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O radar: Federal Health Service employees on the “Dei Watch List” NFL Scaps “End Rasism”, time honors black leaders and more – ESENCE

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O radar: Federal Health Workers on the

“Final racism” in the final zone. Photo: Jamie Squire/Getty

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When we move on to a month of black history, this week the headlines remind us of immunity, progress and constant fighting in our communities. From the reported list of Watch Dei, through which mainly black federal healthcare staff are marked as “goals” to a historic church that regains his power and the departure of the legendary Lotnik Tuskegee, these stories reflect the challenges and triumphs we face. The latest closer Time problem emphasizes the black leaders closing the gaps in the field of racial capital, and the NFL makes a controversial change before Super Bowl. Here’s what it’s essential know.

Federal health care staff: “Dei Watchlist” sparkles fear and indignation

Federal health care employees are on the website “DEI observation list” He appeared, publishing photos, names and public details of several employees in various health agencies – at one point describing them as “goals”. The site, which seems to focus mainly on black employees working in agencies in the Health and Social Welfare Department, in response to NBC News runs rounds on private group chats and social media.

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It is just not clear when he appeared, but its existence caused fear and alarm amongst the mentioned. So what are their so -called “crime”? According to the site, just working on diversity, justice and inclusion initiatives, donations for democrats, and even using pronouns of their BIOS, it was enough to land on the list.

Dr. Georges Benjamin, executive director of the American Public Health Association, learned about the website on Tuesday evening, when a federal health care employee sent him a link. “It is a tactic of fear to intimidate people who are trying to do their job and do it admirable,” said Benjamin. “It’s clear racism.”

NFL to remove “final racism” from the end zones before Super Bowl

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NFL confirmed that it’s going to remove the “final racism” message from the final zones for this yr’s Super Bowl. NFL spokesman Brian McCarthy announced On Tuesday, February 4, that on this field it’s going to contain recent templates from “Choose Love” on the one hand and “IT Brips All Us” on the other. This is the first time since 2021 that the “final racism” is not going to be used during the game, the slogan that the league introduced after the Black Lives Matter 2020 protests. “Choose love” is acceptable to make use of, because our country has survived fires in recent weeks in Southern California, a terrorist attack here in New Orleans, a plane crash and a helicopter near the capital of our country and the Air disaster in Philadelphia, “said McCarthy.

According to White House officialThis commercial took place the same day when it was announced that President Donald Trump could be present when the bosses of Kansas City would face Philadelphia Eagles at Super Bowl Lix in New Orleans on Sunday, February 9. This will probably be the first time in the seat, the president took part in the event.

NFL introduced these messages in 2020 as a part of the “Inspire Change” initiative, launched in 2018. While teams can select their very own expressions for the final zones this season, said McCarthy Hill that the league chooses the phrase to Super Bowl.

Airman Tuskegee Harry Stewart Jr. dies for 100

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Retired Lt. Col. Harry Stewart Jr., one among the last surviving members of the legendary Aviators Tuskegee, died on Sunday at the age of 100, February 2, in his home in Bloomfield Hills, Michigan, in response to The Bloomfield Hills, Michigan, Michigan, Tuskegee Airmen National Historical Museum. Stewart was a part of the 332 group of fighters, a pioneering unit of black pilots who fought in World War II, despite racism at home.

Stewart’s heritage includes the capture of an impressive flying cross to his service, and then telling a spread in aviation. “Harry Stewart was a nice man of a deep character and achieving with an outstanding career of the service he continued long after the fight for our country during World War II,” said Brian Smith, president and general director of the National Historical Museum of Tuskegee Airmen. His death means the end of the era of one among the most influential black military groups in US history.

Historical Black Church devastated by “Proud Boys” Contrives Group Now

The Metropolitan African Methodist Church, a historically Black Church in Washington, provided the right to the trademark “Proud Boys”. This happens after the white nationalist group devastated the church in December 2020 during the PRO-TRUMP Rally. On Monday, February 3, the judgment of judge Tanya M. Jones Bosier from the Supreme Court of Colombia’s Supreme Court prohibits the far -right group of using his name or profit from the brand without approving the Church.

