Doechia refers to rumors about industry plants during the Billboard Women in Music Awards Accept Speech: “This is not a program”

It may be safely said that Doechia, the dynamic force behind the groundbreaking Mixtape “Alligator Bigtes Never Heal” and the hair of the song “Fear”, had a moment.

From the victory of “Best Rap Album” in Grammys after dropping the hit after the hit to her Fashionable turn at Paris Fashion Week She was big, which a lot of her peers, including Kendrick Lamar and Tyler, the creator, her talent and influence are undeniable.

However, a few still dare to query it. One small camp on the Internet believes that the artist Breakout is a “industry plant”. Reliable claims that the rapper born in Tampa used some unfair advantage or was particularly popular.

While Her acceptance speech for “Woman of the Year” during the Billboard Women in ceremonies On Saturday, the 26-year-old rapper apparently asked the charges.

“I want everyone to hear me clearly when I say that this is not a button, it is our brain. This is not a machine, it is our leadership. This is not a conspiracy, it is our susceptibility. This is not a program, this is God,” she said.

Doechia is removed from the first artist who received a claim and he or she is greater than probably will not be the last. Many, including Lizzo, Ice Spice, Drake, Khalid, Tierra Whack, Lady Gaga, Billie Eilish and others, were accused of being industry plants also throughout the entire profession, especially if their growth seems meteoric or seemed to occur overnight.

Speaking on stage during her speech, she noticed what number of women for her and her art.

“Although I can be one of the front and center, I do not do it alone. In my personal team and the label there are brilliant, experienced women.”

Then the rapper mentioned all women in his team that supported her, including Jayda Love and DJ Miss Milan. Her comments also emphasized the importance of awards, which she said, were launched in 2007 to finally give women in the music industry their flowers.

“I mean that this event was created out of necessity, and that the need for words is important,” she said. “It strikes me because my Mixtape” Aligator Bites Never Heal “was a space that I created out of necessity, the need for a space in which I could see where I could hear myself, and I could connect with other people through joint experiences.”