dan, Hillary Lindsey and Dean Pitchford. Hollywood reporter.

Missy Elliott, Timbaland’s longtime collaborator and the primary female rapper inducted into the Songwriters Hall, was in attendance and paid tribute to the producer. Timbaland you should definitely thank Elliott and several other other artists he has worked with, including Aaliyah, Jay-Z, Justin Timberlake and Magoo.

“I owe my career to Missy Elliott,” he said during his award acceptance speech to THR. He concluded with gratitude to Songwriters Hall: “Thank you for giving me a seat at the table – I’ve been waiting for a long time.”

SZA speaks on stage on the 2024 Songwriters Hall of Fame Induction and Awards Gala on June 13, 2024 in New York City. (Photo: Bennett Raglin/Getty Images for Songwriters Hall Of Fame)

Timbaland wasn’t the one artist within the R&B and hip-hop space to win the award. Singer SZA won the Hal David Starlight Award, an honor given to young songwriters. The Grammy winner, whose “SOS” was amongst the most important albums of 2023, sang an acoustic version of her song “Snooze” on the ceremony.

“I have exceeded all my wildest dreams,” SZA said during her award acceptance speech, per People. “I’m just so grateful. Thank you for seeing me. I swear I’ll be like, “Oh, I wrote this and I wrote that.” And (people) would say, ‘OK,’ especially in case you’re a lady, especially in case you’re a black woman. So winning this… just means the world.

Songwriters Hall chairman Nile Rodgers presented the award to SZA, who stated that she was “many different people” as an artist.

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“I weighed 200 pounds. I weigh 130 pounds,” SZA said. “I used to be a one that didn’t dance on stage in any respect, a one that could only close her eyes and look down, a one that danced and gave her all. I just went through all this and thought, “Oh my gosh, I’m struggling with being an artist.” As if writing made me feel like an individual, that I had value and will show that I used to be smart, and it went beyond the query: “Am I pretty?” Am I liked? And that principally meant the whole lot to me.

“It made me feel like a human being, that I was doing something valuable,” she concluded. “Basically, receiving this award validates my entire career.”

This article was originally published on : thegrio.com
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