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Megan Thee Stallion has fans who are not afraid to show her love, grace and protective spirit

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I really like Megan Thee Stallion.

I’m not the just one. Women love Megan Thee Stallion. More specifically, I really like Megan Thee Stallion.

There is not even one specific style of black woman that Megan Thee Stallion likes. Black women from all walks of life and all ages love H-Town Hottie.

We not only love her, but we also support her. We’re rooting for her. We feel we are protecting her. We support her. We support her. We want her to win so bad it hurts.

On Saturday, Megan took to Twitter to address a synthetic intelligence-generated sex tape that was circulating online.

“It’s really sick how hard you try to hurt me when you see me winning,” she wrote. “You’re going too far, you fake shit. Just know that today was your last day of fun with me and I mean it.

(I could go on a protracted rant in regards to the dangers of artificial intelligence and how this is only one example of many, but I’ll spare you that.)

She was understandably upset and it was absolutely disgusting that somebody would do that.

Later that evening during her performance in Tampa, Florida Megan was on stage in front of a sold-out crowd as she prepares to perform “Cobra,” the one from her upcoming album Megan (released June 28), and when the music starts, tears could be seen in her eyes, so she takes a moment to rehearse and pull herself together.

Her adoring fans encourage her, cheer her on and shout “We love you!”

He tries to start the song, but gets carried away again, waving his hand in front of his face and trying to hold back the tears.

Fans start cheering for her once more, showing all of the love they will at that moment.

Every time I watch this video I cry because I feel her frustration. I feel her pain. I understand that she wants to do what she loves and that folks are continuously chasing her due to their very own predictions and insecurities.

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This is actually Megan’s personal experience, but additionally it is the experience of so many other black women in so many walks of life and that’s the reason so a lot of us love her and find her relatable in a way that makes us we would like to love her, root for her, protect her.

And while Megan’s fans could easily only be young girls and young women, there’s an entire legion of aunties who also consider Megan their “niece.” Those of us in Gen X and some older millennials have great affection for her.

I asked my former boss and current HuffPost editor-in-chief, Danielle Belton, why she likes Megan Thee Stallion.

“I love Megan for many reasons,” she said. “Her funny play on words, her attitude, how she carries herself even within the face of adversity, going into beast mode on the gym to stay fit (something I struggle with but admire about her), but what I probably I loved it, a very powerful thing is that you would be able to discover with it on many levels.

“Everything Megan went through, from the successes to the abuse and the adversity she faced, I’ve seen in my own life and you see in the lives of many Black women,” she continued. “She could have easily given up and fallen into depression or anxiety, but as an alternative she turned her struggles into her art and made music about mental health, which I feel very strongly about as a lady with the hidden disability of bipolar disorder. Megan could also be young, but her lyrics contain wisdom beyond her years. She’s smart and I’m all the time rooting for her.

“Also, as a curvy friend who grew up hating them within the supermodel-obsessed skinny 90s, I wanted there was a lady or woman who looked like Meg once I was starting out. Maybe I would not hate my butt and thighs a lot,” she added.

I asked this query regarding Facebook, TwitterAND Threadsand the answers were very similar.

#BlackGirlMagic creator CaShawn Thompson said: “Yes! I love seeing young black girls win! (Especially) girls who aren’t super skinny, racially ambiguous, and strategically modest. She’s GORGEOUS and she’s wonderful in a way that Black people especially appreciate. Plus she can rap, so she’s good at her job!”

“Megan is a talented emcee. She has a fluidity and a voice that is easily recognizable, which makes her unique,” ​​said Dr. Michelle Taylor, a professor of African-American studies who focuses on Black women in media. “She can really rap. … I think Traumazine is a fantastic album, and considering how young it is, it has a lot of room to grow and I’m curious to see where it goes.”

Writer Aliya King Neil said: “This bodee oddie oddie makes me reconsider a few of the selections in my life. At the age of fifty, the introduction of the word “Hot Girl Summer” into the lexicon modified my life.

I wish I could share every tweet and comment I receive, but space and my editor won’t let me. Just know this: Gen X and Millennial black women love them, some Megan. I’ve linked to each post so you may see the several responses.

The aunts love you, Megan. We want to support you and hold you.

We want you to know that we see in you the young women we weren’t allowed to be within the ’90s because patriarchy is real. We love you for embodying the spirit of liberation and uncompromising Black Girl magic.

We want you to know that we’ll travel for you. No weapon formed against you shall be effective because you’ve got proven time and time again that you just are stronger than them.

We love you for being a lady who loves everyone and attracts other women to help them too.

You will proceed to shine. Your star will proceed to rise.

And we’ll love you each step of the way in which since you deserve it.

It’s not just #HotGirlSummer; it’s #HotAuntieSummer.

