Music
In the Kendrick-Drake dispute, women and other victims of violence are a recurring punchline

Like everyone else, I maintained perfect attendance during the Kendrick and Drake beef.
I actually have been online at every drop and have been involved in lots of discussions about it on social media. If you would like my opinion, Kendrick won.
Kendrick won, but women and victims of grooming, pedophilia and domestic violence, in addition to children, lost. They lost, as they at all times do, because hip-hop doesn’t care about casualties in the grand scheme of things.
I won’t trouble repeating who said what to whom because there may be enough evaluation like this and you do not need my help to figure it out.
Kendrick has repeatedly accused Drake of being a loser and a skilled makeup artist who actively seeks relationships with young girls and age-inappropriate women.
Drake accused Kendrick of beating his wife and playing father to a child that will not actually be his.
All this stuff were said for the purpose of elevating each other. None of these actions were intended to lift awareness or provide justice for victims. None of these statements were made as a option to mitigate further harm to anyone.
We should not be surprised. After all, hip-hop is legendary for its rampant misogyny and blatant disregard for women.
Dr. Dre notoriously beat Dee Barnes 30 years ago in a nightclub in Hollywood. The beating has turn out to be a running joke and punchline for a lot of rappers, including Eminem and T.I. As Dee herself said on Twitter this weekend, she’s “reduced to a punch line in a song that made millions… and meanwhile I can’t pay the rent.”
Yes, I laughed together with everyone else when Kendrick pulled Drake’s dirty hair, but in some unspecified time in the future during the weekend I sobered up and realized that none of this was funny.
Kendrick writes open letters to Drake’s parents and children it was fun in the moment, but ultimately, what happens when that child (or children?) is sufficiently old to devour this art on their very own and dive deeply into its meanings?
Kendrick tried to stab Drake as over and over as he could, but had he stopped to take into consideration the harm it was doing to that child (or those children?) as well?
Music
Drake brings up domestic violence allegations against Kendrickbut does he do it because he cares about the safety and well-being of Kendrick’s wife, or does he do it since it helps him in his quest to make Kendrick look worse than him?
And truthfully, each the alleged pedophile and the alleged wife beater are abusers, so is there really a option to make one look higher than the other? Allegedly?
The claim that one of Kendrick’s children is just not his and that his father is in actual fact his best friend and former Top Dawg Entertainment president Dave Free is disgusting in some ways.
First, there may be a layer of him subtly shaming Kendrick’s wife while making the allegations. Even if he didn’t say it out loud, the conclusion is that your wife not only cheated on you, but in addition gave birth to a different man’s child and made you raise it like an idiot.
I would like to ask why raising one other man’s child as your individual is such a bad thing, but then I keep in mind that I exist in the same timeline where grown men openly criticize Russell Wilson for doing exactly that.
Still, Drake is “mad” at Kendrick. Why did Kendrick’s wife need to catch the homeless man?
Women have at all times been the punchline and collateral damage in hip-hop and hip-hop. Think Faith Evans.
When Tupac desired to piss off Biggie, he got the tape and claimed he slept with Faith, who was Biggie’s wife at the time. What did Faith do to deserve this?
Every criticism Kendrick made accused Drake of being a pedophile and a seducer, and while that “A minor” bar hit like hell (I by accident found myself blurting out “A-mollrrrrrrrrrrrrrr unprovoked during the day), is Kendrick attempting to help the victims or is he just embarrassing Drake?
Diddy kerfluffle’s current show shows us in real time that men in hip-hop have long been aware of the violence that women on this culture experience – sexual and otherwise – and are willing to show a blind eye to it until they feel comfortable speaking up .
In this case, Kendrick and Drake are “speaking up” but not “speaking up.”
Everyone laughs except the women and children used as bait.
Everyone is having fun except the victims.
Things appear to have died down since Kendrick released “Not Like Us” and truthfully, I hope it stays that way because we will not keep doing this.
I challenge Kendrick, Drake and anyone else in hip-hop to make a diss track calling out perpetrators of violence to stop further harm to victims.
I encourage Kendrick, Drake and everyone else in hip-hop to carry their peers accountable, and by accountable I mean in a way that forestalls them from harming others – not in a way that simply causes streams to turn out to be diss.
I encourage everyone who is an element of this culture to look at how we participate and engage in these issues.
Ultimately, gladiators fight because the crowd wants blood.
The query is, will it’s the blood of the combatants or the blood of their alleged victims that can ultimately be shed?
Music
Snoop Dogg announces that he drops the new gospel album dedicated to his deceased mother

Snoop Dogg, who never met a musical genre that was not ready to fight, returns to introduce a little bit more Jesus to our lives. By Instagram videoSnoop shared that he would abandon his second Gospel record on April 27 via Death Row Records, a once restless label, where he began that he is now the owner.
The new album, entitled “Altar Call”, is searching for an analogous format for its previous album, “Bible of Love” from 2018, which contained songs each with Snoop Dogg. Like the previous offer, “altar”, according to the Snoop image given in his film on Instagram, comprises the litany of the presented artists from the secular communities and the Gospel. Among the artists are John P. Kee, Jamie Foxx, Mali Music, Camille Grigsby, Robert Glasper, Jazze PHA and October London, together with Death Row Records artists, akin to any singers of Mass Mass Death Row.
“Good morning, loved ones. On April 27, I drop the Gospel album on Death Row Records. This is called” Altar Call “, Snoop shared in the film.
According to BillboardThe album cover comprises a photograph of his mother, Beverly Tate, who died in 2021 in an interview with Okay. Snoop explained his mother’s influence on the project and why he decided to honor her with the art of the album.
“My mother’s spirit lives in me forever. This album is a reflection of what she taught me – use my voice and my platform to spread love and heal the world. Just another chapter from the Bible of Love.”
If the music played in IG has any tip, the album, like its predecessor, goals to mix gospel and r & b, and naturally hip-hop, due to the brand name and creator of the project.
Since no Gospel project announced on Instagram is complete with out a compulsory nod to the Supreme, Snoop ended his video with the only way.
“It’s good!”
Amen.