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As a pastor of the Church, Reverend William H. Lamar IV explained that the congregation wouldn’t be in silence. “We do not allow people to violate us, and the violation is unanswered,” he said reporters. Recognizing the path ahead of us, he added: “This is not a sprint, but a marathon. It takes strategy, requires partners and requires the belief that you deserve to treat humanitar. “

Time Magazine emphasizes the black leaders in the “closer” edition

TIME He released his annual edition, expanding his concentration by 25 black leaders working on closing gaps in the field of racial capital. This yr’s list includes numbers akin to Sara Sidner from CNN, who’s in favor of tests of breast cancer amongst black women and the creator of Percival Everett, who again imagines “Huckleberry Finn” from the perspective of the escape of the enslaved Jim in his latest James novel. The Oscar -nominated actor Colman Domingo can also be presented, reflecting his influence in Hollywood. “I can influence. What can I do? What can I disturb? “He says time. Other distinctions are designer Rachel Scott, a midwife lawyer Elaine Welteroth and senator Raphael Warnock.

Cynthia Erivo called Harvard “Hasty Pudding Woman of the Year”

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Pudding derivatives at the Harvard University called actress and singer Cynthia Erivo his 2025 Woman of the Year. Erivo, known for her roles in Harriet and Wicked, took part in the characteristic roast and group parade by Harvard Square in Cambridge, Massachusetts, on Wednesday, February 6.

Founded in 1844, the theater group is the third oldest in the world, still an lively theater organization. “This actually means a lot, because the theater does not really leave, the craft you love, the work you are, the standard you are building,” said Erivo, in response to AP. “It helps to build a job that you do on the screen … Giving up for the things I did on the stage means a lot. This means that it is still shining, which is quite nice. “The Emmy, Grammy and Tony award continues to be breaking the entertainment barriers.

Mama Martin’s mother shares his cordial tribute to her thirtieth birthday

Sibrina Fulton, Mother of Tracvon Martin, honored her deceased son for his thirtieth birthday. On February 5, she shared an Instagram post from his last rest, writing: “There is no day that I don’t think about your son. It still makes my heart hurt for you and your family. 🙏 On this day I also celebrate your boy, Trayvon; Happy birthday 🎂 🎂 🎂 🎂 for you, King Martin. “

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In the next post made available on the Instagram website, Black Miami-Dade, Fulton thought of her time with Martin, remembering a humorousness and a small moment before her death, when she asked him for a distance from her bedside table, although she was close by. “I remember that I would shout for him. “Trayvon!” And then, when he came, I asked him to get a pilot from my bedside table. It was within reach, and he said: “He has! I can not imagine you! ” – she remembered. “I might just laugh and say to him,” Thank you. I needed it. I had to see you. He had the little Fuzz who began to fall under his chin. He just swears that he had a mustache. We saw a change in it. “

Martin was shot and killed on February 26, 2012 in Sanford, Florida, by George Zimmerman, a volunteer in the vicinity, while Martin was returning home from a food market. Zimmerman, who was not initially arrested, claimed that he shot Martin in self -defense after confrontation, although Martin was unarmed. The death of an adolescent ignited protests throughout the country and played a key role in the development of the Black Lives Matter movement.


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Influence of black glam on Milan Fashion Week – Essence

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Behind the run: Impact of Pat McGrath and Virgina Pinto Moreira on Milan Fashion Week

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The season able to wear AW25 in Milan is over. The city is synonymous with luxury, fashion and, unfortunately, an extended popularity of exclusivity in the style and cosmetics industry. While fashion could be very focused on the moments of the runway, it is simple to overlook creative forces behind them. The whole village of artists, stylists and technicians works in tandem to revive the designer’s vision. Without the correct beauty direction, even probably the most beautifully crafted clothes can fall flat.

