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Alvin Ailey and the Elegance of Movement – Essence

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Whitney Art Museum

How much does Alvin Ailey owe? This burning query is at the heart of the Whitney Museum of Art’s latest exhibition, Curated by the museum’s senior curator Adrienne Edwards and presented in collaboration with the Alvin Ailey Dance Company, the exhibition delves into the boundless creativity of Ailey’s legendary life. Edwards says the film was nearly seven years in the making, and she decided not only to deal with the luminary’s holy steps, but in addition to take an in depth take a look at the man’s life. Ailey once remarked, “I desired to paint. I made watercolors. I desired to sculpt. I wrote poetry. I wanted to jot down an excellent American novel. Edwards uses this idea as a narrative framework to present a cultural custodian of unprecedented generosity.

Alvin Ailey and the elegance of movement
Lynette Yiadom Boakye, A Knave Made Manifest, 2024. Courtesy of the artist, Corvi-Mora, London and Jack Shainman Gallery, New York

The artworks are arranged thematically but follow a loose chronology, reimagining the stunted standards of the South’s manipulated history before transcending practices of black spirituality, migration, liberation, and love. From intimate letters, digital recordings, poems and archival footage, the series offers the most formative insight into Ailey’s inner life yet. Supported by over 80 stellar artists from throughout history – Jean Michel-Basquiat, Kara Walker, Elizabeth Catlett, Mickalene Thomas, Lynette Yiadom-Boakye and more – the exhibition uses Ailey’s spirit as a threshold to trace the evolution of Blackness through art world performances. What struck Edwards most was Ailey’s keen sense of visuality.

Alvin Ailey and the elegance of movement
Carl Van Vechten, Alvin Ailey, 1955. Kodachrome color slide, 2 × 2 inches. (5.1 × 5.1 cm). Beinecke Rare Book and Manuscript Library, Yale University. © Van Vechten Trust

“If you look at the posters for the show, the way he writes about the dance, his choice of costumes and lighting, you can see that he was constantly thinking about his intended image creation, and that’s why I think he drew so much on the visual arts, as well as the way he literature also influences the narrative aspects of creating dance,” Edwards noted.

Alvin Ailey and the elegance of movement

The space, incredibly opulent and draped in the most delicious shade of red, evokes the majesty of stage curtains, setting the stage for a belated celebration of Ailey’s legacy. One of the most intriguing and subtle themes of the series was Ailey’s mastery of style. Throughout his profession, he understood that costumes not only enhanced the visual aspect of dance, but in addition captured the audience’s imagination.

In “Revelations,” flashing in fragments on a multi-screen video installation drawn from archival footage, he used colours daring enough to withstand the weariness of life, with fluid silhouettes that mirrored the choreographer’s fluid movements. Taking a better take a look at performance materials and scripts, it’s striking how closely he connected his art with cinema. The bejeweled bodices and dazzling headpieces of “For Bird – With Love” compete with a gold-plated painting by Mickalene Thomas that’s as much a piece of art as the dances themselves. “I love the sketches and photos of the dancers performing at Studio 54 during the opening night,” Edwards says, highlighting the kind of precious history many of us had no idea Ailey was an element of.

It’s not possible to not be amazed by the elegance embodied in the costumes – an elegance that feels each modern and everlasting. We glimpse Cicely Tyson, a portrait of pastoral simplicity, dressed elegantly in creamy white, with gloves and a hat. In the glimpses of “Cry,” Judith Jamison’s heavenly white shirt, easy and sophisticated, stands as each a monument and a testament to the richness of the saying “less is more.” These designs follow the ballet core trend that continues to realize popularity, symbolizing how far Ailey’s work extends beyond the stage.

Why did it take so long for Alvin Ailey to develop into synonymous with American history around the world? Why is not his legacy treated as fastidiously as others? The exhibition corrects and corrects all historical omissions. “The archive is a mourning work. We have lost a queer elder, we have lost many of those who came before us, especially in the context of art. But it’s not about the story; it’s about the future,” Edwards emphasizes. “It’s a leftover that we can track, pick up and move to the next location.”

