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The Beauty of Hate: A Literary Analysis of Kendrick Lamar’s “Euphoria.”

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On Tuesday, rapper Kendrick Lamar caused an Internet storm with the words “Euphoria,” the newest clip in Lamar’s ongoing rap battle with Aubrey “Drake” Graham.

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One of essentially the most remarkable things about this argument is that it will not be about an idea. Unlike Tupac vs. Biggie or Gucci Mane vs. Young Jeezy, this conflict didn’t start with an act of violence. There is not any breakup within the history of its founding just like the spat between NWA and Ice Cube or Lauryn Hill and Wyclef. In some ways, the argument between K-Dot and Drizzy over who must be considered the second best rapper alive (Black Thought remains to be alive and rapping, right?) is definitely about Black excellence, which is a component of the rationale all of them fell into state …

You know.

First of all, let’s get this out of the way in which. While anyone can have an opinion about any art form, not every opinion is valid. Just as anyone has the suitable to consider that the Earth is flat or that systemic racism doesn’t exist, I actually have the suitable to say to white people and non-astronomers, “I don’t value your opinion on this.” And since Drake fans place his lyrical depth somewhere between the Declaration of Independence and Martin Luther King’s “I Have a Dream” speech, there’s nothing mistaken with disagreeing with my colleague Touré’s opinion that “Euphoria” is “one “one of the perfect diss songs in hip-hop history.”

As a poet, I actually have all the time believed that hip-hop practitioners are undoubtedly the best wordsmiths and musicians of all time. They combined music and poetry to create a brand new art form, construct instruments, invent language and construct business models. In my opinion “Lupe Fiasco”Newsstand” is than Shakespeare’s “To be or not to be.” The highschool band can play every little thing Beethoven ever composed, and I can count on one hand the number of Earthlings who can replicate what DJ Jazzy Jeff does on stage every night. If Edgar Allen Poe was so great at rhyming, why is not there a single 10-minute freestyle?

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However, there may be a difference between opinion and opinion. The former is just a worth judgment based on an individual’s individual preferences. Conversely, criticism is conscious evaluation using a set of commonly accepted objective standards. This doesn’t necessarily require an evaluative judgment or conclusion as as to if it is sweet. And relating to Clapback Kenny’s latest beef, whether you are black or white, Drakeonian or KenFolkEveryone who has listened to “Euphoria” can objectively agree with one indisputable fact:

Kendrick Lamar Drake.

Of all the varied chemical reactions that the human brain produces, perhaps hate is the purest and most human emotion of all. A wildebeest could also be afraid of a lion and even a puppy may love its owner, but hatred is barely human. While its byproducts are sometimes toxic and unhealthy, hate may also be useful. Hating an opponent – ​​and even the thought of losing – can motivate an athlete to boost their game. It can poison the minds of a lynch mob, but it might also encourage others to fight oppression.

Most importantly, this universally identified passion can be the premise of essentially the most beautiful art. If it weren’t for the hatred of the Montagues and Capulets, “Romeo and Juliet” could be an enthralling play about teenage crush. Without the simmering anger that hate generated, Killmonger would have been just one other second-generation African immigrant who grew up in a fatherless home. Kobra Kai hates Daniel-san as much as Obi-Wan Kenobi despises Darth Vader. Shirley vs. Barbara is similar as Tom vs. Jerry or Jason Whitlock vs. his Blackness.

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Hate .

While it’s okay to hearken to rap for the sake of the wordplay or to get you dancing, if you happen to’re the sort of one that doesn’t like diss songs, I do not respect your opinion on the matter. Beef is a staple of hip-hop. This is why people love battle rappers and why breakdancing is an Olympic sport. And in a genre and culture that’s partly based on competition, “Euphoria” must be discussed as one of the best artistic expressions of hate we’ve got ever seen.

The song’s title refers to Drake’s role as executive producer within the HBO series “Euphoria”, which tells the story of the exploits of a bunch of California teenagers involved in drugs, sex and… well, sex. This could also be a bull’s-eye on the baseless rumors circulating around 6ix God’s friendships With teenage white girls. Before the Pulitzer Prize-winning poet begins to sing, the song opens with Richard Pryor’s climactic scene from the 1978 musical “The Wiz,” during which the nice and powerful Oz is revealed to be a fraud. But as a substitute of hearing Pryor scream, “Everything you say about me is true!” Lamar plays the clip backwards.

