Entertainment
5 reasons to see Alicia Keys’ musical “Hell’s Kitchen” on Broadway

There’s an electrifying recent musical on Broadway. Alicia Keys’ semi-autobiographical show premiered over the weekend, and we’re providing you with five reasons why it is a must-see on Broadway this season.
(*5*)
Come for the hits
First things first: “Hell’s Kitchen” is a jukebox musical, and a wonderful one at that. Unlike other series of its kind, the show doesn’t simply rely on Keys’ vast catalog to succeed. Instead, he uses songs to tell a much bigger, grander story, often reworking and remodeling numbers by way of context and even sound (“Fallin’, considered one of Keys’ signature songs, particularly stands out during a wide ranging moment in Act II).
A moving story
The show takes viewers on an exciting coming-of-age adventure set in New York within the Nineteen Nineties. From the very first track you’re feeling transported back in time, following young Ali (Maleah Joi Moon) as she experiences her old flame, her journey as an artist and unexpected loss during one of the vital moments of her life. Moon injects the heroine with infinite wildness and tenderness as she faces her responsibilities as a student and daughter in an ever-changing world.
Her mother Jersey, played by the wonderful Shoshana Bean, is one other key a part of the show’s narrative, serving as one other entry point for viewers. The character shines as a moving portrait of a mother doing all the pieces in her power to protect and lift her daughter while coming to terms along with her own past.
Captivating choreography
The show features dazzling choreography by Camille A. Brown, known for her acclaimed stage work in productions equivalent to “Choir Boy,” “Once on This Island” and more. The true heartbeat of the show, Brown’s choreography takes us from scene to scene, infusing the story with an energy that impresses all the best way to the last seat within the room.
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Incomparable voices
Keys’ stunning music is sung by a number of the strongest voices present on the Great White Way. Both Moon and Bean captivate the venue with their stunning vocals that fill the whole theater, performing Keys’ best hits and newer offerings with care and specificity. Her songs reach recent heights thanks to the show’s supporting acts, including Brandon Victor Dixon, who has the audience within the palm of his hand from the moment he brilliantly begins singing Keys’ song “Not Even the King.”
An authentic New York experience
Overall, the experience is uplifting and moving as Ali’s journey cannot help but leave you crammed with joy, hope, and an immense love for the town she calls home. When Keys’ hit “Empire State of Mind” is finally performed, it’s earned because the whole show is a celebration of New York City and the dreamers, lovers, teenagers and folks who inhabit it day by day.
For more information on “Hell’s Kitchen,” including ticket information, visit the official website Here.
Entertainment
Solange brings to Houston to Houston to the Eldorado house in a multidisciplinary celebration of black art – essence

(Photo Andreas Rentz/Getty Images for Jil Sander)
Solange Knowles returns to Houston with a deeply personal and using the community project that honors the heritage of black artistry through a multidimensional series entitled. Presented in cooperation with Performing Arts Houston A Project Row Houses, the series is developing for six evenings of programming in places, including Jones Hall, the Museum of Fine Arts, Houston and the Eldorado Historical Ballroom in the third Houston branch.
The project means a full moment for knowles and its multidisciplinary studio, Saint Heron. After debuting the soldered iteration at Brooklyn Academy of Music (BAM) in 2023, and later expanded his vision to Walt Disney Concert Hall in Los Angeles, Solange now introduces experience in his name day. As described: “With a little luck, Houston may soon have its own Eldorado ballroom.” This time is now.
Every evening he presents a characteristic curatorial lens, intertwining classical music, experimental performances, the Gospel, Zydeco and future sounds that distinguish the influence of the African diaspora on the Houston cultural area. From the honoring of the transformational roles of black women in symphonic music to celebrating the legends of gospel and black southern electronic music, it’s each homage and innovation. Artists are Soprano Zoie Reams, Autumn Knight, Liv.e, Kara Jackson, Rosie Ledet, Twinkie Clark and Sisters Clark and recognized DJs based in Houston, similar to HyperFemme and Big Ace.
In one of the “moments anchoring in the series Saint Heron will present two free shows – film meditation on the holy nature of collecting and telling stories – at the Museum of Fine Arts in Houston. Written by Solange and directed by Nuotam Bodomo, a short premiere in Guggenheim and continues the involvement of Saint Heron in the behavior of black cultural memory.
Dzieie Kanu, Nigerian-American artist and from Houston, may also contribute to the series with an interpretative sculptural installation inspired by the Funkadel parliament, expanding the topics of Afrofuturism and the sound line.
Meg Booth, president and general director of Performing Arts Houston, said about partnership: “Cooperation with Solange, Saint Heron and Project Row to shed light on the heritage of Eldorado inspiring black creativity and community with so many great artists, is a great honor.”
Danielle Burns Wilson, executive director of Project Row Houses, repeated sentiment, noticing a deep connection of Solange with space. “It is so much part of the history of this building – its creative energy resounds in the escort air from now on, will return to the deepening of this connection and pay energy in this historic place.”
Thanks to, Solange continues his careers involved in artistic experiments, community investments and cultural protection. Tickets open to the audience on April 22, 2025, with early access available now for Performing Arts Houston visionaries.
Entertainment
The Spelman College competition is now the latest Tiktok madness