Alvin Ailey and the elegance of movement
Jason Lowrie/BFA.com

At the premiere, surrounded by intensely moisturized colours and thick perfumes, the atmosphere was stuffed with, as Ailey put it, “movements full of images.” A crowd full of every kind of beauties, wearing countless outfits appropriate to the stage of life: ballet shoes, hair tied in a decent, smooth bun, dresses so sumptuous and clinging, colourful coats washed in the same shade of memory of blood, all images whose origins reach back to the ends of the vast Ailey’s intelligence and infinite imagination.

it isn’t just an exhibition; it is a celebration of heritage. It also encourages us to reflect on our memories and shared stories. Edwards ensures that visitors not only take a look at Ailey’s work, but develop into immersed in it, imbued with the energy of every dance, every dream and every discipline.

An expression of life itself, a testament to the resilience, joy and indomitable will of the human spirit. The exhibition not only pays tribute to Ailey, but challenges us to reconsider the very structure of American cultural history and American consciousness.

Main image: Installation view of Edges of Ailey (Whitney Museum of American Art, New York, September 25, 2024 – February 9, 2025). Left to right: Lynette Yiadom-Boakye, Fly Trap, 2024; Purvis Young, Love Dance, 1991. Photo: Jason Lowrie/BFA.com. © BFA 2024

This article was originally published on : www.essence.com
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Health and Wellness

Jury awarded $310 million to parents of teenager who died after falling on a ride at Florida amusement park – Essence

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Sun Sentinel/Getty Images

The family of Tire Sampson, the 14-yr-old who tragically died on an amusement park ride in Orlando, Florida, in 2022, has been awarded $310 million in a civil lawsuit.

Tire, who was visiting ICON Park along with his family on March 24, 2022, fell from the FreeFall drop tower. Although he was taken to a nearby hospital, he didn’t survive his injuries.

Now, greater than two years later, a jury has held the vehicle manufacturer, Austria-based Funtime Handels, responsible for the accident and awarded the Tire family $310 million. According to reports from local news stations WFTV AND KSDKthe jury reached its verdict after about an hour of deliberation.

Tyre’s parents will each receive $155 million, according to attorney spokesman Michael Haggard.

Attorneys Ben Crump and Natalie Jackson, who represented Tyre’s family, shared their thoughts on this landmark decision via X (formerly Twitter). “This ruling is a step forward in holding corporations accountable for the safety of their products,” they said in a statement.

Lawyers stressed that Tyre’s death was attributable to “gross negligence and a failure to put safety before profits.” They added that the ride’s manufacturer had “neglected its duty to protect passengers” and that the substantial award ensured it could “face the consequences of its decisions.”

Crump and Jackson said they hope the result will encourage change throughout the theme park industry. “We hope this will spur the entire industry to enforce more stringent safety measures,” they said. “Tire heritage will provide a safer future for drivers around the world.”

An investigation previously found that Tyre’s harness was locked through the descent, but he dislodged from his seat through the 430-foot fall when the magnets engaged. Tire’s death was ruled the result of “multiple injuries and trauma.”

ICON Park said at the time that it could “fully cooperate” with the authorities.

This article was originally published on : www.essence.com
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Tireless HIV/AIDS advocate A. Cornelius Baker dies

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HIV/AIDS Advocate, A. Cornelius Baker


A. Cornelius Baker, a tireless advocate of HIV and AIDS testing, research and vaccination, died Nov. 8 at his home in Washington, D.C., of hypertensive, atherosclerotic heart problems, in response to his partner, Gregory Nevins.

As previously reported, Baker was an early supporter for people living with HIV and AIDS within the Nineteen Eighties, when misinformation and fear-mongering in regards to the disease were rampant.

According to Douglas M. Brooks, director of the Office of National AIDS Policy under President Obama, it was Baker’s Christian faith that guided him toward compassion for others.

“He was very kind, very warm and inclusive – his circles, both professional and personal, were the most diverse I have ever seen, and he was guided by his Christian values,” Brooks told the outlet. “His ferocity was on display when people were marginalized, rejected or forgotten.”

In 1995, when he was executive director of the National AIDS Association, Baker pushed for June 27 to be designated National HIV Testing Day.

