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Jazz pianist Kirk Lightsey found respect in Paris that was missing in the United States — Andscape

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5 months ago

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Black Americans in France is a series of reports specializing in African Americans living abroad during the 2024 Olympic Games in Paris.

Pianist Kirk Lightsey moved to Paris permanently in 1994. After moving there, Lightsey, then 87, joined one other wave of African Americans to maneuver to the City of Light.

Since the early twentieth century, Paris has been a magnet for African Americans who saw the country and city as a refuge from the brutal reality of racism in the United States. For generations of black Americans, Paris has offered opportunity, recent beginnings, and an escape from the constant hum of racism.

As a highly regarded jazz musician, Lightsey was a part of a wealthy jazz tradition that had delighted Parisians since the early twentieth century, when jazz was introduced by the regimental bands of black American soldiers who spread the exciting recent music throughout France.

While Paris was under no circumstances a paradise for people of various races, for a lot of African writers, musicians, and artists the city was a protected space where their humanity was not only recognized but valued.

“Paris was welcoming,” Lightsey said from his home in Paris during a recent interview. “I felt more at ease. I felt appreciated. I felt like people were people, and I was just a human being to all people, and I was very appreciated. It was wonderful to be here. It was great.”

Musician Kirk Lightsey performs at the Battle Jazz Festival in Battle, East Sussex, England, in July 2023.

Brian O’Connor/Images of Jazz/Heritage Images via Getty Images

Born and raised in Detroit, Lightsey began playing piano at age 5 and spent his teens and early maturity becoming a part of the city’s vibrant jazz scene. Eventually, Lightsey was prompted to maneuver to Paris when the burden of racism became an excessive amount of to bear.

The first incident occurred while he was serving in the army.

Lightsey was drafted in 1960 and was a member of the Fort Knox Army Band. During one visit, Lightsey and his then-wife decided to go off base for dinner.

“She was visiting me at Fort Knox. We were hungry. We just drove down the hill about 15 minutes from Fort Knox,” he recalled. “I said, ‘I’ve never been to this place, but it looks pretty good, so let’s go in and get something to eat.’ We went in, I was in my uniform, and they immediately said, ‘Excuse me, we don’t serve blacks here.’ I didn’t know what to do. All I could do was take Shirley’s hand and walk out. It was the most outrageous thing that had ever happened to me, as far as race was concerned. And they still expect me to fight for my country.”

In addition to soldiers, black musicians weren’t spared the humiliation of racism during their tours.

“The whole Count Basie band had to do it, a lot of people who were on the road, all these black musicians at the time had to go through it,” Lightsey said. “That’s why so many black individuals who were playing music at the time decided to come back to Europe, decided to come back to Paris, and most of them stayed. They stayed because they knew after they got back to the States they were going to get their asses kicked by white toes.

“There was no racial issue here (France). The French were really happy to accept us as artists and had great respect for us.”

After his discharge, Lightsey became a staff pianist at Motown Records and continued to achieve fame by fiddling with a few of Detroit’s finest musicians. In the mid-’60s, Lightsey joined trombonist Melba Liston’s all-female band and made a pilgrimage to New York.

After his time with Liston, Lightsey moved to California in 1969 to work with vocalist OC Smith, during which era he made his first trip to Paris. He then joined saxophonist Dexter Gordon’s band, returned to New York, and have become a fixture on the New York jazz scene.

One night, Lightsey was riding a crowded subway back from a concert when he was arrested by the New York City Transit Police on a vague charge of hit-and-run. He later learned that he and other black passengers had been racially profiled by the Transit Police in a scheme that was uncovered when the Transit Police targeted an off-duty black police officer. Lightsey sued the city and won a positive settlement seven years later.

“I was working all over New York at the time and had been to Europe a few times,” he recalled. “I was playing in Paris, and Paris seemed like a good place to live.”

Lightsey decided to make use of the settlement money to maneuver to Paris along with his recent wife, who was French. At 57, he had had enough.

The subway incident was the final straw.

“What was happening politically was a big part of why I left the States and came to Europe,” he said. “The club owners were dying and things were changing in New York in the business and it just didn’t feel the same. It’s worse now than it was then, but it was bad enough then. It was at a time when a lot of American musicians were moving to Paris and Europe because life in the States was just so ugly for black Americans, and especially black American musicians. A lot of people moved here. And I came here and found a lot of people who were my friends.”

Musician Kirk Lightsey performs during the Jazz A La Villette 2011 Festival at Le Cabaret Sauvage on September 8, 2011 in Paris.

