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Deborah Ayorinde combines horror and history in ‘Them: The Scare’

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Photo credit: Axelle/Bauer-Griffin/FilmMagic

Deborah Ayorinde returns because the star of Prime Video, the horror anthology series created by Little Marvin. The talented actress currently stars as Dawn Reeve, a homicide detective in Los Angeles in 1991. Last season was set in Compton in the early Fifties and highlighted a period when racism was rampant. The terror continues in the brand new installment of the series, titled .

This season, viewers will receive a first-hand account of Reeve’s experiences along with her personal and skilled struggles, in addition to the investigation right into a series of gruesome murders in Los Angeles. Ayorinde shines again in the lead role, showing off her range and versatility on screen. More essential, nevertheless, is her position among the many growing list of black women in the horror genre.

“I’m so grateful that I’m doing this at a time like this because, yes, a lot of people were running so that I could walk,” Ayorinde explains to ESSENCE during a candid conversation. “In many cases, I stand on their shoulders and I don’t take it lightly.”

Starring alongside a solid that features Luke James, Joshua Williams and the long-lasting Pam Grier, the film goals to remain true to its roots while still striking fear into viewers. “By doing this show, I learned how dedicated and appreciative horror fans are to this genre,” she says.

Ayorinde’s attention to detail and the cinematic genius of Little Marvin created the proper balance between history and horror. Whether one is a fan of the genre or not, this season of Them will keep viewers on their toes while exploring thought-provoking topics.

ESSENCE: Going back to the primary season, what was it about Livia’s role that intrigued you adequate to wish to proceed her?

Deborah Ayorinde: Going back to where I used to be in my profession at the moment, I instinctively knew I used to be on the verge of something great in my profession, but I just didn’t know what. I used to be really in search of a job that may really stretch me as an actor and allow me to point out what I could do, in addition to something that felt personal to me. And it was very near my heart. And once I got the script, I felt it was so big and so great and so beautiful that I truthfully didn’t think I might get it.

It’s that imposter syndrome thing, you already know what I mean? I literally read it and they said there have been a number of other people in the combo and I used to be like, “Okay, I’ll read it.” As I began to get further into the method, I just began to appreciate, “Oh shit, am I going to get this role?” But it was literally the role of a lifetime and I knew it once I read it. There are roles that you just just know are going to be big and wonderful and beautiful and impact loads of people.

You have appeared in projects similar to AND , but this might be essentially the most immersed role in the horror genre you’ve got ever seen. As you ready to enter ?

With the primary season, in case you remember, it was throughout the pandemic. So we’re almost done shooting. We literally had probably five days and needed to take a break. So that is who I’m as an actor and the way in which I used to be rocking with Lucky, I didn’t allow myself to completely come out of it and completely release it until we were done. So through all these months, I believe it ended up being six months off, I stayed along with her with one foot.

But for me, with all my roles, especially these, music has been an enormous preparation tool for me. I mainly create playlists for all of my characters. In season one, I created a playlist for Lucky of songs that I felt like she would hear on daily basis, songs that she may not have heard but that spoke to the moment she was going through, spoke to her emotions. I also made one for Dawn. There are loads of songs on this playlist that I consider bops. You know what I mean? But for me, it was only a throwback to a time in the ’90s once I was like, “Oh, music was just so…” Not that it’s like that now, nevertheless it was just so good. And also songs that talked about where she was emotionally, about loneliness, about this type of attempting to be a superwoman and so on.

I need to remain there because that is the primary time I’ve heard an actor use this method. How did you prepare the playlist?

Basically, I used to be born in London and as a family we moved to the Bay Area. For me, once I was in London, I remember being more into American music and then more into East Coast music, New York rap, Bad Boy and all that stuff. But it wasn’t until I moved to California that I began listening to songs that were very specific to California and very specific to the Bay Area. I picked a few of these songs from the playlist to remind me of the primary time I saw this completely different place, the primary time I drove across the bay from the San Francisco airport and my uncle played the soundtrack as he drove us. And literally from top to bottom, I can sing each lyric in this soundtrack due to it. It just brings you back.

I listened to loads of Tupac. Of course, Tupac is known everywhere in the world, but at the moment I listened to him rather a lot. I put it on a playlist. I put Too Short on the playlist and E-40 on the playlist. I say, God, so many individuals. I really like 90’s music so Brandy, Monica and all of them put it on the playlist. And again, I included some songs that appealed to more emotions. And interestingly enough, I managed to take heed to a number of songs from my Lucky and Dawn playlist. For me, it related to among the moments she goes through, the identical emotions.

What was it like working alongside Pam Grier during ?

