Entertainment
MF Doom and Madlib’s ‘Madvillainy’ – now 20 years old – is the timeless, classic album we all thought would be released in 2004
It’s a bit of hard to inform since my social media circles are older and into ’90s hip-hop, but MF Doom – born Daniel Dumile – seems almost as relevant now as he did in his heyday in the ’90s and 2000s. I’m sure this statement is not entirely accurate, but there are many podcast episodes dedicated to his influence and entire shows about his life (“Did I Ever Tell You The One About…MF Doom” hosted by MC Serch). Donald Glover’s hit FX show “Atlanta” devoted a whole episode to MF Doom and his death following his October 2020 death.
MF Doom, an MC who began in the early ’90s, seems almost timeless. His extremely unconventional rhyming couplets and persona (he was known for wearing his signature metal face mask, of which I own a reproduction) were as at home in 2024 as they were in 1999. While MF Doom was never a mainstream rapper, people were aware of that about him , he loved it and because of that he had a big fan base.
Likewise, Madlib (born Otis Jackson, Jr) is an “underground” rapper and producer who has been a favourite of all of us hip-hop heads since the Nineties. When Kanye West released his album “The Life of Pablo” in 2016, the song “No More Parties in Los Angeles” starring Kendrick Lamar and produced by Madlib, was a simple standout. This was mainly attributable to the rhythm and the indisputable fact that Kanye also looked as if it would know what we all did. Madlib is a monster behind the boards.
Madlib’s album “Shades of Blue” – a transforming of several songs from the Blue Note Records catalog – has long been one among my favorite albums. If you asked me what hip-hop album best represents me, I would say “Shades of Blue.” Madlib has produced must-listen projects, and Madlib has something like a billion songs and projects featuring a wide selection of artists, from J Dilla to Freddie Gibbs to Kendrick Lamar. That’s lots of stuff to take heed to.
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The purpose of those introductions was to spotlight the indisputable fact that MF Doom and Madlib are artists whose work has been long overdue. I bet the primary reason is their 2004 collaborative album “Madvillainy,” a 22-track project released on March 23, 2004 that took the hip-hop streets by storm. To bring up an album highly expected would be an understatement; a leak of potential tracks from just a few years ago had the streets talking much like how they were READY for a Jay Electronica album ten years later.
Be that as it might, the album lived as much as expectations. Almost immediately, discussions about “instant classic” and “album of the year” arose. I also remember talking to friends about not only the impact of the album, but how necessary it would be. For reference, Jay-Z had just released “The Black Album” in 2003, and the conversation after “Madvillainy” ended was this: Many of us wanted Jay-Z to rap over the beat that Madlib provided for “Madvillainy.” ” The closest we got was Jay-Z’s 2017 album “4:44,” which was (it seems) a response to Beyoncé’s 2016 album “Lemonade.” The entirety of “4:44” was produced by No ID and had a more underground feel hip-hop rather than the glossier, big-budget album that topped the charts. And I remember thinking that we finally had Jay’s version of “Madvillainy.”
However, “Madvillainy” was included on almost every list that had to say the biggest albums (NO just hip-hop) of all time, which was quite a big achievement by two underground hip-hop artists at the time. The album could be released in 2024 and would fit in with many non-mainstream hip-hop releases. This comes as no surprise to most of us who heard “Madvillainy” in 2004. What appeared like hyperbole at the time now seems obvious. True genius is obvious – sometimes you simply should wait for everybody else to catch up. Of course, in 2004 the album received great recognition and excellent reviews. And it sounds as fresh (though also vintage) now because it did after I first put a compact disc in my automotive’s CD changer.
“Madvillainy” has retained its cult status. Both MF Doom and Madlib have had prolific careers, but “Madvillains” is a feather in the cap. The “Madvillainy 2” rumors never materialized, but that is okay. The duo gifted the music-loving world with a project that now seems to be appealing to music fans of all stripes. Currently, each song on the project has hundreds of thousands of streams on Spotify, with “ALL CAPS” having almost 150 MILLION streams. This may not sound amazing in comparison with a few of the more popular hip-hop acts, however it is absolutely incredible considering the two artists who created this project.
It’s good to be right about classic material, and “Madvillainy” is just that – an album I’ll definitely be listening to until I am unable to hear it anymore.
Chris Tucker’s returned video surprising Jackie Chan became popular on May 22, and fans should not fed up with the response of Khan.
The International Film Festival in Toronto has published clip On his Instagram website, reminding the fans of the cordial moment when the stars of the “peak hours” re -joined at one in all their festivals.
Chan was on stage in front of the audience TIFF for his or her 2012 party entitled “In an interview with … Jackie Chan” as a hospitable speaker.
During a conversation with Cameron Bailey, who is Currently CEO of TIFF, Chan talked about his life and profession when Bailey suddenly revealed that he was behind the scenes who wanted to welcome Khan.
“We have a special guest who will welcome you. The crowd roared, as Bailey said the name of Tucker, but the icing on the cake was the joyful answer of Khan.
After turning to Tucker, the voice actor “Kung Fu Panda” was enthusiastically shouted “what!” while sinking on a chair. With a radiant smile on his face, Chan threw his legs and arms and waved them forward and back, then got up to embrace his ex -star.
Then he brings Tucker to the fringe of the stage and screams his name to the audience before they turn to take the place next to Bailey.
