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What can rural and coastal Puerto Ricans teach us about thriving in times of crisis?

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Puerto Ricans are on the lookout for solutions to the worst economic and social crisis on the island in a protracted time.

Unprecedented levels of debt are creating widespread uncertainty about employment and the state’s capability provide essential services. This crisis is not going to pass in the near futurehowever the solutions could also be closer than we predict.

As cultural anthropologists, now we have spent over a decade studying the way it pertains to people’s on a regular basis lives broader social and economic processes and documented negative effects inequality. In doing so, now we have also witnessed people in Puerto Rico who “refuse to follow the rules” of capitalism. Some scholars they even argued it Caribbean individuals are experts live with the negative effects of modern capitalism and resist because one form of capitalism existed there first tested. There have been sugar plantations in the Caribbean for the reason that 18th century early models of factory labor management and capitalist trade with a European metropolis.

People living on the rural coast of Puerto Rico live the great life without necessarily accumulating material wealth and climbing the socioeconomic ladder. Examining the lives of those that have been “left behind” by the mainstream economy can provide examples of live well in turbulent times.

Diversity in times of instability

Working full-time for pay with one employer can be a superb survival strategy in times of prosperity and stability. However, this comes at the fee of reduced flexibility and resistance conditions of scarcity and uncertainty. Poor and rural people, like many coastal Puerto Ricans, have long been reliant on aid various sources of income AND income streams adapt to prolonged scarcity and uncertainty.

Puerto Ricans sometimes mix formal and informal work, taking advantage of advantages offered by the state. Take Juana, a single mother and resident of Arroyo, Puerto Rico, whom we interviewed for: 2016 study. Because our interviews are frequently conducted under a confidentiality agreement, we use pseudonyms as an alternative of the interviewees’ names.

Until her retirement, Juana worked on and off as a brief clerk at a neighborhood hospital. When she was unemployed, she cared for the youngsters of working moms in her community. Nowadays, Juana often trades produce from her small fruit and vegetable garden with neighbors in exchange for his or her work: for instance, the mechanic who repairs her automobile. One of her nephews, whom she took care of as a baby, is a spear hunter who delivers some fish or lobster to Juana’s refrigerator. Juana said:

“I don’t need or need anything. I often have greater than I do know what to do with.

Public art depicts the cultural significance of fishing in a coastal town in Puerto Rico.
Hilda Llorens, The writer provided

Central to those arrangements is investing in social relationships through gift giving, bartering and knowledge sharing.

In our work, now we have documented repeated cases where people he gave away beneficial goodsakin to fresh fish or shellfish, relatively than keeping or selling them to build up wealth. Recent research found that greater than 90 percent of fishermen on Puerto Rico’s southeastern coast routinely separate part of their catch and donate it to family, friends or neighbors in need. They select to speculate in the community relationships and solidarity.

This a form of reciprocity takes place in communities where people recognize that their well-being is dependent upon the well-being of others, not on precarious labor markets.

Building on community

In Puerto Rico, as in other places akin to New England, fishermen are likely to have relatively low incomes, but great cultural significance in their communities. Fishermen have an iconic image of independent employees who lead adventurous and arduous lifestyles to offer for his or her communities.

A fisherman from Salinas, Puerto Rico explained that he wanted to offer his grandson and grandson with an honorable occupation.

“Who will employ these children if not me? I almost never pay for boat, engine or net repairs. People fix them for me because I bring them food. I often give away fish for free or on credit, and I also provide employment to members of the commune.”

These communities often have centers that organize initiatives for residents, akin to community gardening, solar energy, home improvement workshops and summer camps for about 100 children. In 2016, Carmen, current community board chair in Salinas, Puerto Rico, told us about her summer camp:

“We charge a monthly fee of five dollars per child. We are recruiting volunteers to conduct workshops for children. We get free breakfast and lunch through the Department of Education. Otherwise, we finance the camp with our own money and donations from local companies. Community board members and parents help run the camp.”

