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Resurrection Our Way: On Beyoncé, Linda Martell, and Staging Our Own Renaissance

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Rev. Dr. Alisha Lola Jones

While “Cowboy Carter” brings country music’s black roots to the forefront, Beyoncé reminds us of the infinite power of legacy.

Have you ever been invited to a spot, only to seek out out that you just were obviously not welcome there?

Lord knows I’ve been there more times than I could anticipate or count. Each time this humiliation doesn’t diminish; but increasingly I’m learning the best way to emerge from these moments unscathed, stronger and brighter, within the hope that I’ll leave these places higher than once I arrived.

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Well, continuing the era of turning lemons into lemonade, Beyoncé’s recent album ‘Cowboy Carter’ she tries to point out how she handled similar experiences. According to Beyoncé, her recent album “was born out of an experience I had many years ago where I didn’t feel welcome… and it was very clear that I wasn’t.” Many assumed that the experience in query was the general public moment during which she was invited to perform “Daddy Lessons” on the 2016 Country Music Association Awards (CMA) – the moment she selected former industry darling The Dixie Chicks (now known simply as “The Chicks”) to hitch her on stage – only to find that she is an unwelcome presence.

“Some were outraged that Beyoncé and the Dixie Chicks, ostracized from the country music community, were allowed to perform at the 2016 CMA Awards,” Gerren Keith Gaynor reported for Grio on the time. Angry country music fans then forced the CMA to remove all traces of Beyoncé from its online recaps in a shocking gesture that amounted to erasure. While some have speculated that political differences between Beyoncé, The Dixie Chicks and the CMA’s core fans led to her performance being faraway from their platform, such erasure of disparate voices stays unprecedented within the entertainment industry. As an additional insult, despite removing it from its website and social media, the CMA continued to advertise free downloads of the performance in a very exploitative manner.

Instead of specializing in the anti-black comments and reception that Beyoncé experienced in purist country music circles, the Texas native staked her own claim to the genre and re-located our pioneers, giving them an area to talk and sing for themselves. He joins a growing procession of Black artists who’ve leveraged each the moment and the genre’s true legacy to reclaim their place within the country music industry.

In several tributes on “Renaissance, Act I” on “Cowboy Carter,” Beyoncé pays homage to the country music pioneer, designating her album break as “The Linda Martell Show.” While Martell herself questions the meaning of “genres,” Beyoncé pays homage to other black forebears in country music, surrounding her listeners with a sonic majesty that evokes the tradition of restorative justice and liberation theology present in Hebrews 12:1-2: :

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It’s no coincidence that Beyoncé pays tribute Linda Martell, the primary black woman to perform on the Grand Ole Opry in 1969. Capturing the essence of overcoming adversity and emerging with a legacy for future generations, Martell significantly influenced the genre together with her album “Color me, country” in 1970, marking a historic moment as the first major release by a black female artist in country music.

With the long-awaited release of “Cowboy Carter,” the newfound interest in Martell’s contributions, including the documentary and awards, highlights an overdue shift toward inclusivity and appreciation for diverse country music narratives and legacies.

Martell’s tributes not only celebrate her contributions, but also symbolize the resurrection of her story, reflecting Easter’s profound message of rebirth and triumph over oppression. We are reminded that there is always someone who has prepared the way for us to do what we do, big or small. We must say their names as in meditation, considering them a prayer of thanksgiving for the continuation of the work.

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As I think about Resurrection Sunday both as a theologian and musicologist, given my cultural upbringing, personal experiences, and academic and spiritual training, themes of empowerment and renewal are central to this commemoration by Christian believers. In African American culture, even if we do not believe or follow Christian practices, at the core of what we have experienced as a nation – and, as a result, the culture that has emerged for us as a people – speak parallel and unifying representations of hope, transformation, and empowerment. But aren’t these aspects of our lives what help us survive difficult situations, especially those in which we are told we don’t fit in?

In the Black prophetic tradition, our experiences as a people have deep meaning rooted in our history and are beacons that illuminate the source of the strength needed to overcome all pain, misery and conflict. This light illuminates our ability to embrace the promise that we will never be alone through all of this – and the ways in which we have “made it” – collectively and individually. Just as we understand that energy can never be created or destroyed, our ancestors understood us as energy beings for whom even death is not the end, but spiritually and physically it can be the beginning of something new.

