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Lil ½ Dead’s 1994 album “The Dead Has Arisen” is one of the most well-produced West Coast albums that almost no one has heard

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thegrio.com, lil half dead, death row records, 90s hip hop, snoop dogg

I actually have a friend who, while in college, would buy any CD (remember that?) by any artist he had even heard a little bit about. Said artist’s talent was less necessary than supporting various homies and fans of superstar rappers and singers. As a collective, all my friends joked that he was the only one that actually bought Young Turk’s debut album (Hot Boy that Lil Wayne, Juvenile or BG – no shade), Young & Thuggin’ – the album title I had to envision out. (Which is saying something, considering the 1999-2000 debut albums by Cash Money Records artists were a banger.)

Either way, while I often added fun or two to the joke session, I could only be so amused; in highschool, I used to be that friend who bought all the artists’ albums that no one else was buying. I could not help myself; I had such a voracious appetite for music that I had to listen to every thing, even when I had no idea who the artist was, but possibly indirectly they jogged my memory of an artist I would know – especially if he was from the West Coast. I used to be a fanatic about West Coast artists and NWA. While the listening experience for these albums is very different at this point in my life, albums like “The Chronic” by Dr. Dre, Ice Cube’s “Death Certificate”, DJ Quik’s “Safe +Sound”, etc. were my absolute favorites to hearken to Do. Each of these albums still holds spots on my list of favorite albums of all time.

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Each of these albums often featured artists or groups who made songs that were cool enough for a verse, but whose subsequent albums weren’t excellent. I do know this because like I said, I purchased ALL of their records, especially the ones related to DJ Quik. Well, it’s getting worse; I used to be so immersed in the sound and music of that era that even the mention of it by one of these artists made me buy the album.

This is how I discovered myself in a small group of individuals who bought the debut album by Lil ½ Dead, rapper and comrade of Snoop Dogg and Dogg Pound from Long Beach, California. I used to be minding my very own little business in October 1994, either at Sam Goody or one of Huntsville’s other now-defunct record stores, Madison Square Mall in Alabama, after I got here across “The Dead Has Arisen.” I learned Lil ½ Dead’s name from a Snoop Dogg verse “The Boy from the Little Ghetto” from the album Dr. Dre “The Chronic”. I suppose I didn’t know if it was the same one, but what number of rappers will be called Lil ½ Dead, right?

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I had the lowest expectations for the album. First, I only knew his name; I didn’t actually hear his voice, much less a verse from him. I didn’t know what I used to be getting, but I assumed it will be the same West Coast G-funk sound that was in vogue at the time.

What I heard knocked me off my feet.

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While Lil ½ Dead is funny, even funny as a rapper, the lyrics throughout the album are full of house parties, gang shootings, rampant violence and misogyny; mainly every thing most west coast Los Angeles albums were stuffed with at the time. While this is not a great thing, it was normal in that era. Lil ½ Dead is neither great nor terrible as a rapper, but a serviceable voice and guide to an otherwise true gem of an album.

The production on this album is amazing. Controlled entirely by Tracy Kenrick AND Courtney Branch — two producers I learned produced songs from a litany of my favorite 90s West Coast albums — the entire album is full of smooth, soulful productions that I’ve never heard before. There is not a single beat on the entire album that might be considered even average; The fact that Snoop (or anyone from that era) didn’t hear this album and ask to play on every beat is surprising to me. I’ve been working on this album for 30 years and I’m still amazed at how well it is produced.

If Dr. Dre worked with Tracy and Courtney to combine this album and run it through the Death Row publicity machine, I actually have no doubt that “The Dead Has Arisen” could be as successful as any Tha Dogg Pound or Warren G album, all you Lil ½ Dead homies . In fact, one of the biggest questions I’ve asked myself over the years is why none of these collaborators were featured on this album. Perhaps it was produced and finished on the side and everybody was delighted after the fact.

For example, one of my favorite hip-hop beats ever (and I’m not exaggerating) is on this album: “East, West”. This beat is literally perfect. If Dr. Dre used this beat on “The Chronic”, I’m sure we might speak about this song in the same breath as “Dre Day” and “Nuthin’ But a G Thang”. From the single “12 Pacofdoja” to the Roy Ayers sampling of “That’s What You Get,” each beat hits the spot perfectly, perfect for driving around in a low-rider or minivan.

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I still hearken to this album purely for the production quality. It’s reminiscent of the same conversations New York hip-hop artists are having about Group Home’s “Livin’ Proof,” where the conversation often centers on what might have been if higher rappers had these beats. The beats on The Dead Has Arisen are so good that I can not help but wonder what this album might have been in the lyrical hands of Death Row’s more popular talent.

But what is life without a little bit wonder? What I do know is that Lil ½ Dead, a rapper that the overwhelming majority of people either do not know or have already forgotten, still has one of the best-produced albums of all time, even 30 years later and 1000’s of years later. and 1000’s of albums were created. That’s a feat in itself; I still return and hearken to “The Dead Has Arisen” since it sounded SO good in 1994 and 30 years later it hasn’t lost any of its musical luster.


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This article was originally published on : thegrio.com

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Chris Tucker is to be planted by Jackie Chan at the Festival in the surprise clip

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Chris Tucker’s returned video surprising Jackie Chan became popular on May 22, and fans should not fed up with the response of Khan.

The International Film Festival in Toronto has published clip On his Instagram website, reminding the fans of the cordial moment when the stars of the “peak hours” re -joined at one in all their festivals.

