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Backstage Pass: How Jason “J.” Carter powers Pulse Of ONE Music Fest – Essence

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Source: Alexx Green @alexxshotthat

Running a two-day outdoor music festival with over 50 bands, 30 sponsors and tens of 1000’s of attendees takes a variety of people power. One such festival is ONE Music Fest in Atlanta; its co-founder and chief marketing officer, Jason “J.” Carter is certainly one of the people behind this power.

For fifteen years, the event has remained certainly one of the few independent black music festivals within the country. Despite the symphony of sounds that ONE Music Fest will certainly bring, the director begins his day with a moment of silence.

“I’ll wake up and I’ll just be still,” Carter tells ESSENCE. “I imagine myself moving throughout the day. And honestly, I look ahead to the success of the day and I like to see everything flowing. I’m a very visual person, so I just conceptualize it, internalize it. The idea of ​​”looking forward to success” and declaring victory is something Carter learned from his mother many years ago. “As mom says, ‘Pick it up.’ Own it. Make it happen.”

The founder’s morning practice also includes words of affirmation, prayer and hydration – two glasses of water, to be precise. The days begin slowly but deliberately – all in preparation for a large event that may take a complete 12 months to finish. “Feeling rushed, anxious and stressed. I try to not let any of this seep into my person, into my space,” he says.

After a moment of silence, Carter talks to his wife, does a number of push-ups, takes a shower and begins. Before heading to Atlanta’s Central Park, the principal makes a number of calls to his team. Doors open at noon, but he arrives closer to 9 a.m. to be sure the day goes as planned. Needless to say, this is just not a straightforward task. The director is a master of relationship management, connecting sponsors, brand partnerships, talent and other stakeholders. Somehow he manages to do all of it with none problems.

“I play a variety of ping-pong across the festival grounds, but I do not feel like working either. I believe the moment I feel like work is a day, I’ll stop doing it. Carter continues, “I really, truly love and appreciate the ONE Music Fest audience and family we’ve built through the years. So let’s hope this issue continues to evolve over the subsequent 15 years.

ESSENCE accompanied J. Carter on the bottom in Atlanta during day two of ONE Music Fest. Here, the entrepreneur and executive gives us a day within the lifetime of what exactly it takes to successfully organize a multi-day festival.

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

6:00

“The first thing I do on the day of the festival is still.” Carter continues, “I say a fast prayer, drink two glasses of water, and jump within the shower. But I believe peace is significant.

Despite the early hour, J. Carter doesn’t make breakfast. “I usually don’t eat before 12:00. So no, I drink water in the morning. I did 50 push-ups, I take a shower and this is my breakfast. Then I will eat a balanced lunch. This usually gives me energy throughout the afternoon and evening.”

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

7:30

The founding father of ONE Music Fest says festival mornings aren’t the norm. “I usually check into the hotel on Friday to be close to the event and close to the team if we need to make an impression before we go to ground zero.”

After fielding “a few” calls from his festival team, he makes sure his guest list and family have the precise references. He made the primary two phone calls with the event and festival coordinators.

“I take into consideration every part from what we want to do in production to creating sure my aging parents can get out and in of the festival freely. This applies to private matters in addition to team organizational matters.

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

9:00

“We usually arrive at the festival on the first day of the festival between 8 a.m. and 9 a.m., depending on how much work needs to be done. This year was completely different for some reason. We were ahead of the curve when it came to procedures, production and staging. We almost got caught in the system this year, considering how hectic the entire year leading up to the festival was. When we got there, everything was in place.”

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

12:00

“You will catch me walking alone throughout the festival. Just feel it or just stand in the corner; I just watch people,” Carter tells ESSENCE.

Thanks to meticulous pre-planning, the festival helps avoid last-minute emergencies. “If you run a festival with over 50 different performers and talent, you employ over 4,000 people on the festival grounds. Everyone has their own life. Everyone has their own problems. Everyone has their own dramas and personalities. So the thought that nothing will ever happen is rare, especially for artists who have a team around them.”

“There are artists who can tour 100 to 200 days a year. It’s exhausting. So some artists might wake up to bad weather, miss their flight, or someone in the band might have some issues that then translate into what they have to do.” Carter continues, “But one thing I can’t do is stress about something I can’t control. Being in this space, you have to be very solution-oriented.”

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

14:00

As co-founder of ONE Music Fest, Carter definitely must “work the room.” It involves artists, politicians, family and the press. The festival is already 15 years old and boasts over 30 local sponsors – essentially the most in history.

The CMO explains: “I also visualize early within the morning who I want to the touch and see? Who must see me? Who should I confer with? Who do I even have to be sure they’re taken care of?

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

18:00

Managing a multi-day music festival means you could have to be flexible. Rolling with the punches is the secret. It’s value noting that each BossMan Dlow and Cardi B fell unwell ahead of the 2024 festival and canceled their performances. Carter’s job is to regroup and switch things around.

