Music
Luther Vandross’s niece talks about who inspired him to write love songs

Luther Vandross was one among the best vocalists to ever step behind a microphone. The singer, who died in 2005 on the age of 54, sold greater than 40 million records worldwide, won eight Grammy Awards and released 11 consecutive platinum albums during his lifetime, according to Diversity.
Now his niece Seveda Williams has spoken about her profession and private life in a brand new interview with The Guardian. People. Williams told the publication that Vandross’ iconic love songs were inspired by his own life, but not necessarily his romantic relationships. The “Never Too Much” singer was known for being private about his personal relationships while in the general public eye.
“I think the depth of his love came from his own situations, and when you’re young, he was writing before he was in a relationship or anything,” Williams revealed in an interview published June 30. “So he wasn’t always singing about romantic love.”
“Most people assume that, but if you look at his lyrics, it’s not all romantic,” she continued. “So it’s about loving yourself, loving your mom, loving the situation you’re in. It’s not all autobiographical.”
Williams added that Vandross rarely talked about his romantic relationships with anyone who wasn’t his close friend. “He had friends in his crew, and no one else had to be a part of it,” she explained. “If you’re not my friend, why are we talking about things? It’s not everyone’s business all the time.”
Williams is the pinnacle of Fandross, the Luther Vandross fan club. She is worked up about the brand new vinyl, CD and digital reissue of Vandross’s second album, This Close To You, which was recorded along with his previous group Luther. Williams said Vandross was “the consummate professional, a man who took an interest in his business and made sure his audience was happy and delighted.”
“I know he wanted to be known as the top singer of his time, and he definitely achieved that,” she shared. “They don’t like him anymore. He was the last, in my opinion, true king of romance. He had a great voice, but he also wrote lyrics, those honest lyrics.”
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Williams can also be celebrating the upcoming release of “Never Too Much,” a documentary that may delve deeper into Vandross’ life and profession. The film will probably be released in January 2025, 20 years after his death, according to People.
“I recently rewatched it and I really enjoyed it. I’m willing to endorse it,” Williams says. “It’s not going to be a movie for everyone. I think it’s a very well-rounded movie and you can watch it and form an opinion. It doesn’t hold anything back. It touches on so many layers of who he is or was, how he got there and what happened to him or to him.”
The film’s director, Dawn Porter, told The Guardian how she decided to discuss Vandross’s sexuality. Share.
“We tried to strike a balance between how Luther dealt with these questions in his life,” she explained. “But that was really, really important to me, and I hope the viewer will sense that I’m trying to pay homage to how he lived, because it’s important not to expose people when they don’t want to be exposed and when they didn’t choose to be exposed… I’ll let him have the final say.”
Music
Snoop Dogg announces that he drops the new gospel album dedicated to his deceased mother

Snoop Dogg, who never met a musical genre that was not ready to fight, returns to introduce a little bit more Jesus to our lives. By Instagram videoSnoop shared that he would abandon his second Gospel record on April 27 via Death Row Records, a once restless label, where he began that he is now the owner.
The new album, entitled “Altar Call”, is searching for an analogous format for its previous album, “Bible of Love” from 2018, which contained songs each with Snoop Dogg. Like the previous offer, “altar”, according to the Snoop image given in his film on Instagram, comprises the litany of the presented artists from the secular communities and the Gospel. Among the artists are John P. Kee, Jamie Foxx, Mali Music, Camille Grigsby, Robert Glasper, Jazze PHA and October London, together with Death Row Records artists, akin to any singers of Mass Mass Death Row.
“Good morning, loved ones. On April 27, I drop the Gospel album on Death Row Records. This is called” Altar Call “, Snoop shared in the film.
According to BillboardThe album cover comprises a photograph of his mother, Beverly Tate, who died in 2021 in an interview with Okay. Snoop explained his mother’s influence on the project and why he decided to honor her with the art of the album.
“My mother’s spirit lives in me forever. This album is a reflection of what she taught me – use my voice and my platform to spread love and heal the world. Just another chapter from the Bible of Love.”
If the music played in IG has any tip, the album, like its predecessor, goals to mix gospel and r & b, and naturally hip-hop, due to the brand name and creator of the project.
Since no Gospel project announced on Instagram is complete with out a compulsory nod to the Supreme, Snoop ended his video with the only way.
“It’s good!”
Amen.

