Film
In “Piece by Piece”, Pharrell states that Lego fits his life story
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TORONTO (AP) – When Pharrell Williams AND Morgan Neville decided to make a movie about Williams’ life, but animated from Lego bricks, they knew there can be a culture shock. But the creation of Piece by Piece still led to places that neither Williams, Neville or Lego could have predicted.
“We had a long discussion about the width of the back of the bikini bottom on the minifigure in the ‘Rump Shaker’ music video,” laughs Neville. “We had a lot of conversations about things I thought I would never talk about as a filmmaker.”
“Piece by Piece” didn’t include any easy assembly instructions. It’s part musical biopic, part documentary, part family film. It is, like many things in Williams’ life, stuffed with hits, radiating highs, beats and distinctiveness.
“Society likes to put us in boxes, pun intended,” Williams says, chatting with Neville. “It was a moment where this guy’s perspective on my life and the way he put it together was incredibly liberating for me. Even though I never saw myself in a box, now it helps other people too.”
“Piece by Piece,” which opens in Focus Features theaters on Friday, begins like many documentaries, with director Neville sitting with a camera crew focused on its foremost character, Williams. But on this case, Williams – and the whole lot else, including the bearded, bespectacled Neville – is Lego.
“What if we told my life in Lego?” – Williams asks within the film. “That will never happen,” Neville replies.
What follows is something of a conventional documentary, stuffed with colourful tales of past struggles and triumphs, from his childhood in Virginia Beach to a string of chart-topping hits, told through Williams’ voice and multiple talking heads. It was recorded this manner during interviews on camera, Zoom or phone, after which animated into Lego characters. Here’s finally a probability to see Busta Rhymes as Lego together with many others including Jay-Z, Snoop Dogg and Missy Elliott.
“Our first meeting was with Lego, because if they said no, there would be no film,” says Neville, director of documentaries including “20 Feet from Fame.” “Won’t You Be My Neighbor?” AND “Steve!” To their credit, they not only agreed, but I feel they understood what development it might force them to make.”
For Lego, the Danish toy company, making “Piece by Piece” was its biggest challenge since entering feature-length movies with “The Lego Movie” from 2014 Neville approached the corporate’s director of world entertainment, Jill Wilfert, with the thought of making a documentary that can be the primary to be made not about himself. Wilfert reacted immediately.
“The whole idea of Lego is infinite creativity and limitless possibilities, and Pharrell really embodies that,” he says.
To prove the concept, Neville shot a 90-second video of Williams reflecting on his upbringing and his inspirations from artists like Stevie Wonder. (The “Songs in the Key of Life” vinyl record is one other one in all those belongings you never expected to see as Lego.)
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“I went away from saying, ‘This is definitely going to work,’” Neville says. “And everyone we showed it to understood. They said: I need to see this movie.
Still, Neville and Williams knew the Lego approach would mean working inside PG parameters. Some things about Williams’ life – comparable to being young and famous while performing in the highest circles of pop and hip-hop – would not fit right into a family film. Williams claims the film “paraphrases” his life.
“There were definitely some areas that didn’t meet my expectations of where we could go,” Wilfert says. “We had good dialogue throughout the entire process. Morgan and Pharrell, there was mutual respect because we are a brand that people have high expectations of and expect certain things from. So we worked with them on the areas that we thought made sense and the areas that didn’t make sense.”
It also pushed Lego in other ways. Williams is especially happy with the actual fact that Lego has expanded the range of skin tones and hair textures available because of the film. Williams’ Lego – which he carried proudly for the premiere of Piece by Piece on the Toronto International Film Festival – it was specially designed to match his skin tone.
“Name the type of person. We fought hard for its existence and recognition,” Williams says. “Lego has made a commitment and I think the brand is better for it.”
One of the film’s most inventive designs is illustrating songs that Williams created on his own or in collaboration, comparable to Snoop Dogg’s “Drop It Like It’s Hot,” Gwen Stefani’s “Hollaback Girl,” Nelly’s “Hot in Herre” and Pharrell’s “Happy.” Each one is rendered as a novel, small, glowing set of Lego bricks put together.
The other, less completely happy facets of Williams’ life are out of the query. You won’t see anything “Blurred Lines” lawsuit by which Marvin Gaye’s estate sued for copyright infringement and won. There’s also nothing within the video about Williams’ recent legal spats with Neptunes co-founder Chad Hugo. Earlier this 12 months, Hugo filed a trademark opposition to the duo’s name, alleging that Williams had “fraudulently” tried to realize control of it. Williams’ representatives disagreed, saying Williams “contacted the company on numerous occasions to share ownership.”