The Good Friday premiere of Beyoncé’s “Cowboy Carter” and the tribute to Linda Martell embody the essence of Easter’s message of resurrection, bringing untold stories to light and celebrating the revival of cultural narratives we have long needed to know and celebrate. It is a moving reminder of our ongoing journey toward justice and representation, ensuring that the legacies of ancestors like Martell are remembered and honored. Through this album and the tributes it contains, we are invited to reflect on broader themes of holding space, redemption and resurrection, highlighting the importance of remembering and celebrating those who have paved the way for a more inclusive and equitable future.

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The Rev. Dr. Alisha Lola Jones is a faith leader helping people navigate a dynamic world, as a consultant to numerous arts and faith-based organizations and as Professor of Music in Contemporary Societies on the University of Cambridge in Cambridge, England. She is an award-winning creator (Oxford University Press). For more information please visit DrAlisha.com.

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Tunde Oyeneyin Peloton about what to do when you don’t feel like moving

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“I wanted to run this morning, but I didn’t do it because my body said you didn’t need it,” explained a 39-year-old fitness star, adding that she did some mobility as a substitute on her foam roller.

“I worked. I felt my heart rate was growing. I felt a little sweat, but I poured love for my body, not burden my body just because the plan said that I should run this morning – she continued. “Listening to your body sometimes means deviating from the plan and you provide you with a brand new plan.”

Listening to your body just isn’t just about how you feel physically. Among the social, political and economic climate, finding motivation to move the body might be difficult.

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“I am the same as a person,” said Oyeneyin. “When I feel hard outside, I feel it in myself, in my heart, in my body. Sometimes the heaviness of the world shows in my body. “

When the world becomes overwhelming, the teacher said that he gives himself a grace.

“I do know that sometimes when the world feels heavy and feels dark, movement just isn’t what I need to do and permit myself. I devote just a few days I would like, after which I’m within the space where I can finally see and keep in mind that movement can be what leads me through a storm. Movement can be what gives me grace to see the sunshine on the opposite side – she noted.

Oyeneyin, who has been in Peloton for six years, is a strength on the earth of fitness. Powerhouse instructor and creator have experience as a star makeup, and once fought for doubt before she got here up with the movement. Her book “Speak: Find your voice, trust the intestines and go from the place where you are, where you want to be” Chronicle of her journey to confidence.

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“When I move, whether it’s 10 minutes or an hour, I feel something in my body that I have never done before. There is lightness. The weight is metaphorically raised – she said.

On days when she is attached to the time or little motivation, she noticed that she would force herself to move for 10 minutes and suggests that others would try.

“99,99999% of time, I exceed 10 minutes” – added the creator. “The mind and body began to connect.”

Apart from that, Peloton applicationShe said, she is filled with motivation to move.

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“I don’t think there is something in the application that you will not take motivation,” said Oyeneyin, adding: “Are you a skier and you want to build strength, we have it in the application. If you are a golfer and want to strengthen the golf game, we have it in the application. If the world feels heavy and you need to reset and you need 10 or 20 minutes of mindfulness meditation, we have it in the application. “

For her, she said that mediation is coming running.

“Running is a spot where I find peace and consolation on the earth. There I can concentrate on my breath and training – she explained.

She continued: “And for many people whom I am lucky to follow me on the platform, they find their relief on a bike. So everyone is something for themselves, no matter who you are. “

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Movement and exercise can cost a small cost for some: their glam. Some allow the fear of sweating hair to stop them from harder during training.

“Although I don’t want to sweat, I also want my carved arms,” ​​said Oyeneyin.

“I’m in front of the camera. I work in front of a life camera. So I understand – continued the athlete Nike. “I try, I might like to look cute, but at the tip of the day, if you force me to select one between the opposite, I need to be strong. I can sweat and be sexy. “

Have you already abandoned your fitness goals in the new year? Peloton's instructor Adrian Williams has some tips

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Brigette Romanek debuts the “glamous” collection in Crate & Barrel

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The well-known interior designer Brigette Romanek introduces her first collection with Crate & Barrel-54-part line that mixes glamor and ease, bringing a classy, but relaxed touch of a beloved house seller.

