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Relations of parasites with celebrities – i

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Celebrity culture has at all times been a thing in America, but it surely worsened within the era of social media and parasite relationships They are a side product of this growing interest. Combine it with the false belief that the wealthy are one way or the other smarter or more in harmony with on a regular basis life just because they’re wealthy, and we’ve a toxic mixture that makes even free use of platforms comparable to X, Instagram, Tiktok and Facebook feel like resistance.

Snoop Dogg is one of essentially the most famous and most beloved celebrities in America, but his references on Instagram are currently full of fans expressing their dissatisfaction with the choice to perform on the event before the ininugural ininugural before Donald Trump’s curse as 47. President of the President of the United States.

The 53-yr-old rapper was The presented contractor at The Crypto Ball – who hailed Trump “the first” cryptographic president ” – along with other artists Rick Ross and Soulja Boy.

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Online response against Snoop was immediate and fast. He Apparently he lost 500,000 followers on Instagram And he was called a hypocrite, which meant that I used to be fascinated about our growing obsession with our favourite celebrities and artists. Just a few weeks after the event, anger at Snoop continues to be ongoing, and lots of claimed that they were dissatisfied with his decision, while others were surprised that they might resolve to seem on the event honored to Trump, especially making an allowance for the president’s constant attacks on diversity.

Snoop had so much of smoke for individuals who decided to perform through the first inauguration of Trump in 2017, moving to date to call anyone who took the scene “uncle volume” and promising “bake f …” from anyone who did it.

This time the women meant the looks of Snoop within the cryptowal The host Anna Navarro says“If you objected and stood against Trump in 2017, but now you were there. If you spoke with Trump on January 7, 2021, but you were now applauding him like a trained seal – Donald Trump has not changed, you changed. “

Snoop, nevertheless, was not deprived of his defenders. Some consider that he was in his law to perform at this event, and each criticism of this, as she did, was passed on with “hate”.

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Snoop shot his critics on Sunday, Publishing the film on Instagram during which he sat within the automobile, he smokes, and Winansa “there is no need to worry.”

“I have a gospel in my heart now,” said the rapper. “Despite all hatred, I will answer it with love. You can’t hate enough for me. I love too much. “

He later added: “Take your life well. Stop worrying about mine. I’m cool. I am together. Still a black man. Still 100% black. “

On the identical day, Snoop Dogg caught hell because of his decision in regards to the performance, rapper St. Louis Sexy Red was under fire for publishing a photograph generated by AI with Dr. Martin Luther King Jr. Mutual eyes, dancing within the club.

After sending a 26-yr-old Photo removed To her account on X, Bernice A. King – the youngest child of the killed residents’ leader and his wife Corett Scott King – asked the rapper directly, asking her to remove the post.

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“It is intentionally distasteful, non -gaping, worthy of regret and deprived of respect for my family and my father, who is not here to answer himself, because he was murdered for work on civil and human rights and at the end of the war and poverty. Please delete ” The king wrote.

Tweet King paid so much of attention, and lots of took the chance to attack sexy red, calling it, amongst others, “ghetto”, “degenerated” and “garbage”. Despite her feelings within the vicious post of Sexxy Red, King questioned the fierce response of people to the rapper and took care of it directly.

“Please, don’t design your thoughts on me. I do not believe that sexy red is “degenerated”, “ghetto” or “garbage”. In the past, I talked about the use and comparison with one of my parents to slander other people ” wrote.

While King also received criticism and mockery for the indisputable fact that the photo was removed, sexy red He answered with respectapologizing for publishing the image. King accepted his apology and thanked her.

Even once they each solved the issue amicably, people observing the exchange to X continued to share their opinions about their actions, making the judge of the characters about each woman, despite the fact that they have no idea them personally.

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Excessive response to the king and sexxes red grows from the accounts of parasites, which we’ve built with celebrities for years. This made many consider that they’ve the proper to attack Angel Reese online in Caitlin Clark (and vice versa). Although they have no idea them personally, social media provide immediate access to thoughts, whims and actions of people with celebrities. Because social media users repeatedly engage on this content, they mix this perceived closeness with an intimate personal relationship that doesn’t exist.

When someone says, “I’m disappointed with Snoop,” their disappointment is rooted of their personal thoughts and experiences and has little to do with Snoop Dogg itself.

Snoop is value $ 160 million is estimatedAnd that is enough to tell apart him from many fans and followers who could have something to say about his selections. Add to this the indisputable fact that he spent his teenage years “Running the streets and the hustle and bustle of drugs. “His trajectory from poverty to wealth, although not necessarily unique in rap, differs from many other millionaires and from the typical one that listens to his music.

These different experiences mean that, other than what people see in social media and browse or hear Snoopa interviews, there should not many to finish people relating to his personal selections.

They do not know him.

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Some suggested it Sexy Red is an industry plantintroduce an image of black women and her actions – including the content of her music and Doubtedly called the lip gloss – They are only used to feed this idea. However, other than these criticism, there shouldn’t be much public knowledge about who she is and what she is in her day by day life.

