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Beyoncé fans dig up Lily Allen’s problematic past and use of blackface after British artist refers to singer having ‘help’ with plastic surgery to look good

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Lily Allen criticized Beyoncé’s sonic exploration of country music in “Cowboy Carter,” and now she has to deal with hordes of social media users exposing her problematic past. The latest project of the world pop star was among the many topics discussed in this system “Miss Me?” a podcast that Allen co-hosts with Miquita Oliver.

The first hit that appealed to women was Dolly Parton’s “Jolene,” which featured an intro by the county music legend and updated lyrics. “I don’t think this Jolene is any good,” Oliver said. “It’s very strange that you covered the most successful songs in this genre,” Allen joked.

Oliver further explained, “But I also feel like ‘Jolene’ is a great song, like I’m listening to the story over and over again about how Dolly Parton wrote it in about 20 minutes because I think it’s brilliant.” And I do not know, it just felt like kind of standard hip-hop under the “Jolene” cover.

“It’s like, let’s do something with this song,” Oliver continued. “If we take it apart and put it back together, I feel like Beyoncé could have done a little more with it, or maybe chosen something that was less of a bait to hide.”

Lily Allen feels the ire of the Beyhive for calling Beyoncé's 'Jolene' cover weird and referencing plastic surgery as the singer's secret to looking good during her
Lily Allen feels the ire of the Beyhive for calling Beyoncé’s cover of “Jolene” weird and referencing plastic surgery as the singer’s secret to looking good during her “Miss Me?” podcast with co-host Miquita Oliver. (Photos: Beyonce/Instagram; Lilyallen/Instagram)

The British artist agreed with her friend, adding: “Yeah, I just feel prefer it’s quite an interesting thing if you want to tackle a brand new genre and just pick the most important song in that genre to cover. I mean, you do it, Beyoncé, and she literally does it. Or possibly she’s doing Dolly?

Beyoncé’s defender fired back at tweet which read: “Lily Allen, you recognize what’s weird? You stick your husband’s penis in blackface and say it’s Azealia Banks. The explicit photo included a large red-lipped smile on her then-husband Sam Cooper’s cock, a gold chain, bulging eyes and a tuft of black afro-like hair. It was made available in July 2013.

At the time, Allen and Azelia Banks were embroiled in a web-based feud that began after the rapper called Cooper ugly. Additional context regarding the blackface moment suggests that the depiction was also inspired by the golliwog rag doll, which was used as an offensive caricature within the nineteenth century.

Allen’s 2014 music video for “Hard Out Here” was also mentioned. In some scenes she was scrubbing rims within the kitchen sink. In one other, she was surrounded by black backup dancers shaking in bikinis, and in others, the dancers were poured champagne, smoked cigarettes, had money stuffed down their blouses and used a Rolls-Royce as a crutch to keep spinning, as Allen sang: “It’s hard here for ab-ch.”

It was criticized by critics, including Joe Bishop, a contributor to The Guardian, for images that some considered racist. She responded by writing on Twitter that the video “has nothing to do with race at all” and that it “is intended to be a light-hearted, satirical video that addresses the objectification of women in contemporary pop culture… The message is clear.”

She also claimed that her company simply hired the very best dancers and that she practiced twerking for 2 weeks, but felt too insecure about her figure and cellulite to dress skimpily and join within the dancing.

Allen also responded to critics of “Hard Out Here,” particularly a journalist from The Guardian, by writing one other song, “URL Badman.” The journalist reacted by writing next song titled “Lily Allen wrote a song about me because I accused her of racism.”

Coincidentally, Lily Allen’s “Hard Out Here” also addressed the difficulty of body shaming as she lay on the operating table with the surgeon poking and prodding at her stomach. Elsewhere within the podcast, when Oliver said Beyoncé’s beauty makes her feel optimistic about hitting her 40s, Allen seemed to be referencing the “Black is King” artist, who uses plastic surgery to maintain her youthful appearance.

“He’s getting help,” she joked. Her co-host responded by insisting that Beyoncé didn’t go under the knife.

