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It’s time to admit that Juvenile’s “Back That Thang Up” is the greatest song of all time

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Panama Jackson theGrio.com

For years I’ve been ready to die on a hill where Mark Morrison’s polarizing song “Return of the Mack” is the greatest song of all time. It has all the requirements to meet this bill: simplicity, ability to sing for a protracted time, popularity, karaoke, divisiveness, etc. Basically, everyone knows it and loves it or hates it, but regardless of what, they feel something. While my heart is not quite ready to pass the baton to one other song, my head tells me that the real greatest song of all time probably belongs to the New Orleans pop classic Juvenile, “Back That Thang Up”, a song from the classic Juvenile Cash Money release Records “400 Degreez”. The single was released on June 11, 1999, making it 25 years old, which is the perfect time to discuss its place amongst music’s greatest.

(Due to the family-friendly nature of this site, we will likely be using the clean version of the title, “Back That Thang Up,” as opposed to the actual song title, “Back That *CENSORED* Up.

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Listen, “Back That Thang Up” has the whole lot you would like to make an awesome song. The song itself, produced by Cash Money Records’ in-house hitmaker Mannie Fresh, is a straight hit. I do not understand how many hip-hop songs start with strings, but this song does, and the effect is great. You can sing to it for a protracted time, you could have to dance to it, people will certainly come to the dance floor and I do not know anyone who doesn’t like this song. I’m sure there are individuals who don’t find it irresistible – music is subjective, of course – but do they really dislike it? Show me a one that doesn’t like “Back That Thang Up” and I’ll show you a one that hates a superb thing. The song even gave us sayings. “Cash Money Records Acquires Recordings from 99 and 2000” is a way of communicating to see if one other person is on the same wavelength. Honestly, people either know when Cash Money Records took over or they do not, and in the event that they don’t, they are not my type of people.

It is also highly utilitarian; you possibly can play this song almost anywhere you would like music to be played. Sure, there is a subset of black people for whom making records isn’t their thing, but at once the song is being played in all sorts of places and events, from clubs to restaurants to sporting events to NPR. What began as a tweet suggesting that Juvenile would perform on NPR’s famous Tiny Desk concert series ended with Juvenile bringing an entire slice of New Orleans to the NPR offices in Washington, D.C., where, of course, he performed “Back That Thang Up” along with his Mannie Fresh side. While we were all excited to see Juvenile here, what we all really wanted to hear was “Back That Thang Up” on the Tiny Desk. The thing is, where there’s music, there’s “Back That Thang Up.”

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Let’s discuss its durability for a moment. There are absolutely individuals who listen and love the music who will not be aware of this record. But the thing is, for the last 25 years, literally because it became successful, the record has been a pop music mainstay. You could teach a category on what particularly gave this song such a protracted life. Is this music? Is that a thong? Is it since it’s an ode to the buttocks? Is this the song we all decided would change into a cultural phenomenon? By the way, that’s exactly what happened. All music will outlive its creator, but most music fades from the popular culture zeitgeist so long as the artist lives. Aliens and cockroaches won’t have the option to escape from “Back That Thang Up”. Once upon a time, when all the living have passed away, club DJs, using whatever devices can be found in the future, will still play “Back That Thang Up” together with “Never Too Much” by Luther Vandross, “Maze” featuring “Frankie Beverly’ “Before I Let Go” and “All I Want for Christmas Is You” by Mariah Carey. Some songs won’t ever die, but the songs mentioned above will live endlessly. But “Back That Thang Up” is what gets people to take motion the most. It just… resonates. And if it resonates, it’s one of the best.

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There is no party without this song. DJs wait for the right moment to play it because it should take the party to the next level. When it appears, everyone moves. This is significant because the mayor of New Orleans announced June 11 as “Hold It (Thang) Up Day.” How many songs you like have a day declared of their honor? (I do not know how common this phenomenon is; the Internet hasn’t been very helpful with this information.) It doesn’t matter, because do you recognize what the song is about? “Pick up this thing.”

