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In “Piece by Piece”, Pharrell states that Lego fits his life story

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Pharrell Williams, Piece by Piece, Lego movie, theGrio.com

TORONTO (AP) – When Pharrell Williams AND Morgan Neville decided to make a movie about Williams’ life, but animated from Lego bricks, they knew there can be a culture shock. But the creation of Piece by Piece still led to places that neither Williams, Neville or Lego could have predicted.

“We had a long discussion about the width of the back of the bikini bottom on the minifigure in the ‘Rump Shaker’ music video,” laughs Neville. “We had a lot of conversations about things I thought I would never talk about as a filmmaker.”

“Piece by Piece” didn’t include any easy assembly instructions. It’s part musical biopic, part documentary, part family film. It is, like many things in Williams’ life, stuffed with hits, radiating highs, beats and distinctiveness.

“Piece by Piece” featuring Jay-Z and Pharrell Williams (Photo courtesy of Focus Features)

“Society likes to put us in boxes, pun intended,” Williams says, chatting with Neville. “It was a moment where this guy’s perspective on my life and the way he put it together was incredibly liberating for me. Even though I never saw myself in a box, now it helps other people too.”

“Piece by Piece,” which opens in Focus Features theaters on Friday, begins like many documentaries, with director Neville sitting with a camera crew focused on its foremost character, Williams. But on this case, Williams – and the whole lot else, including the bearded, bespectacled Neville – is Lego.

“What if we told my life in Lego?” – Williams asks within the film. “That will never happen,” Neville replies.

What follows is something of a conventional documentary, stuffed with colourful tales of past struggles and triumphs, from his childhood in Virginia Beach to a string of chart-topping hits, told through Williams’ voice and multiple talking heads. It was recorded this manner during interviews on camera, Zoom or phone, after which animated into Lego characters. Here’s finally a probability to see Busta Rhymes as Lego together with many others including Jay-Z, Snoop Dogg and Missy Elliott.

“Our first meeting was with Lego, because if they said no, there would be no film,” says Neville, director of documentaries including “20 Feet from Fame.” “Won’t You Be My Neighbor?” AND “Steve!” To their credit, they not only agreed, but I feel they understood what development it might force them to make.”

For Lego, the Danish toy company, making “Piece by Piece” was its biggest challenge since entering feature-length movies with “The Lego Movie” from 2014 Neville approached the corporate’s director of world entertainment, Jill Wilfert, with the thought of ​​making a documentary that can be the primary to be made not about himself. Wilfert reacted immediately.

“The whole idea of ​​Lego is infinite creativity and limitless possibilities, and Pharrell really embodies that,” he says.

To prove the concept, Neville shot a 90-second video of Williams reflecting on his upbringing and his inspirations from artists like Stevie Wonder. (The “Songs in the Key of Life” vinyl record is one other one in all those belongings you never expected to see as Lego.)

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“I went away from saying, ‘This is definitely going to work,’” Neville says. “And everyone we showed it to understood. They said: I need to see this movie.

Still, Neville and Williams knew the Lego approach would mean working inside PG parameters. Some things about Williams’ life – comparable to being young and famous while performing in the highest circles of pop and hip-hop – would not fit right into a family film. Williams claims the film “paraphrases” his life.

“There were definitely some areas that didn’t meet my expectations of where we could go,” Wilfert says. “We had good dialogue throughout the entire process. Morgan and Pharrell, there was mutual respect because we are a brand that people have high expectations of and expect certain things from. So we worked with them on the areas that we thought made sense and the areas that didn’t make sense.”

It also pushed Lego in other ways. Williams is especially happy with the actual fact that Lego has expanded the range of skin tones and hair textures available because of the film. Williams’ Lego – which he carried proudly for the premiere of Piece by Piece on the Toronto International Film Festival – it was specially designed to match his skin tone.

“Name the type of person. We fought hard for its existence and recognition,” Williams says. “Lego has made a commitment and I think the brand is better for it.”

