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Nafessa Williams in Disney+’s Rivals [Interview] – Essence

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Photo credit: Cécile BOKO

Nafessa Williams attracts attention with a role that combines strength, complexity and uncompromising self-confidence. Set in the vibrant media world of 1980s London, the Disney+ series immerses viewers in a world of passion, betrayal and ambition. At the heart of this Jilly Cooper adaptation is Cameron Cook, an ambitious American television producer brought to London by Lord Tony Baddingham to shake up his Corinium company. Cook navigates a predominantly white, male-dominated industry with poise, charm and her signature red lips – an expression of the boldness and confidence of black women that Williams set out to authentically portray.

Known for her breakout role as Anissa Pierce in , Williams has gained a reputation for bringing depth and dynamism to her characters. In the series, she takes on a role that uniquely reflects her own experiences. As the only Black character on the series, Williams brings her Philadelphia roots and personal journey to Cameron’s story, highlighting the dual challenges and triumphs of standing out in an exclusive space.

Through meticulous research, collaboration with the show’s stylists, and a curated playlist featuring icons such as Whitney Houston and Vanity 6, Williams brought Cameron’s ambitious and uncompromising personality to life. In this interview, she talks about putting on her character’s power suit to represent black women on screen, and how she made the character her own. With the film, this talented actress proves once again that she is a force to be reckoned with.

Nafessa Williams on the boldness and elegance of her performance on Disney+'s 'Rivals'
Photo credit: Cécile BOKO

ESSENCE: First of all, congratulations you gave an amazing performance. How did you land the role of Cameron Cook?

Nafessa Williams: Yes, so I auditioned. It was an audition that passed and I actually decided not to work that year. Last year I had just finished filming the 2021 film and I thought: I knew that whatever I did after that, it just had to be elite and next level. I got the scripts, I had all this stuff throughout 2022 and it just didn’t feel right. And I just told God I’ll hang on until I find this job for me.

As soon as I read the script, I thought, “OK, God, you just helped me with this. This is what I’ve been waiting for all year.” So I read it and immediately recognized the way they wrote the script. The text was amazing. Cameron, I thought, “I have to voice this character.” How strong and commanding she was, and how beautiful she was. The only black cast member, the only black character in the series. Plus, just for fun, the fact that she came from America and was recruited from New York to London to become a powerhouse producer was something I had to weigh in on. So that’s how it happened. And so, from that point on.

So you said she was the only black character on the show. In terms of portraying this situation, how did you bring this perspective to life in this predominantly white, male environment?

You know what, I just stayed true to the writing and the character. I’m from Philadelphia, the character is from New York, so it’s almost the same thing. So I just wanted to make sure that I brought the authenticity of a black woman, a black woman from New York, a black woman who is ambitious and confident and secure in who she is. So I wanted to make sure that I brought all those elements to it and just be true to who black women were at the time in the ’80s, how we wore our hair, what our clothes looked like, and I just wanted to make sure it was authentic down to that moment.

I’m actually glad you mentioned the ’80s and everything, because for me one of the coolest things about this show is the ’80s fashion. How did the fashion and style of the time help you get into Cameron’s character and how did it influence how did you portray her on screen?

Yeah, I think a lot of 80s fashion was about confidence and making sure she was on her own, whether she was clothed or not, she was just a very confident woman. But I think fashion helped us situate and tell her story. I also love 80s fashion and I make sure I stay true to what I saw as a little girl in the late 80s and 90s, seeing my mom, grandma, aunts and their friends all dressed up, red lips and red nails, making sure that the hair is also authentic. Since I’m the only black character on the show, representation means everything to me. And also, like other black women, when they watched this show, whether they lived in the ’80s or not, it’s a true representation of what we really looked like, from French rolls to slicked ponytails to pumps and curls and beyond. we just make sure that when we tune in, we see ourselves.

The show’s stylist was very open to my ideas because I know what it looked like, right? And I know what it was like in America. So I just made sure she brought that American flavor, that New York flavor. He was very open to my ideas and collaborative. And if there is no such moment, you will see Cameron unless he wakes up in the morning without red lips. I think this also shows her boldness and self-confidence. Red lips and red nails are her trademark, but they are also a signature of the 80s. So again, making sure we put those elements into it to make it feel as real and nostalgic as possible.

I also think it’s interesting because I think Cameron’s journey and where she’s at is also reflective of black women in the entertainment industry. What similarities do you see between yourself and Cameron’s character? How did it work out?

Yes, there was a time that I found myself in that situation where we were talking about whether I was the only black cast member or the only black woman on set. And I think what I exuded and what I’ve always carried within me is confidence and knowing that I’ve worked and I have a right to be in the room and my talent is just as amazing and just as important and my story is just as important to tell.

It’s just walking in with so much confidence, like I knew I was supposed to be there. Another thing that reflects both her and me is ambition. When Cameron wants something like me, I don’t take “no” easily. If I set my mind to something, it will be achieved, and she has the same quality in her. So yeah, it’s just going in knowing that you’ve earned this place and you’ve worked hard to be here, and you walk in with your head held high knowing that your ancestors sent you. Go do it. Go do your job. So I wanted to make sure he exuded that too, and that was very important to me to show that.