“I didn’t say that,” Allen replied. “I’m just saying that you know that he has a great team of stylists, hairdressers, you know that he trains a lot, he has access to the best trainers in the world, for example he knows that he is Beyoncé.”

Even though her name is among the many top X-topics, Allen only shared a response to the backlash on Instagram. She also limited comments on her latest post.

Lilly Allen on Instagram Stories

Beyoncé fans dig up Lily Allen’s problematic past and use of blackface image after British artist refers to singer having ‘help’ with plastic surgery to look good


This article was originally published on : atlantablackstar.com
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LaMelo Ball Charlotte turns heads as she arrives at the game in Scooby-Doo’s “The Mystery Machine.”

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LaMelo Ball, LaMelo Ball Charlotte Hornets, LaMelo Ball Mystery Machine, Scooby Doo Mystery Machine, Scooby Doo, theGrio.com

CHARLOTTE, N.C. (AP) – Say what you’ll about Charlotte’s LaMelo Ball, but there isn’t any denying the 2022 NBA All-Star has a mode all his own.

The Hornets point guard turned heads on Thursday night when he I drove as much as the Spectrum Center for the team’s game against the Detroit Pistons in a colourful Hummer a reproduction of Scooby-Doo’s “Mystery Machine” – only rather more expensive than the one Shaggy and Velma rode in the kid’s cartoon.

Ball, a lover of enormous dogs, promoted the release of his Scooby-Doo x Puma MB.04, which might be released on November 27.

Ball wore vivid, multi-colored Puma shoes during warm-ups after which become vivid orange shoes for the match.

After the Hornets won 123-121 in extra time, Ball said he liked how his rental equipment was dressed up.

Ball, nonetheless, stopped in need of saying he might try to purchase one, joking, “I already have a Hummer, so I wouldn’t even bother.”

This article was originally published on : thegrio.com
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Angelina Jolie’s disturbing performance in new interview sparks criticism Years after health problems caused her face to sag

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Angelina Jolie promotes her next film, “Maria”, in which she plays the role of the famous opera singer Maria Callas.

However, for some fans, the press was more about Jolie’s health and appearance than her work in film.

On November 21, Jolie sat down with Michael Strahan for an interview on “Good Morning America” ​​to discuss her fear of using her real voice to sing opera for the role and the enjoyment of motherhood. However, in the course of the chat, some fans claimed they noticed Jolie’s face looked different than usual.

In the newest interview, Angelina Jolie expresses concerns about her health. (Photo: Gilbert Flores/Variety via Getty Images)

One person was cited by Express US for this story he said“It looks rough.”

Another commentator on Page Six he wrote“Ok, I just read that her face looks different because she stated that she developed hypertension and Bell’s palsy, a condition that she said caused her face to droop to one side. I assumed she looked like she had a stroke, in order that explains it.

Debates about Jolie’s sickly appearance erupted when fans noticed visibly large veins on her arms during separate red carpet appearances. Even those that knew her health were still shocked and anxious by her photos.

Jolie first revealed that she had the disease in 2017. In an interview with Vanity Fair she said he said she discovered she had hypertension and Bell’s palsy in 2016, the identical yr she filed for divorce from Brad Pitt.

So when she was diagnosed with the disease, she said she wasn’t sure what could have caused it. “I can’t tell if it’s menopause or if it’s just the year,” said Jolie, then 42. “Sometimes women in families put themselves last until it manifests itself in their own health.”

However, she also said that she is trying to pay more attention to her health. “I actually feel more like a woman because I make wise choices, I put my family first and I am responsible for my life and health. I think that’s what makes a woman complete.”

Last yr, the “Maleficent” star opened up again about her condition, revealing that it was caused by the stress of ending her relationship with Pitt.

In an interview with The Wall Street Journal, she said he said“My body reacts very strongly to stress. My blood sugar levels go up and down. Six months before the divorce, I suddenly developed Bell’s palsy.

According to National Institute of Neurological Disorders and Stroke“Bell’s palsy is a neurological disorder that causes paralysis or weakness on one side of the face. It occurs when one in every of the nerves that control the facial muscles becomes damaged or stops working properly, which may cause the facial muscles to droop or sag.

