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“Lifting Kanan” season 4, episode 1: The streets had a body

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Welcome to Southside Jamaica, Queens, New York.

When we last left our heroes – Villains; They are all villains – Det. Howard (Omar EPPS) and Ronnie (Grantham Coleman) just met their creator in a warehouse during which Raquel (Patina Miller) thought she and Marvin (London Brown) paid Ronnie $ 500,000 to regain the son of Kanan (Mekai Curtis), who was kidnapped behind the ransom. It seems that he didn’t do it, and Okey Dok was in the course of Kanan, and when the Thomas family (Raquel, Mavin and Kanan) left the premises, we see a unique (Joey researches $$) standing over the body of their brother.

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This is barely necessary because we saw a few episodes earlier how Ronnie defeated the unique death (or at the very least we expect so) and throws his body within the forest somewhere in New York. We were all caught for shreds and we had all of the questions. I wrote down a few of them in my season summarizing season 3 (which you’ll be able to read here – I did so).

The premiere of the episode of season 4 tries to reply among the questions that arose when he appeared within the warehouse. Questions corresponding to: where was it special all this time? How much time has time to walk? Who knew

So let’s jump on it. Unique, as we all know, was not dead. Finally he got here and enlisted to a working phone paid on the summary gas station. Now I actually have to point to the story’s purposes. Where Ronnie abandoned a unique place, they had to be their place “drop your dead bodies”, because how else it might be unique he knew where he was when he called his Homeboy to come back. That night, Domboy appeared in the best place. So it wasn’t to date and a familiar place. Either this or one chart of the ratio of Tyler Perry. I admit this being the primary, but I used to be … recessed.

In any case, he is exclusive to a vet to evaluate his condition, during which his homie, who really worries that he’ll receive payment for services to bring him to the vet with the intention to assess, it is alleged that it have to be unique in hospital and that individuals with this sort of injury develop personality disorders and such. I imagine we call this announcement. Ziomek (whose name escapes me, but Chris Redd plays, forgive me Gawds) brings unique back to his place in order that he can wait for his healing. Does he do it because he’s a good friend? Not in any respect; He desires to ensure that he’ll get money. I’m really curious how much money he paid to the vet to say: “He is mostly dead, it would be beneficial to everyone if he received professional help not related to animals.” But what do I do know?

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Although his healing undergoes unique, and thus the attempt to search out out, who else but Ronna could take his place (the best query), we’re caught for the events of the Thomas family. At the moment of the story, which lasts about three months (answered the query) before Ronna and Det. Howard catches these missiles within the warehouse, Raquel and Kanan are still not in good space resulting from problems with Raquel’s control. Lou-Lou (second brother of Raquel and Marvin, played by Malcolm Mays) remains to be drunk and at the start of what is going to occur to his journey to sobriety. He works on the club and we receive the origin of the stage, which we saw within the last season, during which Lou-Lou prepares a musical presentation for the famous (Antonio Ortiz), whose song “The Streets Need a Body” kills her.

Raquel isn’t on Showcase (Kanan’s cousin, Jukebox, played by Hailey Kilgore), who was drawn by the FBI for interrogation related to her drug surgery. The FBI has nothing but their nesting. We also learn that Raquel is pregnant with a unique child. He has an abortion that seems to reflect on Kanan, I feel someone can be. In any case, when he’s within the doctor’s office, asked where the daddy is (unique), he informs the doctor (and the ultimate social employee) that his father is dead. Answers to the query. Everyone thinks he’s a spirit.

Marvin is pulled into the world of Stefano (Tony Danza), separate from Raquel-Stefano is now a supplier of Raquel-Ay drugs to perform an indefinite attitude, adapting to her daughter’s husband. It seems to me that this has “bad” potential, but for now Marvin, all the time a perfect skilled, is coping with this business.

Jukebox, which is an element of the developing R&B group, butt, still (in the intervening time) tries to get answers about joining the military, which we learn in the ultimate of the last season, she joined.