Samuel Dietz/Redferns

There was no shortage of labor for Lightsey, who enjoyed widespread recognition at this point in his profession. He worked repeatedly at several clubs in Paris, the surrounding countryside, and taught at an academic program outside of Paris. Lightsey believes his profession in Paris has reached one other level.

“Yes, that happened. I was at a different level because now not only was I from New York and playing from New York, but it was a great level,” he said. “And I was one in every of the best pianists in Paris and other parts of Europe that I had been to. So I was on a ladder going up.

“Life in Paris was very easy. I just had to learn the language. But it wasn’t that hard because people in Paris at that time were trying to learn English, so they practiced their English with me back and forth. I don’t have to speak French as much as I did when I came here.”

Because of the historical origins of black jazz musicians in France, Lightsey said, he and other jazz musicians enjoy a level of respect that is usually lacking in the United States.

“My French wasn’t bad. It was beginner’s French, but when people talked to me, they knew I wasn’t French, I wasn’t African, I was from the United States. And that earned them respect,” he said. “Being here and being an American musician, and also being a musician from the States and living in Paris, was a great honor for them. So I was very respected for being a musician and being from the States. I worked all the time. So it was a great feeling.”

After we finished talking, I asked Lightsey what he had gained from moving to Paris. “You gain freedom,” he said. “You gain the language. You gain proximity to very interesting places, like Germany. You’re close to Vienna, you’re close to other worlds. And that’s great, because you can hop on a train and go anywhere.”

How does he see himself? As a black Frenchman? As a black man living in Paris? “As an American living in Paris with a French family, my French wife and my French daughter,” he said.

Would Lightsey ever consider returning to the United States?

“Never, not even in the next life,” he said. “What’s going on there politically is crazy. It’s just crazy.”

William C. Rhoden, former award-winning sports columnist for The New York Times and writer of Forty Million Dollar Slaves, is a contract author for Andscape.

 

This article was originally published on : andscape.com
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An attempt to save the image of Jeff Bezos’ future wife backfired after weeks of outrage and ridicule over her skimpy outfit

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December 9, 2024

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Lauren Sánchez has apparently gained a popularity for her fashion hits and misses as social media users began following her every move.

Billionaire Jeff Bezos’ current fiancée stepped into the highlight long before she met the Amazon co-founder, after years spent as co-host of “Good Day LA,” a reporter for “Extra” and host of “So You Think You Can Dance,” and he even starred in a number of movies like “Ted 2.”

She faced criticism for posting a sultry selfie in November in a negligee-inspired gown by designer Laura Basca. In October, the 54-year-old again faced backlash when she showed off her latex Halloween costume as Catwoman.

Now, weeks after being deemed “cheap” and tasteless, the founder of Black Ops Aviation has turn out to be a subject of discussion.

Jeff Bezos’ fiancée Lauren Sánchez shows off a “winter white” look, weeks after critics slammed her busty latex outfit. (Photos: @laurenwsanchez/Instagram, Theimagedirect.com via Page Six)

On December 5, Sánchez and the business mogul attended The New York Times’ DealBook event in New York City. For the occasion, she wore a white Alexander McQueen suit and a white lace corset. The beaming bride-to-be sent two mirror selfies of her outfit, which she signed: “winter white.”

One follower particularly was stunned by the whole look he ejaculated that she was “very attractive and beautiful, gorgeous and stunning, charming and fantastic young lady, sexy, charming, charming and elegant” in the photos that Sánchez took.

Two other people swooned over the photos and wrote: “So chic and elegant!” and “You look great.” But as you would possibly expect from online viewers, not everyone was impressed.

When Page six published paparazzi photos from the trip, the critic commented: “It’s 30 degrees in New York and she gets out of the limo in a white Miami smock, her bra visible to everyone. No taste. Nothing. A cashmere turtleneck, flannel trousers and a wool jacket can be classy.

Someone else sharply asked: “Who can be the first to tell her that she looks tacky and not elegant and refined? Does she even know what sophistication means? A 3rd person noted: “She looks more like she’s wearing a bathrobe.”

Another person wrote in a comment from a licensed pilot: “White means…” possibly referring to rumors that Sánchez and Bezos are scheduled to exchange vows over Christmas. At least one person doubted the couple would have the opportunity to say “I do.” This person said: “This will be the longest engagement ever. They will NEVER get married and we all know why!!!!”

Sánchez told the “Today” show hosts that she was in the process of planning the big day last month. She didn’t comment on speculation about exchanging Christmas vows.

Renewed interest and scrutiny of Sánchez has increased as the pair have been spotted in various locations in recent months. The couple reportedly began dating in 2018. Their engagement was announced five years later, in May 2023. Their upcoming wedding can be a second journey for each of them.

