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Entertainment
South Carolina caps off a perfect season with the NCAA Championship, defeating Clark and Iowa 87-75

South Carolina has grow to be the newest dynasty in women’s basketball after winning its third title in the last eight years
CLEVELAND (AP) Dawn Staley and South Carolina accomplished their perfect season, ending Caitlin Clark’s historic college profession with an 87-75 victory over Iowa in the NCAA championship game Sunday.
Thanks to Staley’s relentless attack from the sideline, the Gamecocks (38-0) became the tenth Division I team to go an undefeated season. They achieved this feat after losing all five starters from last season’s team that lost to Clark’s team in the national semifinals.
“Things don’t all the time end the way you wish, like last 12 months. But my novices are at the center of my heart because they desired to be. This is awesome. …. This is awesome. This is awesome. It’s unbelievable,” Staley said. “When young people lock in, have faith and trust, and their parents have that same trust, that’s what can happen. They made history. They engraved their names in history books.
Clark did everything she could to lead the Hawkeyes to their first championship. She scored 30 points, including a championship-record 18 in the first quarter. She will go down in history as one of the greatest players in NCAA history. She rewrote the record books at Iowa (34-5), finishing her career as the all-time leading scorer in NCAA Division I history with 3,951 career points.
She hopes her legacy is not defined by her failures in two NCAA championship games, but rather by the millions of new fans she helped introduce to the game and the countless young girls and boys she inspired.
“I think the main thing is that these things are really hard to win. “I feel I comprehend it higher than most individuals, being that close twice really hurts,” Clark said.
When the last beep sounded, stoic Clark he walked off the court, past the confetti, and into the tunnel toward the locker room.
“I personally want to thank Caitlin Clark for raising the profile of our sport. She carried a lot of weight for our sport,” Staley said. “She’s going to elevate this league (WNBA) as well. Caitlin Clark, if you’re there, you’re one of the GOATs in our game. We appreciate you.”
South Carolina has won three championships in the last eight years, including two of the last three, and is laying claim to being the newest dynasty in women’s basketball. Staley became the fifth coach to win three national championships, joining Geno Auriemma, Pat Summitt, Kim Mulkey and Tara VanDerveer.
The Gamecocks, who have won 109 of their last 112 games, became the first team since UConn in 2016 to remain undefeated. South Carolina had a few scares throughout the season, but always found a way to win.
With most of the team returning next year, with the exception of star center Kamilla Cardoso, Staley’s team is in a good position to keep that momentum going.
Tessa Johnson led South Carolina with 19 points. Cardoso had 15 points and 17 rebounds.
“Kamilla Cardoso was not going to let us lose a game in the NCAA tournament,” Staley said. “She played through injury, she played like one of the top selections in the WNBA draft, and her teammates did something no other teammate had ever done for someone who went to the WNBA in our program. They send her as the national champion. This is history for us.”
Led by 6-foot-7 Cardoso and Ashlyn Watkins, the South Carolina team had a 51-29 rebounding advantage. He also ended up with 30 second-chance points.
The Gamecocks also showed impressive depth. Johnson helped the team to a 37-0 point differential by the reserves.
South Carolina led 46-44 late in the second quarter and then went on an 11-0 halftime lead to open a 55-46 lead early in the third quarter. Clark finally finished the run with a layup.
The Hawkeyes tied the score at 59-55 and had a chance to get even closer, but Hannah Stuelke missed an open layup after a brilliant pass from Clark.
South Carolina responded with another eight points, including two three-pointers. The Gamecocks, who were 4 of 20 from the three-point line in last year’s Final Four loss to Iowa, were 8 of 19 against the Hawkeyes this time around.
After the third quarter, the Gamecocks led 68-59. They led 76-64 early in the fourth period before three runs by Clark and Gabbie Marshall put Iowa within six.