When we asked why she thought it was necessary to prepare a summer camp for youngsters, Carmen replied, “We are a ‘poor’ community, but when we pool our time and resources, we are able to provide children with a good summer camp and teach them good values.”

Lessons from the margins

Idea from these examples it just isn’t intended to glorify poverty or lack of access to income. Instead, our work indicates that individuals in such situations were exercising their free will, learning to outmaneuver the “game” by changing the foundations and goals in order that that they had a greater likelihood of winning.

People living in the depths of a modernizing world have long realized the unreliability of jobs in industries akin to pharmaceuticals, energy and corporate tourism, where jobs come and go along with economic cycles. Local employees are sometimes the last hired and the primary to be fired and have the so-called the bottom paid and more dangerous jobs.

Perhaps it’s time to listen to individuals who have been considered outcasts or “backward” – Caribbean fishermen and rural farmers, mid-Atlantic fishermen and pine tar collectors, Appalachian farmers and coal employees – to grasp how they’ve created wealthy lives on the margins of the mainstream economy. Perhaps we can apply their strategies to survive in these turbulent times.

This article was originally published on : theconversation.com
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After second defeat for Model of the Year, Anok Yai tells British Fashion Council: ‘I don’t want it anymore’, sparking debate

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Anok Yai, Anok Yai Model of the Year, Anok Yai, Fashion Awards 2024, Model of the Year 2024, British Fashion Awards 2024, Anok Yai British Fashion Awards, Alex Consani, Anok Yai supermodel, Black models, theGrio.com

When Anok Yai was photographed in “The Yard” at Howard University’s 2017 homecoming ceremony, a fashion star was born. After agents began clamoring to find the identity of the then 19-year-old beauty and competing to sign her, Yai became a global sensation; inside the first six months of her profession, she became the first Sudanese model and the second black model, after Naomi Campbell, to open a Prada fashion show. In the seven years since then, covers and accolades have flown steadily, including her first American Vogue cover in 2020, which led to Yai being hailed as one of this generation’s “best.”New supers” — as in supermodels — via Models.com, who awarded her the title of “Model of the Year – Woman” in 2023.

Although Yai has enjoyed success on runways around the world, one accolade has eluded her, and now she says she now not wants it. On Monday as host of the British Fashion Council Fashion Awards 2024Yai was nominated again for the council’s Model of the Year award, her second nomination in as a few years. This is the second time Yai has been omitted from this honor, which recognizes “the global influence of a model who has dominated the industry over the past 12 months,” the organization explains. “With influence that extends beyond the runway, the Model of the Year has made an outstanding contribution to the industry, earning numerous editorial and advertising campaigns throughout the year.”

After losing in 2023 to Paloma Elsesser, the first full-size model to win the award, this 12 months the honor once more passed to Alex Consani, the first transgender winner in the award’s history. Heartily congratulating my friend and colleague from the industry on her groundbreaking achievement partially decided by audience votesYai didn’t hassle hiding her disappointment.

“Alex, I love you and I’m so proud of you,” she wrote X, early Tuesday morningadding: “British Fashion Council, thank you, but I don’t want it anymore.”

How Some she accused Yai of having sour grapes over her subsequent losses, others, etc Teen Vogue editor Aiyana Ishmael, they argue that the model’s disillusionment and self-defense should simply be considered a mirrored image of her humanity.

Billboard named Beyoncé the biggest pop star of the 21st century

“When we ask ourselves why we want Yai to accept her loss calmly, we must also ask ourselves if this is a response to society’s expectations for Black women,” Ishmael wrote, quoting writer and executive coach Janice Sutherland comment on stereotypes that deal with the “perceived strength and resilience” of Black women. “While these characteristics are undoubtedly empowering, they should not be used as a reason to deny Black women space to express vulnerability, pursue changing aspirations, or seek the support they need without judgment,” notes Sutherland.

