Lifestyle
Resurrection Our Way: On Beyoncé, Linda Martell, and Staging Our Own Renaissance

While “Cowboy Carter” brings country music’s black roots to the forefront, Beyoncé reminds us of the infinite power of legacy.
Have you ever been invited to a spot, only to seek out out that you just were obviously not welcome there?
Lord knows I’ve been there more times than I could anticipate or count. Each time this humiliation doesn’t diminish; but increasingly I’m learning the best way to emerge from these moments unscathed, stronger and brighter, within the hope that I’ll leave these places higher than once I arrived.
Well, continuing the era of turning lemons into lemonade, Beyoncé’s recent album ‘Cowboy Carter’ she tries to point out how she handled similar experiences. According to Beyoncé, her recent album “was born out of an experience I had many years ago where I didn’t feel welcome… and it was very clear that I wasn’t.” Many assumed that the experience in query was the general public moment during which she was invited to perform “Daddy Lessons” on the 2016 Country Music Association Awards (CMA) – the moment she selected former industry darling The Dixie Chicks (now known simply as “The Chicks”) to hitch her on stage – only to find that she is an unwelcome presence.
“Some were outraged that Beyoncé and the Dixie Chicks, ostracized from the country music community, were allowed to perform at the 2016 CMA Awards,” Gerren Keith Gaynor reported for Grio on the time. Angry country music fans then forced the CMA to remove all traces of Beyoncé from its online recaps in a shocking gesture that amounted to erasure. While some have speculated that political differences between Beyoncé, The Dixie Chicks and the CMA’s core fans led to her performance being faraway from their platform, such erasure of disparate voices stays unprecedented within the entertainment industry. As an additional insult, despite removing it from its website and social media, the CMA continued to advertise free downloads of the performance in a very exploitative manner.
Instead of specializing in the anti-black comments and reception that Beyoncé experienced in purist country music circles, the Texas native staked her own claim to the genre and re-located our pioneers, giving them an area to talk and sing for themselves. He joins a growing procession of Black artists who’ve leveraged each the moment and the genre’s true legacy to reclaim their place within the country music industry.
In several tributes on “Renaissance, Act I” on “Cowboy Carter,” Beyoncé pays homage to the country music pioneer, designating her album break as “The Linda Martell Show.” While Martell herself questions the meaning of “genres,” Beyoncé pays homage to other black forebears in country music, surrounding her listeners with a sonic majesty that evokes the tradition of restorative justice and liberation theology present in Hebrews 12:1-2: :
It’s no coincidence that Beyoncé pays tribute Linda Martell, the primary black woman to perform on the Grand Ole Opry in 1969. Capturing the essence of overcoming adversity and emerging with a legacy for future generations, Martell significantly influenced the genre together with her album “Color me, country” in 1970, marking a historic moment as the first major release by a black female artist in country music.
With the long-awaited release of “Cowboy Carter,” the newfound interest in Martell’s contributions, including the documentary and awards, highlights an overdue shift toward inclusivity and appreciation for diverse country music narratives and legacies.
Martell’s tributes not only celebrate her contributions, but also symbolize the resurrection of her story, reflecting Easter’s profound message of rebirth and triumph over oppression. We are reminded that there is always someone who has prepared the way for us to do what we do, big or small. We must say their names as in meditation, considering them a prayer of thanksgiving for the continuation of the work.
As I think about Resurrection Sunday both as a theologian and musicologist, given my cultural upbringing, personal experiences, and academic and spiritual training, themes of empowerment and renewal are central to this commemoration by Christian believers. In African American culture, even if we do not believe or follow Christian practices, at the core of what we have experienced as a nation – and, as a result, the culture that has emerged for us as a people – speak parallel and unifying representations of hope, transformation, and empowerment. But aren’t these aspects of our lives what help us survive difficult situations, especially those in which we are told we don’t fit in?
In the Black prophetic tradition, our experiences as a people have deep meaning rooted in our history and are beacons that illuminate the source of the strength needed to overcome all pain, misery and conflict. This light illuminates our ability to embrace the promise that we will never be alone through all of this – and the ways in which we have “made it” – collectively and individually. Just as we understand that energy can never be created or destroyed, our ancestors understood us as energy beings for whom even death is not the end, but spiritually and physically it can be the beginning of something new.
The Good Friday premiere of Beyoncé’s “Cowboy Carter” and the tribute to Linda Martell embody the essence of Easter’s message of resurrection, bringing untold stories to light and celebrating the revival of cultural narratives we have long needed to know and celebrate. It is a moving reminder of our ongoing journey toward justice and representation, ensuring that the legacies of ancestors like Martell are remembered and honored. Through this album and the tributes it contains, we are invited to reflect on broader themes of holding space, redemption and resurrection, highlighting the importance of remembering and celebrating those who have paved the way for a more inclusive and equitable future.
The Rev. Dr. Alisha Lola Jones is a faith leader helping people navigate a dynamic world, as a consultant to numerous arts and faith-based organizations and as Professor of Music in Contemporary Societies on the University of Cambridge in Cambridge, England. She is an award-winning creator (Oxford University Press). For more information please visit DrAlisha.com.
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- “Cowboy Carter” stars Rumi Carter, Linda Martell, Miley Cyrus and a cadre of black talent
- 9 thoughts on Beyoncé’s latest release ‘Cowboy Carter’ – Beyoncé’s album with some country tunes
- Beyoncé’s “Cowboy Carter” tracklist features a cover of “Jolene.”
- Beyoncé on the second act of ‘Cowboy Carter’: ‘It’s not a rustic album. “This is the ‘Beyoncé’ album”
- Country music star Maren Morris honors Black women who pioneered the genre on the CMAs
- Beyoncé’s “Daddy Lessons” rejected by the country’s Grammy committee
- Angry country fans urge CMA to remove all traces of Beyoncé online
- John Legend blames American racism for Beyoncé’s CMA controversy
The post Resurrection Our Way: On Beyoncé, Linda Martell, and Staging Our Own Renaissance appeared first on TheGrio.
Lifestyle
You should wear a sunscreen, even if you have darker skin. Here’s why