Imagine that you just are sitting in the primary place on a really anticipated program. The darkened, musical lights of Crescendos and the primary model enters the runway. But something is turned off – their face is unintentionally naked, their hair is untouched. Magic is lost immediately. In other words, Beauty is an indispensable element of telling stories that shapes the way in which the gathering is perceived and remembered. And yet, despite the Milan Fashion Week, by which he organizes 23 essential catwalk shows this season, only two black lichers we all know Helmed teams: The Legendary Pat McGrath, who organized makeup for Versace, and Virgie Pinto Moreirawho led the direction of hair for Ferragamo.

Their work was not only making a look – it was about giving a tone, raising the gathering and proveing ​​why the range of beauty leadership is crucial. Milan’s resistance to turning behind the scenes is nothing latest. Their presence on the catwalk in Milan was a triumph, but additionally served as a transparent reminder of the work to be done. Two black requests within the highlight from 23 essential programs aren’t enough. Their talent deserves celebration, but their rarity in these roles emphasizes the industry proof against real integration.

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Below is a deeper view of the work of two Glam experts through the AW25 Week Medilan Fashion Week season.

AW25 Versace and Pat McGRath

Makeup of the AW25 Versace program was a master class in balance and contrast, and Pat McGrath led a charge. Focusing? Brave, a vampire lip that emanated power, seduction and rise up. McGrath understood the duty, ensuring that the lip of the statement didn’t overwhelm, but as a substitute harmonized without effort with the remainder of the wonder.

To balance deep, dramatic plum shades on the lips, she created an ethereal, light complexion – the skin that looked like lunar law. Radian was not only a glow; Added the softness and atmosphere of trust. Carved cheekbones, eyes defined by a subtle, iridescent lavender eye shadow, and soft eyebrows allowed the lips to be central, maintaining general elegance, which seemed modern and complex.

The result was the right complement to the AW25 Donatella Versace collection, which celebrated old and latest – with a mix of nostalgic scale, tailoring, sensual silhouettes and punk accents. When the garments passed the border between strength and sensuality, McGratha did the identical thing – causing an undeniable aura of self -confidence to the runway with a bit of the rebellious spirit embodimenting the subject “Superhereos Versace”.

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AW25 Ferragamo and Virgie Pinto Moreira

“Bloom in motion. Statement in red. “Creative director Ferragamo, Maximilian Davis, drew inspiration from the German expressionist dance movement from the start of the twentieth century, known for his emotional story and fluidity. The collection, with an emphasis on grace, discipline and strict expression, required the looks of hair, which seemed equally purposeful – known but powerful.

Pinto Moreira assured that the direction of the hair hit the right balance: minimal but influential. The hair of each model was meticulously rejected back and stayed away from the face, allowing them to be natural to a central place – attracting all their eyes to the clothing. It was the equivalent of makeup without makeup, but within the case of hair-so much of polished with the air of refined simplicity.

Style differences added the depth of general aesthetics, remaining a faithful motif. Some models wore sharp middle parts with cascading hair in soft, but blunt, liquid lines, subtly nodding head against the controlled but expressive nature of Tanzteter. Others wore elegant braids, strengthening the sense of structure and elegance. Meanwhile, models with natural 4C textures have been proud to present each band of their beautiful bends and coils, a quiet but powerful statement within the industry, which is historically natural black hair.

Together, these elections created a coherent but diverse narrative of hair – one which reflected the spirit of movement, identity and craftsmanship embedded in Davis’s vision for the AW25 Ferragamo collection.

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Ruth E. Carter about the archiving of her black kinematic heritage – essence

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Thanks to the kindness of SCAD

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The past to the present: Fashion generations is a brand new series of women’s stories women who deal with interference, who made a big contribution to fashion.

Interview with Ruth E. Carter appears to be a master class about the black material history. Her memory of the costumes of some of the most vital cultural movies presents a transparent picture of her heritage, imagination and dedication to Crafts. Sharing this heritage with the audience is her travel exhibition, Ruth E. Carter: AfroTumism in costume DesignArriving at the Children’s Museum in Indianapolis on March 22.

