Entertainment
Bun B’s all-American takeover celebrated black and brown talent from across the country
(Photo by Marcus Ingram/Getty Images for Crown Royal)
Legendary Texas rapper Bun B is understood not just for his solo profession, but additionally as one half of the iconic hip-hop duo Underground Kingz (UGK). His influence reaches far beyond Texas, and the “country rap” sound created by Pimp C is reaching the masses. His position earned him a coveted appearance at Black Heritage night at the Houston Livestock Show & Rodeo. It was here that he introduced his groundbreaking “Takeover” live shows, a one-day extravaganza that brings a constellation of artists to Houston’s NRG Stadium during peak rodeo season.
During his inaugural 2022 “Takeover” event, Bun B spotlighted H-Town’s OG rap talent, assembling an all-star lineup of local stars including Lil Keke, Slim Thug, Z-Ro, Paul Wall, and even the Destiny’s Child alum LeToya Luckett. Building on this success, the following yr Bun B expanded its reach regionally with Southern Takeover, which featured iconic acts equivalent to 8 Ball & MJG, Erykah Badu and David Banner.
In 2024, the emcee took his “Takeover” concept to a brand new level with the “All-American” theme, showcasing diverse contributions to hip-hop from across the country. The event provided a glimpse into Houston’s vibrant music scene, St. Louis, Miami, New York, Philadelphia and Atlanta. The lineup included a powerhouse band that included Nelly, Eve, The Ying Yang Twins, Rick Ross, E-40 and Too Short – 33 songs and 90 minutes of nostalgic hits.
As a part of the promotion and marketing of the show, Bun B slowly and deliberately announced the names of the artists who would join him on stage for the US-wide enterprise. Before the show, Bun B announced that Canadian rapper Drake would even be at the show, but like Houston, you never really know who will show up.
In addition to showcasing these key talents on the Rodeo’s major stage, Bun B took meticulous care of each aspect of the performance. Kicking off the show with a blinding display of fireworks and pyrotechnics, it ignited an electrifying atmosphere even before the artists took to the stage. Moreover, to extend anticipation and excitement, each performer was introduced via jumbotron, setting the stage for his or her extraordinary performances. The show began with a dialogue between Chad “Ocho Cinco” Johnson and Shannon Sharpe, hosts of the acclaimed YouTube show, to organize the audience.
Bun B ceremoniously took the stage, opening his set along with his iconic song “Draped Up” while adorned in a cowboy hat and a custom poncho emblazoned along with his name. As the crowd vibrated to his opening song, their attention was soon redirected to the jumbotron, where charismatic Oakland resident Marshawn Lynch took over the screen. Lynch introduced each E-40 and Too Short, announcing their arrival on stage to deliver electrifying renditions of their hits including “Ghost Ride The Whip” and “Blow The Whistle”, igniting the audience with their infectious energy and undeniable stage presence .
The night was just starting, promising a marathon of unforgettable performances. Bun B brought the energy from the West Coast to the Midwest as Cedric The Entertainer virtually introduced us to iconic rapper Nelly taking the stage. With hits equivalent to “Hot In Here” and “EI”, Nelly kept the audience in suspense and emotion. The highlight then moved to the East Coast as Eve, the only female artist on the lineup, took the stage. Known as Ruff Ryders’ first lady, Eve captivated audiences together with her rousing performances of classics equivalent to “Who’s That Girl,” “Let Me Blow Ya Mind” and “Tambourine.”
After Philadelphia native Eve’s electrifying performances, the journey continued south to Atlanta, where the crowd was immersed in Ying Yang Twins’ iconic Y2K-era songs like “Salt Shaker” and “Get Low.” Despite the high-octane energy pulsing through the stadium, the night was not over yet. Moving seamlessly from Atlanta to Miami, the audience was introduced to Rick Ross by his “We The Best” co-star, DJ Khaled. Ross delivered a rousing set, specializing in his mainstream hits equivalent to “Hustlin'” and “BMF,” keeping the night moving and keeping the audience on their feet.
Given all the hits Drake and Rick Ross have had together, fans naturally assumed Drake was about to take the stage, but after the Miami native’s performance, the performance was limited to the jumbotron to receive a message from Houston’s Scarface. , which introduced the audience to Baytown, Texas rapper That Mexican OT. He performed his viral hit “Johnny Dang.”
Returning the highlight to his beloved Houston, Bun B took the moment to grace the stage with a strong performance of “Trill” in the thunderous presence of Le$, Slim Thug and Houston’s Lil Keke, whose records have served as a logo of the city’s culture. Continuing his tribute to the city’s wealthy musical heritage, Bun B delved into the archives of UGK’s groundbreaking album, , inviting the audience to a heartfelt performance of the poignant “One Day.” Accompanied by George Ryan Bingham, lead guitarist of the acclaimed TV series, the performance took on an ethereal feel as Bun B paid tribute to fallen legends equivalent to Pimp C, DJ Screw, Big Moe and Fat Pat. This touching moment was much more meaningful since it was the first performance following the premature death of Houston’s Big Pokey, who tragically died of a heart attack in June 2023.
