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Michael Arceneaux’s latest book is a study of grief, debt, and self-healing – Andscape

Published

9 months ago

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Creating content in the center of grief can have a huge impact on what you create. This is very true for authors like Michael Arceneaux, who published his third book while coping with the loss of friends and family and the devastating pain that comes with it. As Arceneaux noted, “Sadness sends the mind into many different spaces.” These experiences made him wonder how people would receive the book.

“I was really worried that I was missing the point, that this book wasn’t meeting the standards I wanted to set, because I was writing it under tremendous duress and in so much pain,” Arceneaux told Andscape. “Some people think it’s one of my best books and biggest work. I appreciate it and it was very nice to listen to it from people. It makes me feel good.”

In Arceneaux, she touches on a number of topics, equivalent to finally having enough money to take care of herself (hence the Jordans within the book’s title), writing about (and being blocked by) celebrities previously, coming to terms along with her relationship along with her family, and complicated feelings about money and coping with sadness. Overall, this is a clever, honest, and heartfelt book that invites readers to explore the various facets of Arceneaux’s world. From razor-sharp political evaluation to multi-layered stories about parenting, the bestselling writer once more challenges readers to think deeply about family, popular culture, politics, and the journey to greater economic stability.

Andscape caught up with Arceneaux to discuss his work, grief, and what he hopes all of us take away from his latest book.

You capture serious historical moments on this book while being your witty and funny self. For example, in a single chapter you wrote about (former Democratic candidate for Florida governor) Andrew Gilliam with great nuance, and in one other you mentioned your dissatisfaction with (performing oral sex). So what exactly was your review of this book and what was your standard?

The book is very different from what I originally intended, but I carried a lot of sadness with me while writing it. I lost one friend to suicide. I had one other friend with brain cancer – all this stuff were happening, and then the pandemic hit and I discovered myself in Harlem. When I finally found the space to focus and shape the book the way in which I wanted, my mother was diagnosed with cancer. At the time, I used to be ending the book and rewriting every thing, so I needed to be sure that that my writing activities would not interfere with spending time with my mother. My priority was spending time with my mom, but my mom insisted that I finish and really give attention to the book and my work. So when writing this book, I needed to be really honest about where I used to be at. I took the pressure off myself to be funny, which ultimately made the book what it was presupposed to be, and not necessarily what I had planned.

Taking the pressure off may be hard enough, considering the multi-layered grief involved in ending a book, and it just sounds brutal. How did you navigate all of this?

I needed to lean on some of the things my mother taught me. My mom all the time emphasized the importance of doing all your job, being responsible, and having a strong work ethic, so I had to construct on that and really have a lot of discipline to write down the book and really be honest about where I used to be at. , which wasn’t where I felt like being particularly funny.

Working through grief is often like showing up at book events and conducting interviews on particularly emotional days. How do you take care of it?

The love people show me during these events has truly validated me. I also enjoyed going back to bookstores – which I wasn’t in a position to do with my second book since it was published when the plague began, so every thing was closed – and connecting with readers. There was a lot love within the room at every event. Even though it is not one of the best time, I’m lucky that individuals understand my pain and show me a lot love.

Shortly after my book was published, my grandmother and two of my mother’s sisters died. One of them helped my mother raise me. I quickly learned that I needed a set of different coping mechanisms to assist me get through each moment. Is there something concerning the way you captured your mom or the stories you shared about her that offers you peace now?

One day my aunt texted me and jogged my memory of one particular chapter. I used to be in Texas during a freezing cold spell when the facility grid went down. I used to be there without water or electricity, in an Airbnb that I rented to be near my mother. (While frozen) I felt trapped within the Airbnb. My (cellphone) battery was dying and there was no electricity. I used to be on the Airbnb for about two days and my mom hadn’t heard from me. One day, once I was attempting to use the toilet without water, I heard a banging on the door. It was my mother with a flashlight saying stand up, we’re leaving. She said she got here to select up the child. Her power had returned the night before. She wasn’t going to let her son freeze to death. This chapter jogs my memory of who she was since it is the quintessence of my mother. No matter how old we’re, my mother will do anything for her children and grandchildren. She drove through the streets without electricity with a large flashlight, on the lookout for her child. This story encourages me and jogs my memory that my mother truly loved us.

You did a great job of capturing the love your mother had for you. You also perfectly captured the nuances of a complicated relationship with a parent, and for you it is your dad. What has helped you grow to a place where you may recognize his unconventional ways as a form of love?

