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Abdul ‘Duke’ Fakir, last of the original Four Tops, dies at age 88

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NEW YORK (AP) — Abdul “Duke” Fakir, the last surviving original member of the beloved Motown Four Tops known for hits reminiscent of “Reach Out, I’ll Be There” and “Standing in the Shadows of Love,” has died at age 88.

Fakir died Monday of heart failure at his Detroit home, in line with a family spokesman, surrounded by his wife and other family members. Motown founder Berry Gordy said in a press release that Fakir helped embody the Tops’ “glamour, class and artistry.”

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“Duke was the premier tenor — smooth, polished and always sharp,” Gordy said. “He kept the extraordinary legacy of the Four Tops intact for 70 years.”

The Four Tops were one of Motown’s hottest and enduring bands, reaching their peak in the Nineteen Sixties. Between 1964 and 1967, they’d 11 Top 20 hits and two No. 1s: “I Can’t Help Myself (Sugar Pie, Honey Bunch)” and the operatic classic “Reach Out I’ll Be There”. Other songs, often sagas of romantic pain and mourning, include “Baby I Need Your Loving”, “Standing in the Shadows of Love”, “Bernadette”, and “Just Ask the Lonely”.

Many of Motown’s biggest stars, from the Supremes to Stevie Wonder, had grown up in the Detroit-based company Gordy founded in the late Nineteen Fifties. But Fakir, singer Levi Stubbs, Renaldo “Obie” Benson and Lawrence Payton had been together for a decade when Gordy signed them in 1963 (after the group had rejected him several years earlier) and already had a honed stage presence and a flexible vocal style that allowed them to perform every part from country songs to pop standards like “Paper Doll.”

They were originally called the Four Aims, but soon modified their name to the Four Tops to avoid confusion with the white harmony quartet the Ames Brothers.

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The Tops recorded for several labels, including Chicago’s famed Chess Records, with little business success. But Gordy and A&R man Mickey Stevenson paired them with the songwriter-production team of Eddie Holland, Lamont Dozier, and Brian Holland, and so they quickly caught on, combining tight, haunting harmonies with Stubbs’ urgent, sometimes desperate baritone.

After Holland-Dozier-Holland left Motown in 1967, the Tops enjoyed more sporadic success, with hits over the next few years including “Still Water (Love)” and two Top 10 songs in the early Seventies for ABC/Dunhill Records, “Keeper of the Castle” and “Ain’t No Woman (Like the One I’ve Got).” They last reached the Top 20 in the early Eighties with the sentimental ballad “When She Was My Girl”.

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They remained lively throughout and infrequently toured with later members of the Temptations, a friendly rivalry that began when the groups performed together on a 1983 televised all-star concert celebrating Motown’s twenty fifth anniversary. (*88*) the Temptations and other contemporaries suffered through drug problems, discord, and personnel changes, the Four Tops remained united and intact until Payton’s death in 1997. (Benson died in 2005, and Stubbs in 2008.)

“What I love most about them is that they’re very professional, they have fun, they do what they love, they’re very lovely and they’ve always been gentlemen,” Wonder said of them when he helped induct them into the Rock and Roll Hall of Fame in 1990.

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Fakir later toured under the name Four Tops with vocalist Alexander Morris, Ronnie McNeir, and Lawrence “Roquel” Payton Jr., Lawrence Payton’s son.

“When each of them (the original members) left, a part of me left with me,” Fakir told UK Music Reviews in 2021. “When Levi left, I was in a quandary about what to do from there, but after a while I realised that the name and the legacy they left us simply had to live on, and judging by the audience’s reaction, it quickly became clear that I had done the right thing and I feel really good about it.”

In addition to the Rock Hall of Fame, their accolades include being voted into the Grammy Hall of Fame in 1998 and receiving a Grammy Lifetime Achievement Award in 2009. Fakir recently worked on a planned Broadway musical based on their lives and accomplished a memoir, “I’ll Be There,” published in 2022.

Fakir was married twice, the last 50 years to Piper Gibson, and had seven children. (Six survived him.) In the mid-Nineteen Sixties, he was briefly engaged to Mary Wilson of the Supremes.

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Fakir, a Detroit native who stayed home even after Gordy moved the label to Los Angeles in the early Seventies, was of Ethiopian and Bangladeshi descent and grew up in a rough neighborhood where rival black and white gangs often fought. He dreamed of becoming knowledgeable athlete early on, but he was also a talented singer whose tenor brought him attention as a performer in a church choir. He was a young person when he befriended Stubbs, and the two first sang with Benson and Payton at a celebration thrown by an area “girl” group, which Fakir remembers as “high-class, very pretty young ladies.”

“Singing was a side effect of going to parties looking for girls!” Fakir said in an interview with https://writewyattuk.com in 2016.

“We told Levi to only pick a song and sing the lead. We just backed him up. Well, when he began, all of us fell in like we would been practicing the song for months! Our connection was amazing. We just looked at one another while we sang, and right afterward we were like, ‘Man, it is a group! This is a bunch!’

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This article was originally published on : thegrio.com

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Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month

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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.

This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.

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And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.

Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.

After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!

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This article was originally published on : thegrio.com
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Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album

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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”

Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.

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“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.

The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.

Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.

Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.

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“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “

Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.

Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.

Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.

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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.

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This article was originally published on : thegrio.com
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RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump

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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.

Trump’s takeover is a component of its wide campaign against the culture of “Woke”.

“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”

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Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.

Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.

Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.

Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.

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This article was originally published on : thegrio.com
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