In 2012, he later wrote on the web site of the Global Health Advisor for which he was a technical advisor that: “These efforts were intended to help reduce the stigma associated with HIV testing and normalize it as part of regular screening.”

https://twitter.com/NBJContheMove/status/1856725113967632663?s=19

Baker also feared that men like himself, black gay men, and other men from marginalized communities were disproportionately affected by HIV and AIDS.

Baker pressured the Clinton administration to incorporate black and Latino people in clinical drug trials, and in 1994 he pointedly told the Clinton administration that he was bored with hearing guarantees but seeing no motion.

According to Lambda Legal CEO Kevin Jennings, yes that daring attitude that defines Baker’s legacy in the world of ​​HIV/AIDS promotion.

“Cornelius was a legendary leader in the fight for equality for LGBTQ+ people and all people living with HIV,” Jennings said in a press release. “In the more than twenty years that I knew him, I was continually impressed not only by how effective he was as a leader, but also by how he managed to strike the balance between being fierce and kind at the same time. His loss is devastating.”

Jennings continued: “Cornelius’ leadership can’t be overstated. For many years, he was one in all the nation’s leading HIV/AIDS warriors, working locally, nationally and internationally. No matter where he went, he proudly supported the HIV/AIDS community from the Nineteen Eighties until his death, serving in various positions including the Department of Health and Human Services, the National Association of Persons with Disabilities AIDS, and the Whitman-Walker Clinic . Jennings explained.

Jennings concluded: “His career also included several honors, including being the first recipient of the American Foundation for AIDS Research Foundation’s organization-building Courage Award. Our communities have lost a pillar in Cornelius, and as we mourn his death, we will be forever grateful for his decades of service to the community.”

Kaye Hayes, deputy assistant secretary for communicable diseases and director of the Office of Infectious Diseases and HIV/AIDS Policy, in her comment about his legacy, she called Baker “the North Star.”.

“It is difficult to overstate the impact his loss had on public health, the HIV/AIDS community or the place he held in my heart personally,” Hayes told Hiv.gov. “He was pushing us, charging us, pulling us, pushing us. With his unwavering commitment to the HIV movement, he represented the north star, constructing coalitions across sectors and dealing with leaders across the political spectrum to deal with health disparities and advocate for access to HIV treatment and look after all. He said, “The work isn’t done, the charge is still there, move on – you know what you have to do.” It’s in my ear and in my heart in the case of this job.

Hayes added: “His death is a significant loss to the public health community and to the many others who benefited from Cornelius’ vigilance. His legacy will continue to inspire and motivate us all.”

Baker is survived by his mother, Shirley Baker; his partner Nevins, who can be senior counsel at Lambda Legal; his sisters Chandrika Baker, Nadine Wallace and Yavodka Bishop; in addition to his two brothers, Kareem and Roosevelt Dowdell; along with the larger HIV/AIDS advocacy community.


This article was originally published on : www.blackenterprise.com
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Health and Wellness

Bovaer is added to cow feed to reduce methane emissions. Does it pass into milk and meat? And is it harmful to humans?

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There are growing concerns in regards to the use of feed supplements, Bowar 10to reduce methane production in cows.

Bovaer 10 consists of silicon dioxide (mainly sand), propylene glycol (food stabilizer approved by Food Safety Australia New Zealand) and lively substance 3-nitrooxypropanol (3-NOP).

There has been an enormous amount of misinformation in regards to the safety of 3-NOP, with some milk from herds fed this additive being labeled “Frankenmilk”. Others feared it could get to humans through beef.

The most significant thing is that 3-NOP is secure. Let’s clear up some major misconceptions.

Why do we want to limit methane production?

In our attempts to limit global warming, we’ve placed the best emphasis on CO₂ because the major man-made greenhouse gas. But methane is also a greenhouse gas, and although we produce less of it, it is: a much stronger greenhouse gas than CO₂.

Agriculture is the largest a man-made source of methane. As cattle herds expand to meet our growing demand for meat and milk, reducing methane production from cows is a vital way to reduce greenhouse gas emissions.

There are several ways to do that. Stopping bacteria within the stomachs of cows that produce methane one approach is to produce methane.