People with darker skin still have to Wear a sunscreen – For more reasons than one.
Too many Ultraviolet exposure From the sun it will probably result in sunburn, dark spots and wrinkles and increased risk Skin cancer.
Melanin in darker skin offers additional sun protection, but dermatologists say that this shouldn’t be enough.
“Everyone needs a sunscreen. But the reasons why you can reach for sunscreen may vary depending on the skin shade,” said Dr. Jenna Lester, who founded the skin clinic on the University of California in San Francisco.
Do darker people need sunscreen?
White individuals are generally more susceptible to skin cancer in comparison with black and Latin people. But in response to American Cancer Society, people will less often survive probably the most dangerous kind of skin cancer called melanoma.
Black patients more often get melanoma on their hands and feet – places which are more sheltered from the sun. Despite this, sunscreen is an extra protective layer that helps to forestall many other problems, including sunburn, pimples gears, rosacea and dark patches on the face.
Dr. Oytewa Assempa from Baylor College of Medicine often reminds her of darker carvil patients: “all the problems you come are caused or deteriorated by the sun.”
How many sunscreen do colours need?
To keep safety within the sun, it’s important to grab a sunscreen with a sunscreen or SPF coefficient at the very least 30 and re -submitting the applying every two hours. People went to the pool or beach, they should first placed on a sunscreen, remembering about folding freely and after leaving the water.
Lester said that the majority people don’t wear enough sunscreen. Make sure it’s price two long fingers and robust stains to your body in your face.
Look for chemicals for sun filters to avoid white solid ash. Two key ingredients in mineral products-tin and oxide oxide-the offender of this unbearable discoloration on dark skin.
The tinted sun filters contain pigments that block visible light from the sun, offering additional protection against dark spots. And wearing a hat or protective clothing within the sun with an ultraviolet protection factor or UPF assessment can provide an extra increase in safety.
Regardless of the sun protection routine, it’s important to maintain it, said Lester. Some UV rays can climb through the windows of the automobile and residential to wreck the sun, even when within the room, which makes it even more necessary when caring for the skin is shining.
“It’s about trying to make it a daily habit,” she said. “Consistency over intensity.”
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The Associated Press Department of Health and Science receives support from the Science and Educational Group of the Medical Institute Howard Hughes and the Robert Wood Johnson Foundation. AP bears the only responsibility for all content.