“I remember in 2019 when a photographer called me a cockroach,” she said already deleted thread on X. Feeling unable to react while others on set treated the insult as a joke, Yai recalled feeling as if “I can not react the way I want because ultimately I’m young, I’m alone, I’m black… whatever I do , will impact me, my family and other black models.”

With this in mind, Yai’s disappointment at not being recognized for her achievements can simply be taken literally, relatively than interpreted as an try and undermine the achievements of Consani, the winner of Model of the Year. Yai said the same thing second postwriting: “If you saw the effort Alex put in; You’ll understand how proud I’m of her. But Alex may be proud and I may be exhausted at the same time. “It doesn’t diminish how much we love each other.”

Kerry Washington is celebrating a

As a member of a marginalized community, Consani undoubtedly empathizes. Actually, she she used her acceptance speech on Monday night to thank “black trans women who have truly fought for the space I am in today” and to thank “Dominique Jackson, Connie Fleming, Aaron Rose Phillips and many others” for enabling her own rise in the industry.

“Now, more than ever, there needs to be an important conversation about how to truly support and uplift each other in this industry, especially those who have been treated as nonessential,” Consani continued. “Because change is more than possible, it is necessary.”

Change is slowly but surely happening, as evidenced by the strong black representation amongst this 12 months’s Fashion Award winners. Winning designers included Grace Wales Bonner (British menswear designer) and Priya Ahluwalia (New establishment menswear), while special awards went to A$AP Rocky (BFC cultural innovator) and Issa Rae (Pandora change leader). Photographer Tyler Mitchell also received recognition, winning the Isabella Blow Award for fashion creator.

As for Yai, she may now not seek approval from the British Fashion Council, but she need look no further than The Yard to search out it. The supermodel returned to the spot where she was found during Howard’s 2024 “Yardfest” Homecoming celebration, much to the delight of students in attendance.

“I’m a black trans woman and there’s not a lot of representation,” McKenzie Cooper-Moore, a junior marketing major and emerging model, told Howard’s newspaper: Hill. “She is one of the top models today, she is a black woman and she or he is uncompromisingly black. That’s really cool. I actually admire her.


This article was originally published on : thegrio.com
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Prince Harry downplays divorce rumors as he discusses the public’s fascination with his marriage to Meghan Markle

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Surprise – Meghan Markle and Prince Harry usually are not attached at the hip. Recently, the Duke and Duchess of Sussex have made separate public appearances.

This week, Markle made a rare solo appearance at the Paley Honors fall gala in Los Angeles to support the godfather of the couple’s daughter, Princess Lilibet, Tyler Perry, who was honored that evening. Meanwhile, on the East Coast, Prince Harry appeared at the New York Times’ DealBook Summit 2024, where he spoke about his fascination with the society surrounding his relationship.

During the conversation, moderator Andrew Ross Sorkin asked Prince Harry how he deals with the constant attention on every thing he and his wife do, noting that articles about the couple’s separate appearances on each coasts have been circulating throughout the Internet.

“Is this normal for you? When the article comes out – she’s in California, you’re in New York – they say, “Well, what’s going on with these two, right?” In a way, is it good that he is so interested in you?” – Sorkin asked.

“No, this is certainly not a great thing. Apparently we now have bought or moved home 10 (or) 12 times. Apparently we have been divorced perhaps 10 (or) 12 times. So it’s just an issue of, “What?” – Prince Harry replied, laughing.

As the youngest child of Princess Diana and King Charles, the Duke of Sussex is not any stranger to life in the highlight. Having seen how the excessive media attention directly affected his mother and even played a task in her death in 1997, Prince Harry noticed how life in the public eye modified his relationship with the press.

