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Apollo presents expansion of the Victoria Theater in Harlem

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The Apollo Theater in Harlem continued to have a good time Black history and its ninetieth anniversary with the grand opening of the Apollo Stages at the Victoria Theater – marking the first-ever physical expansion of the monument, intended to supply a variety of recent opportunities for Black artists and creators.

As a mainstay of the famous one hundred and twenty fifth Street – the very heart and soul of Harlem – the Apollo Theater has often been at the epicenter of significant moments in black culture. With the addition of two theaters just doors away from the iconic venue, The Apollo is poised to usher in a “new era,” said President and CEO Michelle Ebanks during a March 7 event.

Apollo presents expansion of the Victoria Theater in Harlem

“We are excited to strengthen our support of artists and organizations in Harlem and across New York City while expanding our mission to amplify Black voices and create opportunities for the next generation of creators of color,” Ebanks added, with many noting that this major undertaking took almost twenty years to finish.

Part of the celebration included a special sign lighting ceremony, which included an appearance by New York City Mayor Eric Adams, who signaled his support for Apollo, which has grow to be a mecca for Black AI.

Nia Drummond – an acclaimed singer who gained immense popularity after a rendition of “Happy Birthday” that brought Busta Rhymes to tears – opened the ceremony with a strong performance that shook the entire theater to its core. Four-time Grammy-nominated vibraphonist Stefon Harris followed suit and brought the party to life along with his own performance.

Apollo presents expansion of the Victoria Theater in Harlem
Apollo presents expansion of the Victoria Theater in Harlem

Outside on one hundred and twenty fifth Street, the Marching Cobras provided a performance for tourists and locals as they made their way down the busy street.

Designed by renowned architect Thomas W. Lamb in 1917, Lowe’s Victoria Theater opened in 1918 as a vaudeville house before closing in the early twentieth century. Visitors walking inside can still see many of the theater’s historic features: the original terracotta façade, which showcases the vibrant lights of the Victoria Theatre; the intricate grand staircase in the lobby shared by the Marriott Renaissance Hotel and the recent Apollo site; and detailed tile floors and a marquee were still incorporated into the site design.

Laura and Frank Baker Apollo’s Gallery greeted guests before they made their technique to the third and fourth floors, where most of the facilities are situated.

Apollo presents expansion of the Victoria Theater in Harlem

Theater One seats 199 guests in 4,125 square feet. The black box theater features retractable seating and versatile staging, making it a perfect setting for programs and performances.

The Janelle Procope Theater – named for a former Apollo president who served in the role for twenty years – is barely smaller (only 99 seats) and serves the needs of educational programs, offering features akin to mesh safety nets for networking.

In addition to the two theaters, the facilities also include recent office space that could be utilized by Apollo employees, collaborating artists and visiting artists.

“The Apollo Stages at The Victoria Theater was a major undertaking that spanned two generations of leadership,” said Charles E. Phillips, chairman of the board of directors of The Apollo.

Apollo presents expansion of the Victoria Theater in Harlem

“Planned by former Apollo President Jonelle Procope and brought to life by Michelle Ebanks, this new space empowers and re-introduces Apollo as a paradigm of Black creativity to a new generation.”

Apollo Stages at The Victoria Theater is scheduled to open in summer 2024. You can check the Apollo schedule Here.

This article was originally published on : www.essence.com
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Jussie Smollett’s 2019 Self-Attack Conviction Overturned – Andscape

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SPRINGFIELD, Ill. — The Illinois Supreme Court on Thursday overturned the choice to fireside an actor Jussie Smollett conviction on charges of organizing a racist and anti-gay attack on himself in downtown Chicago in 2019 and lying to police.

The the state’s highest court ruled that the special prosecutor shouldn’t have been allowed to intervene after the Cook County state’s attorney initially dropped charges against Smollett in exchange for waiving $10,000 bail and performing community service. The ruling and appeal didn’t address Smollett’s continued claim of innocence.

