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In a game for the ages, the Minnesota Lynx stunned the New York Liberty with an overtime victory in Game 1 of the WNBA Finals

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NEW YORK (AP) Minnesota coach Cheryl Reeve has seen a lot in her incredible profession, including 4 WNBA championships.

The Lynx’s historic rally to defeat New York 95-93 in a wild first game of the WNBA Finals ranks amongst the biggest moments.

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“We are the first team in WNBA playoff history to lose 15 minutes (in the last five minutes) and then come back and win the game,” Reeve said. (*1*)

Minnesota rallied from a first-half deficit, trailing by 18 points to Napheesa Collier’s feedback jumper with 8.8 seconds left in overtime, he led the team to a victory over the New York Liberty on Thursday night.

After the tie, Collier faked it on the line and scored. New York had a probability to tie the game, but Breanna Stewart’s shot at the buzzer was denied.

“The basketball gods were on our side today,” said Courtney Williams, who had 23 points, including a four-point play with 5.5 seconds left in regulation, to take the lead for Minnesota.

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Collier finished the game with 21 points, eight rebounds, six blocks and three steals.

The second game of the best-of-seven series will happen on Sunday in New York. Before the game, WNBA commissioner Cathy Engelbert announced the league Finale extension to the best of seven starting next 12 months.

Overtime began slowly, with Minnesota constructing an 88-84 advantage when New York missed its first six shots. Jonquel Jones finally got Liberty on the board with a three-pointer from the corner with 1:38 left. Williams responded with a three-pointer of her own, and the teams traded baskets for the next minute. Sabrina Ionescu’s steal in the backcourt and layup put New York up 93-91 with 32.9 left.

Jones then stole the ball at midcourt and scored 4 seconds later to tie the game. Minnesota ran out the clock before Collier’s basket broke the tie.

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Liberty blew an 11-point lead in the final 3:23 of regulation when Minnesota scored 12 straight points and Williams scored 4 points.

Liberty made the most of the final few seconds of regulation time. After Stewart’s initial shot was blocked with his second left and went out of bounds, Ionescu deflected the ball to her under the basket, resulting in a foul. Officials checked the play to see if a foul had occurred before the buzzer sounded and ruled it had, awarding Stewart two free throws with 0.8 seconds left.

She hit the first of two free throws, and the second one went off the rim. Williams’ shot at the other end was off course and the game went to overtime.

“You know, we just take it on the chin. We were losing a lot after which we had a crazy sequence that ended in the fourth edition,” Stewart said. “I didn’t start great after overtime. I had a great take a look at the end and didn’t make it. But I feel it’s a series. Of course, we actually desired to win at home. But the beauty is that we’ve one other game on Sunday and we might be ready.

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Jones led New York with 24 points and 10 rebounds. Ionescu finished with nineteenth and Stewart with 18th.

New York faced Minnesota, which was playing just two days after defeating Connecticut in the semifinals. The Liberty built an 18-point lead in the first half before the Lynx rallied again.

The 18-point victory equaled the New York Liberty team record set in 1999 in the second game of the finals, which ended with a historic half-court shot by Teresa Weatherspoon.

Both teams intend to make history in this series. The Liberty are searching for their first franchise championship while the Lynx are searching for fifth place in the league. They were the best teams in the regular season, taking the top two places in the rankings.

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New York is in the finals for the second 12 months in a row and hopes to erase the scar of its loss to the Las Vegas Aces in 2023. Minnesota appears in the championship round for the first time since 2017, when the team won its fourth title in a seven-year period.

Liberty lost two of three regular-season games to Minnesota and the Commissioner’s Cup, but each teams said those games didn’t really matter heading into the championship.

The Lynx was in a position to keep Jones in check in all three wins, with Liberty’s star center scoring in single digits every time. On Thursday, at the end of the first quarter, it reached double digits.

Minnesota held New York to 38% shooting and improved to 181-11 since 2011, when the team held opponents to below 40%.

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The star-studded New York crowd of 17,732 was loud and spirited, because it has been all season. Spike Lee, Jason Sudeikis, Meek Mill and New York Mets third baseman Mark Vientos were in attendance. Lee was in an Ionescu shirt.