Iowa trailed 80-75 after Sydney Affolter’s three-point play with 4:12 left. This would be the last point scored by the Hawkeyes as South Carolina scored the final seven points of the game.
Clark left the court with 20 seconds left when Iowa State coach Lisa Bluder replaced fellow senior Molly Davis, who had not played since she was injured in the regular-season finale against Ohio State.
Unlike in the semifinals, when Clark struggled against the UConn defense, she started the game early against South Carolina. Clark scored 13 straight points for Iowa after the Hawkeyes jumped out to a 7-0 lead, including another three-pointer to help her school gain a 20-9 advantage heading into the first media timeout.
South Carolina increased the score to 22-20 with 1:30 left in the game before Clark scored the final five points, including a three-pointer over Cardoso. Clark’s 18 points in the first quarter set a championship game record, surpassing the 16 points LSU’s Jasmine Carson scored last year against the Hawkeyes.
She only scored three points in the second quarter, hitting a three-pointer with 1:53 left in the quarter. Meanwhile, the Gamecocks used their depth and interior dominance to get back into the game. Cardoso had 11 points and seven rebounds in the first 20 minutes.
The Gamecocks led 46-44 in the final minute when Te-Hina PaoPao hit a three-pointer and Raven Johnson stole the ball from Clark near midcourt and went up the court. South Carolina led 49-46 at halftime.
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Entertainment
Ten years after #oscarssowhite, Hollywood can still do better – and scape

This time ten years ago all of us gathered around our laptops or smartphones and curled up. Really hard. We made available tweets that made us laugh the loudly in our group chats, and a few of us tried to give you how one can join the fun.
“#Oscarssowhite, which they asked to touch my hair”, April Reign, creator of hashtaga, Tweet in 2015.
We laughed since it was fun. We laughed harder since it’s true.
Tweet Reign was in relation to the ACADEMY AWARDS-who emit this Sunday at ABC and Hulu-I stormed on all white lists nominated on the screen, and the shortage of colourful individuals who weren’t included.
During the yr, which was given by World World Ava Duvernay, many award observers assumed that not less than we might hear the name of David Oyelowo. He gave so well the well -known southern term and drew Martin Luther King Jr., although he was a British, Oyelowo transformed into MLK. He survived us back to 1965, when Selma, Alabama, became a battlefield within the fight for equality.
It was a phenomenal film and a pointy reminder of how far we got here – and this a part of the story was not so way back.
DuverNay knew what she had. Before releasing it, a movie was displayed before it was released, and I do not forget that by sending her e-mail to her message a few capability after I returned to my hotel room, adding that she would should change her phone number. I also remember how a white colleague turned to me when the inscriptions appeared within the film and said: “Oh, she knows what she has.”
It was so good.
For this reason, a few of us dared to dream that DuveNay – who quickly became a toast of the town, before her film got here to the cinemas at Christmas in 2014 – will join this exclusive brotherhood referred to as directors who were nominated for the ACADEMY Award.
But none of this stuff happened. Instead, we saw the white stream of actors and actresses in a way – each when it comes to supporting and leading nominations – nominations.
However, when those hashtagted tweeth got here on-probably the most fiercely funny than the one before him, every part in fast succession-we mowed so hard.
We laughed until we stopped laughing.
And then matters were activated.

