Music
Common and Pete Rock’s Collaboration Album ‘The Auditorium Vol. 1’ Is the Hip-Hop Album I Never Knew I Was Waiting For
There was a time when the pairing of rapper Common and producer Pete Rock would have easily been my most anticipated album of the 12 months. Common, a Chicago rapper turned multi-dimensional rapper, has long been one in all the most beloved MCs in hip-hop; he commands the respect of his hip-hop peers and has produced quite a few commercially successful albums and songs. “Light,” Common’s track, produced by the late GOAT producer J Dilla, is now hip-hop canon.
Likewise, Pete Rock is one in all the most praised and respected producers of ’90s boom-bap, hip-hop. He too has productions at the level of the hip-hop canon; “They Remember You (TROY)” Pete’s record along with his former bandmate CL Smooth might be the best beat in hip-hop history. It’s my favorite record of all time, no matter genre, and while “best” of anything often becomes a matter of taste, there’s no conversation about best production without this song.
When the news broke that two of the best artists from the golden era of hip-hop were collaborating on a project — the recently released “The Auditorium Vol 1” — my interest was piqued. As some extent of reference, Nas is currently working on a collaboration with DJ Premier — clearly, the GOAT level artists of the 90s have decided to collaborate. Now, I need to admit that while my interest has piqued, I do have some reservations. Listen, I’m incredibly comfortable that so a lot of my favorite artists are still capable of make work and make a living off of hip-hop. Hip-hop fans my age (mid-40s) often complain about the newer era of hip-hop and rap music, or whether hip-hop is what younger individuals are doing. As might be the case with any genre of music, as newer and younger artists enter the arena, the sound changes and evolves, and the music becomes less consistent with previous generations. This also often signifies that when older people proceed to create, their work seems outdated and less interesting, even to the core audience.
While each Common and Pete Rock are accountable for classic material, I think it’s fair to say that their best days have been behind them for many years. I’m sure neither of their egos would allow them to confess it, but I am a consumer, fan, and sometimes apologist who still listens to Common’s Like Water for Chocolate (1999) and each of Pete’s instrumental albums like they got here out yesterday. I love these artists and haven’t been as involved with any of their recent output beyond just a few listens. I will all the time pay them respect by paying for his or her projects and downloading them and listening to them because I appreciate what they’ve given to the culture and to me as a fan.
So I got excited when the first album I heard from the duo, Wise Up , had a vintage feel but sounded the better of each: Common spitting with the same drive that’s kept him in so many conversations as one in all the best rappers, and Pete with the form of groove that just… works. It’s an indicator of the entire album — vintage but on-point Pete Rock production with a ton of melodies and basslines that feel as impressive in 2024 as they did in 1992. Common sounds inspired, too. It’s almost like Common and Pete decided to be their best possible selves for a dream collaboration that each hip-hop fan still arguing about the top 5 didn’t even know we would have liked.
For example, Pete may need my 4 favorite lines on the album when he starts rapping on “All Kinds of Ideas” with the words, “I’m a soul brotha uno, Black from the future/make beats on my table if I spoil my computer/I still make hits like I used to/keep your top 5, I’m God’s favorite manufacturer.” I can’t let you know how excited I am about that; Pete has never been my favorite producer on the mic, but lines like that put a smile on my face. Not to say that the beat itself is the form of production that has made Pete Rock my favorite producer in the genre. The entire project is filled with beats which can be different enough to indicate Pete’s range while still staying true to his talents. “Fortunate,” “Now and Then,” “When the Sun Shines Again,” and “Dreamin’,” amongst others, are the explanation why anytime Pete Rock is a component of a project, whether solo or with others, I need to a minimum of take heed to it. Pete gon’ Pete and that is excellent news for each hip-hop fan.