It’s hard for me to even put it into words. It’s such an honor. And I do know she was like, “Just call me Aunt Pam.” It’s just the way in which she paved the way in which for therefore lots of us to exist in this industry, in case you just sit at her feet, she is going to literally inform you stories that can make you say, “Are you kidding? Me?” And just normal. She’ll say, “Oh yeah. Oh yeah, I sang in that. Oh yeah, once I did this and that… She tells you stories all day long and you simply sit there and say, “This woman is amazing and amazing. And I feel honored that she said yes. I feel honored that she blessed the universe with her legend. She really is. And she feels so safe, too.” Aunt.

So I felt very, superb working along with her. I felt very protected working along with her. I felt very seen working along with her. I do know she’s been through a lot in this industry and it makes me feel empowered to see her now and see her still working, still creating amazing art and just having fun. This is just amazing. That’s the easiest way I can put it, truthfully, because there are really no words to explain it.

Is there anything in particular that you just learned or took away from her, directly or not directly, as an actress?

I might say that the foremost, foremost, most significant thing is to enjoy what you do, because in case you don’t enjoy it, then why the hell are you doing it? She still enjoys it. He still tells jokes. He’s still fidgeting with this thing. And I feel like I’ve just seen loads of actors who only do it a fraction of the time that she does it, and I’ve probably only been through a fraction of the things that she’s been through each personally and professionally, and they’re already jaded . They don’t really like the method anymore. But she’s not like that. She still enjoys it.

And yet one more thing that I took from her, and that is the acting thing, nevertheless it’s a extremely personal thing to be honest with you. It was as if she was herself unapologetically. It just makes me feel, I do not know, it just gives me permission to take space and just be myself. Yes, she is amazing. Honestly, I could rave about her all day.

The role you play this season; you might be in a extremely essential position. I believe of ladies like Lupita Nyong’o, Betty Gabriel and the work that Angela Bassett worked on “Having Black people because the lead in these horror movies is basically culturally essential. What do you consider the representation of black women in the horror genre?

I believe it’s amazing. I just like the indisputable fact that we will make horror movies because often after we’re put on the forefront of horror movies and TV shows, we’re really capable of, like I said before, show what we will do, show our range, play complex characters, sometimes be the hero , and sometimes a villain.

I support us and proceed to do my best to represent us well in order that next time can be easier. But I believe that is exciting, not only in horror but in all genres. This really shows that we aren’t a monolith, that we don’t should be lumped into one or two bags. This excites me and I’m blissful to be a component of it. And the actual fact that you could say my name in the identical sentence as people like Pam, Angela, Lupita is an honor for me. I’m really excited concerning the work we have done and plan to proceed doing.

This article was originally published on : www.essence.com
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Celebrity Coverage

How Diana Ross’s Halloween look was created Uche Moxama – essence

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Courtesy of Cindy Romero

Halloween is the perfect time of 12 months to advertise an icon. This 12 months, for instance, Beyoncé morphed into funk rock star Betty Davis and Coco Jones referenced Donna Summer’s album covers. And for the content creator Uche Moxamrecreation of the 1969 Diana Ross film.I’ll wash this guy out of my hair” on the duvet, the immediate answer was “yes.”

How Diana Ross Uche Moxama's Halloween look was created
FRANK CARROLL/NBCU PHOTO BANK

“I grew up listening to great artists: Whitney, Diana, Donna Summer, the list goes on,” Moxam tells ESSENCE. “Not only were they the powerhouse of their decade, but they also provided representation of beautiful, strong and talented black women who were rarely represented in the media at the time.”

For a protracted time, Moxam had been waiting for the suitable moment to rework into Diana Ross’s mountain of curls (as if released from a set of very large curlers) from the GIT Broadway special. However, probably the most iconic a part of the look was also probably the most difficult to create. “The biggest challenge was supposed to be the hair,” she says, contacting a hair stylist Alan Schober.

How Diana Ross Uche Moxama's Halloween look was created

“Alana managed to arrange each bundle of hair individually and artistically to achieve the effect shown in Diana’s film,” he says. “I wanted the hair texture to be three-dimensional, not just using Photoshop or a black board.” Using a 65-inch cardboard as a base and more bundles of hair than she could count interwoven with Moxam’s real hair, Schober turned her costume right into a masterpiece.

How Diana Ross Uche Moxama's Halloween look was created

“I focus on a natural look [for everyday beauty] but Halloween is truly a time to become someone else,” she says.

However, Uche Moxam’s makeup veered away from Ross’s neutral lip with glazed lips and cheeks sculpted with blush, becoming an icon in its own right. “I’ve been wanting to bring it to life for some time and this year I managed to do it.”