After a brief break, Bun B himself took the stage to introduce Drake, who had long considered Houston his artistic home, since it was here, at Warehouse Live, that the artist first impressed and had his breakthrough. Drake kicked off his set with the infectious “N 2 Deep,” a nod to Bun B’s classic “Get Throwed” that blends old with recent. From there, he delved into his extensive discography, treating audiences to hits equivalent to “Energy” from , the anthemic “God’s Plan” from , and the iconic “Hotline Bling” from . The crowd was much more delighted when Drake performed “Rich Baby Daddy” from the album, culminating in a spectacular finale complete with a blinding light show and cascade of fireworks, marking the triumphant conclusion of the 2024 takeover.
As the evening drew to an in depth, Bun B graciously returned to the stage one last time, expressing his heartfelt gratitude to everyone in attendance, before launching right into a spectacular rendition of Outkast’s hit “International Players Anthem.” However, just when it seemed that the evening couldn’t get any more legendary, a surprise guest appeared on stage – none apart from DMC from Run DMC. The two hip-hop icons, accompanied by Bun B, placed on an electrifying performance, with Bun B wearing a cheeky “Bun DMC” T-shirt and adding a funny twist on an unforgettable moment.
Featuring never-before-seen hip-hop icons, this yr’s show was an enormous success, drawing the second-largest rodeo attendance this season (over 75,000 fans), just shy of Nickelback’s paid attendance of 75,036. While fans eagerly awaiting what the future holds, speculation is running rampant as to what Bun B has in store for 2025. With a wealth of talent still untapped and his takeover franchise reaching recent heights, there isn’t a doubt that the next installment guarantees to be his most spectacular yet. at the same time, he cemented his status as an elder statesman in the world of hip-hop extravaganzas.
Entertainment
Jussie Smollett’s 2019 Self-Attack Conviction Overturned – Andscape
SPRINGFIELD, Ill. — The Illinois Supreme Court on Thursday overturned the choice to fireside an actor Jussie Smollett conviction on charges of organizing a racist and anti-gay attack on himself in downtown Chicago in 2019 and lying to police.
The the state’s highest court ruled that the special prosecutor shouldn’t have been allowed to intervene after the Cook County state’s attorney initially dropped charges against Smollett in exchange for waiving $10,000 bail and performing community service. The ruling and appeal didn’t address Smollett’s continued claim of innocence.
Smollett, who’s black and gay, claims two men attacked him, hurled racist and anti-gay slurs and placed a noose around his neck, resulting in an enormous seek for suspects by Chicago police and sparking a world uproar. Smollett was starring in a television drama that was filmed in Chicago, and prosecutors alleged that he organized the attack because he was unhappy with the studio’s response to hate mail he received.
“We are aware that this case has generated significant public interest and that many people were dissatisfied with the resolution of the original case and considered it unfair,” Justice Elizabeth Rochford wrote in a 5-0 decision. “Nevertheless, more unfair than the resolution of any single criminal case would be for this court to find that the state is not obliged to honor agreements on which people have relied to their detriment.”
Smollett’s attorneys argued that the case ended with Cook County State’s Attorney Kim Foxx’s office dropped initially 16 counts of disorderly conduct. A grand jury reinstated the fees after a special prosecutor took over the case. The jury convicted Smollett of five counts of disorderly conduct in 2021
Emails searching for comment were sent Thursday to Foxx’s office and Smollett’s attorney, who argued that Smollett was the victim of a racist and politicized justice system.
Testimony at trial showed that Smollett paid $3,500 to 2 men he knew to perform the attack. Prosecutors said he told them what insults to shout and shout that Smollett was in “MAGA country,” an apparent reference to Donald Trump’s presidential campaign slogan.
Smollett testified that “there was no fraud” and that he was the victim of a hate crime in his downtown Chicago neighborhood.
He was sentenced to 150 days in prison, six of which he had already served released pending further notice — 30 months probation and ordered to pay roughly $130,000 in restitution.
The state appeals court’s ruling upheld Smollett’s conviction, declaring that nobody promised Smollett that he would not face a brand new charge after accepting the unique deal.
Illinois Supreme Court Justice Mary Jane Theis and Justice Joy Cunningham didn’t take part in Thursday’s decision.
Entertainment
Lil Baby didn’t just rap about change – he went to Harvard to achieve it – Essence
LOS ANGELES, CALIFORNIA – JUNE 27: Songwriter of the Year Award winner Lil Baby speaks on stage on the ASCAP R&S Music Celebration on the London Hotel on June 27, 2024 in Los Angeles, California. (Photo by Lester Cohen/Getty Images for ASCAP)
Lil Baby will not be only considered one of the most important names in hip-hop – he can also be an aspiring entrepreneur who’s serious about taking his business knowledge to the subsequent level.
The GRAMMY Award-winning rapper recently participated in Harvard Business School’s “Launching New Ventures” program, a prestigious short course designed to help entrepreneurs grow their ventures through modern strategies. The program, which will not be a level-granting initiative, focuses on key entrepreneurial tools, including opportunity assessment, competitive evaluation and developing sustainable business models, – we read on this system’s website.