In essentially the most interesting scenes of the Kanana episode he has a task during which he must do a research article about someone in his family. He chooses his grandfather (deceased) Elijah Thomas. It was fascinating to see about him various people he asked for (his grandmother, Marvin and Lou-Lou). The perspective of everyone seems to be so different, but we have now learned a lot about Marvin. Marvin is the oldest siblings and the one who has essentially the most memories and the one who wounded through their grandfather essentially the most, leaving them. Marvin said that he hurts essentially the most because he loved their father essentially the most because he saw essentially the most sides of his. Definitely a scene value watching.

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Interestingly, Kanan asks Det. Howard (whom he learned in earlier seasons, he was his real father), if he manages to make a research document about his family and quickly reminds him that although they’re a father and son, everyone on the road thinks that his father is a former drug Kingpin and Raquel, Defcon, and that nobody has to know that Kanan’s father was clay. I believed it was quite interesting for Kanan to go this manner. Of course Det. Howard dies at the tip of season 3, however it was nice that Kanan was reaching. As sad because it turned out.

Raquel also killed him in front of Kanan, mainly because Howard wanted Raquel to activate Marvin in favor of Kanan. If you retain the result: Raquel first tried to make Kanan kill Det. Howard. Then he kills Det. Howard, because he tries to guard her and Kanan, and in addition because he still wants a relationship with Kanan. Kanan has passed through some things.

The episode ends, because the last season begins, apart from Ronnie’s body, whom he persecuted and sees Ronnie moves weight and the way Raquel took over the reference to medicines. Unique is pissed off, ready for revenge and intention to select up his place. This season, a drama and violence were written on it. Can’t wait.

Southside.

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Television

“Lifting Kanan” season 4, episode 6: The appearance of a diabolical wardrobe wardrobe

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I said again and again that the matter that I used to be imprisoned to machine the Thomas family of Southside Jamaica Queens from “Raising Kanan” is admittedly my curiosity at Laverne “Jukebox” by Thomas. Her evolution from the potential bird of singing from the 90s to the devilish killer and psychopaths we all know her as in the center seasons “Power”, makes me come back. And while in real life rapper, the rule might imagine that fifty cents Various programs are rubbish (By the best way, there’s Buggin), I might bet that I’m not the one person invested within the history of Juke.

Having said this, I could be underestimated if I didn’t indicate that it is exclusive to be increasingly more present for various thugs and executives in Queens. The unique, which significantly wounded Raquel and Marvin within the drug industry and put some fear within the organization of Kanan, decided that the time had come for his conspiracy to revenge. He left Raquel surgery in a detained state, because all her partners are caution of loud violence surrounding her contract and Marvin.

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At the identical time, she tries to select up her streets. Again, why did he determine that Raquel tried to kill him, he’s outside me, but I suppose we’d like a reason to return to life as a service service, so here we’re. I’ll say that the unique show in her kitchen at the top of episode 6 was

Let’s return to Yukebox. In episode 5 we learn that the famous was killed, probably in retaliation for his guilty conscience, the road’s belief that he talked to the police and the immortality of this guilt within the song “411”. His, comprehensible, his death strongly hit everyone, confirming what suspected, despite the hope that he simply escaped, never again. In episode 6 Juke and Kanan (A Lou and Marvin, really) are able to hit the streets in search of retaliation, and Jukebox explains that she is able to go to war.

Her father, Marvin, was fearful that Jukebox, who shot her husband’s husband to avoid wasting her father, is just too … reluctant to reference. Marvin wonders if the military made him too comfortable to kill, for which Yukebox jokes that if he feels comfortable killing, not because of the military, potential shots throughout all death and violence, which was as a result of family business. Marvin, whom I really like very much, must raise part of this guilt. She indicates that she wants something greater than life for her, but he doesn’t really appear to.

It was interesting to look at how he would “increase” into a one that shall be several dozen years later. First of all, when he feels more comfortable, covering his strangeness and taste of blood, it seems almost … completely satisfied.

