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Culturally and visually, Drake called the police on Kendrick Lamar

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In a world obsessive about fame and celebrity that’s hip-hop, optics are every thing. In an quick you possibly can be up; the next minute you could be depressed, not even necessarily due to something you probably did, but due to how something you might be related to looks to the whole world. This is the space Drake is in at once.

November 25, 2024 Drake filed a lawsuit in a New York court alleging that Universal Music Group (UMG), the company that distributes his and Kendrick Lamar’s music, effectively used payola and shady industry moves through streamers to inflate the popularity of Kendrick Lamar’s summer hit and Drake’s diss track, “Not like us.” In fact, Drake claims that without help, the song would not be as popular because it is today industry rule number 4080: “Record company people are shady.”

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The irony of that is delicious. Let’s assume this petition finally ends up being a full lawsuit – at this point it’s only a petition and not a lawsuit, although the goal is to assemble information to file a lawsuit – it will also should end in Drake being unmasked. According to Drake, we must always consider that Kendrick Lamar’s summer hit, which overshadowed one in all the funniest rappers in many years, wouldn’t have been as successful had UMG not engaged in questionable business practices. But what’s the scoop there? Should a song only be 75 percent successful? Would that make a difference?

Is the reason my four-year-old likes to say “OV-Hoe” because UMG greased the wheels, or is it because the song is STD-level catchy? Who hasn’t listened to this song this summer? Seriously, I’d like to satisfy someone who’s concerned with popular culture but has only heard it once. I actually am accountable for hundreds of performances. This happened due to the beef and because someone was precisely turning the Boy over. Some things are excellent for everybody.

Conversely, let’s be honest, without these same industry practices, Drake won’t be as wealthy and successful as he’s today. Literally. Drake went from a no person to a any individual almost overnight. It has an awesome story, but come on; A Kendrick song would not catch on organically, but Drake’s entire catalog is so helpful and profitable simply because everyone liked him? This is just silly – and Drake must realize it. Maybe that is the point; possibly Drake knows who’s behind the curtain and has decided that his ethics and morals can now not allow such a king appointment to return at the expense of cultural integrity, especially now that he’s good.

And look, as an instance Drake’s bottom line is that the label distributing his work is using the money he helped them to take part in his destruction. If that is his ultimate goal, then bravo Drake – law school will likely be lunch as Aubrey Drake Graham exposes the shadows of the music industry!

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Except hip-hop doesn’t care about law school courses. Hip-hop cares about culture and what Drake just did, when it comes to hip-hop culture, was call the police on Kendrick Lamar because he was being pinned down in a battle where he assumed his brand and popularity would help him win. It looks like Drake is saying that nobody should like “Not Like Us” as much as they do, and it should not be nominated for all those Grammys, and the music video shouldn’t have 200 million views or almost a billion streams on Spotify. The petition (and let’s be honest, a possible lawsuit) states that Kendrick Lamar would not be experiencing the moment he’s having if it weren’t for help at Drake’s expense. This brand now not looks like Teflon in the light.

Drake doesn’t seem to grasp how hip-hop culture works in any respect, which is something I have not claimed before. I’m not one to argue that Drake is just a voyeur using black popular culture for his own gain; this approach at all times seemed very, very unfair. And yet here we’re.

First, getting involved in the law is as hip-hop because it gets. Drake is a snitch now. He looks like the colonizer Kendrick accused him of being in “Not Like Us”; initial text “euphoria” they appear really accurate in the light. Instead of being a man who lost a hip-hop battle, Drake looks like Karen. Is there a shadow coming? Maybe. Probably. The industry is thought for shady practices and constant stiffing of artists. As they are saying, what is thought doesn’t must be explained. But that is public opinion and open secrets, not legal motion. The problem is that Drake filed a motion looking for information that will enable him to bring a case. He doesn’t even have proof, yet he filed a motion to court. He made the laws, brother.

Hey, Drake – Karen called and wants her glass back.

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Optics are every thing. Drake called the police because he lost the battle and social media was respiratory down his neck; that is what the whole thing is. Especially since the legal part is irrelevant to hip-hop’s credibility. No one except the labels (and Drake, I assume) cares the way it ends.

Sure, when the dust settles, we’ll all speak about it, yes, yes, yes, yes, but people will at all times keep in mind that Drake filed a lawsuit against Kendrick Lamar over “Not Like Us.” As of now, Kendrick is not even mentioned in the petition; only a label. Culturally, nonetheless, Drake is taking aim at Kendrick in court over a battle he’s losing with each passing day. 2024 was a hopeless yr for The Boy.

I actually wonder what was going through the minds of Drake and his team after they decided it was time to withdraw this petition, knowing that it will have the very same effect on his appearance. I do not understand this game in any respect.

I’m sure some Drake apologist will tell us it’s chess, not checkers, but if that’s the case, possibly Drake is not good at chess either.

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This article was originally published on : thegrio.com

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Usher to provide the address of the Emory University class start from 2025 graduates

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It seems that there will not be much that Usher Raymond IV – Better, known to the world, simply as a USher – no. He can sing. He can dance. He can sing and dance while skating. He works. Sells Las Vegas residences. Performs philanthropic work.