Carter’s profession is coloured with devoted self -education and ingenuity. Learning essential nuances between the aesthetic distance in the theater or the “texture subtlety” enlarged by a movie film led her to define a story of a story that sees no restrictions on creation. Regardless of whether it means spending countless hours in the study in library collections, or transforming the pier Imports Placed in the warrior’s head, its dedication to telling stories as a way of cultural behavior is undeniable.

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The importance of archiving this work is a fact he feels about. Together with its early beginnings resulting from the Carter theater, she saw archiving costumes as the next part of the work. Because theatrical budgets were often limited, having a set of previous costumes that may be derived, and re -image was crucial.

Ruth E. Carter about the archiving of her black cinema fashion heritage
Colin Gray

“After entering the film industry in 1987, I thought:” Well, we created so many costumes, there are lots of things that might be useful when [Spike Lee] He returns to make one other movie, “he starts. “At that point he was burning, he made a brand new film yearly. So I might approve things in the basement of 40 acres and mule, his production company. “After repeatedly finding that the clothes were dropped from one or another reason, she realized:” Maybe I am unable to save every part we do in the theater, but I can save things which are essential for the film. ”

Carter explains how no one talked about the design of costumes on this era of movies, apart from Lee, remembering their name and work in interviews, and as well as, nobody thought about talking to the designers themselves. Today, because of his journey, Ruth E. Carter educates a brand new generation on the cultural impact of design.

“Now, by me, collecting important songs from my films for years, I gathered this collection of the history of black cinema. The conversation came to the fore and we are able to talk about the process of being a costume designer. “Thanks to this process, he proudly shows his life work at the Children’s Museum with the intention of inspiring young people to find art and costumes as an actual profession path.

“It took me a long time to realize this exhibition,” explains the curatorial process. For the first time she began after the release in 2018 – she became the first black woman who won the Academy Award for the best costume project the following 12 months. From her childhood sewing machine and early sketches in college, to closer take a look at the ZOOT and Turkana-Tribe suits inspired by beads, the result was a comprehensive story with a full circumference.

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Ruth E. Carter about the archiving of her black cinema fashion heritage
Thanks to the kindness of SCAD

“I chose things for this exhibition, which would not only inspire artists and show a costume design, but also gave people historical education.” This includes the dress she wore to receive her historical Oscar award.

The companion of her work inside Indianapolis displayHe is the work of the visual artist of Israel Solomon. Carter explains the overlapping of two media, for instance through the theory of colours and a job that every time plays: “The project of visual art and costumes tell stories that shape cultural narrative”, shares. “[They] Celebrate identity and heritage in a unique and powerful way. “

Seeing how all this work connects, the deeply approving Carter. “I see the passion that I took with me to each of these films.” She talks about the wisdom she gained at every project and the way the use of “anachronisms” allowed her to be historically accurate when moving a conversation forward. After she learned about the significant history of Indigo and was capable of tell the story of the historic wreck of the ship through the fruits of her delivery, ensuring an in depth history of black culture and survival through the cinema.

Ruth E. Carter about the archiving of her black cinema fashion heritage
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“I am very intended in my work, and when I see it all together, sometimes it is overwhelming. It’s a joy; Celebrating who I am and what I could do for many years of my career and how influence it is for people. ”

He returns to the thought of parents bringing their inquisitive and inventive children to the exhibition and the way transformational may be for a beginner mind. This is especially essential because artistic education and programs lose financing. As a toddler, Carter received creative sales points by supporting her local people, supported for her by a single mother. She believes that access to the community in this manner was shaped by her future and private development, and thus enriching her believes that children find obligatory safety networks and extracurricular possibilities. Its purpose is to encourage this cultural exploration and community through a narrative, which she builds with every film, and strengthen this curiosity through the exhibition.