So two things can be real at the identical time.
We can effectively listen to the shortage of diversity, the shortage of creative work that isn’t coping with and a protracted story not listening to stories that aren’t the narrative of the mainstream (read: white), and also do not receive work that needs to be covered.
In this special season I liked Eddie Redmayne’s performance within the performance of Michael Keaton in Redmayne devoured his role because the good and inspiring Stephen Hawking and Keaton? Come on, man. I loved, loved, I loved the work by which Keaton devoted himself as a washed actor from Hollywood. I’m lucky to work with ABC News to enable you cover the academy awards, and one thing I speak each time it’s used is what number of Hollywood sees movies about myself. Voters eat it. Academy members love this when the actor and director enliven the story that appears to be such a well -known industry that literally evaluates the work – whether it means a fictitious performance, as within the case of Keaton’s film this yr or a non – –tym movie on a legend reminiscent of Lucille Ball (2021) or Steven Spielberg, who gave us a movie from 2022.
By nature, I understand what voters love and I’m a reasonably good predictor of what can be nominated and what he can win. I actually have to literally turn off my ears after I hear people say things like “OMG! This trailer is so amazing! This movie should absolutely win an Oscar! ” NO. This isn’t how it really works.
Together with my other critics and reporters, and yes, voters, every season, I check tons of of films to seek out out and vote which ones needs to be considered one of the best.
In most cases I’m in place.
Sometimes I’m incorrect, like 10 years ago.
Before 2015, we didn’t know much in regards to the voting body – we do not really have. We don’t understand how many citizens are generally and we do not really know their demographic makeup.
Sure, we all know voters, but this happens mainly due to #oscarssowhite, which mainly became a call to act. At that point, Cheryl Boone Isaacs was the president of the Academy of Arts and Sciences Picture Picture – the primary African American and only a 3rd woman who had this title – and almost seemed criminal that she must devour the growing critic of the academy.
The voting body didn’t develop into problematic when she was chosen in 2015, but decided to do something about it and develop a voice base, introducing more women, more people and introducing younger voters in a combination. The voting cap has long been underway in relation to membership, and Boone Issacs worked on its removal, which allowed her to announce who the brand new voters could be. And yearly people delighted who had just got a spot on the table, stunned that they weren’t invited to this event many years before their arrival.
To the surprise of nobody, the Oscar voters were mainly white and men. And Boone Isaacs, who said that the academy has already tried to unravel the issue with diversity, before the hashtag became popular, he managed a solution to change it.
Progress was made. She was in a position to develop the voting body – by doubling each Number of colours and women – And we began to see some changes, although most of us are still working, assuming how membership traditionally moves over the years.
Before we reached the 2017 prize season, we saw a change. This yr, Barry Jenkins won for one of the best picture-so, it is a crazy confusion with the event. It was also a yr by which Viola Davis finally straightened her crown and grab one in every of these heavy statuettes for her work (where Denzel Washington was also nominated). Mahershala Ali gathered victory and we saw talents reminiscent of Ruth Negga, Octavia Spencer and Naomie Harris, also gain nominations. Howard University Alum Bradford Young Made History As the primary black cinematographer, which was nominated for an Oscar for his work on the science fiction Denis Villeneuve, ESPN was an awesome winner in 2017 with an ambitious multi -part document with a literal “process of centenary”, which was directed by Ezra Edleman and received the prize for one of the best documentary function. (And if you happen to hold the bookmarks, DuverNay received an Oscar nomination this yr for her influential document).
Was it #oscarssoblack this yr? I definitely felt prefer it.
But I do not think the unique hashtag or the conversation she caused would never talk only about black people. It was a possibility to unravel continuous failures that industry and voice organs (of which I’m a part of a couple of) appear to have. Latinos, Asians and islanders from the Pacific, native inhabitants and others weren’t invited to the Highfalutin party, but they deserved to be there because their stories mattered.
The real argument is that this conversation must happen long before voting voting. This must occur in rooms where the projects are greenish, and budgets are set for storytelling and providing extraordinary film sensations.
And then we’d like to be sure that these diverse stories are properly sold so that folks like me can say: “voters love this film that tells this unknown story” about something that all of us have to find out about.
Fortunately, we’ve seen some progress within the last 10 years – and we can have fun it. Really. I used to be sent a rabbit hole after watching a traumatic, but thoroughly -made movie, an exhilarating and painful history of the Osage tribe, which was not enough about. And her fundamental actress, Lily Gladstone? Oblivion. We also had a support from Chloe Zhao, who became the second woman and the primary colourful woman who won one of the best director in 2021.
Yes, yes.
And yet Oscars are still so white.
So we keep watching. And we’re still loud and good after we indicate which projects are missing within the conversation. And nominated.
Ten years later I feel quite good where we’re, even though it is Still a variety of work. Colman Domingo is a licensed star; He was nominated for one of the best actor-last yr for the Biography Leader on Bayard Rustin, and this yr for a movie in regards to the prison rehabilitation program based on art. Zoe Saldana will most definitely select an Oscar for her wonderful work at Netflix’s, and Cynthia Erivo is again nominated for one of the best actress, this time for a wild musical. We were also presented to the film boldness of director Ramell Ross ().
Hollywood can do better. Because he must. The work we see in cinemas and streaming must better tell the complete range of the story.
#Oscarssouniversal? Not yet. But that is the goal. Or possibly sooner or later we’ll get there soon.
Line notes
Entertainment
The best moments of beautiful from the SAG 2025 awards – Essence