However, “Piece By Piece” provides a positive portrait of Hugo, particularly from Williams’ early days in Virginia Beach when the 2 began making music together.
“There is nothing bittersweet. I am grateful for my experiences. “Chad is an integral part of the beginning, the genesis of my musical exploration and being there,” Williams says. “I met him in second grade in band class and the memories we have of making music together, I wouldn’t be sitting here if it weren’t for our meeting.”
Williams, who’s Men’s Creative Director at Louis Vuittonhas a talent for brand management. He released his debut solo album “In My Mind” in 2006 and way back got here into the highlight himself. However, as he himself admits, he remained a producer at heart. Not the whole lot in Piece by Piece was easy for him.
“A lot of this stuff felt vulnerable to me,” Williams says. “I cried twice during this story. I didn’t consider that he might ask questions that would trigger emotions. I’m such a manufactured person. I have produced so much of myself.”
It’s a sense that Neville can relate to, as a protean documentarian who’s accustomed to adapting to the style and attitude of his subjects.
“Pharrell, as a producer, often holds a mirror up to artists so they can see themselves. My job is to put a mirror in front of him so he can see himself,” Neville says. “I have a strange feeling that we have the same job.”
When Neville interviewed other musicians for the film, he told them they might be animated. But he didn’t say how. Only later did they learn that they might be Lego minifigures.
“Everyone was shocked and excited,” Williams says. “I feel prefer it brought out the inner child in each of them. Some of them take a look at life that way anyway. Others, even the tough ones, said, “Oh man, this is great.”
Capturing Williams’ life in a fun, even childlike way will definitely help some younger viewers connect with his story. Becoming a world-famous multi-hyphenate could seem unattainable to most, but “Piece by Piece” makes it seem almost like a lightning bolt.
“Lego highlights universality,” says Neville. “I have the impression that this whole film is an experiment in the tension between the specificity of real life and documentaries, and imagination and the universality of imagination.”
Film
Marianne Jean-Baptiste testing our limits of empathy in “hard truths”
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Of all of the film heroes you possibly can see this yr, none is like Pansy Marianne Jean-Baptiste “The hard truths of Mike Leigh.”
Pansy, a middle -aged woman in contemporary London, is disgusting from starting to finish. She spends days on visible pain, which releases all of the people round her, including her husband Curley (David Webber), her 20-year-old son Moses (Tuwaine Barrett) and most of the others he meets. Her venom can fall on a cashier in a supermarket or just a few with furniture that dare to place their feet on Osman. Heaven help a person who wants her automobile parking space.
For all Pansy is a test. He tests the patience and empathy of his family, identical to the viewer. She shouldn’t be an antihero, she is anti-all.
“The world is full of Pansys. People live in other people, “says Jean-Baptiste. “I often met people who were just enraged because you didn’t see them in the parking lot getting into space. Go: It can’t be just about me. How did you get angry at something so stupid? You don’t know what they are going or when they got there. “
“Hard Truths”, which can open throughout the country in cinemas on January 10, never provides any answers. Instead, it develops as a needed test examination, conducted by convincingly prickly Pansy Jean-Baptiste.
The performance was provided by Jean-Baptiste her best reviews since her last film with Leigh: “Secrets & Lies”, almost 30 years ago. For this film, Jean-Baptiste became the primary Black British actress nominated for an Oscar. Her performance in “Hard Truths” was just as well-known, winning one of the best actress from each New York film critics Circle and Los Angeles Film Critics Association. Three many years later, Jean-Baptiste could return to Oscars.
“You sat with Marianne a hundred years later before” secrets and lies “, in which she played a very intelligent young woman, and Marianne was moving in her life,” says Leigh. “We love each other because it’s very, very funny. So sitting with your ability to be real and deep, but also grotesque, the same shows me in the direction of possibilities. “
Creating a movie from Leigh, an 81-year-old humanistic master “Naked”, “Vera Drake” and “Mr. Tokarz,” It shouldn’t be a typical process. At the start there isn’t any script, only an invite.
“It was usually: let’s make a movie,” says Jean-Baptiste. “I don’t know anything, but let’s do it.”
Leigh pulls his characters and history from the months of rehearsals. In the case of “hard truths” they practiced for 3 months – a bit short for Leigh (six months have passed for “Secrets & Lies”), but extremely long for today’s film industry.
“You usually get on a set, it is:” UH, that is Ralph. He will play your husband. You will stand there, “says Jean-Baptiste.