This article was originally published on : thegrio.com
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Janelle Monáe, Fast Cars & Future Worlds: Cadillac’s F1 Launch means a new era of American innovation – Essence

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Under the shining lights contained contained contained contained throughout the style of Art Deco South Beach, the new era of American perfection roared to life. Cadillac, a luxurious automotive brand, has long been related to innovation and cultural prestige, presented its official team Formula 1-TWG Motorsports X Cadillac F1-on one night the celebration, which gathered fashionable, future design and non-systemic expression. In the middle of all this, standing like lightning between heritage and future energy, he was an artist and 10-fold grammy nominatedJanelle Monáe.

Janelle Monáe, Fast Cars & Future Worlds: Cadillac's F1 Launch is a new era for American innovations
Janelle Monáe on the official global premiere of TWG Motorsports X Cadillac F1

In the re-image to the Queen Theater contained contained contained contained throughout the style of the Nineteen Forties-the night-transformed Cadillac-Monáe club delivered performances for a crowd as electric for the rationale that vision of the brand. It was a deliberate collision of speed, style and telling stories. Guests very very like Victoria Monét, Micalene Thomas and Jurnee Smollett were present.

“The brand had just had a place in my heart,” Monáe said, asked why she said “yes” to the performance. “Cadillac was part of my life since I was once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once small. My dad had two sedans and the wood of the fleet. I just remember how he was with him contained contained contained contained throughout the automotive, and he was collecting me from school in Cadillac. This is more more more vulnerable to be the one American company that represents the innovation, because they could thoroughly be contained contained contained contained throughout the automotive.

This kind of full moment every time you realize what this premiere really represents. Cadillac is currently the one American luxurious brand entering the exclusive, dominated by the euro world of the Formula 1-SPORTH racing, which, which, Historically, he didn’t sculpt his place for a black presence. Until now.

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And then he’s monáe-defective, futuristic, deeply rooted. An ideal character to anchor the evening.

There is a reason why Monáe moves so freely contained contained contained contained throughout the media – Music, Film, Literature, Fashion – but he throughout the least times feels as whether it’s just starting. He sees no boundaries. He doesn’t consider staying in a single lane.

“I always discover new things about my art and who I am, allowing myself to redefine how I look at life, music and creativity. I am constantly building global building,” says the singer “Electric Lady”. “I’m in the middle of the world now – I am building more music, more visualizations, more communities, more great ideas that, hopefully, will open the future for more artists and will be as innovative as they want.”

And you greater than likely can feel that when approaching cooperation. For her it’s about energy. It’s about resonance. It’s about constructing something that did not exist before.

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“I am very non-binary in the way I think about where I can go, who I can be and who I can work. She is always sexy for me, when I can cooperate with an artist or a company or with another community in which I can not necessarily be every day, and we create something that is one of a kind,” he says.

This spirit was dense in peace. A mix of creation – musicians, technological entrepreneurs, designers, athletes and influential – like all of the tissue of real -time culture.

Janelle Monáe, Fast Cars & Future Worlds: Cadillac's F1 Launch is a new era for American innovations
Janelle Monáe on the official global premiere of TWG Motorsports X Cadillac F1

It’s easy to wander away in Formula 1 gloss and chic silhouettes. But Monáe doesn’t move through the world, making wealth. When the subject of luxury appeared, it was measured. Intended. Even a bit delicate.

“I grew up with my parents’ parents. My mother was a janitor, my father was a trash, my grandmother served food for 25 years. I watched the uniforms and live payments. My dad bought a used Cadillac at auction.”

For her, luxury was not about labels – it was about safety. It was Sundays contained contained contained contained throughout the kitchen. It was a bill that did not hang over your head. It was safety, not throwing away.

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“I try to use all my possibilities to take my family and let them experience what I experience. I hope that one day we will simply be able to remove this division [the idea that] Luxury is only for a higher level or people who earn a certain amount of money, “it stopped briefly.” I want people like my parents work for the community, have more access to things that have one percent. “

There is throughout the least times something quiet radical in watching a black woman occupying a place in high-power rooms-he does it without compromise. This made the presence of Monáe in Miami so significant. Not only did she appear. Changed the atmosphere. Its performance was electric.

It was a kind of performance that not only entertained, but completely calibrated the room again. This moment, tonight – was about honoring the roots throughout the dream of ahead. It was about taking space that weren’t originally built for us and remodeling them into our image.

It was a real present evening. Reminder that black creativity, black perfection and black luxury are fundamental.

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When Cadillac is preparing to take his place on the F1 net, the meaning of voices very very like Monáe cannot be overestimated. Her presence and vision are rooted in capital, expression and expansion, and if the long term of Cadillac resembles the world he builds, it’s a step forward.