Nafessa Williams on the boldness and elegance of her performance on Disney+'s 'Rivals'
Photo credit: Cécile BOKO

When people portray a character or make a movie in a “different era,” did you do any preparation beyond understanding what life was like back then? Did you do a lot of research into the history of your character?

Yes, I always go back and check if I am serving that era well. For me it was just going back and observing women that I had seen, maybe glimpses of, that I didn’t know very well as a child but who were popular in the 80s. Lots of Diahanna Carroll and Pam Grier. I also watch a little bit of Phylicia Rashad and make sure I bring that cool, sassy, ​​sexy but intelligent approach to the character.

Besides, music helps me empathize with a given character. I always create a playlist for each character. It really helps me get into that time and understand the character’s mind, what they’re thinking: “How do they party? How do they dance? What is their wardrobe like?” So I studied it a lot and told everyone because I always got to the heart of the Cameron thing. “Nasty Girl” by Vanity City. Remember Prince’s group?

Absolutely. 1000%.

Yes. Yes. So “Nasty Girl” helped me get inside Cameron’s mind and get to know her boldness, confidence and attitude about who she is. So yeah, I just go back and watch it again, get Diane Carroll, and she was very strong, Dominique Deveraux, she was very strong in who she was. When she appeared on screen, there was no denying her energy and essence as a black woman. This was part of the research I did.

It’s interesting because I definitely want to know that now when I think about the ’80s, I think about Whitney Houston, I think about Cyndi Lauper. Tell me, who was on your playlist when you were putting together the music list for this particular character?

Surely. Lots of Whitney Houston, lots of Teddy Pendergrass. I’m from Philadelphia. So I come from a huge musical culture. A lot of Teddy P., a lot of Barry White, a lot of Sadé. Sadé was also on the playlist, getting into this just sexy vibe, kind of laid back, at home, relaxed. There was a lot of Madonna on the playlist. Prince was on the Jackson Five playlist. I also thought about this: “Who was Cameron when she was a child? Who was she listening to? Not even as an adult, but I like to think that when she was an adult in the ’80s, in her teenage life, in her earlier life, she listened to a lot of Stevie Wonder and a lot of the Jackson Five, a lot of Michael Jackson and Janet Jackson.

So these were some of the songs, or rather artists, that were on my playlist that I just listened to all day, played in my trailer before I went to set, and just walked out and was ready to have it.

This article was originally published on : www.essence.com
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Celebrity Coverage

ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is predicted to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Nineteen Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a have a look at 17 of the perfect celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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Black artists shine with 2024 Christmas albums – Essence

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This holiday season, a few of the most talented Black music artists are reimagining the sounds of Christmas. From the soulful sounds of gospel legends to the contemporary kind of rising stars, these albums offer something for everybody who wants so as to add splendor to their celebrations. Whether it’s fresh takes on timeless classics, moving original songs, or reissues of beloved favorites, these projects bring joy, warmth and a way of community to everyone.

Jennifer Hudson makes her holiday debut with a track that mixes powerful vocals and heartfelt melodies. CeCe Winans brings a spiritual touch and Coco Jones adds her unique talent. Celebrating her thirtieth anniversary, Mariah Carey returns to the zeitgeist, and the reissue of Boyz II Men offers the right, cozy soundtrack.

As you decorate the halls and meet your family members, let these albums fill your space with music that uplifts, inspires and sets the right holiday mood. Here’s a more in-depth have a look at Black artists bringing joy to the world with their Christmas 2024 releases.

This article was originally published on : www.essence.com
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Let Anok Yai’s spiky bun inspire your holiday hair look – the essence

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Images by Dave Benett/Getty

Earlier this week, Model of the Year nominee Anok Yai appeared at the Fashion Awards gala at London’s Royal Albert Hall. And regardless that the night ended there controversial joke for this yr’s award, the look of her hair stood out, as did her skilled achievements.

Paired with an archival John Galliano gown from 1994, her hairstyle was as avant-garde as the supermodels of the day – and was the most groundbreaking look of the night. On the foundation, a pixie cut with micro-mushrooms framed her sculpted features, and the sides stopped just at the tip of her eyebrows.

However, the summit took an unexpected turn. Almost like a headdress, straight, long strands gathered at the top of the head, overlapping right into a bow. The look was romantic and evoked the essence of Mugler’s Alien Hypersense, of which it’s the face. “I carry a bottle in every purse, it’s an addiction” Yai said in front of the red carpet.

The iconic outfit was repeated by Rihanna, who two days later arrived in an identical style at the thirty eighth annual Footwear Awards Gala in New York. With slight moderation – longer, blunt bangs and full updo – hairdresser Nafia Biała used an identical technique. Could this be the hottest hair trend of the season? These two icons actually suggest that.


This article was originally published on : www.essence.com
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