Sánchez was previously married to celebrity agent Patric Whitesell, with whom she has two children. She can be the mother of a son, whom she shares with Pro Football Hall of Famer Tony Gonzalez. Bezos was married to the mother of his three children, Mackenzie Scott, for 25 years once they divorced in 2019.


This article was originally published on : atlantablackstar.com
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Apart from the song with singer-songwriter India Shawn – Andscape

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3 days ago

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December 9, 2024

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India Shawn is a contemporary muse with a chilled nature, crafting love stories and heartfelt tales in smooth, charming songs. With over a decade of experience in the music industry as a singer-songwriter, Shawn has incredible strength. She was born in Los Angeles, and her musical roots reach throughout the country. Beginning her profession in her hometown, Shawn eventually found herself in Atlanta, where she immersed herself in the city’s deep-rooted R&B scene, further shaping her artistry.

“I transferred to ATL, I was in 10th grade, and that’s when my music journey really started,” Shawn told Andscape. “I met people who were trying to get by, so I ended up recording and learned what songwriting was really early on.”

Before releasing her debut EP in 2012, Shawn wrote songs and collaborated with artists similar to Chris Brown, El DeBarge, Keri Hilson and Monica. In 2013, she gained much more notoriety when Solange Knowles published her song “I’m Alive” on the Saint Heron compilationmarking her as an artist value watching.

Following the release of the single “There Must Be a God” from the Andscape soundtrack, she caught up with Shawn to learn more about the muse behind the vibes.

Singer India Shawn grew up singing in church with her family. “I feel like most of us R&B kids have that experience,” she said.

India Shawn

Name:
India Shawn

Hometown:

Los Angeles

Artistic soundscape

Airy, soft, telling a story, multidimensional, soft, mysterious, atmospheric

The oldest musical memory

Shawn’s soulful sound is deeply rooted in her upbringing, with influences drawn from her childhood memories and the musical culture of her church. “I sing with my sister all the time, and I also grew up singing behind my mom in church. She was the leader of praise and worship. So I feel like most of us R&B kids have that experience,” Shawn said. “I had these little solos in church, and I believe what made me consider in it was that after the service people got here as much as me with tears of their eyes and said, ‘You really moved me while you sang.’ “These early moments of connection with music and audiences laid the foundation for conveying depth and sensitivity through her music.

Influences

For Shawn, music, especially R&B, has all the time held a special place in her life. “Me and my sister are harmonizing in the living room, just picking some of our favorite songs, including for me Mariah Carey, Babyface, Boyz II Men and (and) Brandy,” she said of her early music memories.

Creative process

Shawn often draws inspiration from real-life experiences and relationships that influence her music. She weaves this into the authenticity and atmosphere of her songs, but she didn’t immediately recognize where her inspiration got here from. “It’s funny that it took me so long to make that connection, but I realized that I was telling my whole story and presenting my business through my music,” she said. “It took me two albums to realize, wait a minute, I’m giving people a lot to understand here… these aren’t just songs. This is truly the life I live.”

Challenges and development

As Shawn’s profession grows, so do his moments of appreciation and reflection. “I literally just thought about a very gradual progression of my career. It’s like step by step, but there are more breakthrough moments. My first tour, which was so beautiful, I just knew I could pack a room and people knew my lyrics and sang my songs to me. Those moments that make the waiting not in vain.”

Shawn has plenty of recommendation for up-and-coming singer-songwriters. Her biggest sacrifice? Collaboration is essential. “I think (cooperation) is really why I’m still here. So find your people… you’ll know when it feels right, you’ll have that freedom and fluidity, and you’ll be able to really create things and create without having to think too much.” He also shares the importance of patience. “Just be patient during the journey. This has been a theme throughout my profession. Let it develop. I feel like more things come from being in that flow and being present reasonably than forcing all of it.

Current project

“There should be a God”, the lead single from Andscape , now streaming on Hulu, also serves as a teaser for Shawn’s solo album. “(This song) is such a manifestation of God’s love,” she said. “I think when you find yourself in a place of waiting, you can feel very hopeless. So when you see glimpses of God’s love again, or the fact that you know there is a higher power, there is a source that is thinking about you, has you in mind, has a perfect plan for you, it’s just like the clouds parting. And this is the moment, I understand. I understand that I had to go through all this to get here. And that’s exactly what I felt in the studio that day.”

Sheila Matthews is a digital producer at Andscape and a proud HBCU graduate. She believes “Return of the Mack” must have won a Grammy, and her Twitter mentions are open to all debate.

This article was originally published on : andscape.com
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ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

Published

3 days ago

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December 9, 2024

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is anticipated to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a take a look at 17 of the very best celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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