This article was originally published on : www.essence.com
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Taraji P. Henson played in the upcoming thriller Tyler Perry

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Tyler Perry Studios is preparing for the next release of the film – and that is one other thriller. This summer, Taraji P. Henson, Teyana Taylor, Sherri Shepherd and others are to look in the upcoming thriller of Perry “Straw”.

According to Netflix“Słomiana” concerns the “Lonely Mother, whose world spreads in chaos, when her day goes from evil to worse to catastrophic, when she tries to take care of her sick daughter. Pushed to the edge through the world, which seems indifferent to her existence, is forced to face impossible elections in a society that does not offer her safety net.” Taping her character Janyah as a single mother was something she could confer with from experience.

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“Janiyah is a woman who doesn’t have much in life, but she has a lot of love for her child,” said Henson Entertainment every week. “I’m a lonely mother, so I understood her journey and her struggles. She is a lonely mother who tries to utilize the cards which have been given in her life best.

Noticing how the film “shows how easy it is that people in a difficult situation can be disregarded or deprived of civil rights by a system that is to protect them,” added Henson:

“If likelihood is high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high it’s possible it’s possible likelihood is high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high high you almost actually can possibly possibly possibly be a fighting single mother, you likely can in no way times pay for this extraordinary lunch, and kids who cannot afford this extraordinary lunch, get a separate lunch. And you already know what is happening then? Children begin to hassle your child. As parents, they feel the pain of our youngsters deeper than them, so it meant for her.

The film, which based on Henson is crammed with “crazy twists”, which could surprise the viewers, was reportedly shot inside 4 days, while the actress worked on one other project.

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“Thinking that we shot in four days when I was still working on” Night Fight Night “,” Henson explained. “But that is what I like in Słrier Perry; he’s fast, and I’ll even be fast. He knew he had a limited time with me. He used it accurately … The topic is a bit dark, so I used to be once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once glad that I used to be once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once living only in the world of this character for 4 days, because this energy is transferred, and just somewhat little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little little bit of a follow you. I used to be once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once once glad when it happens, and I’m very different from one other character.

“Straw” takes place at Netflix on June 6.

Tyler Perry says that there is a

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This article was originally published on : thegrio.com
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2025 San Francisco Art Fair Extated Creativity, Equity and Community Connection – Essence

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Photo loan: Drew Bird, Courtesy of Art Market Productions

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From April 17-20, thirteenth edition San Francisco Art Fair He brought an electrical pulse to the Fort Fort Fort Pavilion, attracting over 22,000 participants from throughout California and more. Of the 88 galleries and 45 participating partners, this 12 months’s event celebrated the creative spirit of Bay Area through dynamic exhibitions, programming, including and deepened involvement in constructing community.

Organized by Art Market Productions, Branch A21, began with a live VIP preview, through which over 4,500 guests participated. Collectors, curators, artists and similar ones gathered to take up a job which is able to define the weekend. Local favorites, paying homage to PT.2 Gallery, Jessica Silverman and Micki Meng, offered outstanding presentations, while exhibitors for the primary time, including Anthony Meier and Madsen, spoke daring statements with programming, which they raised regional talents. Sales reports showed significant activity throughout the least levels-from $ 500 local images $ 45,000, Rojas, sold by Jessica Silverman Gallery-Inventory, each healthy collector’s commitment and adaptation to trends emphasized contained contained contained throughout the Art Basel X UBS Art 2025 report.

