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Kendrick Lamar’s “6:16 in Los Angeles” is “Do you want to see a dead body?” in the form of a song

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The phrase “he plays chess, not checkers” is one of my least favorites when it comes to rappers and their back-and-forth. First of all, I just don’t think most individuals, let alone rappers, really think that deep and do not look that far ahead when it comes to an opponent. Plus, I do know a lot more individuals who cannot play chess than can, so most individuals actually play checkers. To quote great philosophers, kings of the Internet: “These are facts after all.”

However, I may have to change that when it comes to Kendrick Lamar Duckworth (aka Kung Fu Kenny) and the current strive is coping with Aubrey “Drake” Graham. At this stage of my life, I try to be as objective as possible in such matters, which was not all the time true. I still cannot listen to MC Eiht in peace because I’ve been a fan of DJ Quik since I used to be 11 years old. God is not done with me yet.

However, when it comes to Kendrick and Drake, I actually don’t see them even swimming in the same pools. I see Drake as a colossus, a pop star who abandoned looking for respectability in “hip-hop” years ago in favor of being the biggest artist in the world. I see Kendrick more as a thoughtful, hermit-like artist who artistically works through his problems and ideas and creates art that we are going to speak about long after his prime. To be clear, they exist many books on the cultural significance of Kendrick Lamar; Drake “wrote” a “book of poetry. This is not the same. I do not want to undersell Drake; he’ll go down in history as one of the best rappers of all time, but that might be due more to his achievements than to his music itself, which I believe most would agree is becoming an increasing number of boring and uninteresting, even when Drake’s popularity continues unabated.

So this beef is interesting. I had no interest in it in any respect through no fault of Drake or Kendrick. Everyone else is into it, including rappers AI and Rick Ross, and the lack of traction on the web has made it less interesting. Oh, and who can forget “The Apology” – I’m sure there might be a psychology class that day. “Yes” it was funny. “Push-ups” it was fun. And then we waited. And then he got here “Euphoria” a clinical, thoughtful, insightful, comprehensive PowerPoint presentation with a transcript that hilariously summarized all the issues anyone with Drake issues have. I’m not a big fan of the whole “Drake isn’t black enough to understand American blackness” thing because he’s Canadian, even when he is he actually said it once from his own mouth. I actually think this is interesting fodder; all of us mixed kids listen to this – trust me. But in love every little thing is permitted, and this is war. “Euphoria” was a workshop in “how to express your opinion” in a way that Drake’s “Push-ups” and even his skills could never do. The sheer number of references and Easter eggs in “Euphoria” make it something value studying.

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If “Euphoria” was a workshop value studying, then so be it “6:16 in Los Angeles” this is what happens when a workshop leader uses a machete as an alternative of chalk. Kendrick REALLY doesn’t like Drake and whatever personal reason inspired Kendrick to show us all what a dead body looks like in musical form.

It cannot be a coincidence that the sample Kendrick is rapping over is the one played by Drake’s “uncle” Mabon “Teenie” Hodges (and his brothers Leroy and Charles) on the album. When Drake’s connections to the American Black experience were questioned, defenders were quick to indicate that Drake had ties to the Memphis soul music scene through his father, musician Dennis Graham, and adoptive uncles who worked with Al Green. Well, the “6:16 in Los Angeles” sample belongs to Al Green “What a Wonderful Thing Is Love” from Al Green’s 1972 album “I’m Still In Love With You”, whose musical staff was none aside from Drake’s uncle Teenie Hodges and company. This cannot be a coincidence, right?

And then Kendrick, who largely identified that nobody in Drake’s camp actually likes him and that he has enough inside information to know who really wants Drake to lose? Writing it doesn’t sound that bad, but listening to the record and the vitriol Kendrick spews lets you see how sincere Kendrick is in trying to put Drake in a bad light. Kendrick’s entire modus operandi at this point is to indicate that nobody likes Drake, that he’s a terrible person, and that, like Kendrick, nobody should like him.