“I have been experiencing something of life since I was a child. I have seen stories written about me that were not entirely based on reality. I saw stories about my family members, friends, strangers and all sorts of people,” he explained. “And I think when you grow up in that environment, you start to question the validity of the information, but also what other people think about it and how dangerous it can be over time.”

Ultimately, Prince Harry said he ignores false narratives online because he expects the media and social media trolls to twist and twist his words at any time.

I feel sorry for the trolls the most,” he continued. “Their hopes just get built and built they usually say, ‘Yes, yes, yes, yes, yes,’ after which it doesn’t occur. That’s why I feel sorry for them. Really.

“The Duke and Duchess have now developed as individuals – not just as a couple,” a royal source explained. according to People magazine. “The Duke seems focused on his patronage work and the Duchess seems focused on her entrepreneurship.”

Meghan Markle and Prince Harry help Tyler Perry celebrate his birthday

This article was originally published on : thegrio.com
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Nia Long and Larenz Tate Have the ‘Love Jones’ Reunion We’ve Been Waiting For, But There’s an Elephant in the Room

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Those of us who’ve been waiting to seek out out whether Nina Mosley and Darius Lovehall, the black and sexy leads of the 1997 cult romantic comedy “Love Jones,” ended up together will finally get our wish this holiday season. Leading actors Nia Long and Larenz Tate – still black and still hot, we’d add – teamed up for Walmart’s “Love Jones”-themed holiday ad, featuring variations Dionne Farris’ now iconic song “Hopeless” as the opening soundtrack.

In the Walmart Holiday x Love Jones spot titled “Give a Gift That Shows You Get It,” the gift-giving begins early when Nina (Nia) finds a Walmart box on the steps of her house and unwraps it to seek out a record player. Confirming that the gift is indeed from him, Darius (Larenz) repeats certainly one of his lines from the hit movie in which he asks, “Do you mind if I play something for you?”

Whether the poet Darius (Larenz) remains to be attempting to be “the blue in (Nina’s) left thigh… trying to become the funk in (her) right” stays unknown, but nostalgia hits when the two start dancing to the Isley Brothers classic: ” Stay in the groove with you, part 1.” To ensure this moment doesn’t go undocumented, a young woman, presumably the daughter of the fictional couple, appears at the door to capture the moment on camera, clearly taking a cue from her photographer mother, Nina. It’s an uplifting return to a black cinema classic that a lot of us would love to revisit in the era of sequels.

That said, the elephant in the otherwise romantic room is Walmart. The big-box retailer dampened a number of holiday spirit this yr with its post-election announcement that it was “phasing out” most of its DEI initiatives, which is essentially being interpreted as a preview of comparable industry policies to return under the incoming Trump administration. Among the now abandoned initiatives are a $100 million racial equity center launched in 2020 in response to the police killing of George Floyd, in addition to prioritizing 51% of BIPOC, LGBTQ, veterans and women products. – reported the Houston Herald..

“It’s after the DEI programs end that the marketing department will definitely (know) how to change the narrative,” commented one YouTube viewer. “This ad won’t let me forget that Walmart discontinued all DEI efforts,” one other commenter said.

Walmart clearly still sees value in attracting black consumers, as evidenced by the Gen X-friendly spot starring Tate and Long (notably, the spot was produced likely months before the election and subsequent DEI rollback). The company was sensible to think about our annual purchasing power it’s estimated to eclipse $1 trillion by 2030, in response to McKinsey & Co.

“Serving Black consumers can help brands better serve customers, especially as the country’s increasingly diverse demographics continue to grow,” said Shelley Stewart III, McKinsey senior partner and global leader for repute and engagement.

To that end, while many viewers welcome the return of Darius and Nina (some have even called for an official, if long overdue, sequel), the dichotomy between promotion and Walmart practice has not gone unnoticed.

“Walmart needs to rethink its DEI policies,” a YouTube commentator said. “We play it in our faces, using characters and actors we love!”

Kerry Washington is celebrating a

This article was originally published on : thegrio.com
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