One of the film’s most inventive designs is illustrating songs that Williams created on his own or in collaboration, comparable to Snoop Dogg’s “Drop It Like It’s Hot,” Gwen Stefani’s “Hollaback Girl,” Nelly’s “Hot in Herre” and Pharrell’s “Happy.” Each one is rendered as a novel, small, glowing set of Lego bricks put together.

The other, less completely happy facets of Williams’ life are out of the query. You won’t see anything “Blurred Lines” lawsuit by which Marvin Gaye’s estate sued for copyright infringement and won. There’s also nothing within the video about Williams’ recent legal spats with Neptunes co-founder Chad Hugo. Earlier this 12 months, Hugo filed a trademark opposition to the duo’s name, alleging that Williams had “fraudulently” tried to realize control of it. Williams’ representatives disagreed, saying Williams “contacted the company on numerous occasions to share ownership.”

However, “Piece By Piece” provides a positive portrait of Hugo, particularly from Williams’ early days in Virginia Beach when the 2 began making music together.

“There is nothing bittersweet. I am grateful for my experiences. “Chad is an integral part of the beginning, the genesis of my musical exploration and being there,” Williams says. “I met him in second grade in band class and the memories we have of making music together, I wouldn’t be sitting here if it weren’t for our meeting.”

Williams, who’s Men’s Creative Director at Louis Vuittonhas a talent for brand management. He released his debut solo album “In My Mind” in 2006 and way back got here into the highlight himself. However, as he himself admits, he remained a producer at heart. Not the whole lot in Piece by Piece was easy for him.

“A lot of this stuff felt vulnerable to me,” Williams says. “I cried twice during this story. I didn’t consider that he might ask questions that would trigger emotions. I’m such a manufactured person. I have produced so much of myself.”

It’s a sense that Neville can relate to, as a protean documentarian who’s accustomed to adapting to the style and attitude of his subjects.

“Pharrell, as a producer, often holds a mirror up to artists so they can see themselves. My job is to put a mirror in front of him so he can see himself,” Neville says. “I have a strange feeling that we have the same job.”

When Neville interviewed other musicians for the film, he told them they might be animated. But he didn’t say how. Only later did they learn that they might be Lego minifigures.

“Everyone was shocked and excited,” Williams says. “I feel prefer it brought out the inner child in each of them. Some of them take a look at life that way anyway. Others, even the tough ones, said, “Oh man, this is great.”

Capturing Williams’ life in a fun, even childlike way will definitely help some younger viewers connect with his story. Becoming a world-famous multi-hyphenate could seem unattainable to most, but “Piece by Piece” makes it seem almost like a lightning bolt.

“Lego highlights universality,” says Neville. “I have the impression that this whole film is an experiment in the tension between the specificity of real life and documentaries, and imagination and the universality of imagination.”

This article was originally published on : thegrio.com
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Serena Williams and Ruth Carter are producing a biopic about Ann Lowe, the black designer who created Jacqueline Kennedy Onassis’s wedding dress

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American Fashion’s “Best Secret” is about to get a major highlight because of Serena Williams and Ruth Carter.

A tennis champion and a legendary costume designer team as much as create a biopic about the late obscure fashion designer Ann Lowe.

While her name may not evoke recognition amongst most, for her life she was answerable for dressing a few of the country’s most distinguished families, including the Rockefeller, Roosevelt, Du Pont and Whitney families.

Lowe, who is from Clayton, Alabama, grew up in a family of seamstresses who learned the skill during slavery and maintained the trade after slavery ended.

According to The Hollywood ReporterSony’s Tristar Pictures has acquired the pitch for the project titled “The Dress.” The story centers on how Lowe, who managed to develop into the first black woman to own a store on Madison Avenue, was also commissioned to design the wedding dress that Jackie O wore in her 1953 wedding to John F. Kennedy.

