Serena Williams and Ruth Carter are producing a biopic about Ann Lowe, the black designer who created Jacqueline Kennedy Onassis’s wedding dress

American Fashion’s “Best Secret” is about to get a major highlight because of Serena Williams and Ruth Carter.

A tennis champion and a legendary costume designer team as much as create a biopic about the late obscure fashion designer Ann Lowe.

While her name may not evoke recognition amongst most, for her life she was answerable for dressing a few of the country’s most distinguished families, including the Rockefeller, Roosevelt, Du Pont and Whitney families.

Lowe, who is from Clayton, Alabama, grew up in a family of seamstresses who learned the skill during slavery and maintained the trade after slavery ended.

According to The Hollywood ReporterSony’s Tristar Pictures has acquired the pitch for the project titled “The Dress.” The story centers on how Lowe, who managed to develop into the first black woman to own a store on Madison Avenue, was also commissioned to design the wedding dress that Jackie O wore in her 1953 wedding to John F. Kennedy.

Williams and Caroline Currier will produce nine two six productions, Williams’ production company launched in 2023. Carter, meanwhile, will executive produce and is signed on as the film’s costume designer.

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The film’s script, which might be written by Micah Fitzerman-Blue and Noah Harpster, writers of Mister Rogers’ “A Beautiful Day in the Neighborhood,” might be based on Piper Huguley’s novel “By Her Own Design.”

Little has been written about Lowe, although lately each historians and fashion industry insiders have begun to light up her story and a profession that has spanned 40 years.

In September 2023, the largest exhibition dedicated to her and her work opened at the Winterthur Museum, Garden and Library in Delaware.

Elizabeth Way, assistant curator at the Museum at the Fashion Institute of Technology, wrote of Lowe in the Financial Times: “As a designer, Lowe was prolific and influential. Women who wore their dresses were admired and in the public eye, inspiring broader trends. Most of her designs were for traditional events, but she was modern in the conventions of those conservative occasions. Her work is meticulously crafted in a tradition of workmanship handed down from a unprecedented lineage of Black American women. ”