The host asked Tucker if he had any stories of labor with Chan in their three -part series “Hours of Peak” in 1998–2007.
He revealed that he initially had concerns whether Chan could speak English. “He didn’t say anything all the time, and we met about the film” Hour of the Peak “and the director was there. And the whole Jackie meeting said nothing. He just shook his head, “said the star of” Friday “in a nod.
Tucker remembered ideas for the film, while Jackie Chan sat quietly, just nodding. After the meeting, the surprised Tucker turned to the director Brett Ratner and asked: “Jackie (even) says in English, old? How would he (mother) make this movie? He did not tell me one word! Does he like me? Does he want Wesley Snipes? What does he want, what he wants, Eddie Murphy? Well, does he know who I am?”
Tucker said Ratner assured him that Chan knew English and told him not to worry. And they used this moment from the first meeting to give you the infamous scene in the film in which Tucker asks the figure of Khan: “Do you understand the words that come out of my mouth?”
“Do you understand the words that come out of my mouth?” |. Peak hour (1998)
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– Leevancleef ™
▄︻̷̿┻̿═━一 (@Leevancleef1930) April 14, 2025
Fans reacted in the comments Talk of the neighborhood Video repost.
One person said: “The way he kicked his legs.”
Another wrote: “Jackie reaction is pure brotherly love.”
The third said: “Jackie Fall Out” when the fourth observer added: “The way he threw his hands at the air and raised his feet when he saw Chris left.”
TIFF has released a video as one in all his posts about returning, in which they send movies of assorted celebrities from the past during one in all their previous events. According to them websiteThey are a non -profit organization that “offers shows, lectures, discussions, festivals, workshops, events, professional development and the possibilities of learning, hearing and learning from filmmakers from Canada and around the world.”
This yr they’ve the fiftieth Film Festival, which is able to last from September 4 to September 14.
As for Khan, he is preparing to release his latest movie “Karate Kid: Legends”, which decreases on May 30. In the last film of the KID KID series, which was the fifth installment, Khan’s co -founder was Jaden Smith. Now the original star “The Karate Kid”, Ralph Macchio, joins Khan in this latest film, which says that the wonderful Kung Fu products will win the best karate competition with the help of the heroes of Khan and Macchio.
(Tagstransate) Chris Tucker
Summer is correct across the corner, and publishing music this week increases the temperature much more. From cool cooperation to a spiritual return, the most recent drops are an affidavit to the facility and versatility of black artistry in species.
Assuming the situation of Burna Boy, which knocks Travis Scott in “Tatata” -Hymn-hymn-hop with high energy Afrobeats-Meet-Hop, which is meant for the soundtrack of late nights and the stages of the festival. R&B lovers are waiting for a delicacy from “You’re Invited”, a velvety smooth duo from Vocal Powerhouse Vedo and Kenyon Dixon, which provides the mood of the mood itself, and wins Grammy Estelle icon returns together with her sixth studio album and a vigorous reminder of her brilliance brillianka genre and a vigorous reminder of her genre lyrical soul. Today’s list also comprises the music of Larry Juune, Rob49 and not only.
Look on the Essence summary on new editions below.
Estelle – “Stay Alta”
The award -winning grammy artist Estelle returns from Stay altaHer sixth studio album, currently available everywhere in the world. Streamly send a new project HERE.
1.90.3-F2KZD32O7T7RL5QKV6Z2M2Doue.0.1-2
Rob49 – “Let Me Fly”
Fresh for the reason that success of his single “Wthelly” Rob49 drops a new album Let me fly. Here the album HERE.
Burna Boy ft. Travis Scott – “To”.
Earlier this week, Afrobeats Burna Boy joined forces with Travis Scott for the new single “Tatata”. Listen to the album HERE.
Larry June ft. Cardo has wings – “black man”
Larry June and Cardo got Wings with a gifts of fans with cooperation entitled “Black Man”. Watch the video HERE.
Vedo ft. Kenyon Dixon – “You are invited”
Today, the talented Vedo connects with one other R&B singer Kenyon Dixon with a very new single, entitled “You are invited”. Check it out HERE.
He was never only a television program. He educates, challenges and causes conversations that matter. Created by Lena Waithe and embedded in her hometown of Chicago, she consistently provided stories which are strict, true and rooted in something deeper than the drama and violence in Śródmieście. This series took responsibility for the authentic reflection of the community, immunity and newly defined, which suggests to steer with love.
Season 7, which premiered on May 16, kicks deeper than ever before. The heroes transform in a way that seems personal and, to be honest, related. Lynn Whitfield, Jacob Latimore, Birgundi Baker and Luke James not only play characters, embody the living experiences of many fans who tune.
This season, it is still moving regret, love, masculinity, survival and desire for power, and at the identical time change conversations in culture. And the spoiler alert: it will probably be higher because the season goes.
Recently, AndScape sat with the celebrities of honest, layered and fun conversation about what this season means for them each on the screen and outside. We also talked about sensitivity, legacy, relationships and what it means to return home. Regardless of whether you’re a fan of OG or a brand new one, check why this season goes in a different way.
Weekly extermination suggestions: dark ages, clair obsurn, Oblivion Remastered and more
Target admits that Dei Rolback and boycott have contributed to the decrease in sales
Chris Tucker is to be planted by Jackie Chan at the Festival in the surprise clip
The best new music this week: Estelle, Burna Boy, Rob49 and not only – essence
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