Williams and Caroline Currier will produce nine two six productions, Williams’ production company launched in 2023. Carter, meanwhile, will executive produce and is signed on as the film’s costume designer.

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The film’s script, which might be written by Micah Fitzerman-Blue and Noah Harpster, writers of Mister Rogers’ “A Beautiful Day in the Neighborhood,” might be based on Piper Huguley’s novel “By Her Own Design.”

Little has been written about Lowe, although lately each historians and fashion industry insiders have begun to light up her story and a profession that has spanned 40 years.

In September 2023, the largest exhibition dedicated to her and her work opened at the Winterthur Museum, Garden and Library in Delaware.

Elizabeth Way, assistant curator at the Museum at the Fashion Institute of Technology, wrote of Lowe in the Financial Times: “As a designer, Lowe was prolific and influential. Women who wore their dresses were admired and in the public eye, inspiring broader trends. Most of her designs were for traditional events, but she was modern in the conventions of those conservative occasions. Her work is meticulously crafted in a tradition of workmanship handed down from a unprecedented lineage of Black American women. ”

(Tagstotranslate) Black designers (T) Entertainment

This article was originally published on : thegrio.com
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Queen Latifah is working on a biopic about her life with Will Smith

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Queen Latifah, Will Smith, Queen Latifah biopic, theGrio.com

Dana Elaine Owens, higher known by her stage name Queen Latifah, is preparing to direct a feature film based on her life story, starring Will Smith.

On ThursdayHarbourView Equity Partners, founded by Sherrese Clarke Soares, has announced plans to develop a “series” of hip-hop biopics Instagram post.

“We are thrilled to join forces to produce a slate of hip-hop biopics featuring these powerhouse acts, starting with Queen Latifah’s story. More to come,” the post reads.

People Magazine reports that the project might be made in collaboration with Latifah’s Flavor Unit Entertainment partner Shakim Compere, Smith’s Westbrook Studios and Jesse Collins Entertainment. Smith will produce.

“We all came into this industry together, and hip-hop has shaped each and every one of us. Hip-hop’s influence has transcended the music and left a lasting impression on the culture and society as a whole,” Latifah, 54, and Compere said in a statement, based on People.

She added: “It’s a dream come true to collaborate with friends and colleagues who not only share our understanding but also can tell the stories that have been the backdrop of our lives.”

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Latifah, a native of Newark, New Jersey, first entered the entertainment industry as a rapper in 1989, releasing her debut album, “All Hail the Queen.” She also began her acting profession in 1991 in Spike Lee’s movies “Jungle Fever” and “House Party 2,” before starring within the cult classic film “Set It Off” in 1996 and on the hit sitcom “Living Single,” which aired from 1993 to 1998. Over the course of her profession, she has released seven studio albums, including a jazz album. She has won a Golden Globe, an Emmy, and a Grammy. Latifah most recently starred within the CBS series “The Equalizer,” which has been airing since 2021.

Neither Smith nor Latifiah are recent to biopics. Latifah played Bessie Smith in HBO’s jazz singer biopic “Bessie.” Smith has since played Muhammad Ali in “Ali” and Chris Gardener in “The Pursuit of Happyness.”

According to Hollywood ReporterSmith added in a statement: “When you bring talented people and teams together, you can create something truly special.”

“I’m thrilled to be working with Flavor Unit, Jesse Collins Entertainment and HarbourView to highlight the incredible stories of some of our favorite artists and icons,” he continued. “There’s no better story to start with than Queen Latifah, an undisputed legend who has entertained and inspired us for so many years.”


This article was originally published on : thegrio.com
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Denzel Washington Hands Over Reins to Son Malcolm to Bring August Wilson’s ‘The Piano Lesson’ to the Big Screen

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TORONTO (AP) — August Wilson’s “The Piano Lesson” has an insightful tackle the subject of ancestry and heritage, making the latest film adaptation, produced by Denzel Washington and directed by his son Malcolm, a family affair.

