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‘Wicked’ may be set in Oz, but it feels very real in our current world – Andscape

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Twenty minutes into the long-awaited film adaptation that musical theater buffs had been waiting to see, a moviegoer sitting in front of me motioned for me to come back closer. She practically turned her whole body, clearly stunned by the performance of Cynthia Erivo, the Oscar-nominated influencer who brought abolitionist superhero Harriet Tubman to life in 2019 (whether most of you thought she must have done it or not) .

Her words were muffled behind her mask, so she needed to repeat herself twice. She checked out the screen over again, on the already clear masterpiece that sat on the 50-foot screen, taking in the pink and green charm the film had to supply, and this time she pointed at Erivo.

“Is that Jennifer Hudson?”

And so began a two-hour and 42-minute journey into an overtly political journey that we are able to all experience in the film more than likely to be awarded – heavily – this season.

So did it translate masterfully to the silver screen as many had hoped?

That’s true.

But it delivers far more than it guarantees, and what it guarantees is sort of an exorbitant order – the powerful vocals captivate with a twisted version of a time-honored story that leaves everyone who listens to it questioning who’s inherently good and who is definitely evil .

On Broadway when this play was created, it starred theater queens Kristin Chenoweth as Glinda, a privileged witch, blonde, messy-haired, and seemingly blind to the world round her, and Idina Menzel as Elphaba, the raven-haired solid – minus the aspiring sorceress who was rejected by father, rejected (ultimately) by her sister and persecuted by the world round her due to color of her skin – she is green.

As Kermit said, it’s challenging being green.

But in this shot from director Jon M. Chu, we’re gifted with Erivo, and her micro braids and full lips give us a more determined take a look at an outcast who wants to alter the world for the higher. It’s hard to not know that underneath all that green is her black skin, and the pain of what that extra layer of otherness represents makes this version even higher than it must be.

In the film adaptation, which hit theaters on November 22, we see the uncomfortable dynamics of what happens when a jammer enters the chat room, and the way the world round her rejects her ideals – and what she looks like – in response. Especially when he doesn’t need to play the sport.

Especially when she’s mainly not ready for it – are you ready for it? – shut up and dribble.

Sound familiar?

The established order is unacceptable. The world will not be calm. Another community is kidnapped, locked in cages and deprived of their inalienable rights.

We’re still talking about it.

Here’s what’s sensible about this movie: nothing about this approach is recent. This is similar record-breaking production that has captivated Broadway and traveled across the country since 2003, this is similar story of the stage musical that surpassed the $1 billion mark in total Broadway revenues in 2016, putting it in unique long-time Broadway company staple and the just one to point out it. And today? It is the second highest-grossing musical of all time, after Disney.

But Elphaba Erivo might be a sharper representation of otherness – it’s inconceivable not to note it.

And he wants to make use of his emerging power for good. The problem is that the world she lives in – this excellent musical world filled with hopes, manifestations and dreams – only wants her to either be hidden away or – as we learn from the villains – use her powers to oppress others who’re also . other.

In the wake of the 2024 election – which tens of millions thought would result in the coronation of the primary woman president and the primary Black and Asian president – ​​lots of us needed a moment to breathe.

Still yes. This is raw. And it’s early. And the consequences of the national elections are still there and can be there for a while. The headlines are harsh and terrifying. Neo-Nazis openly march in the streets of the Midwest. Anti-Semitic demonstrations before the performance. And unfortunately, there’s quite a lot of anti-black rhetoric.

This is when great art is created and enhanced.

This is when the world we live in is interpreted and transformed for creative consumption.

When art is finished well, when it is really at its best, it is a mirrored image of the times. It’s something that helps mark the story – even when it’s told from a fictional fantasy land that, in a way, is recycled, drawing inspiration from our very real experiences.


is loosely based on the 1995 book, inspired by L. Frank Baum’s 1900 novel, which is in fact a movie adaptation of Baum’s book right into a 1939 film that a young Judy Garland helped make.

When Baum’s novel was first published, it was a story a few fantasy world that the creator initially created for youngsters – and later adults – a world that is essentially tortured by a tyrannical witch from whom everyone wants freedom. The story was a hit and was eventually named “America’s greatest and best-loved native fairy tale” by the Library of Congress.