Resurfaced Video with a healthy response Jackie Khan to Chris Tucker’s surprising him, leaves fans with melted hearts. (Photo: @chrisktucker/instagram)

Chan was on stage in front of the audience TIFF for his or her 2012 party entitled “In an interview with … Jackie Chan” as a hospitable speaker.

During a conversation with Cameron Bailey, who is Currently CEO of TIFF, Chan talked about his life and profession when Bailey suddenly revealed that he was behind the scenes who wanted to welcome Khan.

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“We have a special guest who will welcome you. The crowd roared, as Bailey said the name of Tucker, but the icing on the cake was the joyful answer of Khan.

After turning to Tucker, the voice actor “Kung Fu Panda” was enthusiastically shouted “what!” while sinking on a chair. With a radiant smile on his face, Chan threw his legs and arms and waved them forward and back, then got up to embrace his ex -star.

Then he brings Tucker to the fringe of the stage and screams his name to the audience before they turn to take the place next to Bailey.

The host asked Tucker if he had any stories of labor with Chan in their three -part series “Hours of Peak” in 1998–2007.

He revealed that he initially had concerns whether Chan could speak English. “He didn’t say anything all the time, and we met about the film” Hour of the Peak “and the director was there. And the whole Jackie meeting said nothing. He just shook his head, “said the star of” Friday “in a nod.

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Tucker remembered ideas for the film, while Jackie Chan sat quietly, just nodding. After the meeting, the surprised Tucker turned to the director Brett Ratner and asked: “Jackie (even) says in English, old? How would he (mother) make this movie? He did not tell me one word! Does he like me? Does he want Wesley Snipes? What does he want, what he wants, Eddie Murphy? Well, does he know who I am?”

Tucker said Ratner assured him that Chan knew English and told him not to worry. And they used this moment from the first meeting to give you the infamous scene in the film in which Tucker asks the figure of Khan: “Do you understand the words that come out of my mouth?”

Fans reacted in the comments Talk of the neighborhood Video repost.

One person said: “The way he kicked his legs.”

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Another wrote: “Jackie reaction is pure brotherly love.”

The third said: “Jackie Fall Out” when the fourth observer added: “The way he threw his hands at the air and raised his feet when he saw Chris left.”

TIFF has released a video as one in all his posts about returning, in which they send movies of assorted celebrities from the past during one in all their previous events. According to them websiteThey are a non -profit organization that “offers shows, lectures, discussions, festivals, workshops, events, professional development and the possibilities of learning, hearing and learning from filmmakers from Canada and around the world.”

This yr they’ve the fiftieth Film Festival, which is able to last from September 4 to September 14.

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As for Khan, he is preparing to release his latest movie “Karate Kid: Legends”, which decreases on May 30. In the last film of the KID KID series, which was the fifth installment, Khan’s co -founder was Jaden Smith. Now the original star “The Karate Kid”, Ralph Macchio, joins Khan in this latest film, which says that the wonderful Kung Fu products will win the best karate competition with the help of the heroes of Khan and Macchio.

(Tagstransate) Chris Tucker

This article was originally published on : atlantablackstar.com
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The best new music this week: Estelle, Burna Boy, Rob49 and not only – essence

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New music this week: Estelle releases the album

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Summer is correct across the corner, and publishing music this week increases the temperature much more. From cool cooperation to a spiritual return, the most recent drops are an affidavit to the facility and versatility of black artistry in species.

Assuming the situation of Burna Boy, which knocks Travis Scott in “Tatata” -Hymn-hymn-hop with high energy Afrobeats-Meet-Hop, which is meant for the soundtrack of late nights and the stages of the festival. R&B lovers are waiting for a delicacy from “You’re Invited”, a velvety smooth duo from Vocal Powerhouse Vedo and Kenyon Dixon, which provides the mood of the mood itself, and wins Grammy Estelle icon returns together with her sixth studio album and a vigorous reminder of her brilliance brillianka genre and a vigorous reminder of her genre lyrical soul. Today’s list also comprises the music of Larry Juune, Rob49 and not only.

Look on the Essence summary on new editions below.

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This article was originally published on : www.essence.com
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The cast “chi” breaks down what it really is threatened in season 7 – and scape

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He was never only a television program. He educates, challenges and causes conversations that matter. Created by Lena Waithe and embedded in her hometown of Chicago, she consistently provided stories which are strict, true and rooted in something deeper than the drama and violence in Śródmieście. This series took responsibility for the authentic reflection of the community, immunity and newly defined, which suggests to steer with love.

Season 7, which premiered on May 16, kicks deeper than ever before. The heroes transform in a way that seems personal and, to be honest, related. Lynn Whitfield, Jacob Latimore, Birgundi Baker and Luke James not only play characters, embody the living experiences of many fans who tune.

This season, it is still moving regret, love, masculinity, survival and desire for power, and at the identical time change conversations in culture. And the spoiler alert: it will probably be higher because the season goes.

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Recently, AndScape sat with the celebrities of honest, layered and fun conversation about what this season means for them each on the screen and outside. We also talked about sensitivity, legacy, relationships and what it means to return home. Regardless of whether you’re a fan of OG or a brand new one, check why this season goes in a different way.

Sheila Matthews is a digital producer in Andcape and a proud HBCU graduate. She believes that “Return of the Mack” must have won Grammy, and her mention of Twitter is open to any debates.

This article was originally published on : andscape.com
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