Business and Finance
They made one-of-a-kind quilts. Then Target came along
Over the past twenty years, Gee’s Bend quilts have captured the general public’s imagination with their kaleidoscopic colours and daring geometric patterns. This groundbreaking artistic practice was cultivated by direct descendants of slaves in rural Alabama who experienced oppression, geographic isolation, and intense material constraints.
From that yr on, their improvisational art began to embody a really modern query: What happens when a particular cultural tradition collides with corporate America?
Enter Goal. The international retailer introduced a limited-edition collection based on quilt designs this yr in honor of Black History Month. Consumer appetite proved to be high, as many stores across the country sold out of checkered sweaters, water bottles and fake quilted blankets.
“We are actually experiencing a real-time quilt renaissance right now,” says artist and researcher Sharbreon Plummer. “They are very popular and Target knew that. It created the biggest buzz when it came out.” Indeed, there may be a renewed interest amongst Gen Z and Millennials in conscious consumption and home-made products – cottagecore, bread baking and DIY bracelets – but each are at odds with the realities of fast fashion.
Target’s designs were “inspired” by five Gee’s Bend quilters who benefited limited financially from the gathering’s success. They received a flat rate for his or her premiums, quite than paying in proportion to Target’s sales. A Target spokesperson didn’t share sales figures for the gathering, but confirmed that it was indeed sold out in lots of stores.
Unlike the compensation structure of the Sixties Freedom Quilting Bee – an artist-run collective that fairly paid Gee’s Bend quilters who were paid and will collect Social Security advantages – one-time partnerships with corporations like Target only bring small advantages number of individuals, on this case five women from two families.
The maxim “representation matters” isn’t latest, but it surely is gaining wider application. But if visibility for some doesn’t translate into meaningful change for a marginalized community as an entire, how can we reconcile that?
A story of outsiders
“Every step of the finances was problematic,” says Patricia Turner, professor emeritus of world art and culture and African-American studies on the University of California, Los Angeles, who traced the commoditization of Gee’s Bend quilts to white collector Bill Arnett within the Nineteen Nineties. “What really bothers me is that Target’s internal designer is manipulating the look of things to make them more accessible to audiences,” he says of the modified color palettes and patterns.
“Each weaver had the opportunity to provide feedback on the products in our collection multiple times throughout the process,” Target spokesman Brian Harper-Tibaldo wrote in an email.
Although miniature photos of makers appeared in some marketing materials and the text “Gee’s Bend” was printed on clothing tags, the corporate’s involvement in quilting was limited. As soon as Black History Month ended, the names and photos of the quilts were faraway from the vendor’s website.
While Target has pledged to spend greater than $2 billion on Black-owned businesses by 2025, it has no plans to work with the Gee’s Bend community again.
The situation today is paying homage to the Nineteen Nineties, when some quilters enjoyed newfound visibility, others were disinterested, and still others felt exploited. (In 2007, some quilts were imported numerous lawsuits against the Arnett family, but all cases were settled out of court and little is thought concerning the lawsuits as a result of confidentiality agreements).
A for-profit approach emerged that disrupted Quilting Bee’s pricing structure and created “real division and disharmony in the community,” Turner explains, regarding its dealings with collectors, art institutions and business enterprises. “I think the severing of those ties due to the commercialization of their art form is sad.”
Art reproduction taken out of context
By recreating the aesthetic but stripping it of its social fabric and familial context, Target has didn’t capture the essence of what makes this particular craft tradition so wealthy and distinct.
Quilts are made to have a good time major milestones and are given as a present to honor a brand new baby or marriage, or to honor someone’s loss. Repurposing fabrics – torn blankets, frayed rags, stained clothes – is the core ethos of a community quilting practice that resists commodification. However, the Target collection was mass-produced from latest fabrics in factories in China and abroad.
Older generations of Gee’s Bend quilting are known for one-of-a-kind designs with clashing colours and irregular, wavy lines – visual effects that result from material limitations. Most worked at night in homes without electricity and had no basic tools resembling scissors, let alone access to fabric stores. Stella Mae Pettwaywho sold her quilts on Etsy for $100–$8,000, described having scissors and getting access to more fabrics as an “advantage and disadvantage” paradox.
Many third- and fourth-generation artists returned to quilting in maturity, looking for a creative and therapeutic outlet in addition to a connection to their roots. After her mother died in 2010, she took up quilting JoeAnn Pettway-West she returned to this practice and located peace in ending her mother’s unfinished quilts. “When I do this stitch, all I can see is her hand sewing. It’s like we were there together,” he says. “It’s a little bit of her, a little bit of me.”