“The Piano Lesson,” which premiered Tuesday at the Toronto International Film Festival, is Washington’s third in an ongoing effort to bring Wilson’s plays to the screen. The film follows “Fences” and “Ma Rainey’s Black Bottom” and, like those movies, features several strong performances from actors, including Danielle Deadwyler as Berniece and John David Washington, Malcolm’s older brother, as Berniece’s brother, Boy Willie.

In Thirties Pittsburgh, Boy Willie arrives at his sister’s home with plans to sell a family heirloom, a piano engraved by their ancestors who took it from a slave. In the heartbreaking family drama that follows, Berniece, Boy Willie, and others (Samuel L. Jackson, Michael Potts, and Ray Fisher) grapple with the haunting shadow of slavery and the burden of their family legacy.

Malcolm Washington, right, director/co-writer of “The Piano Lesson,” poses together with his brother and forged member John David Washington, left, and forged member Danielle Deadwyler at the Shangri-La Hotel during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (Photo by Chris Pizzello, AP)

“There are so many legacies that come with it,” says Malcolm Washington. “I think it’s part of our responsibility, when you’re in a position to make a film like this, to honor that and to keep that alive. We’re here because so many people fought and sacrificed and worked to give the next generation a chance. This film and its story are ultimately so much bigger than my family.”

Malcolm, 33, sat next to his older brother and Deadwyler just a few hours before the premiere of “The Piano Lesson,” which Netflix will release on Nov. 8 after which stream on Nov. 22. As the interview was wrapping up, Denzel Washington burst into the room.

“It all started with me,” Denzel jokingly declared, as the other three howled with laughter. “Then I had two sons, and before I knew it, I was unemployed!”

Denzel, joined by his producing partner Todd Black, said it was his son’s idea to direct “The Piano Lesson.” The 2022 Broadway production was based on Wilson’s Pulitzer Prize-winning play with much of the forged, including John David.

“Malcolm said he had an idea,” Denzel recalls. “He said, ‘Let me put something together.’ So he made a short film. I looked at him like, ‘Wow, OK. You want to make a film? This is great, make a film.’”

But Malcolm didn’t immediately resolve to do it. He told his father, “Let me see if I can watch the movie first.” He began working on the script and eventually co-wrote it with Virgil Williams (“Mudbound”).

“At first I was like, ‘Watch the movie?’ But now I get it,” Denzel says. “He’s a real filmmaker. He took his time and didn’t jump right in.”

While John David, the 40-year-old star of “BlacKkKlansman” and “Tenet,” has established himself as a significant actor in Hollywood, Malcolm, a graduate of the American Film Institute’s directing program, is just entering the highlight. “He knew what he wanted,” Black says. “And he wasn’t afraid to connect with people who knew more than he did.”

Throughout the making of “The Piano Lesson,” Denzel largely kept his distance, allowing Malcolm to do his work. Yet his passion for Wilson’s art permeated the entire production.

“He’s a huge fan of August Wilson, and it’s a really important part of his legacy to continue telling August’s story,” Malcolm says. “His main thing with all of us was to keep that focus: We’re here to honor one of our greats.”

“The Piano Lesson” is a Washington family film in other ways, too. Malcolm and John David’s mother, Pauletta Washington, plays Mama Ola. The film is devoted to their mother.

“I started with the clear idea that it was about fathers and sons,” Malcolm says. “As we were making the film, I just started seeing this mother-daughter story, and my mom is a huge inspiration to me. I’ve always seen my mom as connected to Berniece’s story.”

Malcolm’s sisters are also involved. Olivia Washington plays Mama Ola as a young woman, and Katia Washington is an executive producer. Ironically, their father, Denzel, is nearly the only person in the family not in the film. But Malcolm, wanting all the members of the family to be represented in the film, asked his father to take part in a brief voiceover.

“Am I in this?” Denzel asks. “I recorded something. I didn’t get credit. Did I get credit? I don’t think so!”

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This article was originally published on : thegrio.com
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