And then there’s Common. I’ve criticized Common as a rapper for years. Mainly because I think Common was, for some time, one in all the best rappers to ever do it. He was a minimum of a part of the conversation about the top 10 rappers to do it. But I felt like Common’s growing success had polished him just a little bit. One of my favorite things about Common has all the time been his willingness to talk truth to power, regardless of whose feathers it would irritate. That led to his high-profile feud with Ice Cube and led him to repeatedly call out rap and hip-hop as an entire for being “shiny suits.” But all that modified sooner or later as his platform and profile grew. That’s not a foul thing, and even unusual — no pun intended. I just think it sometimes made Common the least compelling a part of his own albums. Still a superb rapper and songwriter, just different. It looks as if a silly thing to complain about or indicate — far be it from me to need to stifle anyone’s growth and evolution — but the conversation surrounding Common has modified from legendary rapper to rap megastar, if that is smart. Namely, Common is only a Tony Award away from a highly coveted EGOT, having won an Emmy, multiple Grammys and an Oscarfirst rapper to do it.
Music
Common on “The Auditorium Vol. 1” feels like the perfect mix of the old Common who wanted you to care about his verses and the present Common who knows he’s one in all the best to ever play and has nothing to prove to anyone, like the Common in the song “To be” from his 2005 album of the same name. I found myself reconnecting with Common’s verses in a way I haven’t been shortly. Which may say more about me than him as a rapper, but that’s just the way it is. All I know is that I enjoyed listening to Common over this Pete production.
Speaking of Pete producing (again), one in all his calling cards has all the time been using snippets of songs at the starting of records. The most famous example is The Beginning of The End “She promised me” which opens “They Reminisce Over You (TROY)”. On “The Auditorium Vol. 1”, Pete follows the same practice, but places snippets of songs at the end of the records, which either open the next song or end the previous one. I do not know, but I’m glad the snippets are there, adding to the vintage feel I have for the record.
The Auditorium Vol. 1 just isn’t an ideal record, but perfection is overrated and should never be the enemy of excellent. Two of the most respected talents in hip-hop history have created an album I didn’t know I’d be serious about in 2024. But not only am I interested, they’ve released a project that’s value listening to over and another time, not simply because it jogs my memory of 1997, but because, because it seems, 1997 still sounds amazing in 2024.
I hope Pete and Common still have loads of ideas, because if that’s the case, I’ll be waiting for the next installment in the middle of an auditorium.
Music
Kendrick Lamar tops Apple Music song charts in 2024 and women are making history
NEW YORK (AP) — “Not Like Us” but people sure like him: Kendrick Lamar Smash topped Apple Music’s global song chart in 2024 as a large music streamer published year-end lists Tuesday and provided listeners with data on their most listened to songs.
“Not Like Us” is Lamar’s first-ever song to succeed in primary on the worldwide year-end charts.
In second place is “Beautiful Things” by Benson Boone. Sabrina Carpenter’s “Espresso” is third, Shaboozey’s “A Bar Song (Tipsy)” is fourth, and Taylor Swift’s “Cruel Summer” is fifth.
“Cruel Summer” is, in fact, a fraction of Swift’s seventh studio album “Lover”, released in 2019. revival in summer 2023
Of the 100 songs on the chart, 39 are songs by female-identifying artists, which is the primary record in the worldwide chart’s seven-year history.
And this may occasionally come as a surprise: Japanese hip-hop band Creepy Nuts’ breakthrough song “Bling-Bang-Bang-Born” topped Apple’s most read lyrics in 2024. Other Creepy Nuts songs include “Not Like Us”, “Espresso” and “Birds of a Feather” by Billie Eilish.
“Bling-Bang-Band-Born” also topped the Apple Music song chart, which allows users to see which songs fans sang along to probably the most. It is obvious that Japanese music is becoming more and more popular internationally: in 2023 one other Japanese group, YOASOBI, topped the Sing charts in its inaugural yr, with “Idol”. “Idol” continues to dominate this yr, peaking at #2.
New to the 2024 year-end charts set is the addition of the Shazam Global Radio Spins chart, which uses Shazam to see what songs are being played on radio stations world wide. “Houdini” by Dua Lipa Teddy Swims’ “Lose Control” and Tate McRae’s “Greedy” top the list.