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When Kanan gets Intel that the Knucklehead team they know, kills the famous, he and Yukebox live in them, and Juke seems almost sad that they didn’t have the chance to commit a 4 -time murder. Even Kanan, not alien to that violence and murder, seems to fret about Glee Juke shows with the ability that their friends wields, asking for saving their lives.

The old wardrobe wardrobe remains to be there, but this recent and manic wardrobe plays her head. That is why I’m afraid that her father, uncle Marvin, won’t reach the top of the season; It seems to me that this shall be an event with Villain Origin, which effectively erases Laverne, leaving only a murderous psychopath cabinet for havoc.

To this end, the writers of “raising Kanan” are nailing the evolution of Supervillain within the wardrobe wardrobe. It also is smart: the connection of Jukebox and Marvin allowed the best development of characters within the series. Marvin became a man, developing friendships and adopting a more cerebral approach to his actions; But he needed to grow as a father because of a playing wardrobe. He also needed to develop as a man who tries to succeed in a world where he seems to want more, even when his skills keep him in a drug game. Marvin is a soldier, however the one whose maturation we see in real time. That’s why I believe he’ll die; We care probably the most, and that is double for Jukebox.

In any case, I hope that Thomas’s family will give you their struggles, and now unique revealed their presence, who knows what’s on the table. Raquel has a certain alternative for making and to be honest, I am unable to wait to see what episode 7 brings the obstacle of this primary horse between the unique and Raquel, there have been lovers who’ve now change into deadly enemies. When, Chile; Now cook with gas.

Southside.

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Samira Wiley will not return to the continuation of “The Handmaid’s Tale”: “I finished with trauma”

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Samira Wiley, who enlivened the character of Moira Strand for all six seasons of “The Handmaid’s Tale”, is prepared to leave the dystopian world of Gilead for good.

Talking with Parade During the premiere of “The Handmaid’s Tale” in the sixth season at the TCL Chinese Theater in Hollywood at the starting of this month, the 37-year-old actress said that she would not return to the newly announced continuation of the series “Testaments”.

“I don’t tease and say” perhaps “or nothing. NO. I finished with this, “said Wiley.” I finished with the trauma. I am. I mean this. Margaret Atwood, the way these characters write, depth to everything, I feel that I played my role and my story is finished. “

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Wiley explained how to participate in the dark and dystopian season after the season, she had to apply specific techniques to manage her mental health.

“I had to learn some techniques-meditation and mindfulness and all these things-to consciously get out of the world of Gilead,” she said, adding: “I often tell people who watch the program, please, take care of your mental health.”

When “The Handmaid’s Tale” took place for the first time at the Hulu in 2017, the viewers were introduced to Moira as the best friend of June, the essential series, played by Elizabeth Moss, because the reality they once knew, goes to violent dystopia, wherein women do not have the rights or a private agency. The series of continuation of “The Testaments” is predicated on the book Atwood of the same name and takes place 15 years after the events of “The Handmaid’s Tale”.

Wiley was a favourite of fans throughout the series, and the role contributed to her 4 Emma nomination and one win.

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The sixth season, which premiered on Hulu on Tuesday, begins, wherein the fifth season ended: with June on a train for refugees to Alaska or Hawaii.

According to Official abstract, In the sixth season, the “unjustified spirit and determination pull her back to the fight to defeat Gilead. Luke and Moira join the resistance. Serena tries to reform Gilead, while the commander of Lawrence and Aunt Lydia count what they’ve done, and Nick is in the face of difficult testing. Feelings, solidarity and resilient in condition and freedom.

New sections of the stream “The Handmaid’s Tale” on Tuesdays in Hul.

Samira Wiley welcomes the girl with his wife Lauren Morelli

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“It was waiting for me”: Brian Tyree Henry opens up to the loss of his father for weeks before he wraps his most emotional scene in “Dope Thief”

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This article was originally published on Popviewers.