(Tagstotransate) Skincare
Lifestyle
Students of the South University win a lot with a short document

Recently there have been students from Southern University and A&M College honored A short documentary film for his or her work.
Loren Sullivan, Verbon Muhammad, Sydney Cuillar, Ashley Lovelace and Eric White, referred to as “Dream Team”, received Emmy Sportowe HBCU in 2025 during a ceremony in New York in New York.
“This is not just a win – this is a call to act in order to invest in art,” said Sullivan, a senior from Chino Hills, California, who focuses on mass communication.
Sullivan is a member of the Human Jukebox Media team. Other filmmakers are recent graduates of the South University. Cuillar, Lovelace and White are a former office of student media members, while Muhammad is a former member of the Human Jukebox Media team.
He emphasizes the heritage of the “Human Jukebox” school marching team and its impact on sport and athletics at historically black universities and universities (HBCU).
The document was submitted as an entry in the Emmy Awards as part of the National HBCU Sports Broadcasting HBCU HBCU SPONTH competition by Coca-Cola Company and the National Academy of Television Arts and Sciences foundation.
Film creators said that they plan to create scholarships for college kids of the University in southern place and transfer part of the subsidy to the human cabinet cabinet and the Mass Communication Department of the South University.
The document can be available on YouTube later this summer.
The school also announced that the Southern University School of Nursing famous The largest class of doctoral students of nursing in its history. Twelve students obtained a doctoral degree in nursing practice (DNP), and two students received a doctorate. in nursing. A graduate Darryl Davis was the first man to win a doctorate under the DNP program.
(Tagstranslate) Emmy Award (T) The Hidden Sport (T) Human Jukebox Marching Band (T) Southern University
Lifestyle
Tabitha Brown refers to negativity after he talked about the influence of the target boycott on black authors: “I pray for love to find you”

Tabitha Brown will all the time be in favor of black authors, black corporations, content creators and creations, regardless of what haters can say.
After Backlash after she told about how the target boycott affects black authors on Tuesday, May 20, a 46-year-old web personality and the writer doubled her support of her peers in the film sent Instagram.
“This is my prayer for you”, the founder of “Donny’s Reptipe” began in a movie, returned to all users flooding her comments and DM “uneducated” hate news.
“I pray for love to find you, true love. I pray that she finds you and keeps you tightly,” she continued. “I pray that somebody will love you sufficient to see you, see you whenever you do not feel good, see you whenever you need real support, to see you whenever you need sympathy to see you whenever you need kindness. I pray that somebody loves you sufficient to sacrifice your life.
In the video signature, Vegan influence on food explained that he was not withdrawing from his support in the near future.
“There is no hatred and ignorance that will stop me from using my platform and voice to support and raise small companies, black companies, black content creators, black authors,” said. “Take it with God because he gave me my voice, blessed me with a platform and I’m going to use it.”
Earlier on the same day, Brown devoted a moment to share an insight into how the destination boycott, began at the end of January after the retailer announced that he would withdraw the DEI initiative, influenced some of her peers. In the filmShe noticed that she had just received a plaque from the New York Times bestsellers on the occasion of her kid’s book “Hello Im, Sunshine”, and made her think about other black authors who try to move the titles from the shelves at the Big Box seller.
“Target is a huge seller of books that sells our books, so because of the boycott, many books of our black authors did not sell well, because people did not buy books because they are sold in target,” explained Brown. “This influenced their sale. This affected their ability to be on the New York Times bestseller list. But the bigger problem is that it also affects the next contract.”
Although she noticed that she wanted boycotters to be “attentive” on the impact of not shopping in Target, she also encouraged people to support black authors through other channels “because if not, they may not display their number.”
She also turned to publishers, calling them not to consider selling the last five months for the “truth” of these authors.
“These numbers do not reflect … their truth,” said the actress. “They are talented writers with beautiful stories and they have something that they did not do on them.”
When a boycott began for the first time, Brown was one of the first to defend black corporations. In January she received a bottle when she called for consumers to consider black corporations and black authors, trying to send a message to the seller.
In his film on Tuesday, Brown updates the followers of a boycott, saying that “he prays that it has soon ended and we receive resolution.”

(Tagstranslate) Tabitha Brown
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