Music
In the Kendrick-Drake dispute, women and other victims of violence are a recurring punchline
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Like everyone else, I maintained perfect attendance during the Kendrick and Drake beef.
I actually have been online at every drop and have been involved in lots of discussions about it on social media. If you would like my opinion, Kendrick won.
Kendrick won, but women and victims of grooming, pedophilia and domestic violence, in addition to children, lost. They lost, as they at all times do, because hip-hop doesn’t care about casualties in the grand scheme of things.
I won’t trouble repeating who said what to whom because there may be enough evaluation like this and you do not need my help to figure it out.
Kendrick has repeatedly accused Drake of being a loser and a skilled makeup artist who actively seeks relationships with young girls and age-inappropriate women.
Drake accused Kendrick of beating his wife and playing father to a child that will not actually be his.
All this stuff were said for the purpose of elevating each other. None of these actions were intended to lift awareness or provide justice for victims. None of these statements were made as a option to mitigate further harm to anyone.
We should not be surprised. After all, hip-hop is legendary for its rampant misogyny and blatant disregard for women.
Dr. Dre notoriously beat Dee Barnes 30 years ago in a nightclub in Hollywood. The beating has turn out to be a running joke and punchline for a lot of rappers, including Eminem and T.I. As Dee herself said on Twitter this weekend, she’s “reduced to a punch line in a song that made millions… and meanwhile I can’t pay the rent.”
Yes, I laughed together with everyone else when Kendrick pulled Drake’s dirty hair, but in some unspecified time in the future during the weekend I sobered up and realized that none of this was funny.
Kendrick writes open letters to Drake’s parents and children it was fun in the moment, but ultimately, what happens when that child (or children?) is sufficiently old to devour this art on their very own and dive deeply into its meanings?
Kendrick tried to stab Drake as over and over as he could, but had he stopped to take into consideration the harm it was doing to that child (or those children?) as well?
Music
Drake brings up domestic violence allegations against Kendrickbut does he do it because he cares about the safety and well-being of Kendrick’s wife, or does he do it since it helps him in his quest to make Kendrick look worse than him?
And truthfully, each the alleged pedophile and the alleged wife beater are abusers, so is there really a option to make one look higher than the other? Allegedly?
The claim that one of Kendrick’s children is just not his and that his father is in actual fact his best friend and former Top Dawg Entertainment president Dave Free is disgusting in some ways.
First, there may be a layer of him subtly shaming Kendrick’s wife while making the allegations. Even if he didn’t say it out loud, the conclusion is that your wife not only cheated on you, but in addition gave birth to a different man’s child and made you raise it like an idiot.
I would like to ask why raising one other man’s child as your individual is such a bad thing, but then I keep in mind that I exist in the same timeline where grown men openly criticize Russell Wilson for doing exactly that.
Still, Drake is “mad” at Kendrick. Why did Kendrick’s wife need to catch the homeless man?
Women have at all times been the punchline and collateral damage in hip-hop and hip-hop. Think Faith Evans.
When Tupac desired to piss off Biggie, he got the tape and claimed he slept with Faith, who was Biggie’s wife at the time. What did Faith do to deserve this?
Every criticism Kendrick made accused Drake of being a pedophile and a seducer, and while that “A minor” bar hit like hell (I by accident found myself blurting out “A-mollrrrrrrrrrrrrrr unprovoked during the day), is Kendrick attempting to help the victims or is he just embarrassing Drake?
Diddy kerfluffle’s current show shows us in real time that men in hip-hop have long been aware of the violence that women on this culture experience – sexual and otherwise – and are willing to show a blind eye to it until they feel comfortable speaking up .
In this case, Kendrick and Drake are “speaking up” but not “speaking up.”
Everyone laughs except the women and children used as bait.
Everyone is having fun except the victims.
Things appear to have died down since Kendrick released “Not Like Us” and truthfully, I hope it stays that way because we will not keep doing this.
I challenge Kendrick, Drake and anyone else in hip-hop to make a diss track calling out perpetrators of violence to stop further harm to victims.
I encourage Kendrick, Drake and everyone else in hip-hop to carry their peers accountable, and by accountable I mean in a way that forestalls them from harming others – not in a way that simply causes streams to turn out to be diss.
I encourage everyone who is an element of this culture to look at how we participate and engage in these issues.
Ultimately, gladiators fight because the crowd wants blood.
The query is, will it’s the blood of the combatants or the blood of their alleged victims that can ultimately be shed?
Music
Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month
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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.
This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.
And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.
Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.
After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!
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Music
Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album
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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”
Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.
“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.
The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.
Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.
Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.
“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “
Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.
Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.
Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.
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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.
(Tagstranslate) Entertainment
Music
RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump
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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.
Trump’s takeover is a component of its wide campaign against the culture of “Woke”.
“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”
Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.
Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.
Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.
Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.
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(Tagstranslate) rhiannon giddens
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