Kung Fu Kenny opens the discussion by painting Drake as a fraud who creates soulless, uninspired music – a criticism often leveled on the Toronto rapper. Over Teddy Pendergrass’s sample1 Lamar explains his neutralization plan “Degrassi” actor. “superpowers”,2 noting that Drake only began talking about his personal life after listening to Kendrick’s famous, highly personal album “Mr. Morale and big steppers.” King Kunta not only paints Drake as ‘degenerate’3 a culture vulture with money and power but no respect, but throughout the song he equates Drake with Satan.4 But that quadruple slogan is nothing compared to the line: “I got Benjamin and Jackson at home like I used to be Joe, APPROX

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  1. This could also be a reference to Ghostface Killer Supported by Teddy Pendergrass tirade against Caucasian rapper Action Bronson. Pendergrass, like Drake’s character on Degrassi, used a wheelchair.
  2. In the song “For free”, Drake borrowed an old too-short phrase to elucidate: “I must have superpowers…”
  3. In geometry A degenerate shape is basically a straight line. However, Kendrick claims that he can predict Drake’s angles because Drizzy, like a degenerate, has no weight or mass.
  4. He says Drake’s homies sold their souls to turn into “demons” for “Hellcat,” who can be a model Dodge Challenger which is accessible in a more powerful version, Avoid the Demon. “DeMun” can be the center name of Future, who produced Kendrick’s first shot at Drake, “Like That.”
  5. “Benjamins” refers to Benjamin Franklin, slang for $100 bills, and Michael Jackson’s 1972 song from the film “Ben” which is about a rabid rat (look, those were simpler times). “Jackson” doesn’t just refer to Drake, to whom he repeatedly compares himself Michael Jackson, but also refers to President Andrew Jackson and the $20 bill. By calling himself “Joe”, he is essentially calling Drake his son while invoking the name of another powerful man from Benzoin ia Jackson in his home – Joe Biden.

If you are keeping count, this single measure comprises a six-fold sentence.

Typically, Kendrick’s music is a patchwork of metaphors and multi-layered allegories, and at this point, “Euphoria” is just that – a densely packed, pointed rebuke from a talented rapper. But these complicated lines are only the precursor from which Lamar goes from making a straightforward diss record to turning hate into art. In the song that began this whole beef: “First-person shooter“, Drake portrayed himself as a fake gangster, boasting that he “pulled the trigger on the (gun) stick like high beams.” In his next “Taylor created freestyle“, Champagne Papi (as AI Snoop Dogg) stated that Kendrick “has never been to prison… He’s never shot anyone, he’s never stabbed anyone, he’s never done anything to anyone…”

This is what Kendrick hates.

In addition to rapping about growing up in a poor neighborhood riddled with gang violence, Kendrick often talks about trauma witness to a murder in age of 5. IN “A blacker berry“, “Hol’ Up“And”city“, “good kid” even seems to check with an incident during his teenage years when he could even kill someone, which explains why he prefers to stay “low” and refuses fear the reaper” Here, K-Dot invokes his hostility by rapping:

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– Kendrick Lamar, “Euphoria”

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From there, Kendrick pulls out a flamethrower. He calls out Drake for the way in which he’s raising his son. He recalls how Drake repeatedly tricked himself theses in Black women Megan Thee Stallion, Rihanna AND Serena Williams. She tells him that he makes songs that “calm down” his white fans. Kendrick even accepts beef on Pharrell Williams’ behalf (truthfully, the Compton emcee admits he prefers Drake’s singing discography). When it involves high-level insulting, it’s all normal. Most people accuse themselves of being worse than an anti-black, culturally appropriating fraud. I used to be called the N-word thrice every week and I used to be sucker punched once (which is far worse than a sucker punch). But out of all of the hostility, contempt, and hostility I experienced, the one thing I never saw was what Cornrow Kenny did in “Euphoria.”

He just said, “I hate you.”

Kendrick’s list of things he hates about Drake includes:

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  1. Drake’s Canadianness
  2. I’m buying a Tupac ring.
  3. How Drake appropriates the language, accents and culture of Black Americans
  4. How he treats black women
  5. His cosmetic surgery
  6. The way Drake walks
  7. The way he talks
  8. The way he dresses
  9. The way he sneaks disses
  10. The way he says the word “nigger”

Publishing an in depth list of why you hate is essentially the most brutal piece of poetry in recent memory – wished young Maya Angelou “that Gabriel Prosser and Nat Turner killed all the white people in their beds, and that Abraham Lincoln was assassinated before signing the Emancipation Proclamation, that Harriet Tubman died from a blow to the head, and that Christopher Columbus drowned in the Saint Mary’s Water.”