Smollett, who’s black and gay, claims two men attacked him, hurled racist and anti-gay slurs and placed a noose around his neck, resulting in an enormous seek for suspects by Chicago police and sparking a world uproar. Smollett was starring in a television drama that was filmed in Chicago, and prosecutors alleged that he organized the attack because he was unhappy with the studio’s response to hate mail he received.

“We are aware that this case has generated significant public interest and that many people were dissatisfied with the resolution of the original case and considered it unfair,” Justice Elizabeth Rochford wrote in a 5-0 decision. “Nevertheless, more unfair than the resolution of any single criminal case would be for this court to find that the state is not obliged to honor agreements on which people have relied to their detriment.”

Smollett’s attorneys argued that the case ended with Cook County State’s Attorney Kim Foxx’s office dropped initially 16 counts of disorderly conduct. A grand jury reinstated the fees after a special prosecutor took over the case. The jury convicted Smollett of five counts of disorderly conduct in 2021

Emails searching for comment were sent Thursday to Foxx’s office and Smollett’s attorney, who argued that Smollett was the victim of a racist and politicized justice system.

Testimony at trial showed that Smollett paid $3,500 to 2 men he knew to perform the attack. Prosecutors said he told them what insults to shout and shout that Smollett was in “MAGA country,” an apparent reference to Donald Trump’s presidential campaign slogan.

Smollett testified that “there was no fraud” and that he was the victim of a hate crime in his downtown Chicago neighborhood.

He was sentenced to 150 days in prison, six of which he had already served released pending further notice — 30 ​​months probation and ordered to pay roughly $130,000 in restitution.

The state appeals court’s ruling upheld Smollett’s conviction, declaring that nobody promised Smollett that he would not face a brand new charge after accepting the unique deal.

Illinois Supreme Court Justice Mary Jane Theis and Justice Joy Cunningham didn’t take part in Thursday’s decision.

This article was originally published on : andscape.com
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Lil Baby didn’t just rap about change – he went to Harvard to achieve it – Essence

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LOS ANGELES, CALIFORNIA – JUNE 27: Songwriter of the Year Award winner Lil Baby speaks on stage on the ASCAP R&S Music Celebration on the London Hotel on June 27, 2024 in Los Angeles, California. (Photo by Lester Cohen/Getty Images for ASCAP)

Lil Baby will not be only considered one of the most important names in hip-hop – he can also be an aspiring entrepreneur who’s serious about taking his business knowledge to the subsequent level.

The GRAMMY Award-winning rapper recently participated in Harvard Business School’s “Launching New Ventures” program, a prestigious short course designed to help entrepreneurs grow their ventures through modern strategies. The program, which will not be a level-granting initiative, focuses on key entrepreneurial tools, including opportunity assessment, competitive evaluation and developing sustainable business models, – we read on this system’s website.

For Lil Baby, born Dominique Armani Jones, the move was greater than just earning bragging rights. Known for hits like and , the Atlanta native has all the time been open about his desire to construct a legacy beyond music. As head of his record label 4PF (Four Pockets Full), he is committed to creating opportunities for artists and running a business that will not be only profitable, but in addition influential. However, he realized that running a successful label required honing his skills, and Harvard was the right place for this.

Movie shared on X On Wednesday, we got to see Lil Baby participating within the show. The clip ended on a touching note as he was presented together with his certificate of completion, followed by a surprise ceremony organized by his family.

While critics were quick to indicate that he didn’t “graduate” from Harvard – despite misleading headlines – his decision to commit to this system is critical in itself. Shows like “Launching New Ventures” offer insights that may transform corporations and help entrepreneurs overcome challenges, and Lil Baby’s presence signals his commitment to constructing a legacy that goes far beyond music. For Lil Baby, the move is an element of a broader commitment to securing his position not only as a rapper, but in addition as a mogul. His commitment to self-improvement reflects the values ​​he promotes through his music: perseverance, resilience and development.

