Music
I’m a huge fan of Mary J. Blige. I also never listened to the entire album after “Share My World”. Sorry.
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I still remember when Mary J. Blige got here into my life. I was 13 years old and the video for “Real Love” ended up on whatever video show I had on VHS. The opening beat put me in a trance and its hip-hop soul enchanted me. Hip-hop soul is my genre and my love for it’s why SWV will at all times reign as my second favorite singing group of all time, after Jodeci.
But let’s get back to Maria. I lived in Germany at the time and I keep in mind that I couldn’t get enough of it throughout highschool. “What is 411?” album. I let the tape swing until the tape broke. When My Life was released in 1994, Mary was the hottest smoker. “Be Happy,” the lead single from “My Life,” remains to be one of my favorite records of all time, and still my favorite Mary J. Blige record, although “Everything” from the 1997 album “Share My World” might be a close second. I bought Share My World on its release date, April 22, 1997, and it’s common for me to still hear myself banging on this album even today.
Actually, excuse me for a moment while I go listen to “Everything” with my full attention, because I’m so glad with this song that I don’t desire to get distracted while listening to it – I’ll be right back.
Back.
Damn, I love Mary J. Blige. I watched most of her movies, and despite the fact that I thought her character in Power Book II: Ghost was the worst mother in the history of the matriarchy, I might be sad when her character dies or the series ends, whichever comes first (although I bet on him catching the bullet). Mary J. Blige’s experience fills me with joy.
And that is why what I’m about to say goes to sound absurd: I have not actually listened to any Mary J. Blige album in its entirety since “Share My World.” I didn’t even realize he had 14 (!!!!) studio albums.
Entertainment
To be clear, this will not be a deliberate avoidance of Mary’s later albums. I actually know all the hits (obviously) and was wondering who, what, when, where and why “dancing” with the best of them. I know the hits. I just do not know what albums they belong to. I actually think the problem is that somewhere between moving away from physical CDs (“Share My World” was the last Mary CD I actually bought) and streaming, I stopped buying albums altogether, so over time I moved on from the album model to letting singles lead my way. I wasn’t forced to exit and buy the albums themselves (no shade), and meaning I do not know of any deeper cuts. Unless Mary had a single that was playing in clubs or on the radio, I probably missed it. I never assumed that Mary didn’t release music in any respect, I just assumed that her TV and film profession had taken over, because it does with many artists.
I still saw her perform a few times over the years and there have been a few songs I didn’t know, but when she records hits, I normally know all the songs. That’s why I was so surprised when I saw what number of albums Mary released in total. I was stunned. I even felt a little guilty that I wasn’t the loyal fan I thought I was. I even went back and tried listening to some of the albums, but there’s something about that have of listening to albums in real time; Mary is one of the most relatable artists of all time, so her albums feel like distinct moments in time. I have memories of these albums that I will carry with me until my last days. Since there are not any memories associated along with her albums after the release of “Share My World”, only singles, the albums didn’t impress me as much as I expected. It was years before I even realized it the famous Mary J. Blige Burger King commercial the song by which she sang about chicken was based on her song “Don’t Mind”. It’s wild. It rhymes. I’ll stop now.
I stand here as a die-hard Mary J. Blige fan and acolyte of her first three albums, that are some of the best albums of all time, and there are almost a dozen other albums I can barely name. This is definitely a paradox. Or perhaps I’m just an enigma. Anyway, my bad, Mary.
I know for a indisputable fact that Mary’s beginnings were so amazing that they turned me into a lifelong fan and whether or not I ever fall in love along with her other albums doesn’t matter because in my life Mary J. Blige is all the things and all the things is her.
Music
Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month
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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.
This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.
And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.
Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.
After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!
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Music
Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album
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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”
Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.
“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.
The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.
Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.
Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.
“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “
Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.
Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.
Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.
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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.
(Tagstranslate) Entertainment
Music
RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump
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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.
Trump’s takeover is a component of its wide campaign against the culture of “Woke”.
“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”
Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.
Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.
Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.
Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.
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