All shouts “she should know better”, don’t include all of the things we do not learn about her. Maybe he doesn’t know higher. Maybe it is so thick. Maybe her brain is smooth as marble.

Maybe it’s an industry plant, and this stuntman is just one other in a protracted line, which attracts ads that keep her name on the ends of the languages ​​of everyone.

The truth is that we have no idea sexy red higher than we all know Snoop Dogg and we have no idea him higher than we all know Angel Reese, Caitlin Clark or Lebron James and Bronia James or some other celebrity or athlete with whom we share the parasocial relationship.

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We have no idea what experiences they’d, which led them to this moment. We don’t know the way smart they’re and it can’t be stressed enough, being wealthy shouldn’t be clever. A straightforward have a look at politicians within the office – i those they surrounded – He should run this point home.

If there’s something that we should always leave this yr, let it’s the umbrella relationships of any kind, worship of celebrities and the concept the wealthy are one way or the other more deserved or more intelligent than the remaining of us.

Put the phones, go outside and touch the grass.

You will feel higher for this.

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Monique Judge is a storyteller, content creator and author living in Los Angeles. He is the word NERD, which is a fan of Oxford Comca, spends an excessive amount of time on Twitter and has more graphic shirts than you. Follow her on Twitter @Thejournalista or check her at http://moniqueudge.com


This article was originally published on : andscape.com
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Ryan Coogler talks about Delta Blues, spirituality and why his latest film is entitled “Sinners”: “This is the term judgment, but he is also friendly”

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On Good Friday, everyone talks about the very anticipated edition of the latest film by Ryan Coogler and Michael B. Jordan “Sinners”. Now, before you catch the Bible and start squeezing pearls at the considered a horror movie with the title “Sinners”, you will hear me.

The horror, which the chronicle of what is happening when vampires take over Clarksdale in the state of Mississippi in 1932, is filled with numerical conversations about culture, religion, spirituality and music. During the telephone interview with Ryan Coogler, Grio took a have a look at the mind of the creator of “sinners” and how he managed to present the dissonant harmony of those topics.

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“We ended up with” sinners “and in the past I think that this is the only title we could have,” said Coogler, revealing that the film existed under the code name “Grilled Cheese” before he obtained the official title. “This is related to this relationship that Delta Blues has with his twin siblings, gospel music.”

“Blues Music was the first American music that was canceled as the music of the devil,” he continued. “This judgment of music and people who are involved in culture around her is at the heart of this film. This conversation and the recognition that we are all (sinners), and if you point to someone who calls them a sinner, you must also indicate your finger back to each other.”

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(Photo: Courtesy of Warner Bros. Pictures and Copyright IS © 2025 Warner Bros. Entertainment Inc. all rights reserved.)

For Coogler, who grew up in the Baptist church, attended mainly the Black Catholic school of growing up and studied various religions in college, studying the overparted quality of Delta Blues music and a listing of spirituality and carnivality through a various spiritual lens.

“(Religion) has always been something that surrounded me in my life and the fascination of my … relationships of people with spirituality and as a practice in which people decide to deal with the world,” he explained. “And this is also in my films.”

In its fifth feature film, this fascination appears through music – the key a part of the story and the creation of “sinners”. Inspired by his deceased uncle James, who loved Delta Blues Music, Coogler said that he inspired him to make this film after studying the genre that his uncle loved a lot.

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“Where Gospel music is created for the soul, the music of Delta Blues is created for the soul and body,” he recognizes the body and all related beauty and ugliness. ”

“Artists were known for accepting their flaws, nightmares, mortality and bodily desires,” he continued. “Some of these songs say about haunting by crimes committed by a lifestyle, by demons, devil or visions of premature death.”

Listening to such artists Robert Johnson, Howlin ‘Wolf, And a playlist of the full Delta Blues Music, Coogler noticed how these topics have evolved into contemporary species, equivalent to in Bone Thugs-N-Harmonie’s “The Crossroads”.

“(I) he realized that they were not the first people who created the song” Crossroads ” – he said, referring to their favorite rap songs from the 90s.” This is one among the hottest songs sung in the tradition of Delta Blues, as an idea and (reference) to the entry from natural to supernatural, life and death. ”

“All these things: supernatural and my love for horror made me think that it would make sense to implement these elements in a way in which these characters from (1932 Mississippi) encounter supernatural” – he added.

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Delroy Lindo to join Michael B. Jordan, a movie Thriller Ryan Coogler

Exaggerated with the classic “sinners” of blues “sinners”, he finally emphasizes discussion topics in most religions and sociology: the battle between good and evil, spirit and body, etc.

“Even the most religious person would admit that he is a sinner; everyone is,” noted Coogler. “This is a term of judgment, but it is also a term that is also friendly. (In a Christian context, Jesus spent the most time with that.”

But ultimately the director wants people to rejoice with the film.