Delia Pettway Thibodeaux are the third generation Gee’s Bend quilts, which grandmother was a sharecropper and whose daring, rhythmic quilts are actually within the everlasting collection of the Philadelphia Museum of Art. For the Target collection, she was paid a flat fee, not a rate proportional to sales.
“I was a little worried at first” about how the quilts can be altered to suit the gathering, Pettway Thibodeaux says. “But when I saw the collection again, it felt different.”
In search of economic recovery
Because employment opportunities in Gee’s Bend are so limited, many fourth-generation quilters have left the realm to take jobs as teachers, day care staff, home health aides, or to serve within the military.
“We, as the next generation, were more dreamers,” Pettway-West says.
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National recognition has definitely brought some positive changes. But greater visibility—through museum exhibitions, academic research, and the United States Postal Service stamp collection — didn’t necessarily translate into economic advantages. After all, the typical annual income in Boykin, Alabama remains to be well below the poverty rate of roughly $12,000, based on the nonprofit Nest.
“It’s a community that to this day really needs recognition, still needs economic revitalization,” says Lauren Cross, Gail-Oxford associate curator of American decorative arts on the Huntington Museum of Art. “So I support any economic opportunity that, you know, comes back to them.” .
But the Target line specifically is disconnected from the group’s origins and craft practice, he says. This is an issue that defines the challenge itself when something handmade and tied to a deep tradition finds its way into domestic and company use.
“On the one hand, you want to maintain the stories and a sense of authenticity,” Cross says.
“And on the other hand,” he asks, “how to reach a wider audience?”
Business and Finance
David Shands and Donni Wiggins host the “My First Million” conference at ATL
December is the birth month of David Shands and Donnie Wiggins, friends and business partners. Most people have fun by throwing a celebration. Others imagine it must be catered for. The chosen ones spend the day relaxing in peace and quiet.
Then there’s Shands and Wiggins.
The two decided that the best birthday gift can be to offer individuals with resources for generational wealth through a conference called “My first million”in Atlanta.
It’s a compromise between how their families and family members need to honor them and their desire to proceed to serve others. Shands acknowledges that almost all people won’t understand, and he unapologetically doesn’t expect them to.
“It’s not up to us to convince anyone why we do what we do,” admits Shands.
“I think everyone does what they do for different reasons, and I would just attribute it to a sense of accomplishment that I can’t explain to anyone else.”
He doesn’t need to clarify this to Wiggins because she understands his feelings. Wiggins has had a passion for serving others for so long as she will be able to remember.
“When I was in middle school, there were child sponsorship ads on TV featuring children from third world countries. I was earning money at the time and I asked my mother to send money,” she says BLACK ENTERPRISES.
She recalls how sad she felt for youngsters living in a world with so many opportunities, but at the same time going hungry. Her mother allowed her to send money, and in return she received letters informing her of their progress.
“It was very real to me,” Wiggins says, now admitting she’s undecided the letters were authentic. “I received a letter from the child I sponsored, a photograph and some updates throughout the 12 months. It was such a sense of being overwhelmed and it was something I felt so good about. I didn’t even tell my friends I used to be doing it.”
She carried this sense throughout her life, even when she lost every little thing, including her house, cars, and money. She still found ways to serve and give back, which is the basis of her friendship with Shands.
They each love seeing people at the peak of their potential, and that is what “My First Million” is all about. There can be no higher birthday gift for them than helping others create generational wealth.
What to expect during the “My First Million” conference.
They each built successful seven-figure empires, then train others, write books about it, and launch an acclaimed podcast Social proof.
Now they’re imparting that knowledge through the My First Million conference, an event for aspiring and existing entrepreneurs. Shands and Wiggins need to prove that being profitable is feasible and encourage people to bet on themselves.
“David and I, on paper, are not two people who should have made millions of dollars. Number one, we want (people) to see it,” Wiggins says. “Then we want them to actually get out of that room with practical and actionable steps.”
Both are clear: this just isn’t a motivational conference. This is a conference where people, irrespective of where they’re of their journey, will come away with clarity about their business and what they must be doing as CEOs. Shands and Wiggins want individuals who do not have a transparent marketing strategy or are considering starting a business to also attend the meeting.
“A few areas we will cover are inspiration, information, plan and partnership,” adds Shands. “We will give you 1-2-3 steps because some people get depressed and uninspired. Even if they know what to do, they won’t leave, go home and do it. So we have to really put something into their heads and hearts that they come away with.”