By the time 1939 rolled around, the world had passed three years since athlete Jesse Owens became the primary American to win 4 gold medals in a single Olympic Games. His sporting victory was a direct rejection of Nazi Party leader Adolf Hitler’s belief in Aryan supremacy. Not that they were stopping the inevitable. After Owens’ victory lap, Germany invaded Poland in September 1939, starting World War II.

On American soil, 1939 also saw the discharge of a novel adapted from a Civil War novel that in some ways glorifies slavery.


There is not any Elphaba – there isn’t a anti-hero to root for and who’s willing to risk all the things to uproot the prevailing system. But to the world beyond this film is Hattie McDaniel, who became the primary black person to win an Oscar, and ultimately this film became a significant turning point in the way in which Black Americans were portrayed in cinema.

In , we’re in a position to see a well-known story – one which we all know in and out, one which is so rooted in our human experience that we’re like a family.

We know well. We know the wicked.

And since the world has modified a lot, we have now seen the opposite side of a improbable story that’s rooted in lots of the experiences all of us have.

Because stories with universal truths clearly connect with tens of millions of individuals. As they need to.

Kelley L. Carter is a senior entertainment reporter and host of Another Act on Andscape. She can act out every episode of the American version of The Office, she will be able to and can sing a Michigan State University fight song on demand, and he or she is very proof against the Hollywood corset.

This article was originally published on : andscape.com
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An attempt to save the image of Jeff Bezos’ future wife backfired after weeks of outrage and ridicule over her skimpy outfit

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Lauren Sánchez has apparently gained a popularity for her fashion hits and misses as social media users began following her every move.

Billionaire Jeff Bezos’ current fiancée stepped into the highlight long before she met the Amazon co-founder, after years spent as co-host of “Good Day LA,” a reporter for “Extra” and host of “So You Think You Can Dance,” and he even starred in a number of movies like “Ted 2.”

She faced criticism for posting a sultry selfie in November in a negligee-inspired gown by designer Laura Basca. In October, the 54-year-old again faced backlash when she showed off her latex Halloween costume as Catwoman.

Now, weeks after being deemed “cheap” and tasteless, the founder of Black Ops Aviation has turn out to be a subject of discussion.

Jeff Bezos’ fiancée Lauren Sánchez shows off a “winter white” look, weeks after critics slammed her busty latex outfit. (Photos: @laurenwsanchez/Instagram, Theimagedirect.com via Page Six)

On December 5, Sánchez and the business mogul attended The New York Times’ DealBook event in New York City. For the occasion, she wore a white Alexander McQueen suit and a white lace corset. The beaming bride-to-be sent two mirror selfies of her outfit, which she signed: “winter white.”

One follower particularly was stunned by the whole look he ejaculated that she was “very attractive and beautiful, gorgeous and stunning, charming and fantastic young lady, sexy, charming, charming and elegant” in the photos that Sánchez took.

Two other people swooned over the photos and wrote: “So chic and elegant!” and “You look great.” But as you would possibly expect from online viewers, not everyone was impressed.

When Page six published paparazzi photos from the trip, the critic commented: “It’s 30 degrees in New York and she gets out of the limo in a white Miami smock, her bra visible to everyone. No taste. Nothing. A cashmere turtleneck, flannel trousers and a wool jacket can be classy.

Someone else sharply asked: “Who can be the first to tell her that she looks tacky and not elegant and refined? Does she even know what sophistication means? A 3rd person noted: “She looks more like she’s wearing a bathrobe.”

Another person wrote in a comment from a licensed pilot: “White means…” possibly referring to rumors that Sánchez and Bezos are scheduled to exchange vows over Christmas. At least one person doubted the couple would have the opportunity to say “I do.” This person said: “This will be the longest engagement ever. They will NEVER get married and we all know why!!!!”

Sánchez told the “Today” show hosts that she was in the process of planning the big day last month. She didn’t comment on speculation about exchanging Christmas vows.

Renewed interest and scrutiny of Sánchez has increased as the pair have been spotted in various locations in recent months. The couple reportedly began dating in 2018. Their engagement was announced five years later, in May 2023. Their upcoming wedding can be a second journey for each of them.

Sánchez was previously married to celebrity agent Patric Whitesell, with whom she has two children. She can be the mother of a son, whom she shares with Pro Football Hall of Famer Tony Gonzalez. Bezos was married to the mother of his three children, Mackenzie Scott, for 25 years once they divorced in 2019.