“I wanted to do something that was funny and acted as a theatrical edition. We filmed on IMAX cameras, the biggest possible format. We want people to be moved by what we have to say, we want people to talk on the screen and spill their popcorn during jumps, and we hope that he creates something that makes them think and want to come back.”

https://www.youtube.com/watch?v=7JouLECTX_U

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(Tagstranslate) Michael B. Jordan (T) Entertainment

This article was originally published on : thegrio.com
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Solange brings to Houston to Houston to the Eldorado house in a multidisciplinary celebration of black art – essence

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Solange brings to Houston to Houston to the Eldorado house in a multidisciplinary celebration of Black Art

(Photo Andreas Rentz/Getty Images for Jil Sander)

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Solange Knowles returns to Houston with a deeply personal and using the community project that honors the heritage of black artistry through a multidimensional series entitled. Presented in cooperation with Performing Arts Houston A Project Row Houses, the series is developing for six evenings of programming in places, including Jones Hall, the Museum of Fine Arts, Houston and the Eldorado Historical Ballroom in the third Houston branch.

The project means a full moment for knowles and its multidisciplinary studio, Saint Heron. After debuting the soldered iteration at Brooklyn Academy of Music (BAM) in 2023, and later expanded his vision to Walt Disney Concert Hall in Los Angeles, Solange now introduces experience in his name day. As described: “With a little luck, Houston may soon have its own Eldorado ballroom.” This time is now.

Every evening he presents a characteristic curatorial lens, intertwining classical music, experimental performances, the Gospel, Zydeco and future sounds that distinguish the influence of the African diaspora on the Houston cultural area. From the honoring of the transformational roles of black women in symphonic music to celebrating the legends of gospel and black southern electronic music, it’s each homage and innovation. Artists are Soprano Zoie Reams, Autumn Knight, Liv.e, Kara Jackson, Rosie Ledet, Twinkie Clark and Sisters Clark and recognized DJs based in Houston, similar to HyperFemme and Big Ace.

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In one of the “moments anchoring in the series Saint Heron will present two free shows – film meditation on the holy nature of collecting and telling stories – at the Museum of Fine Arts in Houston. Written by Solange and directed by Nuotam Bodomo, a short premiere in Guggenheim and continues the involvement of Saint Heron in the behavior of black cultural memory.

Dzieie Kanu, Nigerian-American artist and from Houston, may also contribute to the series with an interpretative sculptural installation inspired by the Funkadel parliament, expanding the topics of Afrofuturism and the sound line.

Meg Booth, president and general director of Performing Arts Houston, said about partnership: “Cooperation with Solange, Saint Heron and Project Row to shed light on the heritage of Eldorado inspiring black creativity and community with so many great artists, is a great honor.”

Danielle Burns Wilson, executive director of Project Row Houses, repeated sentiment, noticing a deep connection of Solange with space. “It is so much part of the history of this building – its creative energy resounds in the escort air from now on, will return to the deepening of this connection and pay energy in this historic place.”

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Thanks to, Solange continues his careers involved in artistic experiments, community investments and cultural protection. Tickets open to the audience on April 22, 2025, with early access available now for Performing Arts Houston visionaries.

This article was originally published on : www.essence.com
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The Spelman College competition is now the latest Tiktok madness

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TikTok, Spelman, pagents


There is spring in HBCUS throughout the country, which suggests that the competition season is right. This 12 months, the Spelman College competitions have gained a brand new audience in Tiktok as a consequence of the players’ viral movies.

The competitors presented their beauty and brains in the social application and attracted latest viewers outside traditional circles. While the Miss Spelman College competition won’t announce the winners until April 14, latest fans wrote about their favorites once they immersed in the competition.

Participants became popular for his or her excellent introduction, showing their abilities to the crown. Various competitions happen throughout the school, including Miss Black and Gold and Miss Africanidad competitions.

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“Your search for the queen is officially completed,” said player No. 4, Aziyah, a younger specialist in political sciences from Atlanta. “Because, like my institution, I start without any.”

Player No. 6 was also his own case for the Crown.

“Slow and stable, this is how queen arise,” said Madison, an English major from the third 12 months in HBCU All-Women. “So I waited patiently, but it’s my moment in the end. Oh, and trust me, I’m going to have it.”

Those who’ve never experienced the culture of HBCU competitions now taste greatness, while loving every second. One asked why public opinion would just discover about this spectacle sector.

“How should I do something,” asked the delighted Tiktker Suzanne Lambert. “And what I want to know, why no one has presented it yet?”

She added: “This is my version of March Madness now.”

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Another user has spoiled, as “encouraging” is content because he promotes black perfection.

“This competition revealing” school stunning “in the best possible way. If you know you know, “said the Couture Couture Tiktker.” And all the energy that I spent on the bama rush and breaking it should be spent on this competition. “

The enthusiasm of competitions for Tiktok is much like the previous trend “Bama Rush”, during which incoming student student girls detailed their journeys to affix the brotherhood. Now the headlight light applies to those HBCU women once they race against the crown, while paying national attention.

(Tagstotransate) Miss Spelman College (T) Spelman College (T) Tiktok (T) HBCU Pageants (T) HBCU CULTY

This article was originally published on : www.blackenterprise.com
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