Connect with us

Music

I’m sorry, but Drake is losing the fight against Kendrick

Published

on

Touré, theGrio.com

OPINION: Drake’s Kendrick Lamar song ‘Push Ups’ didn’t achieve what battle songs really should strive for.

I swear Drake should be a tasty donut already after a few of you criticizing him about his latest diss album.Push-ups” Can we add some clarity to this rap war? In all the rap fails I’ve seen and discussed in my career, there are a few things that successful diss records have in common.

Advertisement

1. Say true things that embarrass your opponent.

2. Say things that might change the audience’s mind about who your opponent is as an artist or person.

3. Create a great song that people will want to play again just because it’s popular.

4. Show that you are a better rapper than your opponent.

Advertisement

One example #1 is Megan Thee Stallion embarrassing Nicki Minaj in “Megan’s Law.” After that, we will never see Minaj the same way again. He’s still making a career, but now we look at it a little differently. We will never forget who she married and what he did.

One example #2 is Jay-Z in “Takeover”, saying that Nas’ career wasn’t very good (“I can share…”), which made people reconsider this beginning of his career.

No Vaseline” by Ice Cube stripped the NWA of any claim to being tough because, in his opinion, how could they be tough in the event that they were robbed by their white manager? Furthermore, “No Vaseline” is example #3 because this album is so rattling hard. He could rock any party now.

As for instance #4, well, let’s do it this manner: Drake’s “Push Ups” doesn’t prove he’s able to going forwards and backwards with Kendrick Lamar. It doesn’t portray him as an MC on par with Kendrick in fluidity, lyrics, complexity, voice, or any of the major MC categories. Drake is the hottest rapper of his generation. Kendrick is arguably the best rapper of his generation. “Push-ups” can work against many other MCs, but against Kendrick? Stop.

Advertisement

Kendrick’s foremost premise in “Like That” is, Drake, that you just’re a silly pop star while I’m an artist. Drake’s answer in “Push Ups” is: I’m an enormous pop star. And you are in for a foul deal.

“Push Ups” is not a song that individuals will play over and another time due to its sound. “Like That” is a monster hit that will be heard all over the place lately – especially the “big me” line. In “Push Ups,” Drake can have said a couple of things that irritated Kendrick – and the line about his wife can have enraged him – but where’s the memorable punch line? What phrase will people keep saying to troll Kendrick? Sorry, I do know all the boys love seeing offended hip-hop beef and I would like you all to have it, I actually do, but we want to calm down a bit.

“Push Ups” doesn’t change how audiences view Kendrick Lamar. It doesn’t give us a brand new way of him that makes him seem soft, dishonest, or silly. “Like That” modified Drake’s opinion – after years of individuals talking about the Big Three, Kendrick dispelled this notion. The idea of ​​the big three now not is sensible. Fans need to select a side. After “Like That,” it sounds silly to consider Drake as being on the same plane as Kendrick. “Push Ups” was intended to bring back the concept that Drake was on Kendrick’s level, but did it succeed?

The foremost points of the song, so far as Kendrick beef goes – because that is where the real beef is available in – are that Drake is an enormous artist, Kendrick is short (this is not a metaphor, Drake really does make “you’re not tall” jabs), and Kendrick he has a foul deal. Apparently he pays his man Top Dawg an excessive amount of and Top has control over Kendrick’s profession. These are the foremost themes that Drake returns to repeatedly throughout the song.

Advertisement

Does anyone really think Kendrick is being forced to make songs he doesn’t wish to? Do you actually think Kendrick was forced to rhyme to Taylor Swift’s monster hit “Bad Blood” and that he did it against his will or his own judgment? Didn’t Drake make an Apple ad using a Swift song?? Kendrick seems to barely care about fame and… he is not even on Top Dawg Entertainment anymoreso what’s the point of the middle board of Drake’s diss?

In “Push Ups,” Drake repeatedly reminds us that he is an excellent artist. “I’m bigger than you commercially” doesn’t win the battle. “I’ve sold more records than you” doesn’t win the battle. Since when is a rap battle a numbers game? Especially when the other guy is the most critically acclaimed rapper of his generation. Much of this song has Drake saying, “I’m very popular,” so what?

Drake repeatedly says that Kendrick is short. What are we doing? Also: Drake criticizes Kendrick for making a not-so-good deal. What is the essence of his song? Can Drake tell us he’s all the time had great deals? I’m sure he cannot. But can we discuss what number of, many artists earn significantly less? This is an industry-wide problem, not only Kendrick’s. And when you think veteran, multi-platinum selling Kendrick has been fooled by TDE, I actually have an excellent oceanfront property in Chicago that I’d be joyful to sell to you.

But wait, what? Are we talking about record deals and managers? (Are we talking about practice here?) Seriously? It’s not like Ice Cube is leaving NWA and using “No Vaseline” to say that these guys have a foul cope with a white man, and I do know that because I just left the group due to that deal. This is Drake talking about another person’s business in the industry, and we do not even know if it’s current or real. Truth matters in battles. You cannot just say something and let it land.

Advertisement

I understand it seems funny to consider Drake as the center of a 20-on-1 rivalry, but Drake is not. Darek is a team. He is helped by ghostwriters, which he discussed discreetly AND others also discussed. When I heard “Push Ups” I assumed: did he pay for this? He called his best writers and this is what all of them got here up with? Really? I hope he kept the receipt because he should take it and confer with the manager. He didn’t even drop the best diss track of the weekend. This was done by Rick Ross. I’ll work on this recording tomorrow.


Music

The post Sorry, Drake Loses Fight Against Kendrick appeared first on TheGrio.

Advertisement
This article was originally published on : thegrio.com
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Music

Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month

Published

on

By

Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.

This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.

Advertisement

And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.

Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.

After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!

Advertisement
(*1*)

(Tagstranslate) Beyoncé

This article was originally published on : thegrio.com
Advertisement
Continue Reading

Music

Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album

Published

on

By

Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”

Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.

Advertisement

“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.

The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.

Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.

Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.

Advertisement

“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “

Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.

Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.

Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.

Advertisement

Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.

(Tagstranslate) Entertainment

This article was originally published on : thegrio.com
Continue Reading

Music

RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump

Published

on

By

The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.

Trump’s takeover is a component of its wide campaign against the culture of “Woke”.

“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”

Advertisement

Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.

Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.

Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.

Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.

Advertisement

(Tagstranslate) rhiannon giddens

This article was originally published on : thegrio.com
Continue Reading
Advertisement

OUR NEWSLETTER

Subscribe Us To Receive Our Latest News Directly In Your Inbox!

We don’t spam! Read our privacy policy for more info.

Trending