Valerie Macon/AFP by Getty Images
The invented “actor” character comprises each a mask of comedy and tragedy – no less than, as shown in 13 brown trophies nowadays 31. Annual Awards of the Guild of Actors. It takes place at the Shrine Auditorium and Expo Hall in Los Angeles, Sag Awards is the only prize program that honors the achievements of the actors, celebrating the most convincing film and tv performances last 12 months.
However, the night began on the red carpet. Szoe Siedaña – who won the excellent performance of the actress in the supporting role – under the influence of a ballet, with a lightweight pink lip and smoked eye. Equally classic, Danielle Deadwyler with repaired her micro-pallets with a French accent with rolled up mini bangs and orange shadow shadows. Meanwhile, Cynthia Erivo maintained her manicure from the night of Naacp Image Awards, but she become a silver, shiny look of the eye.
Keke Palmer directed Jessica Rabbit in red lipstick and Ginger Bob, a color that the first time she made her debut during the New York Fashion Week. Pixie crosses Quint Brunson and Janelle James continued the short trend, while the light pink lipstick on Adjoa Andoh and Kerry Washington predicts a favourite shade of Spring. To close the carpet, blushes Sheryl Lee Ralph, raised by the brushwood cheekbones pulled out shades from her blueberry lips as the most juicy appearance of the night.
Below, have a look at the best beauty from this 12 months’s SAG awards.
Zoe Saldana

Danielle Deadwyler

Cynthia Erivo

Keke Palmer

Fifth Brunson

Liza Colón-Zayas

Sheryl Lee Ralph

Nana Mensah

Adjoa andoh

Kerry Washington

Aisha Dee

Janelle James

Mychal-Bella Bowman

Entertainment
Usher to provide the address of the Emory University class start from 2025 graduates

It seems that there will not be much that Usher Raymond IV – Better, known to the world, simply as a USher – no. He can sing. He can dance. He can sing and dance while skating. He works. Sells Las Vegas residences. Performs philanthropic work.
And also performs the completion addresses. Usher was utilized by the University in its own yard. May 12 Usher will provide the address at Emory University 180. Ceremony of graduation and shall be awarded with an honorary doctorate in humanitarian letters from the institution. This will not be the first Usher Rodeo with an honorary doctorate; In 2023 Berklee School of Music in Boston He awarded the International Superstar with distinction. He also gave comments then.
Usher will not be alien to Emory University. His non-profit, New Usher Lookwhich according to the website“He transforms the lives of malnourished youth through a comprehensive program that develops passion, global leaders”, has established cooperation with Emory’s University’s University Goizueta Business School in a 400-hour program helping to prepare teenagers for faculty. Apparently, non-profit influenced over 50,000 students.
“I spent my life following my spark – my passion – and trying to support young people when they find and follow their own passions. I am excited that I have the opportunity to talk to these amazing Emory students who graduate and prepare for imprint in the world – said Usher in Billboard statement.
Usher is one of the most successful musical acts in history, selling over 80 million records, winning many Grammy awards and has toured throughout the world since his profession in the mid -90s. His album “Confessions” from 2004 is the second best -selling album from 2000 and is taken into account by Rolling Stone as one of the best albums of all of all of all.
YES!
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