Imagine how much hatred and resentment a talented wordsmith and Pulitzer Prize winner should have in his heart to place aside his entire vocabulary and distill his hatred into its most concentrated form. “I Hate You” is amazing in its simplicity. It’s more offensive than “yo mom” and more despicable than “That’s why I fucked your bitch, you fat…”. It’s a technique to express essentially the most human emotions.

And yes, it’s

After all, what’s art?

The accurate portrayal of someone’s pain is usually as charming as their joy and humor. Some songs should make you cry. A well-written tragedy is as charming as a well-crafted satire. In fact, all black art, including blues, jazz and stand-up comedy, has a component of pain and suffering.

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But not like this.

It was essentially the most brutal version of hip-hop as an art form. It was the alternative of a love song; a psalm of hatred in its purest form. He didn’t even attempt to denigrate the rapper we all know as Drake; he attacked Aubrey Graham and who he’s as “Euphoria” proves why King Kendrick deserves to wear the crown Drizzy tried to assert. But as an adversary and rival, Lamar was cruel, ruthless, merciless, cold-blooded, vile and full of rage. He didn’t just record a diss track concerning the person; he created a creative act of terror, an excellent murder.

And was it beautiful?


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This article was originally published on : thegrio.com

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Albums from Miles Davis, Mary J. Blige, Elton John and “Minecraft” Enter the National Recording Register

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Albums Elton John, Miles Davis, Tracy Chapman, Mary J. Blige and solid “Hamilton” enter America Canon Audio, along with the single Helen Redda and Celine Dion and Music “Minecraft”.

New introductions to National Recording Registry in the Congress Library They bear in mind the groundbreaking combination of Jazz and Bitches Brew “by Davis from 1970, loaded” Goodbye Yellow Brick Road “, from 1973, from 1973, the CHAPMAN album from 1988, which included” Fast Car “, deeply intratsy Blige from 1994” My life “, and the original album from Broadway on Broadway on Broadway 2015 Broadway

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They were amongst the 25 recordings introducing the archive at school 2025, the librarian of Congress Carl Hayden announced on Wednesday. The recordings were chosen due to their “cultural, historical or aesthetic significance in the recorded heritage of the nation’s sound”

“These are the sounds of America-Nasz, extensive history and culture,” said Hayden in a press release. “Our evolving list of playback is the national register.”

Helen Reddy from 1972 “I Am Woman, Heard Me Roar” and Celine Dion from 1997 “My Heart Will Go on” from the movie “Titanic” belong to singles entering the archive.

Among the more odd switches are original video music (and now a movie about monsters) “Minecraft” from the German manufacturer Daniel Rosenfeld, as gathered on the album from 2011, “Minecraft: Volume Alpha” and Reboot sound for the Microsoft Windows 95 operating system, created by the music and producer Rock & Roll Hall of Fame Brian En.

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Radio Spiker Chuck Thompson from the World Series from 1960 between New York Yankees and Pittsburgh Pirates – contained in the Bill Mazeroski register of Pirates.

The oldest recording at school 2025 is “Aloha ‘OE” from 1913 by Hawaian Quintete. The latest is the album “Hamilton” from 2015 with the music of Lin-Manuel Miranda.

Other albums that won the inclusion were “Hello Manek” from 1968 with Obelg, Don Rickles, “Chicago Transit Authority” from 1969 from the Chicago band, “I Mu Music in Me” from 1975 and “Back To Black” from Amyhouse from Me “Thelma Houston & Press Coker.

Singles defining their careers from other canonical artists join Redda and Dion singles, including “Happy Trails” from 1952 from Roy Rogers and Dale Evans, Freddy Fender from 1975 “Before the next tears” and “Kiss Angel Good Mornin ‘from 1952.

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Crime Mob allegedly broke off due to a joke with the participation of guests of Michael Jackson in “Knuck, if you are Buck”

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Is it possible that the end of the group that made us each Knuck and Buck, and perhaps even ready to fight, ended because of Michael Jackson? According to the princess, one of the two female rappers in the former group, that is what happened.

Crime Mob, Eastsside of Atlanta Group with the participation of Princess, Diamond, Lil ‘Jay, Cyco Black, MIG and Earlier Kill C, gained in the importance of their hood and club banger, “Knuck If You Buck” from 2004 from the strength of 2000.

