Television
Power Book II: Ghost Season 4 Episode 8: Everyone Makes So Many Bad Decisions They Should All End Up Dead
If you’ve got made it this far, you are probably only watching to see who dies at the top of the show. We’ve got TWO episodes left and I don’t know how that is going to finish. I do not actually have a clue anymore. The amount of bad decisions each predominant solid member makes is astounding.
For example, Cane goes to marry Noma to be the front man for her American business interests. That cannot end badly, right? Honestly, for many of the show, Cane has mostly been the one whose moral compass has never wavered — he’s a soldier who’s in it to win until he dies. He kills those that must die and operates solely by the code of the road. His motivations are clear. Everyone else is actually in limbo, though.
But Cane marrying Noma is just… weird. I get it from Noma’s perspective, but for the lifetime of me I am unable to understand what Cane gains from this arrangement, apart from trying to indicate Noma that he’s willing to do anything for her, but he never appeared to need that confirmation. Monet and Tariq are equally confused (as is Davis) and I even have to say I’m in the identical boat as them. Effie is correct to finish things with Cane at this point, since he’s still attempting to play either side together with her and Noma. (Also, Effie’s mother randomly showing up on Stansfield’s campus asking for money? In episode eight? A brand new plot? WHY!?!!) Again, for a cat who has mostly all the time appeared to be on the appropriate side of the sport, this marriage to Noma is weird. Maybe the marriage will get shot down or something, but Cane, man, is doing higher.
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Speaking of people that need to enhance, Brayden must be put out of his misery. He’s a MAVEN of bad decisions. So he already got high and ruined his girlfriend’s band’s night by forcing her band to finish their relationship that allowed them to sell drugs at shows. Dude Stokely said it well: “I don’t know if we have fans or if we have friends!” Anyway, Brayden’s girlfriend overdosed on fentanyl-laced cocaine and ended up within the hospital, which began a CHAIN of bad decisions for Brayden. First, he called Tariq so that they could find the guy who sold her the bad coke… “to scare him.” They ran off to scare the guy, and Brayden shot him. Obviously, bad idea. But to make matters worse, he went back to the hospital where his girlfriend woke up from her coma AND TOLD HER THAT HE’D EFFECTIVELY MURDERED THAT GUY.
Le sigh. Tariq can have to kill Brayden in some unspecified time in the future, and truthfully, it will be the appropriate thing to do.
Poor Diana is attempting to get pregnant with Tariq again to fill the void in her heart. I’m not even sure what else to say about that. Obviously she’s going through a really traumatic time in her life, so she has grace at her disposal, but Diana, you damsel in distress, just stop! Especially because Monet and Tariq are cold-blooded; when talking about Diana’s struggles, they were each like, “She’s got to deal with this, but what about Carter!!! How do we get him out of here?!” They each appear to recover from their loss pretty quickly.
Carter someway turned Felicia’s murder right into a automobile accident, which does not sit well with the remaining of the unit. But if there’s one thing Carter has shown us, it’s that he’ll make more out of a nasty situation. His solution to most problems appears to be to shoot himself out of it. Forget about cleansing up, just kill people. That’s why Brayden suggested Tariq not go to war with the NYPD, because, you understand, the NYPD has tens of 1000’s of cops, and Tariq has… Brayden? I hate them a lot. Well, mostly Brayden.
Speaking of Carter and the drug game, Dru is currently running some cases and doing pretty much. I do not think that is going to finish well for him. I do not know why, but he cannot make it to the top of the last episode, can he? Carter has the upper hand on Noma due to Davis, Tariq, and Monet, and is near getting all the data he must do MORE damage. Davis is in a critical phase and puts Noma on high alert, organising what may very well be an epic battle between Carter and Noma, but, I mean, could it? Nothing is sensible and all the things remains to be on the table.
Look, at this point I am unable to determine what I need to do with Tariq. It looks like he might go to jail due to the tape Carter has, but I’m assuming there is a universe where Tariq licks hundreds of thousands of dollars in money or something, goes after his mother and Rayna, after which they move to Mexico perpetually.
