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Kendrick Lamar’s first song since ‘Not Like Us’ shows the contemplative side of black Air Force 1 energy

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One day last fall, while I used to be in school at Howard University, I felt a bit uneasy about the work that several of my students had become me. I don’t have to go into detail, but let’s just say I felt something like — RIP to Rich Homie Quan. My class felt it, so I closed the class and let everyone leave early. Anyway, I showed as much as my next class wearing triple-black (otherwise often known as all-black) Nike Air Force 1 Lows. One of my students, who can also be a sneakerhead, noticed my shoes and said something like, “Oh, what era are we in?” I began lecturing my class about how kindness is weakness and that they were confusing my desire for them to succeed with my willingness to just accept mediocre work. Although it wasn’t a fun class that day, all of us got here away with a clearer understanding of my expectations and their efforts. I had shown the black energy of the Air Force 1, they usually knew it.

The black Air Force 1 is a legend in the footwear industry. While the all-white Nike Air Force 1 Low is a beloved shoe worn by people from ages 8 months to 80 years old, when people think of its black counterpart, they think of sinister, mean, indignant, and destructive behavior. Anyone who wears black Forces just isn’t committing against the law, but anyone who does commit against the law is wearing (or has worn) black Forces. That last statement might be not true, however it could thoroughly be true. Black Forces are synonymous with the type of one who is above things and living that life; either they’ll show you that they’re serious, or they already are and you understand you shouldn’t mess with them anymore. The black Air Force 1 is the shoe of a one who stands as much as the system and every little thing in it.

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That’s why I wasn’t surprised when Kendrick Lamar posted an untitled single on Instagram (the streets call it “Watch the Party Die”), which featured a worn, battered black Air Force 1 cover. It’s Kendrick Lamar’s first song since his summer heater and potentially the best diss album of all time, “Not like us.” The shoes in the Instagram post could thoroughly be the ones he stomped on Drake’s credibility and coolness; Kendrick’s entire record series criticizing Drake’s post “Yes,” gave the black Air Force 1 energy.

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The song itself is interesting since it almost feels like the thoughts of a man walking down the street whose favorite shoe is a pair of black Air Force 1s. Kendrick is sick of, well, all of you. Maybe even me. He’s annoyed by fake individuals and folks who haven’t got anything to do with anything, men here who don’t have anything to supply women there. Now he’s a considering man who’s on a mission to destroy and rebuild the game because, well, possibly he seems like he’s the just one who can do it. That’s definitely the black energy of the Air Force 1.

He can also be conflicted. He desires to have empathy for those individuals who just don’t appear to know any higher. He wants to wish for them, but… he’s wearing black Air Force 1s. He’s about motion and pushing boundaries for many who matter most to him. He also knows that the price of his fame, celebrity, and artistry is his peace of mind. The same con artists who’re a threat to the community through their music and their lives will attack him because he has something to supply.

Again, Kendrick feels like a person whose job and actions are about purpose and getting the job done, and he’s stuck in an industry full of individuals who care about nothing but destruction. He needed to get rid of Drake for being the epitome of that thing. Look, I do not know if that is what Kendrick actually thinks about every day when he goes into the studio (or in any respect), but when we later discovered he’s rapping in the same shoes he’s wearing on the cover of this song, I wouldn’t be surprised. This is a person who has every little thing, and who also knows what meaning. That’s what I got from this song: Kendrick, who may or might not be on the point of drop a brand new album — he tends to drop songs as precursors to his albums — is drained of everyone.

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Now I can be remiss if I didn’t mention that Kendrick is an artist and he just competed in and won the biggest rap battle we have had in ages. He’s having the best 2024 ever, it seems. AND NOW he’s a Super Bowl headliner in New Orleans. But I feel that is the point; regardless of how high you’re, you possibly can’t stop being yourself, and Kendrick is willing to place that work into all of you who’re making the game worse for many who are coming up.

Kendrick says it is time to look at the party die. I’m guessing he’ll do it in his black Air Force 1s because that is 100% the energy he’s giving.


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This article was originally published on : thegrio.com
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Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month

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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.

This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.

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And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.

Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.

After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!

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Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album

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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”

Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.

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“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.

The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.

Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.

Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.

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“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “

Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.

Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.

Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.

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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.

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RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump

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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.

Trump’s takeover is a component of its wide campaign against the culture of “Woke”.

“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”

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Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.

Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.

Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.

Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.

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