This article was originally published on : atlantablackstar.com
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Apart from the song with singer-songwriter India Shawn – Andscape

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India Shawn is a contemporary muse with a chilled nature, crafting love stories and heartfelt tales in smooth, charming songs. With over a decade of experience in the music industry as a singer-songwriter, Shawn has incredible strength. She was born in Los Angeles, and her musical roots reach throughout the country. Beginning her profession in her hometown, Shawn eventually found herself in Atlanta, where she immersed herself in the city’s deep-rooted R&B scene, further shaping her artistry.

“I transferred to ATL, I was in 10th grade, and that’s when my music journey really started,” Shawn told Andscape. “I met people who were trying to get by, so I ended up recording and learned what songwriting was really early on.”

Before releasing her debut EP in 2012, Shawn wrote songs and collaborated with artists similar to Chris Brown, El DeBarge, Keri Hilson and Monica. In 2013, she gained much more notoriety when Solange Knowles published her song “I’m Alive” on the Saint Heron compilationmarking her as an artist value watching.

Following the release of the single “There Must Be a God” from the Andscape soundtrack, she caught up with Shawn to learn more about the muse behind the vibes.


Singer India Shawn grew up singing in church with her family. “I feel like most of us R&B kids have that experience,” she said.

India Shawn

Name:
India Shawn

Hometown:

Los Angeles

Artistic soundscape

Airy, soft, telling a story, multidimensional, soft, mysterious, atmospheric

The oldest musical memory

Shawn’s soulful sound is deeply rooted in her upbringing, with influences drawn from her childhood memories and the musical culture of her church. “I sing with my sister all the time, and I also grew up singing behind my mom in church. She was the leader of praise and worship. So I feel like most of us R&B kids have that experience,” Shawn said. “I had these little solos in church, and I believe what made me consider in it was that after the service people got here as much as me with tears of their eyes and said, ‘You really moved me while you sang.’ “These early moments of connection with music and audiences laid the foundation for conveying depth and sensitivity through her music.

Influences

For Shawn, music, especially R&B, has all the time held a special place in her life. “Me and my sister are harmonizing in the living room, just picking some of our favorite songs, including for me Mariah Carey, Babyface, Boyz II Men and (and) Brandy,” she said of her early music memories.

Creative process

Shawn often draws inspiration from real-life experiences and relationships that influence her music. She weaves this into the authenticity and atmosphere of her songs, but she didn’t immediately recognize where her inspiration got here from. “It’s funny that it took me so long to make that connection, but I realized that I was telling my whole story and presenting my business through my music,” she said. “It took me two albums to realize, wait a minute, I’m giving people a lot to understand here… these aren’t just songs. This is truly the life I live.”

Challenges and development

As Shawn’s profession grows, so do his moments of appreciation and reflection. “I literally just thought about a very gradual progression of my career. It’s like step by step, but there are more breakthrough moments. My first tour, which was so beautiful, I just knew I could pack a room and people knew my lyrics and sang my songs to me. Those moments that make the waiting not in vain.”

Shawn has plenty of recommendation for up-and-coming singer-songwriters. Her biggest sacrifice? Collaboration is essential. “I think (cooperation) is really why I’m still here. So find your people… you’ll know when it feels right, you’ll have that freedom and fluidity, and you’ll be able to really create things and create without having to think too much.” He also shares the importance of patience. “Just be patient during the journey. This has been a theme throughout my profession. Let it develop. I feel like more things come from being in that flow and being present reasonably than forcing all of it.

Current project

There should be a God”, the lead single from Andscape , now streaming on Hulu, also serves as a teaser for Shawn’s solo album. “(This song) is such a manifestation of God’s love,” she said. “I think when you find yourself in a place of waiting, you can feel very hopeless. So when you see glimpses of God’s love again, or the fact that you know there is a higher power, there is a source that is thinking about you, has you in mind, has a perfect plan for you, it’s just like the clouds parting. And this is the moment, I understand. I understand that I had to go through all this to get here. And that’s exactly what I felt in the studio that day.”

Sheila Matthews is a digital producer at Andscape and a proud HBCU graduate. She believes “Return of the Mack” must have won a Grammy, and her Twitter mentions are open to all debate.

This article was originally published on : andscape.com
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ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is anticipated to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a take a look at 17 of the very best celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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