(Tagstotransate) Gospel
Music
The prosecutor says that Sean “Diddy” Combs “lawyers are looking for reasons to delay his May trial

The Federal Prosecutor in New York said on Monday that lawyers with a mogel of Sean “Diddy” Combs are looking for reasons why he delays the sexual trade process, which is to start in three weeks.
This month, the most recent version of the accusation against Combs, 55, added two latest allegations this month, but he still didn’t request, said prosecutors. This, in addition to possible delays from the routine means of sharing evidence with each side, called Discovery, meant that prosecutors thought that he could get stuck in time, said the assistant of the American prosecutor Christa Christa Slavik.
Combs has been closed and not using a deposit since his September arrest. He again handled the guilty accusation at Monday’s hearing, but in addition remained dispassionate within the courtroom.
Judge Arun Subramanian told COMPS lawyers that they’d on Wednesdays to ask for a break within the trial to devote time to discovering.
“We are a freight train heading for the trial,” he said.
Marc Agnifilo, representing Combs, said that defense may ask for a “very short” two-week postponement over the problems of discovery, including the shortage of presidency of asking a key witness to transfer 200,000 its e-mails, and never only permission to emphasize those that they think were essential.
The latest version of the indictment, filed on April 4, added two latest allegations and accused the comb of using force, fraud or coercion to force a lady to engage in business sexual acts from no less than 2021 to 2024.
He also claims that Combs was involved within the transport of a lady who was only as “victim-2”-and other people, including business sex employees, in the identical period engaging in prostitution.
The latest allegations have strengthened the indictment, which has already charged him with a conspiracy of racketeers and sexual trade.
Federal prosecutors stated that the allegation of a crunch of racketeers covers the accusations that the Combs-SEX-Traffish three victims and compelled to the fourth, considered one of his employees, to sexual intercourse with him.
His lawyers responded to the most recent version of the indictment, saying that she didn’t add any latest allegations or prosecutors and anxious only former long -term girls involved in consensual relations.
Prosecutors say that Combs forced and used women for years because he used his “power and prestige” as a music star to draw a network of colleagues and employees to help him when he silenced the victims through blackmail and violence, including kidnapping, arson and physical bits.
They say that the founding father of Bad Boy Records prompted drug victims, intricately produced sexual performances with men’s sex employees in events called “waaks”.

(Tagstranslate) @Ap
Music
Sean’s lawyers “Diddy” Combs want sworn at the hearing questioned for sex, drugs and violence

Sean’s lawyers “Diddy” Combs call a judge to permit potential jurors in the upcoming hip-hop Mogul process about the sexual trade process about their views regarding sex, drugs and violence.
Lawyers approached that they submitted a proposed questionnaire, which was filled in by individuals called to the trial on May 5 at the Federal Court in Manhattan.
In a letter to the judge at the end of Friday, lawyers said that they want to know the readiness of the would -be sworn to look at movies which can be sexually clear or show a physical attack. They also say that they want to know their views on individuals with many sexual partners.
In their very own list, prosecutors criticized the proposed defense questionnaire for too long and touching entities that the judge would ask higher personally, if at all.
They said that a few of the proposed 72 defense questions, some containing subjects, were “completely irrelevant to the ability to perform the jury.”
Prosecutors also cited the Ghislaine Maxwell sexual trade process for instance of how long a questionnaire could be.
After Maxwell was convicted of sexual trade in December 2021, the jurorz admitted that he didn’t reveal that he was a victim of sexual abuse, blaming his supervision after “he” dispersed when he accomplished the questionnaire “and” too fast “, causing that she understood the questions badly.
Judge Arun Subramanian told lawyers that questionnaires could be separated to a whole bunch of potential jury at the end of April, in order that the interrogation of potential jury could start on May 5, and opening declarations probably on May 12.
The 55-year-old Combs didn’t plead guilty that he had subjected to sexual abuse inside 20 years. The founding father of Bad Boy Records remained trapped with no deposit since the September arrest.
The indictment accuses the comb of using “power and prestige”, which he ruled as a musical tycoon to intimidate, threaten and lure women in his orbit, often under the guise of a romantic relationship.
The indictment stated that he then used force, threats and coercion to cause victims, including three women laid out in court documents, to interact in industrial sexual acts.

He said that he gave his victims of violence, threats of violence, threats of monetary and reputational damage and verbal abuse.
Prosecutors said that a key element of evidence at the trial could be a movie showing Combs, which hit his former protagonal and girlfriend, the singer of R&B Cassie and throwing her to the floor in the hotel corridor.
Defense lawyers argued that prosecutors built their case on charges that attempt to demonize sexual acts between adults.
They told the judge that they were unable to realize consensus with prosecutors regarding what potential jury needs to be asked about questionnaires.
“Defense believes that it is important that we allow potential jurors to be honest about the unprecedented and negative attention of the media, which they could be exposed to, related to Mr. Combs,” lawyers wrote.
Defense lawyers also asked that the jury could be asked to say in the event that they were watching programs on television entitled: “The Fall of Diddy”, “Diddy is?” “Downfall of Diddy” and “Diddy: The Making of A Bad Boy”.

(Tagstotransate) Diddy
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