“It’s difficult. Nobody sees it this way, right? They want to blame the festival.” He continued: “BossMan Dlow announced earlier this week that he’s sick and is canceling every part. He continues to be a human being who needs to watch his well-being and health, mental and physical health. If he needed to take a mental break, let the person take a mental break.

The co-founder also reflects on how things have modified for the reason that news of Cardi B’s hospitalization and subsequent cancellation of her ONE Music Fest appearance. “Cardi had a baby and if she has postpartum problems, it happens. It’s not the festival’s fault, it’s not Card’s fault. It happens.” He continues: “At a variety of festivals you possibly can just say, ‘I assume we just do not have a headliner.’ But we said, “No, we won’t do that.” That’s why we deal with our relationships. ONE Music Fest has partnered with the management teams of Latto and DJ Drama – they created a set with several different artists, including singer-songwriter Jeremiah and Atlanta’s 2 Chainz. The set was definitely a hit.

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

9:00 p.m

This 12 months’s ONE Music Fest headliners included Latto, Jill Scott, GloRilla, Gunna and a couple of Chainz, but in J. Carter’s case, just one band took the cake. “Earth, wind and fire. Without a doubt,” says the founder emphatically. “I had to go to that stage to enjoy this show and I’m so glad I did.”

This 12 months, the Carter Festival hosted over a dozen relations. Watching the legendary band perform together as an entire was deeply remembered by all of them.

“What would I like to get out of this? [ONE Music Fest] the most? He looks at the connection between the people in this audience – the smiles, the excitement, the energy (sorry for the language), but “Oh, y–t!” moments,” Carter says.

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

22:30

“We’re removing people,” Carter says. “Typically, all departments – from security to website operations to media and promotional partners from Live Nation – come together for a toast and a sort of mini celebration. It’s right after the festival.” This 12 months, Hennessy and Don Julio provided libations for this commemorative moment. It’s a vacation!

Backstage Pass: How Jason
Source: Alexx Green @alexxshotthat

12:00

“When I go back to the hotel, I do nothing. I do absolutely nothing. Thank you for a safe event, without any problems – no one was injured. Everything really went according to plan.” He continues: “And then I literally should fight myself to take a shower, I’m so drained. I just wish to be quiet and lie down. But I’m normally dusty as hell.

After a “good 30 minutes” of bathing, it was time for bed. Carter’s head hits the pillow around 1:30 a.m., but unlike most nights, he allows himself a number of extra moments (read: hours) of leisure. “I usually stay in bed for a good 10-11 hours,” he finally says.

A well-deserved rest.

This article was originally published on : www.essence.com
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Celebrity Coverage

ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is predicted to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Nineteen Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a have a look at 17 of the perfect celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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Black artists shine with 2024 Christmas albums – Essence

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This holiday season, a few of the most talented Black music artists are reimagining the sounds of Christmas. From the soulful sounds of gospel legends to the contemporary kind of rising stars, these albums offer something for everybody who wants so as to add splendor to their celebrations. Whether it’s fresh takes on timeless classics, moving original songs, or reissues of beloved favorites, these projects bring joy, warmth and a way of community to everyone.

Jennifer Hudson makes her holiday debut with a track that mixes powerful vocals and heartfelt melodies. CeCe Winans brings a spiritual touch and Coco Jones adds her unique talent. Celebrating her thirtieth anniversary, Mariah Carey returns to the zeitgeist, and the reissue of Boyz II Men offers the right, cozy soundtrack.

As you decorate the halls and meet your family members, let these albums fill your space with music that uplifts, inspires and sets the right holiday mood. Here’s a more in-depth have a look at Black artists bringing joy to the world with their Christmas 2024 releases.

This article was originally published on : www.essence.com
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Let Anok Yai’s spiky bun inspire your holiday hair look – the essence

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Images by Dave Benett/Getty

Earlier this week, Model of the Year nominee Anok Yai appeared at the Fashion Awards gala at London’s Royal Albert Hall. And regardless that the night ended there controversial joke for this yr’s award, the look of her hair stood out, as did her skilled achievements.

Paired with an archival John Galliano gown from 1994, her hairstyle was as avant-garde as the supermodels of the day – and was the most groundbreaking look of the night. On the foundation, a pixie cut with micro-mushrooms framed her sculpted features, and the sides stopped just at the tip of her eyebrows.

However, the summit took an unexpected turn. Almost like a headdress, straight, long strands gathered at the top of the head, overlapping right into a bow. The look was romantic and evoked the essence of Mugler’s Alien Hypersense, of which it’s the face. “I carry a bottle in every purse, it’s an addiction” Yai said in front of the red carpet.

The iconic outfit was repeated by Rihanna, who two days later arrived in an identical style at the thirty eighth annual Footwear Awards Gala in New York. With slight moderation – longer, blunt bangs and full updo – hairdresser Nafia Biała used an identical technique. Could this be the hottest hair trend of the season? These two icons actually suggest that.


This article was originally published on : www.essence.com
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