And also performs the completion addresses. Usher was utilized by the University in its own yard. May 12 Usher will provide the address at Emory University 180. Ceremony of graduation and shall be awarded with an honorary doctorate in humanitarian letters from the institution. This will not be the first Usher Rodeo with an honorary doctorate; In 2023 Berklee School of Music in Boston He awarded the International Superstar with distinction. He also gave comments then.

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Usher will not be alien to Emory University. His non-profit, New Usher Lookwhich according to the website“He transforms the lives of malnourished youth through a comprehensive program that develops passion, global leaders”, has established cooperation with Emory’s University’s University Goizueta Business School in a 400-hour program helping to prepare teenagers for faculty. Apparently, non-profit influenced over 50,000 students.

“I spent my life following my spark – my passion – and trying to support young people when they find and follow their own passions. I am excited that I have the opportunity to talk to these amazing Emory students who graduate and prepare for imprint in the world – said Usher in Billboard statement.

Usher is one of the most successful musical acts in history, selling over 80 million records, winning many Grammy awards and has toured throughout the world since his profession in the mid -90s. His album “Confessions” from 2004 is the second best -selling album from 2000 and is taken into account by Rolling Stone as one of the best albums of all of all of all.

YES!

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This article was originally published on : thegrio.com
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The most iconic moments of the beauty of Robert Flack – Essence

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Robert Flack, a valued singer, songwriter and pianist, died on February 24, 2025, at the age of 88. The legendary singer, whose velvety voice again defined the soul and R&B, stays a everlasting icon of elegance, emotions and artistry. With timeless classics, resembling “Killing Me Softly with His Song” and “The First Time Ever and Wis See Your Face”, the singer died the audience captivated the audience along with her ability to weave delicacy and power in every note. Not only will we take heed to her repetitive music, but we won’t stop eager about its most iconic moments of beauty.

In the 70s Robert seriously swayed Afro – a daring statement of being black and proud – during performances at live shows, including the famous Newport Jazz festival. Two years later, she honored the scene of Ronnie Scott in London along with her hair drawn into the band, combined with dramatic long eyelashes, which defined her characteristic appearance. Always to experiment with hair, she also accepted braids decorated with beads, without effort combining style and cultural pride.

Just a few many years quickly forward, and Robert was still turning her head. While playing in Gillette Civil Rights 2010 between Cincinnati Reds and St. Louis Cardinals, she stunned the navy blue eye shadow, a dark light highlighter and daring red lipstick. The following yr, she performed at Bideawee Ball from 2011 with full rhythm – eyeliner, mascara, highlighter and its characteristic red lips. And in 2020 she performed unforgettable during the 62th annual Grammy Awards, wearing a beautiful curly crown and the same red lipstick that we met and loved.

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In honor of her everlasting legacy, we glance back at some of the most iconic beauty moments of Roberta’s incomparable flack.

This article was originally published on : www.essence.com
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Joe Freshgoods X New Balance 992 “Starn Well” is celebrating cooperation

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Joe Freshgoods selects five years and counts with New Balance because of his latest version 992 “Arged Well”, a tribute to his creative partnership with a characteristic brand of sportswear, which still supports his design talents and a contagious passion.

After Debut On the Joe Freshgoods New Balance 992 website, Chicago Creative is preparing for a wider version of February 28 via newbalance.com and chosen retail sellers. The new edition of the sneakers means the fifth anniversary of Joe of New Balance, milestone after almost stood before closing his now widely beloved and known brand.

The document coming in June 2025 is shared within the history of Joe’s success, from his start as an area Streetwearus brand in his hometown of Chicago to providing New Balance partnership in 2020, when he wasn’t sure find out how to keep his business.

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“He examines how the partnership influenced the global culture of sneakers and development transparency”, Joe common In the announcement on Instagram, “which was more important to me than just doing it about tennis games. This is a real life. ”

The trailer of the documentation offers access to Joe’s journey, presenting his modest approach to success and its influence on the Boston brand of sportswear founded in 1906. Since joining New Balance, Joe Robinson (higher referred to as Joe Freshgoods), a champion with a young history.

Five years later, with 20 Sneakers Publishing House and counting the most recent cooperation of New Balance Joe Freshgoods is a love letter for his creative journey with the Boston brand.

“Sometimes I feel that I shouldn’t be here. But I am here and say, “Oh, I’m good at what I do,” he says within the film.

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Project 992 “Agnish well” attracts the inspiration from the primary cooperation of Joe Freshgoods from New Balance – the edition of New Balance 992 “No Emotions”, also referred to as “heart anatomy”. It was a right away hit and celebrated in the course of the NBA All-Star weekend, and now charges resale prices around $ 3,000.

While the explanations for the New Balance revival may vary, many consider the primary release of Joe 992 to be a catalyst that enlivened the brand. Sneakers have pink and red suede silhouettes placed on an olive mesh base and accented saddle skin on the tongue and rear card.

Four sets of lace are attached, and the box is decorated with unique details reflecting the theme “aging well”. In addition, Joe Freshgoods designed the “Championship Dreams” leather university jacket to commemorate his five -year success as a designer.

“I wanted this jacket to capture the essence of the last five years – each project was a milestone, another closed chapter, another dream,” Joe signature Post on Instagram. “Over time, I had the honor to tell culturally important stories, and this jacket reflects this travel project according to the design.”

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This article was originally published on : www.blackenterprise.com
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