On this subject, he emphasizes Afrofuturism, an idea that he strongly uses in his work. Carter defines Afrofuturism as “the unification of culture and technology in one space.” This union shows the way black communities have historically imagined possibilities outside our oppression.

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He looks more clearly at Afrofuturistic stylization as a option to the shape of a collective identity rooted in pride and immunity. Take, for instance, the challenge of the throne scene, wherein a number of traditional clothing reinforced with futuristic technology appeared. “For me [about] Mixing traditions and innovations in creating projects that feel the past, while imagining a bold and vibrant future. ”

For Carter, Afrofuturism is just as obligatory for Earth, Winds, Fire and Parliament-Funkadelica as to speed up Lee, which shapes its world switching on through the film. He hopes that they testify to this exhibition, young children can feel moved to play clothes, conjure up the character and shape their paths of life through ingenious lenses.

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Billboard Women in Music 2025, to honor Erykah Badu, Muni Long and more – essence

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(Photo of Rich Polk/Billboard via Getty Images)

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The way forward for music is a girl – at the least according to a billboard, which restores its annual Women in music The event on March 29 at YouTube Theater in Inglewood. The night led by Laverne Cox will have fun women shaping the industry, from icons to rising stars.

This 12 months’s distinction is Erykah Badu, which is able to receive the ICON award for its cultural and music contribution. Badu, from Dallas, a profession inside twenty years, a breakthrough in the music industry because the release of your debut album in 1997. The combination of elements of jazz, soul, hip-hop and r & b, an revolutionary approach of Badu to music, fashion and artistry meant that it became a deposit of up to date culture. Her influence goes beyond her music – a transparent Badu style and fearless authenticity left a trace to generations of musicians and fans, strengthening her place as probably the most essential cultural icons of the twenty first century.

Billboard Women in Music 2025 to honor Erykah Badu, Muni Long and more
New York, New York – October 28: Erykah Badu participates in the CFDA 2024 awards on the American Museum of Natural History on October 28, 2024 in New York. (Photo Jamie McCarthy/Wireimage)

In recognition of her amazing profession, The Icon Award is the appropriate honor for Badu, who not only broke the musical boundaries, but additionally modified the perception of ladies in music. From her newer works, in this Bad, she still evolves as an artist, remaining faithful to her roots. Her unique voice, combined together with her daring approach to creativity, made her a everlasting figure in the industry and is an example of what innovation means, while remaining authentic.

In addition to honoring Bad, this 12 months’s Rising Star Award, handed out by Honda Stage, will go to Muni Long, an artist who had an explosive 12 months in 2024. For a protracted time, the artist awarded grammatical, made a wave in the music industry thanks to her hit “HRS and HRS”, which attacked her on the focal point. Before her fame, Long wrote for one among the best names in the industry, including Rihanna, Ariana Grande and Mariah Carey. However, her decision to get out of behind the scenes and the focal point turned out to be probably the most powerful movements of her profession.

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https://www.youtube.com/watch?v=XHXDZ5FF2A

The passage of Long’s Muni from the writer of the songs from behind the scenes to the artist melting the list was unusual. She quickly recognized herself as probably the most essential voices in modern R&B, and her breakthrough success shows no signs of slowdown. Long captured the hearts of fans and critics, which makes her a special star. The Rising Star award is to recognize her rapid growth in importance and her constant success as an artist with a vibrant future.

Billboard Women in Music 2025 to honor Erykah Badu, Muni Long and more
Atlanta, Georgia – July 14: The singer Muni Long performs on stage on the State Farm Arena on July 14, 2024 in Atlanta, Georgia. (Photo Umbrella Griffin/Getty Images)

Although the Billboard Woman of the Year award stays a mystery, anticipation is already being built for the one who takes home the celebrated title. Previous awards include Sha and Cardi B, they each had a big cultural and musical influence. This 12 months’s recipient follows in the footsteps, joining the ranks of ladies who shaped the music industry deeply. Considering the extent of talent on the list of distinction, whoever takes this award home will undoubtedly be someone who has defined again, what it means to be a girl in music.

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