In a way of trying, Leigh starts with the primary memory of the characters, after which develop their lives until the film. But there are parallel stories for other characters that require constant return and recontextalization. Meanwhile, costume designers and production designers are waiting for the brightness of what clothes and houses they need to create.
“All decisions regarding the character you can make, the actor makes them,” says Jean-Baptiste. “Each of the decisions that God makes someone’s life, makes it. So it’s like: he wants this job, so she submitted a request. The letter appears by post: unfortunately you do not understand it. “
Jean-Baptiste was a recent graduate of the Drama School, a classically trained and theater oriented when she starred in “Secret & Lies” from 1996. It was her breakthrough. Just a few years after this film, she moved to Los Angeles, where she had been acting in many various projects since then, including the tv series “Without a trace”, “Blindspot” and “Homecoming”. Asked if her cooperation with Leigh modified from “secrets and lies”, Jean-Baptiste said that many are the identical.
“Of course we’re much older,” he says with a smile. “I think we just slipped into him. He was milder. “
Part of what makes Jean-Baptiste’s performance so amazing is the way it is different than Pansy. Jean-Baptiste is charismatic, he often laughs and likes to throw himself into uncertain circumstances (similar to “hard truths”). Asked if she had anything to do with Pansy, she answers with amusing: “I hope not.”
“I have a sense of humor that not, although he is really fun,” says Jean-Baptiste. “I think I recognize this part of myself to the extent that I am in: I don’t want to live like that. I don’t want to be like that. “
But in Pansy, Jean-Baptiste recognized the people he knows, and a form of character that rarely does on film screens. “A difficult black woman, you don’t see it,” he says. “I don’t think I ever have.”
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In “hard truths” the source of depression Pansa is uncertain, however the sense of oil from the past is tangible. When he speaks to the doctor, he sums up: “The heart of the case is my head.” Later, asked why she will be able to’t enjoy life, she replies: “I don’t know.” Jean-Baptiste, mapping the story of Pansa, has several theories about what has done her.
“She had many problems that remained dissatisfied and found mechanisms to deal with life,” says Jean-Baptiste. “I think that many people are unrecognized with things and just do it. Maybe he is one of them. “
“Fear” – he adds. “It was the fear I focused on the most. He attacks before anyone can attack her and thinks that everyone is attacking her. “
But the precise diagnosis of Pansy shouldn’t be the goal of “hard truths.” It’s about how her family and the surface world react to her. He may move everyone away, however it is obvious that he urgently needs something.
“I want someone so desperate to help Pansy,” says Jean-Baptiste. “I think it would be very convenient:” She has this mental illness or it’s incorrect with it. ” But it is more interesting that we do not really know, and she just hurts. “
“Hard Truths” eventually ends like a cliff, and Pansy and her family are stagnant. If Pansy is testing the boundaries of empathy that the audience can feel the figure, then then the moment of truth: does Pansy go to her husband or doesn’t wish to move? Jean-Baptiste desires to imagine her.
“I would like to think that she is going because I like her,” says Jean-Baptiste. “I like Pansy. I have to watch her. “
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Film
The study finds films based on women and not white directors “Plateau” in 2024
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If you’re thinking that that over the past few years there was no noticeable difference in the variety of black directors, it’s not just your imagination. According to the brand new study by Annenberg USC inclusive initiativeThe needle barely moved for women and non-white directors in 2024.
Examination by examination Hollywood reporterHe stated that 13.4 percent of 112 directors in 2024 were by women, just one unit higher than 12.1 percent 2023.
Talking to The Hollywood Reporter, Stacy L. Smith, the founding father of the initiative, said: “The film industry showed that he can increase the percentage of women’s directors and maintain this progress.”
She continued: “But there is a lot more space to improve. Directors still exceed the number much and rarely receive many possibilities behind the camera. Hollywood cannot be satisfied with the change that took place when it is still to be done. “
The study also showed that 5.3 percent of directors were women in color, in comparison with last yr’s 3.4 percent, as soon as 4 women in color directed projects.
What’s more, the study also showed that 24.1 percent of directors in 2024 were colourful people, only two units over 22.4 percent in 2023.
What increases the growing concerns about these statistics is that they continue to be drastically lower than in 2021, when the most important variety of coloured directors, 28.6 percent, was projects. According to the report, not one of the foremost studies released greater than ten films in line with Women of Color in almost twenty years. Thanks to seven films, Universal stays a studio that has released probably the most Women of Color films since 2007. Walt Disney is the second, with six movies of directors.
The next record used in the study was the reviews of critics. Looking on the criticism of the last twenty years, apart from last yr, the study showed that there was no significant difference in the outcomes of films directed by women and men. In addition, women in color often had a result higher than other demographic data.