I do not know, but I really like the ridiculousness of it. It’s not that I won’t stop watching this show, it’s that I am unable to stop watching this show. Uff, chile.
(*4*)
Television
Keke Palmer Recalls His Tumultuous Experience Working on ‘Scream Queens’
In his upcoming memoir, “Master of Me: The Secret to Controlling the Narrative” Keke Palmer reflects on his journey to understanding his price in each his personal and skilled life. During an interview with Los Angeles TimesPalmer talked about how the book covers a wide range of topics, including her experiences on the set of Fox’s “Scream Queens.”
Palmer played Zayday Williams on the horror comedy series for 2 seasons. During her time on the show, the actress recalls a racist encounter on set with an anonymous white star, whom she calls “Brenda” within the book. In an try to calm down Brenda after the clash along with her colleague, Palmer reportedly suggested everyone “have fun and respect each other,” to which Brenda allegedly replied, “Keke, literally, just don’t do it. Who do you’re thinking that you might be? Martin F. Luther King?”
“It was a very important thing that she said, but I didn’t let that burden be put on me because I know who I am,” Palmer told the newspaper, reflecting on the event. “I’m no victim. That’s not my story, honey. I do not care what her ass said. If I let what she said cripple me, it should.
Unfortunately, this wasn’t the one negative encounter Palmer encountered while working on “Scream Queens.” In her memoir, she also describes an instance where she needed to miss filming because of a scheduling error, which led to a really indignant phone call with the series’ co-creator and director, Ryan Murphy.
“I felt like I was in the dean’s office,” she said, adding that Murphy allegedly “pissed” her off by asking for her absence. “He said, ‘I’ve never seen you act like that.’ I can not imagine you, of all people, would do something like that.
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The longtime star then remembers receiving a shooting schedule and scheduling one other business meeting on her time off. But when the day got here, the production notified her that she was indeed needed on set, and the star decided to honor her earlier commitment. After apologizing for her absence, Palmer thought she and Murphy had gone their separate ways until she spoke to a different unnamed star.
“I said, ‘Ryan talked to me and I think he’s fine, everything’s fine,’ and she said, ‘It’s bad,’ trying to scare me or something, which was kind of irritating,” she explained.
While the star hoped to form a long-term relationship with Murphy that may lead to future roles like other industry stars, Palmer felt it was more necessary to arise for herself.
“I’m still not sure Ryan cared or understood it, but that’s okay because he just focused on his business, which is not a problem for me,” she wrote within the book. “But I know that even if he didn’t care, and even if I never work with him again, he knows that I see myself as a company, too.”
Television
Cynthia Erivo, Regina King and more will be honored at the annual Black Cinema & Television Awards
The Critics Choice Association (CCA) has announced the full list of winners for the seventh annual Celebration of Black Cinema & Television awards. The ceremony, which will happen on December 9, will be hosted by “Saturday Night Live” actor and comedian Jay Pharoah. Celebrating exceptional performances and work in Black Entertainment, this 12 months’s honorees are a mixture of heritage and emerging talent.
“We are proud to recognize this year’s group of outstanding honorees,” Shawn Edwards, executive producer and author of Celebration of Black Cinema & Television, said in a press release. “2024 was a special year. There have been so many great stories about the Black experience, and this event is a celebration of the power of these stories to shape and move the entertainment industry. “It is a true acknowledgment of the profound influence of black cinema and television on culture and society today.”
CCA’s seventh annual celebration of Black Cinema and Television, recognizing work done on and off screen, will honor producer-director Tyler Perry with an Icon Award for his profession achievements up to now – which incorporates his 24 movies, 20 plays and 17 television shows and founding Tyler Perry Studios in Atlanta.
Similarly, Malcolm D. Lee, who directed “The Best Man” movies, will receive a profession achievement award for his “exemplary work as a writer and director.” Other directors will also be honored at this 12 months’s gala, including: Steve McQueen, Angela Patton and Natalie Rae. Actress and producer Natasha Rothwell will be honored with not one, but two awards for her work on Hulu’s “How to Die Alone.”