In addition to selling the heartbeat of this 12 months’s fair, there was programming. Panels, performances and projects of public art emphasize how art intersects with justice, identity and local traditions. One of probably essentially probably probably essentially probably probably probably essentially probably essentially essentially essentially probably essentially essentially probably essentially probably essentially probably essentially probably probably essentially probably essentially probably probably essentially essentially probably essentially probably probably probably essentially probably essentially essentially essentially essentially probably essentially probably probably essentially essentially probably essentially essentially essentially probably essentially probably probably essentially probably essentially essentially probably essentially probably essentially probably essentially essentially probably essentially essentially essentially probably probably essentially essentially essentially probably probably essentially essentially essentially probably probably probably probably probably essentially essentially essentially probably essentially essentially probably probably probably probably probably probably probably probably essentially essentially essentially essentially essentially essentially essentially probably essentially probably probably essentially essentially probably essentially essentially essentially probably essentially probably probably essentially probably essentially probably essentially essentially essentially probably probably essentially probably essentially probably essentially essentially essentially probably essentially probably probably probably probably probably essentially probably essentially probably essentially essentially essentially essentially essentially essentially essentially probably essentially probably probably probably probably essentially probably essentially essentially probably probably probably probably probably probably probably probably probably essentially probably essentially probably probably essentially probably probably essentially essentially essentially essentially essentially essentially essentially essentially probably essentially essentially essentially essentially essentially probably essentially essentially probably probably essentially probably essentially probably probably probably probably essentially probably probably probably probably probably probably essentially essentially essentially essentially essentially probably essentially essentially essentially probably probably essentially essentially probably essentially probably probably probably essentially essentially probably probably probably essentially essentially essentially probably essentially probably probably essentially essentially essentially essentially essentially probably probably probably essentially essentially probably probably probably probably essentially essentially essentially essentially essentially probably essentially essentially probably probably the most powerful moments got here throughout the Saturday panel “Art and Impact in the East Bay”, through which the artist and cultural strategist Favianna Rodriguez emphasized the urgency of practice based on the goal.

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“I really believe in the power of art,” said Rodriguez. “If we are thinking about artists in the whole story – Nina Simone, Frida Kahlo, James Baldwin – helped change the way we think. At the moment it is important that the artists wonder what really depends. Regardless of whether it is an environment or reproductive rights of women, or takes care of LGBTQ or your health care, we need artists to show us what is possible.”

This forward -looking way of considering lasted to the Sunday panel on the Nexus SF/Bay Area Black Art Week, a rapidly developing platform organized by African diaspora museum To emphasize the work of black artists in San Francisco and Oakland. Together with the second edition on the horizon, Nexus is gaining momentum each as a vacation and a call to act – with a purpose to deepen the visibility of black visionaries.

2025 San Francisco Fair Fair Extated Creativity, Equity and Community Connection
Photo: Jessica Monroy Creative

Moderated by Abram Jackson, the panel contained powerful voices, including the last word word word word director of Monetty White, Lava Thomas artists and George McCalman and galleryist Jonathan Carver Moore. Together, they unpacked the double need for representation and infrastructure, citing Nexus as a bridge – not only between artists, but between the past and the long term. Together with the 20 th anniversary of the Museum on the horizon and the upcoming exhibition, Energia around Nexus seemed expansive and confirming.

“This year at the Art Fair in San Francisco it was important for us at Art Market Productions to create real spaces to combine – especially for the black creative community, which is such an important part of the Bay Area artistic scene,” said Kelly Freeman, director of Art Fair. “Thanks to Nexus and Black Brunch Club, we were able to combine artists, collectors and supporters in a way that seemed personal, significant and solemn. These meetings that remind us of why cooperation is important in art – and why it is so important to strengthen the voices that shape the future of the bay.”

The Black Brunch Club, which took place contained contained contained throughout the showroom of the Fair Collector, closed SFAF 2025, nevertheless it was a smaller act than it was a vacation. This served as a reminder that black creativity won’t be only aesthetics – it’s a pedigree, life line and a lens for the long term.

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Other outstanding sessions throughout the fair included printing workshops of the Museum of Craft and Design Museum, satirical lecture by Marc Horowitz on the absurdist history of art and a movable panel on motherhood and artistic practice with the participation of Silverman and the artists of the C. Tut and Libby Black. On Friday, a well -displayed conversation on “investing in black art for home” referred to how collecting is possibly each an act of protection and personal transformation. A non-public party took place the the equivalent evening Jay collection, autographWhere did the guests like music together with wine Gifts. The meeting was organized to extend awareness for further triennale, a brand latest platform introducing contained contained contained throughout the spring of 2027, which is able to have time visual art in northern California.

Throughout the weekend, public projects paying homage to Creativity Non -Profit San Francisco studied interactive entry points for beginners and experienced collectors. Meanwhile, organizations paying homage to Berkeley Art Museum and Yerba Buena Center for the Arts emphasized institutional cooperation and interregional story.

“This year’s fair has confirmed what we always know – that Bay Area has a resistant and deeply engaged art community,” said Freeman in a press release. “The enthusiasm in the pavilion was electric – from the quality of the works presented in significant conversations taking place at stands and programming. We are proud to provide a platform that raises this creative ecosystem and invites important voices in folds.”

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This article was originally published on : www.essence.com
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