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During an interview at “Legendary Jerry’s Podcast” The princess was asked what she probably did flawed to separate the group, and I feel it could possibly be safely said that not a single living soul could guess her answer.

“Me and my brother went to six flags, we returned home. We called Diamond and told her that we saw Michael Jackson on the Six flag. And that Michael Jackson wants to get to” Knuck, if you zloty. That he just left our house. And he must come to listen to his verse. ”

Let’s just stop at the matter here. The very thought that Michael Jackson wants to abandon the poem “Knucka If You Buck” is a kind of sliding moment when I feel that everybody who has ever loved music would love to experience culture. Where would he fight in any respect? I’m sure that AI and the Internet come to life, but wow, what a chance.

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The princess remembered Diamond’s response to the joke: “She ran from home to our house and believed us. And it hurt her.”

While some people might imagine that the concept of Michael Jackson, who jumps on this album, makes no sense and that Diamond mustn’t consider it, I would love to indicate that that is the same Michael Jackson, who was famous for her lap, loved James Brown and had records with the notorious great Michael Jackson, who also got here to the side I’m from 2001, so it isn’t as if it was disconnected from the street. In addition, “Knuck If You Buck”, which according to Billboard reached the summit only on the Hot Rap Songs list, felt like song No. 1 in the hood and in every club and continues to be beloved by the black community in 2025. Regardless of whether Diamond didn’t confirm this story, we could know if their story really believed, but from the point of view 2003, not less than it was not good.

“And the monkey made a few ads,” said Monkey Princess of Jackson, Bubbles.

This part will be a bridge too far.

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Either way, according to the princess, it’s a moment that ended the crime crime and ruined the relationship of her and the princess for nearly 20 years.

“Brittney Nicole” Diamond “Carpentero, I’m so sorry that I told you that Michael Joseph Jackson and Bubbles came to our house in Ellenwood, just around the corner, to get to” Knuck, if you zloty. ” If I knew 20 years and you would have beef with me, I’m so sorry, “Princess said.

Although we are able to get a response from Diamond, regardless of whether Michael Jackson – who died in 2009 – would join in “Hood Classic is a real secret that we want to solve.

The legend of NBA Dennis Rodman assures fans that

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Why the developing Clary Lionel Rihanna Foundation is perceived as a model of celebrity philanthropy

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Rihanna She is used to opposing the convention.

The nine -time Grammy winner modified her extensive hits, including “umbrella” and “work” in a business empire value roughly $ 1.4 billion, placing its highest level to Forbes lists last yr forbes The richest “self -sufficient” American women. The largest entertainment scene in Barbados, with a pregnancy revealing during it Solo 2023 super bowl break show. And she A successful brand of cosmetics Fenty Beauty Cosmetics He revolutionized the makeup industry because of the shades that features.

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But this is not a rotated megastar Long -awaited statement to the album “Anti” from 2016, which has waves this yr. It’s her philanthropy.

Named in honor of Rihanna’s grandparents and partially financed by her brands, the Clara Lionel Foundation comes out of “Refreshment”, which is able to direct more funds to climate solutions and girls’s entrepreneurship in the underestimated regions of East Africa, the Caribbean and the United States. After 13 years of relative anonymity, non -profit is ready for greater visibility.

“Our founder is a woman from a small nation on an island who has a global reach. She is an entrepreneur. She is a mother. She is creative,” said executive director Jessie Schutt-Aine. “So we want an organization that reflects this spirit and this energy. She is brave and ambitious. She is innovative. She always does things differently. She changes into the game.”

Experts say that it is rare that amongst known philanthropists is so purposefulness. The Clara Lionel Foundation has also been praised for accepting “trust -based” giving, which enables unlimited financing to recipients.

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The founder of NDN Collective, Nick Tilsen, said that CLF allows their native Non-Profit organization “they work on our conditions”-and that other founders should take notes.

“They are also not the foundation that is also in your company,” said Tilsen. “They support. They see a job. They let us do what we have to do.”

Personal roots of the Clara Lionel Foundation

Rihanna began the foundation with an contribution of USD 516,000 after her grandmother died of cancer complications in 2012. This yr, the musician founded the Oncology Center in the foremost Barbados hospital to expand screening and cancer treatment. And Young Foundation has focused on healthcare and Barbados for many of the last decade.

However, by 2019, CLF began to find out the priorities of readiness in the event of a failure. Grantmaking jumped to over $ 33 million in 2020, because the non-profit organization provided a very essential pandemic relief and supported efforts for racial justice. According to tax reports, the slowdown in postpandemic expenses coincided with its inner transition.