Sign up and enroll for My First Million Here. The conference will happen on December 13 this 12 months. but Shands and Wiggins say it definitely won’t be the last for those who miss it.
Business and Finance
Operation HOPE on the occasion of the 10th annual world forum
Operation HOPE Inc. takes over Atlanta for the biggest game in the country dedicated to financial literacy and economic empowerment, Saporta reports.
The HOPE Global Forums (HGF) Annual Meeting 2024 strengthens the crucial link between financial education, innovation and community upliftment in hopes of finding solutions to the problems that stifle challenges around the world.
Organized by Operation HOPE founder John Hope Bryant, together with co-chairs Atlanta Mayor Andre Dickens and U.S. Ambassador Andrew Young, the forums, to be held December Sep 11 at the Signia Hotel, will have fun its 10th anniversary with three days of engagement discussions, observations and forward-looking presentations.
Under the theme “The Future,” Hope Bryant says attendees are looking forward to a “powerful moment in history.”
“Over the past decade, we’ve brought together great minds with daring ideas, servant leaders with voices for change, and other people committed to a brand new vision of the world as we realize it. “‘The Future’ is a clear call to action for leaders to help ensure prosperity in every corner of society,” he said.
The extensive program includes influential and well-known speakers who address business, philanthropy, government and civil society. Confirmed speakers include White House correspondent Francesca Chambers, media specialist Van Jones and BET Media Group president and CEO Scott M. Mills.
“John Hope Bryant and his team have been doing this for ten years, and every year HGF raises the bar,” Young said. “Discussions about the FUTURE are important not only for civil dialogue; they are also essential to bridging the economic divide and solving some of today’s most important problems.”
Atlanta is predicted to welcome greater than 5,200 delegates representing greater than 40 countries.
“I have long said that Atlanta is a group project, and through our partnership with HOPE Global Forums, we are inviting the world to join the conversation,” Dickens mentioned. “From home ownership and entrepreneurship to youth engagement and financial education, HGF will offer bold and innovative ideas to ensure a bright future for all.”
It coincided with the organization’s annual meeting launched one other path to enhance financial knowledge with HOPE scholarships. With three tiers of scholarships – HOPE Lite, HOPE Classic and HOPE Silver – clients could have access to free financial coaching and academic resources.
Business and Finance
New Orleans’ black business district is marked by history
New Orleans has given a historic monument to a Black business district closed for interstate construction.
The marker was a project fulfilled by in response to the initiative of Plessy and Ferguson. Founded by descendants of men involved within the Plessy v. Ferguson case that legalized segregation within the United States, the organization worked with other community groups to put a marker under the Claiborne Viaduct.
Before the upheaval, Black New Orleanians could find stores owned by other members of their community on Claiborne Avenue. Racial discrimination originally limited the power to buy on the famous Canal Street. Given this, blacks as an alternative flocked to the realm to purchase every little thing from groceries to funeral arrangements.
This mall was home to many Black-owned businesses, and emerging and established entrepreneurs had arrange shop for generations. Consisting of pharmacies, theaters, studios and more, it helped maintain a vibrant black culture in the realm. It reigned because the most important street of Black New Orleans from the 1830s to the Seventies.
The street once featured a picturesque cover of oak trees surrounding bustling businesses. However, its decline began with the expansion of roads within the southern state. The first casualty was the oak trees that were cut all the way down to make way for the development of Interstate 10, and shortly thereafter, the district’s thriving entrepreneurs suffered an identical fate.
Many residents do not forget that they didn’t know in regards to the upcoming investment until the trees began falling. Raynard Sanders, a historian and executive director of the Claiborne Avenue History Project, remembered the “devastation” felt by the community.
“It was devastation for those of us who were here,” Sanders told the news outlet. “I was walking to school and they were cutting down oak trees. We had no warning.”
Despite its eventual decline, the district stays an integral a part of Black New Orleans entrepreneurship. Now the town will physically resemble a historic center where Black business owners could thrive. They celebrated the revealing of the statue in true New Orleans style with a second line that danced down Claiborne Avenue.
“The significance of this sign is to commemorate the businesses, beautiful trees and beautiful people that thrived in this area before the bridge was built, and to save the people who still stand proud and gather under the bridge,” also said Keith Plessy, a descendant of Homer Plessy’ ego.
The growth of local black businesses continues. Patrons and owners alike hope to evoke the spirit of Claiborne’s original entrepreneurs, empowering the community.
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