It’s funny because now he actually says “I love you.” But I needed to learn that you’ve to fulfill people where they’re. Sometimes in your individual healing you could not achieve the result you would like, but you could achieve a result that may offer you peace or something near it. For me, I needed to learn to actually understand who my father was and how he became that person. This helped me get rid of all of the anger I had towards him. Thanks to this, I used to be in a position to observe my father’s development. If you really need to interrupt the cycle, it is advisable work out what a room might appear to be.

I do know many deeply personal stories have been shaped by your grief, but how did you choose which stories from popular culture and politics to incorporate within the book?

Some of the essays covered topics that I had not been in a position to return to in some of my online publications, so I desired to return to them on this book. I also wanted the stories to return from a real perspective of what was happening on the time (equivalent to the coronavirus pandemic). Some things I didn’t even mean to be super political, like my essay on my disdain for the mistreatment of service staff or the way in which politicians demean working-class black people. However, I used to be concerned about whether some of the events that occurred in 2020 would still apply.

Experiencing long periods of economic hardship and finally attending to a place where you may breathe financially is a very close call. A number of years ago my automobile was repossessed and once I hear a large truck slowing down near my house my heart skips a beat. Do you continue to have similar moments?

Yes, I still have those moments. I keep having to remind myself that I deserve nice things, irrespective of what I would like. Yes, I actually have post-traumatic stress disorder (PTSD), but I feel higher now.

After reading Is there one thing you would like readers to sit down down for?

I often have easy goals. I would like people to laugh. I would like people to think. Plus, I hope this book helps people not feel alone because a lot of people need to forget that 2020 even happened. And I would like to remind those that in the event you can, call your mom.

Shanita Hubbard is a author, assistant professor of sociology, fellowship scholar, and writer of the upcoming book Miseducation: A Woman’s Guide To Hip-Hop.

This article was originally published on : andscape.com
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An attempt to save the image of Jeff Bezos’ future wife backfired after weeks of outrage and ridicule over her skimpy outfit

Published

2 months ago

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December 9, 2024

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Lauren Sánchez has apparently gained a popularity for her fashion hits and misses as social media users began following her every move.

Billionaire Jeff Bezos’ current fiancée stepped into the highlight long before she met the Amazon co-founder, after years spent as co-host of “Good Day LA,” a reporter for “Extra” and host of “So You Think You Can Dance,” and he even starred in a number of movies like “Ted 2.”

She faced criticism for posting a sultry selfie in November in a negligee-inspired gown by designer Laura Basca. In October, the 54-year-old again faced backlash when she showed off her latex Halloween costume as Catwoman.

Now, weeks after being deemed “cheap” and tasteless, the founder of Black Ops Aviation has turn out to be a subject of discussion.

Jeff Bezos’ fiancée Lauren Sánchez shows off a “winter white” look, weeks after critics slammed her busty latex outfit. (Photos: @laurenwsanchez/Instagram, Theimagedirect.com via Page Six)

On December 5, Sánchez and the business mogul attended The New York Times’ DealBook event in New York City. For the occasion, she wore a white Alexander McQueen suit and a white lace corset. The beaming bride-to-be sent two mirror selfies of her outfit, which she signed: “winter white.”

One follower particularly was stunned by the whole look he ejaculated that she was “very attractive and beautiful, gorgeous and stunning, charming and fantastic young lady, sexy, charming, charming and elegant” in the photos that Sánchez took.

Two other people swooned over the photos and wrote: “So chic and elegant!” and “You look great.” But as you would possibly expect from online viewers, not everyone was impressed.

When Page six published paparazzi photos from the trip, the critic commented: “It’s 30 degrees in New York and she gets out of the limo in a white Miami smock, her bra visible to everyone. No taste. Nothing. A cashmere turtleneck, flannel trousers and a wool jacket can be classy.

Someone else sharply asked: “Who can be the first to tell her that she looks tacky and not elegant and refined? Does she even know what sophistication means? A 3rd person noted: “She looks more like she’s wearing a bathrobe.”

Another person wrote in a comment from a licensed pilot: “White means…” possibly referring to rumors that Sánchez and Bezos are scheduled to exchange vows over Christmas. At least one person doubted the couple would have the opportunity to say “I do.” This person said: “This will be the longest engagement ever. They will NEVER get married and we all know why!!!!”

Sánchez told the “Today” show hosts that she was in the process of planning the big day last month. She didn’t comment on speculation about exchanging Christmas vows.

Renewed interest and scrutiny of Sánchez has increased as the pair have been spotted in various locations in recent months. The couple reportedly began dating in 2018. Their engagement was announced five years later, in May 2023. Their upcoming wedding can be a second journey for each of them.