“These discoveries clearly indicate that women in color bring skills and talents to movable crafts that cause high quality production,” said Smith, adding: “However, they still have the least opportunities to work behind the camera in the best films. It can only be said that talent and qualifications are not the basic basis for employing a decision. “
The report of the chairman of the director was issued when Hollywood is preparing to 82 Golden Globes, which might be broadcast live on Sunday, January 5, on CBS with Beverly Hills Hilton.
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(Tagstotransate) Entertainment
Film
Why Apple TV+ offers a free watch weekend
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New York (AP) – Apple TV+ He hopes that individuals will dents within the strategic Popcorn Reserve, revealing themselves to stream TV and films for free this weekend in what experts call a clever promotion.
The two -day offer this Saturday and Sunday goals to supply viewers with taste, which is behind Apple Paywall and get them, able to recover from USD 9.99 monthly within the USA
Michael D. Smith, professor of knowledge technology and public policy on the Carnegie Mellon University, said that the 2 -day window will not be too short to disregard it and will not be too long to satisfy all demand.
“This is not” I’ll allow you to watch it inside three or 4 days, week or several weeks, and perhaps you won’t subscribe next month, “he said. “This is:” I give you two days to discover my catalog. I hope you find something that you may get drunk. Maybe you’ll have time to get the first six episodes, but it’s so cool that you have to come back and you’ll be ready to subscribe to come back. “
While entertainment corporations often use promotion and discounts to lure recent customers, the Apple TV+pitch has no fishing, similar to entering personal data or bank card numbers. All you wish is Apple ID, which is free and which many individuals have had 99-percentage of songs from 99-percent.
What do you see for Paywall? Emmy’s victory “Ted Lasso” and “The Morning Show” and other faces similar to “Silo,” “Shrinking”, “briefing”, “bad sisters”, “Slow horses” “Reservation” and “presumably innocent”.
The movies include “Fly me to the moon”, “The Instigators”, “Spirited”, “Ghosted”, “Argy” Palmer, “Napoleon” and “Killers of the Flower Moon”.
Smith suspects that by the tip of the weekend Apple could have a lot of knowledge to sharpen his approach to recent customers and returning, like him. Apple will find, for instance, what species are hot, what shows how they attract viewers and the way long people spend watching.
Smith logs in to watch “Ted Lasso” along with his son, but in addition wants to envision “Severance” along with his daughter. Two days are probably not enough to watch each to the tip.
“It’s a bit like a shopping center, right? I have an anchor tenant. For me it’s “Ted Lasso”. This leads me to a shopping center. And when I am in the shopping center, I will wander and discover other things there. And they hope that these two days are not long enough to shop – he said. “I suppose (yes), it should repay.”
There is a few evidence that long eating windows don’t help streamers construct customers. Study 2020 Miguel Godinho de Matos and Pedro Ferreira Entertainment evaluation initiative In Carnegie, Mellon discovered that observing the overeating for several weeks reduces the likelihood after trying paid subscriptions.
The Apple weekend offer is clearly an try to shock the number. From October 2024, he had about 25 million subscribers, which makes him the eighth hottest streaming service by subscribers. Netflix, in No. 1, has 282.7 million.
“Apple TV+ has never really started, even though they have a series of really high quality television programs,” says “Bobby” Zhou, a business professor on the University of Maryland. “They try to offer a promotional period to allow a wider viewers base to try their content in the hope that some of them will be converted.”
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Other streamers also offer offers, similar to a free 30-day hulu process, a 2-month-old Star plan or a three-month Peacock process for Samsung Galaxy owners. If viewers miss the Apple TV+ weekend offer, the streamer already has a free 7-day test promotion. It has many other offers, although the goal, Best Buy, Samsung and for buyers of Apple devices.
Jared NewmanTechnology journalist who publishes the newsletter Corder cutter every week, He said that the promotion appears to be a a part of a large Apple pressure to boost subscribers. Streamer has recently agreed to distribute through Amazon and there are signals that will want to experiment with the extent supported by promoting.
“They really have to raise their numbers and need more people on board regardless of the possible way,” he said. “It can only be another way to test water, who would gain access to their service if they did not have to pay for it.”
Zhou noticed that the industry has modified from individual paid downloads to unlimited access to subscribers and predicts the longer term with different levels of subscribers-let’s say, one free episode for individuals who aren’t subscribers and a full season for die-hard fans. Everything to get some noise.
“I think the battle between technological giants is about differentiation of content,” he said. “” How can I draw the eye of consumers? “Because attention is the most valuable resource of everyone. “
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