This article was originally published on : atlantablackstar.com
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“The Honorable Shyne” is a hit. This is why I wanted to tell this story. — Andlandscape

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One of the primary reasons Andscape culture author Justin Tinsley and I were tapped to co-executive produce was our backgrounds as music journalists. The documentary chronicling Moses “Shyne” Barrow’s rise to fame, imprisonment, and re-emergence as a political leader suits firmly into our wheelhouse, as his best rap years got here within the early 2000s – right at the center of our hip-hop fandom. I donated my time helping with the documentary, which was a top ten show in its debut week on Huluas a likelihood to help tell the story of hip-hop. I got here away from the project with an understanding of a man in conflict, at odds with himself and his past, and wanting to forge a path forward.

Shyne’s story illustrates the American dream: a poor black immigrant comes to America and from nowhere becomes one in all the largest rap stars. It is also a story about how the American criminal justice system and music industry chew up and spit out so many young Black people. To carelessly follow Shyne’s story is to consider him as just one other young black man who fell into a bad situation and never recovered. After all, his rap profession was effectively derailed when in 2001 he was sentenced to ten years in prison for the 1999 shooting at Club New York in Manhattan. But what inspired me about Shyne’s story was his refusal to let this devastation define him.

In 2021, I hung out in New Orleans with former No Limit rapper McKinley “Mac” Phipps, who had just been released from prison after spending 21 years in prison for a murder he denied committing. As I listened to Shyne’s story, I considered Mac. Both were avatars of a system that tested rap as much because it tested individual men. Mac’s story was about how hip-hop lyrics may be used to accuse someone within the face of overwhelming evidence of their innocence. Similarly, Shyne’s trial created a sensation about hip-hop’s relationship to violence in a city hungry for head on a plate.

Both Shyne and Mac emerged from prison as completely different people than once they entered. In Mac’s case, it was the period of time he spent at home, during which he transformed from a teenage rapper into a man after 20 years spent in confinement. For Shyne, his transformation got here from faith when he converted to Orthodox Judaism in prison. When I have a look at people like Shyne and Mac, I wonder how they’ll survive being locked in a cage, and their answers are inspiring.

While Shyne’s rap stories are what drew me to this project, it’s his journey as a man that makes me proud to help tell his story. And we actually get to see that journey after he raps the ultimate bars of his rap profession.

Shyne got here to the film wanting to discuss his lowest moments – the time after his release from prison in 2009, when he lashed out, frustrated at seeing a latest crop of rap stars emerge within the void left by his absence. He was rudderless. As rudderless as anyone may be who has lost a decade to a prison system that wanted to destroy him. And much more, since it was closed when the superstar’s fame was on the tip of his fingers.

The raspy-voiced rapper could have let these mishaps define him, but that is where Shyne’s story resonates with everyone, whether or not they’re a rap fan or not. Shyne’s second act, the one through which he finds purpose in community and family, where he uses his innate charisma and true genius to turn out to be a political leader and motivational speaker.

I cannot discuss Shyne’s reappearance without mentioning Sean “Diddy” Combs. Combs, the disgraced hip-hop mogul who signed Shyne to his label Bad Boy Records and helped launch his profession, is the elephant within the room throughout the documentary and in Shyne’s life. So lots of the artists who emerged under Diddy – from G Depp and Mase to The Notorious BIG – suffered terrible consequences. Shyne’s name was all the time on the list because he spent ten years in prison. And yet, Shyne’s approach to healing and moving forward is as inspiring as his ability to overcome what he sees because the sabotage of his life and profession.

These are lessons I didn’t expect to learn from the stories in regards to the hip-hop star from my childhood. These are inspiring moments that can be of interest to those that haven’t yet turn out to be inquisitive about the Brooklyn, or somewhat Belizean, rapper featured within the documentary. These are the points that make me proud to be a a part of telling Shyne’s story.

DavidDennis Jr. is a senior author at Andscape and the creator of the award-winning book “The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride.” David is a graduate of Davidson College.

This article was originally published on : andscape.com
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