Also available Tuesday might be Replay — Apple’s alternative to Spotify’s Wrapped playlist — which allows Apple Music subscribers to experience the most well-liked music on the streaming service this yr. Artists can now also share their year-end data using Apple Music for Artists.
In November, Apple Music named Eilish Female Artist of the Year, following her hugely successful 2024. This yr, Eilish became the youngest person to ever win the award two Academy Awards, and released her critically acclaimed third album, Hit Me Hard and Soft, which gained popularity seven 2025 Grammy Awards nominations. At this yr’s awards ceremony, she accepted two latest record player-shaped trophies – despite the fact that she hasn’t released a brand new album – each for “What Was I Made For?” With hit movie “Barbie”.
“It’s always special when a young artist can connect with so many people so quickly,” Rachel Newman, senior director of content and editorial at Apple Music, said in an announcement. “But what has been truly remarkable about watching her evolve over the past yr will not be only that her voice and artistry proceed to resonate so widely. The point is that she blossomed as bravely and truthfully as she did – on her own terms and in her own way.
Music
Kendrick Lamar and SZA embark on their ‘Grand National’ tour across North America, including Toronto. MUSTAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATE!
We all knew this was coming. Kendrick Lamar dropped his latest album “GNX” on the Friday before Thanksgiving and people were screaming “MUSTAAAAAAAAAARD” over Kendrick’s hilarious shouting of DJ Mustard’s name on the song “tv off.” This appears to be the case for DJ Mustard, who recently wrote that he I shouted as I walked down the road forgetting that he was referring to himself. Good times.
Anyway, because Kendrick is the variety of artist who abandons a project and then continues an enormous tour to support heron Tuesday, December 3, 2024, his press team spammed all of our inboxes with a press release announcing that Kendrick and SZA were embarking on the “Grand National Tour,” a 19-city stadium tour crisscrossing North America. Makes sense. The show covers most major cities within the United States – the New York metropolitan area, Los Angeles, Atlanta, Houston, Washington, DC, Vegas, Philadelphia, etc. – and one fun little performance on June 12, 2025 in Toronto, Ontario, Canada.
This guy.
If you’ve got literally been living under a rock or spent 12 months recording “Naked & Afraid” or something, you realize that Kendrick Lamar and one in all Canada’s biggest exports, Drake, were embroiled in a tiff that included criminal charges, legal motion, bops, and an absolute song 2024’s ‘Not Like Us’ where Kendrick Lamar beat Draked Drake in every way possible. Drake is, in fact, from Toronto. Considering that Kendrick and Drake haven’t only repeatedly attacked one another lyrically over the past nine months, but their teams, supporters, and fans have also taken sides, performing together in their respective cities really didn’t seem to be a no brainer. that may occur. At least not now. Drake continues to be Drake, although his luster has been greatly enhanced (some due to Kendrick, others since the claims of the colonizers are beginning to look more accurate than we would love, no matter what “business” dictates), so in fact when he decides to set out tour to support whatever he’s doing, he’ll Los Angeles.
I feel the identical might be said about Kendrick. Should he NOT go to Toronto because he’s arguing with Jimmy within the wheelchair? I assume that is silly. Plus, Kendrick told us he really loves New Ho King, a restaurant in Toronto. Shouldn’t he go for fried rice and dipping sauce? Of course I did, especially after it went away claimed that Drake shut down TDE artist SiR’s performance at a location in Toronto.
I hope everyone has their popcorn ready because that is just diabolical. Like, honey, after you go to the Super Bowl and perform “Not Like Us” (that is gonna be wiiiiiiiild) for hundreds of thousands of individuals, are you going to do the identical thing at Drake Stadium? I do not even know what to say here. If Kendrick ever desired to make an announcement, performing “Not Like Us” in Toronto to a sold-out arena that screamed “A-minoooooooor” in unison and then screamed “MUSSSSTAAAAAAAAAARD” could be the stuff of legend.
