The co-founder of “maturation” refers to those suggesting that the program is “anti-white propaganda”: “We don’t pay attention to the race”

The recent British drama Netflix, “Adolescence”, is an urgent request for childhood that storm the world.

While many, from children to parents, praised the program for a shocking presentation of modern childhood, amongst laws in the USA and Great Britain, the talk is growing that the series is “anti-white propaganda”.

Some imagine that the story in “Epolelescene”, which the chronicle of what is happening when a 13-year-old boy is accused of killing a woman in his class, is based on a real story about the black migrant to Great Britain. Elon Musk even answered Post of the correct British commentator who arose an argument with “wow” strengthening the recipients of the claim.

Speaking of bad beliefs during the appearance of “Press agent“Podcast, co -creator of the series, Jack Thorne, called them” absurd. “

“They claimed that Stephen (Graham) and I leaned it on the story and another story, so we raced because we leaned it here, and ended up there and everything else. Nothing is further from the truth,” he explained.

“In my time I told many real stories and I know the harm that can come when you take elements of true history and put it on the screen, and people do not expect it,” he said, adding: “There is no part that is based on true history, not one part.”

Asked how he reacted to criticism, that the fundamental character who was depicted as a white man must be black, Thorne said: “It is absurd to say that it is only committed by black boys. It’s absurd. This is not true. And history shows many cases of children from all breeds obliging these crimes.”

The argument is misleading once you bear in mind what number of black characters are in the series. The hero’s friend’s group is multicultural. The son of a detective conducting an investigation into the crimes of the fundamental character who is black, becomes a key key player on this matter. Best friend killed a woman is also a black student. Everything that we are saying, from all sides, affects several key black characters in the series. What’s more, the series concerns the ways by which the young boy community, from his family, his friends to the corners of the web, to which he ends, can fail him in a tandem.

“We don’t think about it,” Thorne emphasized. “We understand masculinity. We try to introduce a problem. We don’t say it’s one thing. We’re talking about boys.”