The methane produced by cows and sheep doesn’t come from the animals themselves, but from the microbes living of their digestive systems. 3-NO stop the enzymes that perform the last step of methane synthesis in these microorganisms.

3-NOP is not the one compound tested as a feed additive. Australian product based on seaweed, Rumin8for instance, it is also in development. Saponins, soap-like chemicals present in plants, and essential oils as well has been examined.

However, 3-NOP is currently one of the popular effective treatments.

Nitrooxypropanol structure: red balls are oxygen, gray carbon, blue nitrogen and white hydrogen.
PubChem

But is not it poison?

There are concerns on social media that Bovaer is “poisoning our food.”

But, as we are saying in toxicology, it’s the dose that makes the poison. For example, arsenic is deadly 2–20 milligrams per kilogram of body weight.

In contrast, 3-NOP was not lethal on the doses utilized in safety studies, up to 600 mg 3-NOP per kg body weight. At a dose of 100 mg per kg body weight in rats, it didn’t cause any adversarial effects.

What about reproductive issues?

The effect of 3-NOP on the reproductive organs has generated numerous commentary.

Studies in rats and cows showed that doses of 300–500 mg per kg body weight caused: contraction of the ovaries and testicles.

In comparison, to achieve the identical exposure in humans, a 70 kg human would want to eat 21–35 grams (about 2 tablespoons) of pure 3-NOP every day for a lot of weeks to see this effect.

No human will likely be exposed to this amount because 3-NOP doesn’t pass into milk – is fully metabolized within the cow’s intestines.

No cow will likely be exposed to these levels either.

The cow licks itself
Cows will not be exposed to levels tested on animals in laboratory studies.
Ground photo/Shutterstock

What about cancer?

3-NOP is not genotoxic or mutagenicwhich implies it cannot damage DNA. Thus, the results of 3-NOP are dose-limited, meaning that small doses will not be harmful, while very high doses are (unlike radiation where there is no secure dose).

Scientists found that at a dose of 300 mg per kilogram of body weight benign tumors of the small intestine of female ratsbut not male rats, after 2 years of every day consumption. At a dose of 100 mg 3-NOP per kg body weight, no tumors were observed.

Cows eat lower than 2 grams of Bovaer 10 per day (of which only 10% or 0.2 grams is 3-NOP). This is about 1,000 times lower than the appropriate every day intake 1 mg 3-NOP per kg body weight per day for a cow weighing 450 kg.

This level of consumption will likely be not the result in cancer or any of them other adversarial effects.

So how much are people exposed to?

Milk and meat consumers will likely be exposed to zero 3-NOP. 3-NOP doesn’t penetrate milk and meat: is completely metabolized within the cow’s intestines.

Farmers could also be exposed to small amounts of the feed additive, and industrial employees producing 3-NOP will potentially be exposed to larger amounts. Farmers and industrial employees already wear personal protective equipment to reduce exposure to other agricultural chemicals – and it is advisable to do that with Bovear 10 as well.

Milk
3-NOP doesn’t penetrate milk and meat.
Shutterstock

How widely has it been tested?

3-NOP has been in development for 15 years and has been subject to multiple reviews by European Food Safety Authority, UK Food Safety Authority AND others.

It has been extensively tested over months of exposure to cattle and has produced no unintended effects. Some studies actually say so improves the standard of milk and meat.

Bovaer was approved for use in dairy cattle by the European Union from 2022 and Japan in 2024. It is also utilized in many other countries, including: in beef products, amongst others Australia.

A really small amount of 3-NOP enters the environment (lower than 0.2% of the dose taken), no accumulates and is easily decomposed subsequently, it doesn’t pose a threat to the environment.

Since humans will not be exposed to 3-NOP through milk and meat, long-term exposure is not an issue.

What does Bill Gates have to do with this?

Bill Gates has invested in a distinct feed processing method for methane, Australian seaweed-based Rumin8. But he has nothing to do with Bovaer 10.

The Bill & Melinda Gates Foundation awarded research grants to the corporate producing 3-NOP for malaria control researchnot for 3-NOP.

The bottom line is that adding 3-NOP to animal feed doesn’t pose any risk to consumers, animals or the environment.

This article was originally published on : theconversation.com
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