Tamron Hall masters of compassion in ‘Look Where They Hide’

Tamron Hall brings in Jordan Manning to boost our blood pressure in a shocking latest case in . The second novel in the Jordan Manning series follows a reporter as her profession unfolds against the backdrop of one other grim mystery. ESSENCE spoke with the legendary journalist in regards to the popular character’s return on a brand new quest for justice.

Hall was nervous about presenting her art as an writer to the world, but readers and critics alike appreciated the primary novel in the series . “I didn’t expect that people would receive the first book so wonderfully and so well. “It was my first novel, my first novel,” Hall said. Her fame raised the stakes a bit higher, as she couldn’t escape anonymity if the book flopped. “It’s like getting on roller skates for the primary time and never knowing what it should be like. You hope you will not fall in front of all your folks, but the truth is you’ll be able to do it,” she continued. The thriller was favorably received by crime mystery lovers.

Manning deciphers the cracks in strangers’ digital lives to assist them get to the reality. “This is how you solve a case. That’s how you start to put the pieces together so that someone can understand what happened to you,” Hall said. Manning’s character attracted “people who called themselves drug addicts.” Their support for the dogged reporter’s commitment to getting to the truth reassured Hall that her story was true. “It gave me confidence and a north star to keep me going,” she said.

The gruesome elements of being a reporter aren’t the one authentic elements of this story. Manning confronts the disempowerment and injustice that many black women face in corporate America. Hall’s intention was to “really capture in her work what women of color often face in these positions.”

Manning rose to the highest of the journalistic food chain. Her face is plastered all around the city. She has contacts in offices and has mastered the art of efficiency by cultivating relationships. However, this doesn’t stop her subordinates from openly opposing her.

“In many cases, especially with women of color, once you reach that level of achievement, everyone still believes they can tell you what to do and not trust your judgment,” said Hall, who has publicly faced her own challenges related to corporate policy. “If you didn’t deserve that place, you were put there. And too often there’s a scarcity of respect for the way you bought there.

“Even if your name is at the top of the list, everyone somehow feels that you are not a leader,” she added.

In the primary novel, the heroine saw herself as a haunting figure at the middle of her seek for truth. This story requires Manning to attach with individuals who don’t come into the world the way in which she does.

Hall made a conscious decision to have this character help someone from a special background. She used her Texas upbringing to create a daring character that will clash with Manning’s urban style. “I didn’t have to dig too deep,” she joked. Hall rigorously painted other settings, drawing on research and drawing on her past as against the law reporter who regularly traveled to rural areas.

She described the difficult conversations Manning had and the unpleasant reality she encountered between cups of coffee on the family home in Sag Harbor’s historic Black neighborhood. Voices are made clearly and reliably.

Together, Manning and one other character face the realities of a world stuffed with the brutal reality of intimate partner violence. Racial and socioeconomic differences don’t prevent them from interacting with the sensibilities of male rage.

“I wanted this case to come from a different world than I expected, because as a journalist I come into the newsroom every day, I don’t know my task and I can’t do the job when someone reminds me about it. roots or reminds me of my culture,” Hall said.

“Because that’s the job. You can’t, like I did, come to the scene of a crime or even a natural disaster and say, “Listen, I’m only going to talk to Black people who lost their homes in this flood, or else.” During this event, I will only talk to Black families, and you, as a journalist, you talk to everyone.”

A subject doesn’t need to be someone a reporter would clink espresso martinis with at brunch to deserve her attention. She doesn’t should be convinced that this person is essential.

Manning leads through empathy, something Hall desires to have fun. “Jordan is disrespectful. She is funny. She’s tough. She is persistent and dedicated. And above all, she is compassionate.” That compassion leads her down one other unexpected path in this story, one which goals to honor “real journalists who work tirelessly,” following in the footsteps of our sisters, moms, cousins ​​and friends.

“It was about what happens when women work together, what happens when we see each other, what happens when compassion comes into the conversation.”

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