It’s also value noting that Lil Baby’s decision to attend Harvard sends a powerful message to his community, especially Black entrepreneurs. In a world where barriers to business education still exist, his decision to pursue higher education shows that it’s never too late – or too unconventional – to take what you are promoting seriously.

As Lil Baby grows, one thing is obvious: his diligence knows no limits. Whether he’s behind the microphone or within the classroom, he proves that the important thing to success is to continually strive for more.

This article was originally published on : www.essence.com
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More proof that you’re old: Mary J. Blige’s “My Life” album debuted 30 years ago

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mary j blige, mary j blige my life, 90s music,

I actually remember November 1994. I used to be a sophomore in highschool and was still very clumsy and goofy. I hadn’t yet experienced what anyone would call a growth spurt, as evidenced by the very fact that my younger sister (three years younger) was taller than me. At this point in my life, I assumed I used to be destined to be certain I had a terrific personality that would give me a romantic future. I used to be told about one young student who was in love with me, but being 15 and never big, I didn’t really trust in my ability to pursue a dating life. In 1994, I saw myself because the Steve Urkel with no unreachable neighbor.

In 1994, I had a real love: music. I kept buying cassettes and compact discs; there was at all times music around me. Listening to the newest music from anyone and everybody was my hobby. Mary J. Blige was one in every of those artists that I used to be an enormous fan of. I mean, everyone really was. Her album “What’s the 411?” was released in July 1992, so when school began in August, it was one in every of those albums that everyone was talking about. “True Love” and him one other hip-hop remix the most popular songs were on fire and you can start an impromptu jam session in my middle school dining room by simply saying “true love” out loud.

(*30*)

To say that the anticipation for Mary’s second album was enormous can be the understatement of the yr. I still remember being blown away by the music video for the primary single “Be Happy” on MTV and BET’s “Video Soul”. I remember this mainly because I used to be so frightened about Mary’s life standing on those rocks. Of course she survived the video session, but I used to be very concerned for her safety. I could not imagine life without Mary. I purchased this single and mainly burned a hole in it.

Then got here the monster single “I’m Goin’ Down.” The remake of Rose Royce’s single from the movie “Car Wash” (titled “I’m Going Down”) had all of the black girls in my highschool able to break up with their boyfriends so that they too could sing about it lost love – teenage hormones cause strange problems. Let me just say this for the record: Mary’s version of this song is totally amazing. Her performance on the album is known; you can hear all the experience through her vocals.

(*30*)

If Mary stopped making music at this point, she would already be a legend, I actually consider that. But this whole album is a radiator from start to complete. Even today, once I hearken to “My Life”, my search ends in failure; “My Life” is largely a consolation at this point in my life. From “You Bring Me Joy” to the title track to the ultimate minute of “I Never Wanna Live Without You,” this album is a portal back in time to a version of me that was interested by what life had to supply. I used to be given the vocal type of Mary J. Blige to soundtrack this journey.

It’s also crazy to think about it this manner: “My Life” got here out at a time in my life once I was already driving a automotive. Sure, I used to be 15, but my father also let me drive himself, my siblings, and my friends wherever we would have liked to go because he got bored with running errands. We just agreed that if I got pulled over, he would not know I used to be taking the automotive. Coincidentally, although I used to be in a position to use the automotive at no cost for a solid yr before I could even apply for a driving license, I failed my driving test the primary time I took it on my sixteenth birthday. You’ve never seen a father more lost and upset in his son than my father was that day. We now call my father’s facial expressions “core memory.”

If you’re reading this because you’ve got seen the words of Mary J. Blige and “My Life,” you then, like me, are in a phase of life where you’re continually reminded that you’re not only getting old, but you might actually be old. I will not be old as hell, but I’m too old to be within the club, you realize?

Fortunately, nonetheless, my journey so far in my life includes a number of the best works of musical art in existence, similar to Mary J. Blige’s 1994 album “My Life.” This album – just like the profession of its lead voice, Mary J. Blige – brings me joy.


Panama Jackson theGrio.com

This article was originally published on : thegrio.com
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