After presenting your knowledge about interior design with stars clients, similar to Beyoncé, Jay-Z and Kelly Rowland, Crate & Barrel, Romanek tapped to create a collection that embodies her characteristic funny aesthetics inspired by California.

“We are all so busy in our daily lives that thanks to my approach to design, I want people to stop and breathe when entering any room,” Romanek he said . “Working, Crate & Barrel and I both shared a true passion to encourage beautiful moments through the design, and everything, from furniture to decorations in this collection, are aimed at supporting this calming lifestyle.”

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Celebrated for easily combining aesthetics with functionality, the CRATE & Barrel Romanek collection is rooted in a timeless design with visually nice surprises and thoroughly created to make sure peace and flexibility in any space. Her knowledge about mixing various materials shines in wealthy layers of travertine, historic brass and bleached forests.

“The process of cooperation with Brigette was so inspiring and we had the honor to bring her a unique vision, bold creativity and artistically selected style for our clients,” said Sebastian Brauer, senior vp of CRATE & Barrel. “This collection seems effective and relaxed, combining modern, clean lines with natural and luxurious materials.”

Chest and barrel expressed His emotions during the announcement of the collection on Instagram on February 20.

“Confession: We have been keeping it secret for a year, and today! 🎉 @brigetteromaniac X @Crateandbarrel The collection is here! “The seller signed his position.

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“This is not your average cooperation. Think brave and vibey – just like the amazing designer star herself. We love how it is about abandoning the rules of designing and creating a house that seems to be super personal: “Returning home should feel like a breath. Like entering your individual sanctuary. “

From plush chocolate velvet sofas at a price from 2499 to USD 2,899 to Oak Wood Credenzas (1999 USD) and chest of drawers (2,699 USD), Brigette Romanek for the CRATE & Barrel collection adds luxury to each space. Store Collection in Crate & Barrel, while the supplies are last.

(Tagstotransate) Brigette Romanek

This article was originally published on : www.blackenterprise.com
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“Rhop” stars react to the judgment of Karen Huger, because the series announces that it plans to continue without a star

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“The Real Housewives of Potomac” will last without “Great Dame”, Karen Huger. After Huger was sentenced to a yr in prison for the fourth conviction of Dui, the sources reported People magazine That Bravo plans to go forward with the production of the tenth season of the series in the absence of the star. Bravo didn’t confirm or deny the reports.

“This is very terrifying, but I accept full responsibility for everything that happened with my car accident,” apparently Huger said after the sentences. “No, I’m not an alcoholic, let’s be clear.”

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Just as fans reacted to social media messages, some of the solid members publicly spoke publicly about their reactions at the end of Huger’s legal saga.

“My jaw has fallen,” said Wendy Osefo People magazine. “I couldn’t believe it. At the end of the day we can have our differences, but I always wish it well and I just keep her in prayer, 100%. “

Similarly, Ashley Darby recalls crying “like a child” when she discovered before her Exposing yourself at the Tamron Hall show.

“I really encourage everyone to keep Karen in your prayers,” said Hall. “I really care.”

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For Gizelle Bryant, who began her profession Real Housewives in Huger in 2016, the legal “Grand Dame” fights caused a lot of emotions. After breaking away from the video from Huger during the Rhop congress, Bryant shared her response to the most legal verdict of the star during her “Gizelle 21 questions live” on Wednesday.

“It happened today. I do not have her wig. I’m nervous – she joked US weekly. “I’m shocked … I’m seriously nervous about her safety. Karen shouldn’t be cut into prison, she added. “I pray that she is fine and that the Lord is with her.”

Although Bravo has not confirmed or denied whether or not they would filmate Rhop without Huger, each Omefo and Bryant seem open to the possibility of continuing her absence.

“In this group we found a way to move with her presence and without her presence,” said Osefo. “Looking at the congress, I think that we maneuver in a positive way as an individual as an individual. I wish her all the best, but I think that the Potomac brand is still strong. “

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Karen Huger skipped Rhop season 9 rehabilitation exit

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