Sánchez was previously married to celebrity agent Patric Whitesell, with whom she has two children. She can be the mother of a son, whom she shares with Pro Football Hall of Famer Tony Gonzalez. Bezos was married to the mother of his three children, Mackenzie Scott, for 25 years once they divorced in 2019.


This article was originally published on : atlantablackstar.com
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Apart from the song with singer-songwriter India Shawn – Andscape

Published

2 months ago

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December 9, 2024

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India Shawn is a contemporary muse with a chilled nature, crafting love stories and heartfelt tales in smooth, charming songs. With over a decade of experience in the music industry as a singer-songwriter, Shawn has incredible strength. She was born in Los Angeles, and her musical roots reach throughout the country. Beginning her profession in her hometown, Shawn eventually found herself in Atlanta, where she immersed herself in the city’s deep-rooted R&B scene, further shaping her artistry.

“I transferred to ATL, I was in 10th grade, and that’s when my music journey really started,” Shawn told Andscape. “I met people who were trying to get by, so I ended up recording and learned what songwriting was really early on.”

Before releasing her debut EP in 2012, Shawn wrote songs and collaborated with artists similar to Chris Brown, El DeBarge, Keri Hilson and Monica. In 2013, she gained much more notoriety when Solange Knowles published her song “I’m Alive” on the Saint Heron compilationmarking her as an artist value watching.

Following the release of the single “There Must Be a God” from the Andscape soundtrack, she caught up with Shawn to learn more about the muse behind the vibes.

Singer India Shawn grew up singing in church with her family. “I feel like most of us R&B kids have that experience,” she said.

India Shawn

Name:
India Shawn

Hometown:

Los Angeles

Artistic soundscape

Airy, soft, telling a story, multidimensional, soft, mysterious, atmospheric

The oldest musical memory

Shawn’s soulful sound is deeply rooted in her upbringing, with influences drawn from her childhood memories and the musical culture of her church. “I sing with my sister all the time, and I also grew up singing behind my mom in church. She was the leader of praise and worship. So I feel like most of us R&B kids have that experience,” Shawn said. “I had these little solos in church, and I believe what made me consider in it was that after the service people got here as much as me with tears of their eyes and said, ‘You really moved me while you sang.’ “These early moments of connection with music and audiences laid the foundation for conveying depth and sensitivity through her music.

Influences

For Shawn, music, especially R&B, has all the time held a special place in her life. “Me and my sister are harmonizing in the living room, just picking some of our favorite songs, including for me Mariah Carey, Babyface, Boyz II Men and (and) Brandy,” she said of her early music memories.

Creative process

Shawn often draws inspiration from real-life experiences and relationships that influence her music. She weaves this into the authenticity and atmosphere of her songs, but she didn’t immediately recognize where her inspiration got here from. “It’s funny that it took me so long to make that connection, but I realized that I was telling my whole story and presenting my business through my music,” she said. “It took me two albums to realize, wait a minute, I’m giving people a lot to understand here… these aren’t just songs. This is truly the life I live.”

Challenges and development

As Shawn’s profession grows, so do his moments of appreciation and reflection. “I literally just thought about a very gradual progression of my career. It’s like step by step, but there are more breakthrough moments. My first tour, which was so beautiful, I just knew I could pack a room and people knew my lyrics and sang my songs to me. Those moments that make the waiting not in vain.”

Shawn has plenty of recommendation for up-and-coming singer-songwriters. Her biggest sacrifice? Collaboration is essential. “I think (cooperation) is really why I’m still here. So find your people… you’ll know when it feels right, you’ll have that freedom and fluidity, and you’ll be able to really create things and create without having to think too much.” He also shares the importance of patience. “Just be patient during the journey. This has been a theme throughout my profession. Let it develop. I feel like more things come from being in that flow and being present reasonably than forcing all of it.

Current project

“There should be a God”, the lead single from Andscape , now streaming on Hulu, also serves as a teaser for Shawn’s solo album. “(This song) is such a manifestation of God’s love,” she said. “I think when you find yourself in a place of waiting, you can feel very hopeless. So when you see glimpses of God’s love again, or the fact that you know there is a higher power, there is a source that is thinking about you, has you in mind, has a perfect plan for you, it’s just like the clouds parting. And this is the moment, I understand. I understand that I had to go through all this to get here. And that’s exactly what I felt in the studio that day.”

Sheila Matthews is a digital producer at Andscape and a proud HBCU graduate. She believes “Return of the Mack” must have won a Grammy, and her Twitter mentions are open to all debate.

This article was originally published on : andscape.com
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ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

Published

2 months ago

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December 9, 2024

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is anticipated to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a take a look at 17 of the very best celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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