(Tagstotransate) Gospel
Music
The prosecutor says that Sean “Diddy” Combs “lawyers are looking for reasons to delay his May trial

The Federal Prosecutor in New York said on Monday that lawyers with a mogel of Sean “Diddy” Combs are looking for reasons why he delays the sexual trade process, which is to start in three weeks.
This month, the most recent version of the accusation against Combs, 55, added two latest allegations this month, but he still didn’t request, said prosecutors. This, in addition to possible delays from the routine means of sharing evidence with each side, called Discovery, meant that prosecutors thought that he could get stuck in time, said the assistant of the American prosecutor Christa Christa Slavik.
Combs has been closed and not using a deposit since his September arrest. He again handled the guilty accusation at Monday’s hearing, but in addition remained dispassionate within the courtroom.
Judge Arun Subramanian told COMPS lawyers that they’d on Wednesdays to ask for a break within the trial to devote time to discovering.
“We are a freight train heading for the trial,” he said.
Marc Agnifilo, representing Combs, said that defense may ask for a “very short” two-week postponement over the problems of discovery, including the shortage of presidency of asking a key witness to transfer 200,000 its e-mails, and never only permission to emphasize those that they think were essential.
The latest version of the indictment, filed on April 4, added two latest allegations and accused the comb of using force, fraud or coercion to force a lady to engage in business sexual acts from no less than 2021 to 2024.
He also claims that Combs was involved within the transport of a lady who was only as “victim-2”-and other people, including business sex employees, in the identical period engaging in prostitution.
The latest allegations have strengthened the indictment, which has already charged him with a conspiracy of racketeers and sexual trade.
Federal prosecutors stated that the allegation of a crunch of racketeers covers the accusations that the Combs-SEX-Traffish three victims and compelled to the fourth, considered one of his employees, to sexual intercourse with him.
His lawyers responded to the most recent version of the indictment, saying that she didn’t add any latest allegations or prosecutors and anxious only former long -term girls involved in consensual relations.
Prosecutors say that Combs forced and used women for years because he used his “power and prestige” as a music star to draw a network of colleagues and employees to help him when he silenced the victims through blackmail and violence, including kidnapping, arson and physical bits.
They say that the founding father of Bad Boy Records prompted drug victims, intricately produced sexual performances with men’s sex employees in events called “waaks”.

(Tagstranslate) @Ap
Music
Sean’s lawyers “Diddy” Combs want sworn at the hearing questioned for sex, drugs and violence

Sean’s lawyers “Diddy” Combs call a judge to permit potential jurors in the upcoming hip-hop Mogul process about the sexual trade process about their views regarding sex, drugs and violence.
Lawyers approached that they submitted a proposed questionnaire, which was filled in by individuals called to the trial on May 5 at the Federal Court in Manhattan.
In a letter to the judge at the end of Friday, lawyers said that they want to know the readiness of the would -be sworn to look at movies which can be sexually clear or show a physical attack. They also say that they want to know their views on individuals with many sexual partners.
In their very own list, prosecutors criticized the proposed defense questionnaire for too long and touching entities that the judge would ask higher personally, if at all.
They said that a few of the proposed 72 defense questions, some containing subjects, were “completely irrelevant to the ability to perform the jury.”
Prosecutors also cited the Ghislaine Maxwell sexual trade process for instance of how long a questionnaire could be.
After Maxwell was convicted of sexual trade in December 2021, the jurorz admitted that he didn’t reveal that he was a victim of sexual abuse, blaming his supervision after “he” dispersed when he accomplished the questionnaire “and” too fast “, causing that she understood the questions badly.
Judge Arun Subramanian told lawyers that questionnaires could be separated to a whole bunch of potential jury at the end of April, in order that the interrogation of potential jury could start on May 5, and opening declarations probably on May 12.
The 55-year-old Combs didn’t plead guilty that he had subjected to sexual abuse inside 20 years. The founding father of Bad Boy Records remained trapped with no deposit since the September arrest.
The indictment accuses the comb of using “power and prestige”, which he ruled as a musical tycoon to intimidate, threaten and lure women in his orbit, often under the guise of a romantic relationship.
The indictment stated that he then used force, threats and coercion to cause victims, including three women laid out in court documents, to interact in industrial sexual acts.

He said that he gave his victims of violence, threats of violence, threats of monetary and reputational damage and verbal abuse.
Prosecutors said that a key element of evidence at the trial could be a movie showing Combs, which hit his former protagonal and girlfriend, the singer of R&B Cassie and throwing her to the floor in the hotel corridor.
Defense lawyers argued that prosecutors built their case on charges that attempt to demonize sexual acts between adults.
They told the judge that they were unable to realize consensus with prosecutors regarding what potential jury needs to be asked about questionnaires.
“Defense believes that it is important that we allow potential jurors to be honest about the unprecedented and negative attention of the media, which they could be exposed to, related to Mr. Combs,” lawyers wrote.
Defense lawyers also asked that the jury could be asked to say in the event that they were watching programs on television entitled: “The Fall of Diddy”, “Diddy is?” “Downfall of Diddy” and “Diddy: The Making of A Bad Boy”.

(Tagstotransate) Diddy
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