There is spring in HBCUS throughout the country, which suggests that the competition season is right. This 12 months, the Spelman College competitions have gained a brand new audience in Tiktok as a consequence of the players’ viral movies.
The competitors presented their beauty and brains in the social application and attracted latest viewers outside traditional circles. While the Miss Spelman College competition won’t announce the winners until April 14, latest fans wrote about their favorites once they immersed in the competition.
Participants became popular for his or her excellent introduction, showing their abilities to the crown. Various competitions happen throughout the school, including Miss Black and Gold and Miss Africanidad competitions.
Watch on TikTok
“Your search for the queen is officially completed,” said player No. 4, Aziyah, a younger specialist in political sciences from Atlanta. “Because, like my institution, I start without any.”
Player No. 6 was also his own case for the Crown.
“Slow and stable, this is how queen arise,” said Madison, an English major from the third 12 months in HBCU All-Women. “So I waited patiently, but it’s my moment in the end. Oh, and trust me, I’m going to have it.”
Those who’ve never experienced the culture of HBCU competitions now taste greatness, while loving every second. One asked why public opinion would just discover about this spectacle sector.
“How should I do something,” asked the delighted Tiktker Suzanne Lambert. “And what I want to know, why no one has presented it yet?”
She added: “This is my version of March Madness now.”
Watch on TikTok
Another user has spoiled, as “encouraging” is content because he promotes black perfection.
“This competition revealing” school stunning “in the best possible way. If you know you know, “said the Couture Couture Tiktker.” And all the energy that I spent on the bama rush and breaking it should be spent on this competition. “
The enthusiasm of competitions for Tiktok is much like the previous trend “Bama Rush”, during which incoming student student girls detailed their journeys to affix the brotherhood. Now the headlight light applies to those HBCU women once they race against the crown, while paying national attention.
(Tagstotransate) Miss Spelman College (T) Spelman College (T) Tiktok (T) HBCU Pageants (T) HBCU CULTY
Entertainment
Own #syn son brings black mother to dating drama – literally – essence

Thanks to the kindness of Warner Bros. Discovery
Finding love is one. This is one other thing to do it with watching mom. From the subsequent room. OWNThe latest reality series, accepts Hashtag viral They are once celebrated black women showing an actual, intentional romance and turns it right into a full dating experiment-with only his own accent. The program premiered on Saturday, April 12, and follows three successful black men searching for love – with a really stubborn mother (or mother), who goals to go. Not figuratively. Literally. They are at home. Sitting on dates, offering unmistakable comments and, yes, sometimes throwing the entire key in a beginner connection – all within the name of affection and heritage.
One of the bachelor in the guts of this journey is James Hatchett, a 29-yr-old cyber security engineer with the energy of somebody who’s all the time five steps-and this also applies to his love life. “I always think about things and leads forward,” says James. “It’s just me. I am a person thinking about the future. You even know … If things become serious, I will start to wonder what your name is my name, a kind of things. So I definitely think about the future when it comes to relationships.” At the identical time, James is rooted in the current – he doesn’t waste time for vibrations that don’t equalize. “If I don’t see things that work as in the future, I will cut it out there.”

This sort of brightness can have something to do with a girl who raised him. His mother, Charlease – Aka Charlie – shouldn’t be only present within the series; She is strength. And she has a transparent vision of a partner that her son deserves: “To be honest, honesty is crucial. Based on faith is the first. The family is really crucial,” he says. “Many people say:” Well, you do not marry their families. ” I’m begging you.
But her presence within the series is that it’s about matches – it is also about evolution. For Charlie, this experience became the moment of settlement, a reminder that parenthood is its own love story, filled with chapters of edition and reality.
He remembers the way it was to bring James to the world – after which she had to leave him within the hospital because of significant heart complications. This early separation shaped her protection, she says, although she understood the difference between protection and control. “You parents are different when they are young when they are in high school … and then you have to change,” he wonders. “Now that he is 30 years old, I just try to keep faithful to what I know. If I see red flags, I talk about them – but in a way that is not confrontational. He sits down and talk. And surprising, he received a lot.”
One of its theme rules? Communication. “I deliberately did not want to raise a male child who did not know how to communicate,” he adds. “Because the lack of communication kills everything.”
For James, being was not nearly finding love – it was also a chance to understand his mother’s perspective on real -time relationships. “I think that with my mother practically dating these women, when I date them, I could see how, when these women begin to open up and reveal things about myself, my mother processes it” – she shares. “She comments on these things and it allowed me to understand how her thought process is going. I am at home with her, I live through her and start seeing how she creates her perception of people.”
James was not all the time easy to reconcile the comments of his mother together with his own feelings. “He has his opinions, about which he talks to my dad or something, and then draws his conclusions. And I will say:” Where does it come from? “In fact he is a very honest person. When he comes to it, he wants the best for me, but at the end of the day he wants to protect me. And I appreciate it.”
Throughout the season, he bends into the strain between generational expectations and modern dates. These women don’t need to be chosen. They also select. The series shouldn’t be only the matchmaker game; It distinguishes what happens when women-women and daters-are under one roof.
And it is not just James. Each bachelor brings its own story, its own luggage and its own version of what black love should appear like. Joshua, a 28-yr-old NFL agent, brought up by Aunt Ome, a nurse who played her mother for many of her life. He is in search of a girl who has equal ambitions and coldness – his equilibrium version. 30 -year -old Chadd, financial analyst with SEC references and a prayer list. His mother Katina, a cosmetologist and minister joins him. Together they’re in search of a girl who is prepared to construct each a house and heritage. But whatever the path, the essential message is obvious: it is not nearly chemistry – it’s about compatibility, belief and whether you might be ready for a sort of relationship that asks you to develop, and not only appear.
It stands out, as he treats black love not as a spectacle, but as a holy process-man, multi-layered and deeply common. He asks questions which can be rarely posted publicly, especially black men: what do you actually need? Who taught you ways to love you? Are you ready for the kind of relationship that occupies the village?
There will probably be moments of awkwardness. There will probably be motherly side eyes. There could also be even a couple of tears. But at its foundation is a vacation of affection that requires work, intentions and all hearts.
Saturday evenings just happened.
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