Forever. <3



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Whitney Houston’s Epic 1994 South Africa Performance to Be Released as Concert Film

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Whitney Houston, theGrio.com

LOS ANGELES (AP) — Whitney Houston The epic South African concert, which took place on the heels of President Nelson Mandela’s groundbreaking election, will hit cinemas this fall.

Houston’s 1994 performance was fully remastered and released in cinemas under the title “The Concert for a New South Africa (Durban)” according to a press release released Tuesday by several associates, including Houston’s heirs, Sony Music Entertainment and Trafalgar Releasing.

The limited theatrical release will begin on October 23 and can include: a never-before-seen performance by the late singer from Durban, South Africa. The project will precede a brand new live album, The Concert for a New South Africa (Durban) , which will probably be released on November 8.

“She loved South Africa, she loved the people and she loved Nelson Mandela,” he said. Pat HoustonThe singer’s sister-in-law and executor of her estate in Houston, who’s executive producing the concert film. “This concert is one of the most important concerts of her career. On this important 30th anniversary, we are thrilled to be able to share this film not only with her fans, but also with the people of South Africa and their next generation.”

In 1994, Houston performed three concert events in South Africa, including Durban at Kings Park Stadium, Johannesburg and Cape Town. Her performances took place within the newly unified post-apartheid country following Mandela’s historic election victory.

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The concert events attracted over 200,000 attendees in a show crammed with celebrations of freedom, hope and unity. Proceeds from her concert events went to quite a few local kid’s charities in South Africa through her foundation.

Houston’s performance has been remastered in 4K for the film, together with enhanced audio. The concert film will probably be shown in nearly 900 theaters in greater than 25 countries.

“It was my first time in South Africa, and I don’t think I was really prepared for how this trip would change me forever,” said Rickey Minor, a three-time Emmy Award winner who served as Houston’s musical director for 25 years. “The energy was electric and the audience was incredible as we celebrated the end of apartheid. Whitney shared her love and shone her light.”

Earlier that yr, Houston won three Grammy Awards, including album of the yr for the soundtrack to “The Bodyguard.” She won record of the yr and best female pop vocal performance for the smash hit “ I will always love you.”

Houston was certainly one of the world’s best-selling artists thanks to her effortless, powerful vocals rooted within the black church but made palatable to the masses by her pop persona. She sold greater than 200 million records worldwide over her 25-year profession and won six Grammy Awards, 16 Billboard Music Awards and two Emmys before her death in 2012.

Houston’s live album will feature a few of her biggest hits from ” I need to dance with someone (who loves me)How will I do know?I even have nothing “And” The greatest love of all It will also feature the unreleased song “Love Is”.

“The message of hope and unity from the performance in Durban, South Africa, is still as relevant today as it was 30 years ago,” said Marc Allenby, CEO of Trafalgar Releasing. “Fans will be thrilled to see how powerful it is on the big screen.”

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Yolanda Adams is still dealing with the blessing with ‘Sunny Days,’ her first studio album in almost 13 years

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NEW YORK (AP) — If happiness is a journey, not a destination, then Yolanda Adams has used her faith and smiles to sustain her spirits through life’s ups and downs.

“I think I was born with that happiness gene that people talk about,” the gospel star said. “I want people to leave here feeling like they’re better than they are… I’ve had days when I’ve been up, I’ve had days when I’ve been down. But at the end of the day, the one lesson I’ve learned in every single one of those scenarios is that this too shall pass.”

That theme continues throughout her latest album, “Sunny Days,” her first studio project in nearly 13 years.

“The way you look at anything has a lot to do with how you deal with it,” said the booming-voiced four-time Grammy Award winner.

The 15-track project was six years in the making, delayed by the COVID-19 pandemic and her role in the television series “Kingdom Business”.

“Sunny Days” is a piece written and produced by gospel music giant Donald Lawrence and Rock & Roll Hall of Fame members Jimmy Jam and Terry Lewiswhose work on Babyface also contributed to the delay. The album is promoted by the song “Church Doors”, which after only one week reached number 9 on Billboard magazine’s Hot Gospel Songs chart.

As he has throughout his profession, Adams uses his musical gift of encouragement on songs like the title track “Blessings” and “Powerful,” which has a spoken-word intro: (*13*)

“I try to be the best cheerleader I can be for everyone in my life,” the former elementary school teacher said. “You know how The Lion King says, ‘Simba, remember who you are.’ That’s what it’s all about: You are powerful.”

“When We Pray” – Produced by Jam and Lewis, who rose to fame after working with stars including Janet Jackson, Babyface, Usher and Mary J. Blige — it’s about putting faith into motion. Adams says she has a “lifelong bond” with the duo.