Surprisingly, Kendrick told us he was going to do that on “Euphoria,” where he name-checked Drake “Back to Back” record – one whose impact was more necessary than anything said on the tape, which mainly made Meek Mill look slow and unable to fight Drake – after which he went and did it. Drake’s response took too long and well, here we’re, a dead body.

I’m sure Drake will return with a song soon; he has to. Video clips of “10 Things I Hate About You” is not enough, not considering the level of aggression and contempt Kendrick throws his way. The whole thing is quite funny and I had no interest in it in any respect until “Euphoria” got here out. I can not wait to see what comes next, especially because it highlights the most significant aspect of all this beef that hasn’t been fully unpacked yet:

The disappointing thing is that J. Cole, the most ready to fight of all, caved.



This article was originally published on : thegrio.com
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An attempt to save the image of Jeff Bezos’ future wife backfired after weeks of outrage and ridicule over her skimpy outfit

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Lauren Sánchez has apparently gained a popularity for her fashion hits and misses as social media users began following her every move.

Billionaire Jeff Bezos’ current fiancée stepped into the highlight long before she met the Amazon co-founder, after years spent as co-host of “Good Day LA,” a reporter for “Extra” and host of “So You Think You Can Dance,” and he even starred in a number of movies like “Ted 2.”

She faced criticism for posting a sultry selfie in November in a negligee-inspired gown by designer Laura Basca. In October, the 54-year-old again faced backlash when she showed off her latex Halloween costume as Catwoman.

Now, weeks after being deemed “cheap” and tasteless, the founder of Black Ops Aviation has turn out to be a subject of discussion.

Jeff Bezos’ fiancée Lauren Sánchez shows off a “winter white” look, weeks after critics slammed her busty latex outfit. (Photos: @laurenwsanchez/Instagram, Theimagedirect.com via Page Six)

On December 5, Sánchez and the business mogul attended The New York Times’ DealBook event in New York City. For the occasion, she wore a white Alexander McQueen suit and a white lace corset. The beaming bride-to-be sent two mirror selfies of her outfit, which she signed: “winter white.”

One follower particularly was stunned by the whole look he ejaculated that she was “very attractive and beautiful, gorgeous and stunning, charming and fantastic young lady, sexy, charming, charming and elegant” in the photos that Sánchez took.

Two other people swooned over the photos and wrote: “So chic and elegant!” and “You look great.” But as you would possibly expect from online viewers, not everyone was impressed.

When Page six published paparazzi photos from the trip, the critic commented: “It’s 30 degrees in New York and she gets out of the limo in a white Miami smock, her bra visible to everyone. No taste. Nothing. A cashmere turtleneck, flannel trousers and a wool jacket can be classy.

Someone else sharply asked: “Who can be the first to tell her that she looks tacky and not elegant and refined? Does she even know what sophistication means? A 3rd person noted: “She looks more like she’s wearing a bathrobe.”

Another person wrote in a comment from a licensed pilot: “White means…” possibly referring to rumors that Sánchez and Bezos are scheduled to exchange vows over Christmas. At least one person doubted the couple would have the opportunity to say “I do.” This person said: “This will be the longest engagement ever. They will NEVER get married and we all know why!!!!”

Sánchez told the “Today” show hosts that she was in the process of planning the big day last month. She didn’t comment on speculation about exchanging Christmas vows.

Renewed interest and scrutiny of Sánchez has increased as the pair have been spotted in various locations in recent months. The couple reportedly began dating in 2018. Their engagement was announced five years later, in May 2023. Their upcoming wedding can be a second journey for each of them.

Sánchez was previously married to celebrity agent Patric Whitesell, with whom she has two children. She can be the mother of a son, whom she shares with Pro Football Hall of Famer Tony Gonzalez. Bezos was married to the mother of his three children, Mackenzie Scott, for 25 years once they divorced in 2019.