For Lil Baby, born Dominique Armani Jones, the move was greater than just earning bragging rights. Known for hits like and , the Atlanta native has all the time been open about his desire to construct a legacy beyond music. As head of his record label 4PF (Four Pockets Full), he is committed to creating opportunities for artists and running a business that will not be only profitable, but in addition influential. However, he realized that running a successful label required honing his skills, and Harvard was the right place for this.
Movie shared on X On Wednesday, we got to see Lil Baby participating within the show. The clip ended on a touching note as he was presented together with his certificate of completion, followed by a surprise ceremony organized by his family.
While critics were quick to indicate that he didn’t “graduate” from Harvard – despite misleading headlines – his decision to commit to this system is critical in itself. Shows like “Launching New Ventures” offer insights that may transform corporations and help entrepreneurs overcome challenges, and Lil Baby’s presence signals his commitment to constructing a legacy that goes far beyond music. For Lil Baby, the move is an element of a broader commitment to securing his position not only as a rapper, but in addition as a mogul. His commitment to self-improvement reflects the values he promotes through his music: perseverance, resilience and development.
It’s also value noting that Lil Baby’s decision to attend Harvard sends a powerful message to his community, especially Black entrepreneurs. In a world where barriers to business education still exist, his decision to pursue higher education shows that it’s never too late – or too unconventional – to take what you are promoting seriously.
As Lil Baby grows, one thing is obvious: his diligence knows no limits. Whether he’s behind the microphone or within the classroom, he proves that the important thing to success is to continually strive for more.
Entertainment
More proof that you’re old: Mary J. Blige’s “My Life” album debuted 30 years ago
I actually remember November 1994. I used to be a sophomore in highschool and was still very clumsy and goofy. I hadn’t yet experienced what anyone would call a growth spurt, as evidenced by the very fact that my younger sister (three years younger) was taller than me. At this point in my life, I assumed I used to be destined to be certain I had a terrific personality that would give me a romantic future. I used to be told about one young student who was in love with me, but being 15 and never big, I didn’t really trust in my ability to pursue a dating life. In 1994, I saw myself because the Steve Urkel with no unreachable neighbor.
In 1994, I had a real love: music. I kept buying cassettes and compact discs; there was at all times music around me. Listening to the newest music from anyone and everybody was my hobby. Mary J. Blige was one in every of those artists that I used to be an enormous fan of. I mean, everyone really was. Her album “What’s the 411?” was released in July 1992, so when school began in August, it was one in every of those albums that everyone was talking about. “True Love” and him one other hip-hop remix the most popular songs were on fire and you can start an impromptu jam session in my middle school dining room by simply saying “true love” out loud.
To say that the anticipation for Mary’s second album was enormous can be the understatement of the yr. I still remember being blown away by the music video for the primary single “Be Happy” on MTV and BET’s “Video Soul”. I remember this mainly because I used to be so frightened about Mary’s life standing on those rocks. Of course she survived the video session, but I used to be very concerned for her safety. I could not imagine life without Mary. I purchased this single and mainly burned a hole in it.
Then got here the monster single “I’m Goin’ Down.” The remake of Rose Royce’s single from the movie “Car Wash” (titled “I’m Going Down”) had all of the black girls in my highschool able to break up with their boyfriends so that they too could sing about it lost love – teenage hormones cause strange problems. Let me just say this for the record: Mary’s version of this song is totally amazing. Her performance on the album is known; you can hear all the experience through her vocals.
If Mary stopped making music at this point, she would already be a legend, I actually consider that. But this whole album is a radiator from start to complete. Even today, once I hearken to “My Life”, my search ends in failure; “My Life” is largely a consolation at this point in my life. From “You Bring Me Joy” to the title track to the ultimate minute of “I Never Wanna Live Without You,” this album is a portal back in time to a version of me that was interested by what life had to supply. I used to be given the vocal type of Mary J. Blige to soundtrack this journey.
It’s also crazy to think about it this manner: “My Life” got here out at a time in my life once I was already driving a automotive. Sure, I used to be 15, but my father also let me drive himself, my siblings, and my friends wherever we would have liked to go because he got bored with running errands. We just agreed that if I got pulled over, he would not know I used to be taking the automotive. Coincidentally, although I used to be in a position to use the automotive at no cost for a solid yr before I could even apply for a driving license, I failed my driving test the primary time I took it on my sixteenth birthday. You’ve never seen a father more lost and upset in his son than my father was that day. We now call my father’s facial expressions “core memory.”
If you’re reading this because you’ve got seen the words of Mary J. Blige and “My Life,” you then, like me, are in a phase of life where you’re continually reminded that you’re not only getting old, but you might actually be old. I will not be old as hell, but I’m too old to be within the club, you realize?
Fortunately, nonetheless, my journey so far in my life includes a number of the best works of musical art in existence, similar to Mary J. Blige’s 1994 album “My Life.” This album – just like the profession of its lead voice, Mary J. Blige – brings me joy.
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