Maybe you’re thinking that I’m crazy. Maybe you’re thinking that that a certain sonata is the greatest. You might find it hard to imagine that a song about your butt might be the best, but let’s be honest; is a song dedicated to the human condition, desires and the journey towards love and understanding. “Back That Thang Up” is a song that talks about dancing and twerking as key elements of cultural expression. This is a call to our ancestors. Our ancestors at all times picked up the phone. They also know that Cash Money Records took over the label in the 1999s and 2000s. Sometimes greatness is available in the least expected places, but the history of this tape can’t be denied. “Back That Thang Up” has a case for being the best song of all time.

Once you do that, stop, now what-what-what, throw it prefer it’s hot.

They at all times do it, Wayne, they at all times do it.

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This article was originally published on : thegrio.com
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Salt-N-Pępa accuse UMG of minor retaliation in the fight for the property of “push it” a few months after Angie Stone claims against the same label

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Salt-N-Pepa

Salt-N-Pepa claims that the Universal Music Group punishes them amongst the legal battle to get masters to work their lives. Cheryl “Salt” James and Sandra “Pepa” Denton submitted a civil trial against the Global Music Corporation on May 19, looking for a command relief, declaratory relief and compensation, that are to exceed $ 1 million.

Deidra “DJ Spinderella” Roper isn’t part of the claim. She joined the group in 1987 and was released in 2019. Documents reviewed by Atlanta Black Star reveal that in 2022 the Rap duo “tried to use his rights” to take over the full property of his recordings through section 203 of the Act on the copyright of 1976.

Salt-n-Pępa
Salt-N-Pępa last performed as a trio during the route after the explosion! in 2020 (photo: @SaltnpePaOfficial/Instagram)

The law allows artists to regain mental property after 35 years. Salt-N-Pepa operates with UMG, respectively through its predecessors of the next plateau and London record records, from 1986 and 1992.

“The fees generated by their sound recordings are significant, generating about USD 1,000,000 in the last five months in the synchronization licenses themselves and generating tens of millions of dollars a year through all forms of exploitation,” says the notification.

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UMG “timely notifications of termination were served, but he’s accused of refusing to honor the request. Instead, female hip-hop pioneers claim that a malicious effort made of earnings was implemented and blocking their masters.

Salt-N-Pepa discography was faraway from evaporation services, resembling Spotify and Apple Music in the battle for the ownership of their music. Photos: Spotify and Apple music.

Therefore, most of their discography was taken from streaming services, resembling Spotify and Apple Music. “UMG pointed out that it would be a hostage of the plaintiff’s rights, even if it means refueling the plaintiff’s musical catalog and depriving fans of access to their work,” Salt-N-Pepa lawyers have invaded.

Pushing is dated on May 15, 2024 – on the same day lawyers say that some masters (“Hot, Cool & Vicious and” Solt with a Deadly Pepa “) would return to artists.

Additional reverse dates include November 2024 and March 2025 in the case of the recordings of “Black’s Magic”, “A Blitz of Salt-N-Pepa” on November 20, 2025, and around 2026 for “very needed”, “biggest hits”, “let’s talk about AIDS” and “Filly.”

They also argue: “UMG seems to take the position that he can unilaterally decide when and/or the recording artist has the right to solve. This is not the right, and the UMG has no power.” Social media users didn’t express support for corporations.

One user on Instagram wrote“What happens to musicians deceiving UMG over their masters and publishing their rights.” Another person commented“It looks like UMG must be dismantled.” Many fans noticed that the Salt-N-Pępa fight resembled Angie Stone’s claims that the corporation stole 4 a long time with their royalties.

The soul singer tragically passed after a automobile accident in March, just two months after she talked about financial dispute. Fan warned“Yes, we know how it is going to go, rest easy Angie .. Soon there will be a scandal or death.”

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UMG at the same time fights with the artist Drake in court. The rapper claims that the label sabotaged his earnings, participating in defamation and harassment during his rap with Kendrick Lamar.

(Tagstotransate) salt ‘n’ pepa

This article was originally published on : atlantablackstar.com
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Jayson Tatum is personally about the cooperation of full circle trainers – Essence

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Thanks to the courtesy of the trainer

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When Jayson Tatum enters the room, he not only brings NBA Superstar Energy – he brings the intention, style and this character “you look how good they smell.” Now basketball phenomena directs all this right into a cordial partnership with the trainer, lighting a brand new fragrance campaign, which seems as personal as powerful.