I ponder who comes up with these schedules and locations. I assume LiveNation gave Kendrick a listing of places and he replied, “Yes, Toronto.” Now that I give it some thought, I’m really surprised he won’t stop in Toronto on June 16, which is Tupac’s birthday, considering what a distinguished (and weird) role Tupac played in all this. It almost looks as if an oversight on Kendrick’s part – either that or the room was booked that day.
Who knows what’s going to occur? It’s doubtful, but perhaps between now and the beginning of Kendrick’s tour, Kendrick and Drake will sit down with Farrakhan (or anyone this generation holds in high regard) and squash the meat and we’ll never hear “Not Like Us.” have performed again, with Kendrick safely traversing Canadian soil while Drake has been digging within the bag and actually releasing an album that shows some growth – or a minimum of real ambition. Once again, I doubt this can occur, so I’ll just patiently wait until June 12, 2025 is circled on my calendar.
BLACKAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!
Music
It’s almost time for Spotify Wrapped. When can you expect the 2024 summary?
NEW YORK (AP) – It’s almost that time of yr: Spotify is preparing to release an annual, personalized summary of users’ listening habits and the yr in the audio industry.
Spotify has been providing its listeners with data sheets since 2016. Year by yr it becomes an increasingly larger production and Internet sensation. Spotify said his yr 2023 is closed was “the largest ever created” by way of audience reach and sort of data provided.
So what is going to 2024 bring? Here’s what you have to know ahead of this yr’s edition of Spotify Wrapped.
What exactly is Spotify Wraped?
It’s an annual have a look at individual listening trends, in addition to trends around the world on the streaming service. Users discover their top artists, songs, genres, albums and podcasts, multi functional interactive presentation.
The campaign has turn into a social media sensation as people share and compare their Wrapped data with their friends and followers online.
Previous versions gave users all types of charts and facts, including whether or not they were amongst an artist’s hottest listeners, in addition to a personalised playlist of the yr’s 100 hottest songs that they may save, share, and take heed to each time they wanted. nostalgic.
Spotify also creates a series of playlists that reflect national and global listening trends, featuring the hottest artists and songs streamed. In 2023 Taylor Swift was the most streamed artist on Spotifyunseating Bad Bunny, who had held the title for three years in a row.
Every yr holds something latest. In 2019, Wrapped featured a decade-long summary of user trends in streaming. Last yr, Spotify matched listeners to City of Sound based on their artistic interests and the way this overlaps with those of artists from other parts of the world.
When is the expected release date?
So far, the streaming platform has kept the long-awaited release date of Wrapped under… hmm, under wraps.
In previous years, it was published after Thanksgiving, between November 30 and December 6.
Every yr, rumors spread on social media about when Spotify will stop collecting data to organize its summary results. This yr was no exception. Spotify He quickly debunked these assumptionsasserting on social media that “Spotify Wrapped doesn’t stop counting on October 31st.”
A Spotify representative didn’t reply to a request for comment on when the company will stop data tracking for Wrapped.
Where can I find my Spotify Wrapped?
Once Wrapped is released, each user’s Spotify account will prompt them to view an interactive data summary. It can be accessed through the Spotify smartphone app or via by logging in to Spotify. Wrapped is out there to users with and and not using a Premium subscription.
What else can I learn from my Spotify data?
There are several third-party sites you can connect your Spotify account to that can analyze your Wrapped data.
How bad is your Spotify is an AI bot that assesses your music taste. Reception shares the best songs in a shared graphic that appears like a receipt. Instafest gives you your individual personal music festival-style lineup, powered by your best artists. What sort of NPRCore are you rates how similar your music taste is to NPR Music.
What if I haven’t got Spotify?
Other major streaming platforms like Apple Music and YouTube Music have developed their very own versions of Wrapped in recent times.
Apple Music Replay not only gives its subscribers an end-of-year summary of their listening habits, but additionally monthly summaries – a feature that helps differentiate itself from Spotify’s one-time summary. This is issued at the end of the calendar yr.
Meanwhile, YouTube Music offers its listeners similar year-end releases, in addition to periodic seasonal releases throughout the yr. Earlier this month, it published its annual summary for users.
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