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The renovated team and complicated priorities now match their wider ambitions. The latest director of women’s entrepreneurship based in southern Carolina will construct programs of this pillar. Amina Doherty, co -founder of Black Feminist Fund, is now supervising programs and influence. Five latest pillars are complemented by climate solutions, art and culture, health access and equality, as well as future generations.

The concentration of young people was praised by Ashley Lashley, a 25-year-old whose foundation cooperated with CLF as a way to solve environmental challenges on her native Barbados. He often hears how leaders say that “youth is the future,” she said, but these statements rarely translate into actual support.

“The Rihanna Foundation is a great example of how women in power can help contribute to work performed at the community level,” said Lashley.

Rihanna told The Associated Press that she hopes that CLF would still be the force of “global inclusion in philanthropy.”

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She wondered at the 13-year transformation of the foundation in a statement: “Today we have a global range, but this concept of love for the community and our roots runs deeply into the DNA of the foundation.”

Finding partners – big and small

The latest example of this evolution is the partnership with the Andrew W. Mellon Foundation. Barbados’s “invaluable history” as “an indispensable chapter in the wider history of the African diaspora” is threatened with climate change, in accordance with the press message of Mellon.

Together, as they announced two foundations, they are going to finance “initiatives led by artists” to guard this culture “at the same time inspiring new narratives and possibilities in the international arena.”

Schutt-Aine perceives a partnership with Mellon-the largest philanthropic supporter of art in the USA-as a milestone for CLF. Justin Garrett Moore, director of the Mellon humanities program, said that the name of the NON -Profit organization was created when his team asked contacts to recommend partners.

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“We think there is an amazing platform that the Clara Lionel Foundation and the founder will introduce this kind of work in readability and visibility to organizations that will be supported,” said Moore. “In addition, generally in society to help strengthen the strength of art.”

Among these scholarship holders is the performance art development program, which also provides free social services for college kids in the capital of the nation in Bridgetown. The founder of Triple Ground operations, Janelle Headley, said that the Clara Lionel Foundation helped -Pro -Profit could afford a warehouse equipped with acoustic panels, sound equipment and parquet.

The relationship began with a microgranture for scholarships. Triple Ground operation now receives general operational support – a “revolutionary” investment, said Headley, because donations for charity are frequently intended for specific causes. This flexibility turned out to be particularly helpful during the pandemic, when the rapidly changing circumstances created latest needs, such as iPads for distant learning.

“To be honest, it is rare that someone will give a considerable donation unlimited and said:” We trust you, your vision, “said Headley. “It’s very future -like.”

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A novel model of celebrity philanthropy

This approach is unique, in keeping with Mary Beth Collins, executive director of the Center for Social Studies and non-profit at the University of Wisconsin-Madison. He discovers that celebrities often become involved in philanthropy provided that essential.

But Collins said that CLF seems to take into consideration its partners for a very long time and intentionally in grassroots financing. Strategies are in step with her own recommendations regarding the engaging of experts coping with the original causes, selecting concentration areas essential for the founders and raising the leaders conducting these problems.

“We want to see funds and resources from more endowed people in the world who go to leaders in the field who really know this place, experience and problems,” said Collins.

CLF used this model at the end of last yr, when it provided additional financing to the non -Pure Energy Party partner Hurricane Helene. Melanie Allen, co -director Hive Fund for Climate and Gender, said that she suddenly received about USD 60,000 for fast distribution between proven partners in devastated communities.

The contribution occurred amongst an increasingly hostile environment for non -profit organization, such as its color, which prompted some philanthropists to scale back giving. Allen said that she was enthusiastic about “deep CLF involvement to the south.”

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When others reduce resources, CLF desires to introduce more philanthropic partners to the table. They are planning a summer convening for scholarship holders to expand the network. Message, CLF, said Doherty Clf, says: “We will stick to you.”

“Some people can say that times look gloomy,” said Doherty. “But that’s a moment of possibilities.”

The importance of remaining on the communities you serve is a Schutt-Iine lesson, which he learned during a 25-year-old global health profession.

Recently, the head of the diversity of equality, sex and culture at the Pan American Health Organization, Schutt-Aine treated the most dangerous infections of tuberculosis, malaria and HIV/AIDS.

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“If you are going to work on malaria,” she said, “You have to live with mosquitoes.”

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This article was originally published on : thegrio.com
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