How Diana Ross Uche Moxama's Halloween look was created


This article was originally published on : www.essence.com
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The best beauty moments of Halloween 2024 – essence

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@janellemonae / Instagram

Celebrities have been known to bring creative costumes every Halloween. From area of interest cosplay to Heidi Klum’s annual Halloween party with high-budget SFX makeup and rugged references, stars never fail to live as much as their past looks. And last night turned out to be no different.

For example, when Janelle Monaé called a surreal version of ET, it took a team of five SFX artists to create the life-size costume. Lizzo has 4 looks starting from red body paint to scissored skin: the set includes an Ozempic pack, a honey bunny, Edward Scissorhands, and a never-rejected face card.

Although Doja Cat as a sunflower is a reference to the 2001 video game, Halloween will not be limited to fictional characters. Beyoncé took on the persona of funk-rock singer Betty Davis, Winnie Harlow referenced Diana Ross, and Coco Jones referenced Donna Summer’s album covers. Meanwhile, Megan Thee Stallion proved that Halloween lasts all 12 months long by dressing up within the anime cosplay she probably would ever wear.

Below, ESSENCE rounds up our favourite beauty moments from Halloween 2024.

This article was originally published on : www.essence.com
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WNBA earnings are rising, but will they be enough? The real story behind the numbers – the essence

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LAS VEGAS, NEVADA – OCTOBER 06: A’ja Wilson #22 of the Las Vegas Aces brings the ball up the court against Betnijah Laney-Hamilton #44 of the New York Liberty in the first quarter of Game 4 of the 2024 WNBA Playoffs Semifinals at Michelob ULTRA Arena on October 6, 2024 . in Las Vegas, Nevada. The Liberty defeated the Aces 76-62, winning the series three games to 1. NOTE TO USER: User expressly acknowledges and agrees that by downloading and/or using this image, User consents to the terms of the Getty Images License Agreement. (Photo: Ethan Miller/Getty Images)

When Angel Reese signed with the Chicago Sky and was chosen seventh overall in the 2024 WNBA draft, it entered a league completely different than five years ago. The compensation landscape has modified dramatically – but let’s be honest about whether these changes are truly transformational or simply an incremental step towards what these athletes deserve.

The raw numbers tell the story of progress. 2024 WNBA season boasts the highest earnings in the history of the leagueand top players will be capable of earn as much as $241,984. Supermax pay has increased 94% since 2019, when the league’s elite players reached $121,500. Even minimum wage for newbies increased to $64,154 – greater than double the amount in 2019. But that is where it gets complicated. While The WNBA salary cap has reached $1.4 million per team in 2024, The NBA salary cap is $140 million. Yes, you read that right. And before anyone makes the “but revenue” argument, let’s acknowledge that even after accounting for differences in league revenue, WNBA players receive about 33% of the league’s revenue, while NBA players receive about 50%.

For most WNBA players, to make it work, meaning playing year-round. According to AP, about 50% of players also compete abroad during the WNBA off-season. Stars like Breanna Stewart and A’ja Wilson can fetch top dollar in each markets, but this double duty comes at a value – physical fatigue, time away from family and the mental strain of never really having an off-season season.

Marketing dollars tell a totally different story. League Collective labor agreement for 2020 included provisions for increased marketing opportunities, but in 2023, only a handful of players have signed deals with major brands. Meanwhile, Caitlin Clark’s NIL valuation has reached $3.1 million before she even declared for the WNBA draft – highlighting each the potential and the disparity in how women’s basketball talent is valued.

The racial dynamics are particularly striking. In the league where over 60% of gamers are black womenthe conversation around fair pay is not only about gender – it’s about racial equality in sports. When we discuss WNBA salaries, we’re talking about undervaluing the work of Black women, and it is a story that reverberates far beyond the basketball court.

The league has taken steps in the right direction. The latest CBA introduces progressive elements similar to fully paid maternity leave, improved travel accommodations and potential income sharing opportunities. These changes come after years of player activism, led by women like Angel McCoughtry and Nneka Ogwumike who weren’t afraid to demand higher.

But let’s be clear, higher than before does not imply ok. When the WNBA minimum salary is barely above median household income in the USwe’re not only talking about the gender pay gap – we’re talking about the fundamental devaluation of girls’s skilled sport.

The query is not whether WNBA players should be grateful for these raises. The query is why, in 2024, we still have to make the case for fair compensation for skilled athletes who consistently produce world-class results, drive civil conversations, and encourage the next generation of athletes.

Pay rises are the starting, not the end. As viewership increased, the 2024 WNBA Finals saw: Viewership increase by 115%. in comparison with the previous 12 months – the pace of real changes is gaining momentum. The numbers are growing, yes, but until they reflect the true value these athletes bring to the game, our work isn’t done.

This article was originally published on : www.essence.com
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