From established actors like Wendell Pierce and John David Washington to rising stars like Michael Rainey Jr. and Ryan Destiny, the annual awards ceremony goals to present black stars with flowers. This 12 months’s Celebration of Black Cinema & Television will also honor actress Regina King with a Trailblazer Award for her profession and role on Netflix’s “Shirley.” Cynthia Erivo will also be honored for her role as Elphaba in the highly anticipated 2024 film adaptation of “Wicked.”
CSW will also honor the work of black actors beyond the big screen with a Social Impact Award. This 12 months’s award goes to Aunjanue Ellis-Taylor for her social justice work. In addition to starring in social justice projects comparable to “When They See Us” and “Nickle Boys,” Ellis-Taylor is the founding father of Miss Myrtis Films and co-founder of Take It Down America, an initiative to take down the Confederate flag in Mississippi.
The Critics Choice Association’s Celebration of Black Cinema and Television will be available on Starz in January and will air nationwide in February in honor of Black History Month.
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Television
Garrett Morris paved the way for people of color on SNL, but it came at a cost: ‘A lot of racism’
Fifty years later, comedian and actor Garrett Morris remembers what it was wish to be the only black solid member and author on the inaugural solid of “Saturday Night Live” in 1975.
Said by the 87-year-old actor Guardian in a recent interview that after working in the experimental theater scene in Harlem under constant threat from the authorities, it was a much safer working environment. However, it was not effortlessly, namely racism.
“I will repeat until the end of my days: there was a lot of racism among the Lorne writers,” the star told the outlet.
He continued: “Sam Lorne? Zero racism. Because, remember, once I was hired, I used to be the only black author. Lorne wanted someone black on TV at night. People didn’t want it. They demanded that all the things be white. He didn’t do it.
The actor explained that he was initially hired as a author until Michaels was introduced to his role in the film as a history teacher.
“Because of this, I was asked to audition for Not Ready for Prime Time Players (then the working title of SNL),” Morris told the publication. “And I went from being a writer to being part of the group.”
Breaking boundaries in the fight against stereotypes
Despite the series’ success, the “Martin” star described a difficult period in her life drug fueledit involved “bad choices” and was marked by an try and resist being pigeonholed.
“It really touched me when we watched the first performance. I didn’t have the skit, but I watched another one. I told Lorne, “There’s a doctor in this skit.” Why don’t I play doctor? And he goes, “Garrett, a black doctor can dump people,” he said, adding, “Well, I came from New Orleans, where you are surrounded by black doctors and black PhD students. For that matter, in all the big cities in the south.
Among Morris’ breakout characters in the comedy sketch was Chico Escuela, a Dominican Major League player whose only line was, “Base-e-bol was damn good to me.” Another favorite moment was the introduction of the deaf translator on the update desk who simply repeated the message Chevy Chase delivered louder without signing it.
Morris explained how he tried to imbue his characters with something apart from stereotypical images of Black people. Still, Morris and his time on , where he contributed to 99 episodes, have change into synonymous with typecasting of black actors in Hollywood.
Regardless, Morris said, “I’m proud to have played a small role in the beginning and to have created a chair for a non-white performer.”
Morris’ undeniable influence on the legendary series is highlighted in the upcoming film “Saturday Night,” which chronicles the show’s debut night. Actor Lamorne Morris, no relation, plays Morris. Even though they haven’t any relationship, Lamorne shared with Washington Post Office as they share what it means to be the only black guy in a solid. Lamorne became famous for playing Winston Bishop, the only black roommate on the hit comedy “New Girl.”
ON “Kelly Clarkson Show”, Lamorne joked about how he grew up telling other people that Garrett Morris was his father. Because of this, Lamorne spent his life imitating Morris on television. He had a lot experience playing Morris for sport that he was in a position to put together an audition tape for the role inside minutes of being asked to submit it.
“I booked it the very next day,” Lamorne said.
He said of Morris: “If you walk into a room with Garrett, he’s the most talented person. He did all the things. The man helped desegregate labor unions. He protested during the Civil Rights Movement. Then he’s on SNL. I mean, you recognize what you call it.
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