The stars were available, the vibrations were high, and the emotions went deep on Wednesday, April 9 at Ludlow House, New York. Presented by PopViewers in cooperation with Apple TV+, The Night was devoted to celebration, one of the most buzzing programs on the platform-I was Brian Tyree Henry, who raised the house on his feet (and a number of tears).

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In a room full of creation, tastychcare and cultural people Star and executive producer joined the founder of Popvievers Chris Witherspoon to get a sincere, emotional and sometimes hilarious conversation about his life, profession and role that haunted him and healed him at the same time.

WITH
Brian shared his journey with Fayetteville in North Carolina, to the holy Hall Yale School of Drama, where he refined a craft, which is able to eventually land on Broadway – for the first time as a member of the band, after which as a breakthrough lead. But it was his role that Paper is afraid of the Hollywood door openly open.

“This role changed everything,” he said. “It will allow me to show a different type of black man on the screen – born, funny, sensitive and real.”

But it was an Apple TV+criminal thriller, created by Peter Craig () and directed by Ridley Scott (), he called him back to the television-so sworn in that he ended up with that.

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“I said that I would never go back to TV. I meant it,” Brian told the crowd, laughing. “But Ray did not let me go. And when they told me that I would be an executive producer? I knew that I could help shape history in a way that mattered.”

(Apple TV+)

Surprised in the heart of Philadelphia, he follows two friends pretending to be agents DEA, who rob drug traders – so long as their hustle and bustle lands deep in one of the most dangerous drug corridors on the east coast. Together with Henry with the participation of Wagner Moura (), the series combines a grasping motion with Gut-Punch-and Episode sixth, debuting tonight, is her most powerful as before.

When life imitates art
At an unforgettable moment, during the questions, Brian opened himself to the destructive loss of his real father, Marion Henry Jr., at the end of 2023-just weeks before filming. Time was amazing.

“The sixth episode is a place where Ray’s father dies,” said Brian. “And weeks before how we filmed him, my real father died. I just buried him.”

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(Apple TV+)

The pain was still raw. And entering this episode – where Ving Rams plays an advanced, powerful father Ray – like art is waiting for life.

“If we failed, this episode would already be shot,” said Brian. “But it wasn’t. It was waiting for me.”

He described being in the therapy in the strike of actors and writers, a confrontation with the years of unsolved tension with his father. Their relationship was marked by friction, distance and unmet expectations.

“My father was angry,” he said. “I didn’t turn out to be a son he wanted. But he still loved me. And I still loved him.”

What he found when he returned home to Fayetteville almost broke him: the temple of his life. Pictures from the red Oscar carpet. Broadway playbills. Even his Marvel Happy Meal Toy.

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“This man watched me all the time. He was proud,” said Brian. “But I have never heard that he says it.”

The sixth episode gave Brian a likelihood to process this loss on the screen – with a rolling camera, regret remains to be fresh, and Rames directs a form of paternal presence that seemed almost too real.

“I didn’t have to act,” he said. “I just had to allow it.”

Night to remember
The crowd of Ludlow House laughed, cried and vibrated with Brian all night. And he wasn’t alone. Guests like Bevy Smith (), Taylor Polidore (), Jerrie Johnson () and Grammy nominated writer Stacy Barthe were there to have a good time Brian and this daring series.

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(Stacy Barthe, Bevy Smith and Jerrie Johnson in “Vibes & Views”, 9 April. Photo: Popviewer)
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(Chris Witherspoon and Brian Tyree Henry “Vibes & views” April 11, 2025. Photo: Popviews)

Before the evening ended, one thing was clear: Brian Tyree Henry not only behaves – he manages something deeper. Something ancestors. Spiritual. True.

“These roles, these moments – choose me,” said Brian. “I just try to appear and tell the truth.”

Catch the sixth episode – Masterclass in Grief, Grace and Transformation – Tonight on Apple TV+.

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