“We write together. We laugh, we cry,” said Adams, 63. “We talk about the problems of the world together and how we can create great music that can make people not only aware of the blessings of their lives but aware of the space they’re in right now.”

Named the #1 Gospel Artist of the 2000s by Billboard, Adams has produced iconic hits resembling “The Battle is the Lord’s,” “I’m Gonna Be Ready,” “In the Midst of It All” and “Be Blessed,” in addition to hits with Jam and Lewis: “Never Give Up” and “Open My Heart,” the latter from her Grammy Award-winning 1999 album Mountain High … Valley Low.

“Open My Heart,” which the late Luther Vandross privately championed when his record company desired to release a special single, reached unprecedented heights, crossing over to R&B radio and peaking at No. 57 on Billboard’s Hot 100.

“I was in the middle of making a business decision that didn’t just affect my family. It affected everyone on the road with me,” Adams said, reflecting on the inspiration for the song. “I’m sitting here today because I made the right decision.”

The Texas Southern graduate starred in the BET+ drama Kingdom Business, currently in its second season, as Denita, a gospel star and music executive determined to guard her family’s secrets. While Adams enjoys playing a personality who is very different from herself, she says it’s been a challenge for some fans.

“I lost a couple of fans who were like, ‘You didn’t have to swear,’” she explained that while she had no input into the script, her character is believable because churchgoers aren’t perfect. “When people are dealing with life, it can make you say things you wouldn’t normally say. And I really hope people take away from ‘Kingdom Business’ this: If you were the person you were trying to judge… how would you feel?”

Adams is currently on the 33-date Kirk Franklin Reunion Tour, which features fellow gospel titans Fred Hammond, Marvin Sapp and The Clark Sisters. While gospel has all the time been her passion, she is open to performing a secular R&B song and has spoken to Stevie Wonder a few duet and helping him with a possible gospel project.

For now, nonetheless, she is focused on getting the message of her book “Sunny Days” across, but she won’t measure its success by the variety of copies sold, but by the variety of hearts touched.

“When I hear your testimony and hear how music was a part of your life, it just makes me more accountable: ‘Yes, I have to keep making this music! I have to keep making good music! OK God, give me some good things so I can keep blessing people.'”

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Janet Jackson recalls another major wardrobe mishap she experienced on stage

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Janet Jackson, Rhythm Nation, Janet Jackson style, theGrio.com

Janet Jackson once almost showed her full moon to the Queen of England.

The 58-year-old music icon opened up about an embarrassing wardrobe malfunction she had within the ’90s, in addition to a few of her most memorable fashion moments. British Vogue. When the “That’s the Way Love Goes” singer stepped out for a photograph in her iconic “Rhythm Nation” jumpsuit, she said, “Funny story about that jumpsuit: I was performing for the Queen of England and we were playing ‘Rhythm Nation.’ And sure enough, as soon as I crouched down, my pants ripped right down my ass crack. And I mean that very seriously.”

Jackson was in disbelief, she said, adding: “I thought, ‘Oh my God.’ And then I started feeling air in there, so I knew it had actually happened.”

She coped with the style faux pas by never turning her back on the Queen. When the choreography required her to show, she said, “I just looked straight ahead.”

“Can you imagine what it would be like if I showed myself to her for even a second?” she asked.

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Elsewhere within the film, Jackson takes viewers on a journey through her childhood looks within the Nineteen Seventies to her more memorable stage looks from throughout her epic entertainment profession. She admits that she was a tomboy who often needed to argue her viewpoint when it got here to her mother’s clothing decisions. She preferred wearing suits and trousers, while her mother favored dresses and colours like pink.

But, Jackson noted with a sly smile, “I’ve gotten my way in a lot of cases.”

She added: “It was just about being myself and being comfortable.”

In another photo from her teens on the American Music Awards, she wears a red ruffled taffeta dress and a pair of hoop earrings, one in all which has a key hanging from it. She explained that since she didn’t carry a key chain, she needed to get creative when it got here to keeping her keys on her person.

“I was in charge of the animals, and we had animals: giraffes, mouflon sheep, pheasants, toucans, cockatoos, dogs,” she said, adding: “That’s why I kept the key there.”

She also noted that she hadn’t seen the dress for the reason that ’80s, when her older sister LaToya wore it herself.

“Sisters,” she said with fun.

The video ends with a scene from her current tour designed by Tom Browne.

“There are certain designers who are just brilliant to me. Thom is right up there. He’s a genius and he did this for me on tour,” she noted of the designer she called a friend.

“I think he did it, but he did it, and I did it,” she said of the tuxedo jumpsuit look.

Discussing the present tour and her fans, the music legend said, “You know, it’s people who have grown up with my music since the beginning and their kids. It just lets me know that my music has stood the test of time, which would be any artist’s dream.”

This article was originally published on : thegrio.com
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