This article was originally published on : atlantablackstar.com
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Apart from the song with singer-songwriter India Shawn – Andscape

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India Shawn is a contemporary muse with a chilled nature, crafting love stories and heartfelt tales in smooth, charming songs. With over a decade of experience in the music industry as a singer-songwriter, Shawn has incredible strength. She was born in Los Angeles, and her musical roots reach throughout the country. Beginning her profession in her hometown, Shawn eventually found herself in Atlanta, where she immersed herself in the city’s deep-rooted R&B scene, further shaping her artistry.

“I transferred to ATL, I was in 10th grade, and that’s when my music journey really started,” Shawn told Andscape. “I met people who were trying to get by, so I ended up recording and learned what songwriting was really early on.”

Before releasing her debut EP in 2012, Shawn wrote songs and collaborated with artists similar to Chris Brown, El DeBarge, Keri Hilson and Monica. In 2013, she gained much more notoriety when Solange Knowles published her song “I’m Alive” on the Saint Heron compilationmarking her as an artist value watching.

Following the release of the single “There Must Be a God” from the Andscape soundtrack, she caught up with Shawn to learn more about the muse behind the vibes.


Singer India Shawn grew up singing in church with her family. “I feel like most of us R&B kids have that experience,” she said.

India Shawn

Name:
India Shawn

Hometown:

Los Angeles

Artistic soundscape

Airy, soft, telling a story, multidimensional, soft, mysterious, atmospheric

The oldest musical memory

Shawn’s soulful sound is deeply rooted in her upbringing, with influences drawn from her childhood memories and the musical culture of her church. “I sing with my sister all the time, and I also grew up singing behind my mom in church. She was the leader of praise and worship. So I feel like most of us R&B kids have that experience,” Shawn said. “I had these little solos in church, and I believe what made me consider in it was that after the service people got here as much as me with tears of their eyes and said, ‘You really moved me while you sang.’ “These early moments of connection with music and audiences laid the foundation for conveying depth and sensitivity through her music.

Influences

For Shawn, music, especially R&B, has all the time held a special place in her life. “Me and my sister are harmonizing in the living room, just picking some of our favorite songs, including for me Mariah Carey, Babyface, Boyz II Men and (and) Brandy,” she said of her early music memories.

Creative process

Shawn often draws inspiration from real-life experiences and relationships that influence her music. She weaves this into the authenticity and atmosphere of her songs, but she didn’t immediately recognize where her inspiration got here from. “It’s funny that it took me so long to make that connection, but I realized that I was telling my whole story and presenting my business through my music,” she said. “It took me two albums to realize, wait a minute, I’m giving people a lot to understand here… these aren’t just songs. This is truly the life I live.”

Challenges and development

As Shawn’s profession grows, so do his moments of appreciation and reflection. “I literally just thought about a very gradual progression of my career. It’s like step by step, but there are more breakthrough moments. My first tour, which was so beautiful, I just knew I could pack a room and people knew my lyrics and sang my songs to me. Those moments that make the waiting not in vain.”

Shawn has plenty of recommendation for up-and-coming singer-songwriters. Her biggest sacrifice? Collaboration is essential. “I think (cooperation) is really why I’m still here. So find your people… you’ll know when it feels right, you’ll have that freedom and fluidity, and you’ll be able to really create things and create without having to think too much.” He also shares the importance of patience. “Just be patient during the journey. This has been a theme throughout my profession. Let it develop. I feel like more things come from being in that flow and being present reasonably than forcing all of it.

Current project

There should be a God”, the lead single from Andscape , now streaming on Hulu, also serves as a teaser for Shawn’s solo album. “(This song) is such a manifestation of God’s love,” she said. “I think when you find yourself in a place of waiting, you can feel very hopeless. So when you see glimpses of God’s love again, or the fact that you know there is a higher power, there is a source that is thinking about you, has you in mind, has a perfect plan for you, it’s just like the clouds parting. And this is the moment, I understand. I understand that I had to go through all this to get here. And that’s exactly what I felt in the studio that day.”

Sheila Matthews is a digital producer at Andscape and a proud HBCU graduate. She believes “Return of the Mack” must have won a Grammy, and her Twitter mentions are open to all debate.

This article was originally published on : andscape.com
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ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is anticipated to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a take a look at 17 of the very best celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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