“It’s a full moment for me,” says Tatum. “When I was about 10 or 11 years old, my mother got a clip from Brown Coach Money for my birthday. It made me feel an adult – as if I had some responsibility. Quickly forward, being an official partner with the trainer feels like this little child lives his dream.”

Jayson Tatum is personally about cooperation with the full circle

The latest fragrance of the trainer – Bold, alive and compelled to reverse his head – is deeply realized in the philosophy of the Tatum style. “There is no better compliment than someone who stops you to say:” Hey, you smell nice, “he says. “It’s a sort of certainty that this smell gives you. You may be in a suit at a black party or simply go at night-but in the event you smell good, you walk in another way. You keep your head higher.”

Asked what this smell recalls for him, Tatum doesn’t hesitate: “Extreme confidence.” And this manner of pondering is not reserved just for the days of the game or red rugs – it is something that brings to each area of ​​your life, from personal care to paternity.

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“You leave the shower like three or four times a day,” he laughs. “I have face washing, moisturizing cream, beard oil and gel for my curls. Then I am outside the door.” His increased trust? “Fresh cut. There is nothing like leaving a hairdressing chair. You feel unsuccessful.”

Jayson Tatum is personally about cooperation with the full circle

In addition to care, the Wellness Rutin Tatum is based on the family. “Being a dad, doing everyday things-pupils, parent-scientific conferences-it brings me peace,” he shares. “It reminds me that I’m more than just an athlete.”

While the trainers’ campaign is the fundamental milestone, Tatum covers unknown with gratitude and openness. “I never thought that the fragrance campaign would take me to the first New York Fashion Week,” he wonders. “I don’t know what will happen next – but I’m excited about what is coming.”

One thing is certain: Jayson Tatum not only defines what it means to be a NBA star – he prescribes the principles of modern masculinity, one Spritz directly.

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This article was originally published on : www.essence.com
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Minnesota Lynx, Nafiesa Collier, joins the WNBA Jordan Brand – AndScape list

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Jordan Brand officially signed the 4-time WnBA All-Star Nafiesa Collier, today announced the company. This announcement coincides with the Tipoff of the WNBA 2025 season.

Collier, the prevailing defensive player of the 12 months, and second place in the MVP race last season, still strengthens his place as one in all the most talented league stars. In addition to W can also be a co -founder of unparalleled, the latest 3 × 3 basketball league, which goals to lift the rim of girls.

“Attaching to the Jordan family, I am now part of the legacy, which consistently defined what is possible in basketball,” said Collier in a press release. “This partnership seems particularly significant since it combines my results on the pitch with influence that goes far beyond the game itself.

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“When young girls see this cult figure, I want them to inspire them to aim higher than they think. It is an honor to help achieve a tradition that smoothly combines the athletic size with cultural importance.”

Minnesota Lynx Nafiesa Collier can be a number one face for Jordan in WNBA.

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“Attaching to the Jordan family, I am now part of the legacy, which consistently defined what is possible in basketball,” said Collier.

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Collier earlier signed a contract with Nike in 2020, which included each footwear and clothing. During her stick with Nike, she wore several models and debuted Exclusive colours for a lot of KD15 players in 2022

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Her signing of Jordan appears when the brand refreshes its women’s basketball composition amongst the popularity of WNBA. Current athletes from Jordan are comparable to Rhyne Howard, Kia Nurse and Jordin Canada.

“Jordan Brand believes that the current monumental transition in women’s basketball can change the world in a similar way that Michael Jordan did in 1984 and later,” said the company in a press release. “By investing in trailblazers such as Collier, Jordan Brand confirms his commitment to shaping the future of basketball, while crossing cultural borders around the world.”

In the first round in 2019, Collier comes out of the best season with Minnesota Lynx. She obtained a mean of 20.4 points, 9.7 rebounds, 3.4 assists and 1.9 thefts per match, leading the team to the WNBA finals.

Jacob Delawrence is an independent author, podcaster and occasional threat to society. When he doesn’t create, you will discover it in the basketball gym, what the future trains or argue about Wrestling on Twitter, @_jdela.

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This article was originally published on : andscape.com
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