Film
In “Piece by Piece”, Pharrell states that Lego fits his life story
TORONTO (AP) – When Pharrell Williams AND Morgan Neville decided to make a movie about Williams’ life, but animated from Lego bricks, they knew there can be a culture shock. But the creation of Piece by Piece still led to places that neither Williams, Neville or Lego could have predicted.
“We had a long discussion about the width of the back of the bikini bottom on the minifigure in the ‘Rump Shaker’ music video,” laughs Neville. “We had a lot of conversations about things I thought I would never talk about as a filmmaker.”
“Piece by Piece” didn’t include any easy assembly instructions. It’s part musical biopic, part documentary, part family film. It is, like many things in Williams’ life, stuffed with hits, radiating highs, beats and distinctiveness.
“Society likes to put us in boxes, pun intended,” Williams says, chatting with Neville. “It was a moment where this guy’s perspective on my life and the way he put it together was incredibly liberating for me. Even though I never saw myself in a box, now it helps other people too.”
“Piece by Piece,” which opens in Focus Features theaters on Friday, begins like many documentaries, with director Neville sitting with a camera crew focused on its foremost character, Williams. But on this case, Williams – and the whole lot else, including the bearded, bespectacled Neville – is Lego.
“What if we told my life in Lego?” – Williams asks within the film. “That will never happen,” Neville replies.
What follows is something of a conventional documentary, stuffed with colourful tales of past struggles and triumphs, from his childhood in Virginia Beach to a string of chart-topping hits, told through Williams’ voice and multiple talking heads. It was recorded this manner during interviews on camera, Zoom or phone, after which animated into Lego characters. Here’s finally a probability to see Busta Rhymes as Lego together with many others including Jay-Z, Snoop Dogg and Missy Elliott.
“Our first meeting was with Lego, because if they said no, there would be no film,” says Neville, director of documentaries including “20 Feet from Fame.” “Won’t You Be My Neighbor?” AND “Steve!” To their credit, they not only agreed, but I feel they understood what development it might force them to make.”
For Lego, the Danish toy company, making “Piece by Piece” was its biggest challenge since entering feature-length movies with “The Lego Movie” from 2014 Neville approached the corporate’s director of world entertainment, Jill Wilfert, with the thought of making a documentary that can be the primary to be made not about himself. Wilfert reacted immediately.
“The whole idea of Lego is infinite creativity and limitless possibilities, and Pharrell really embodies that,” he says.
To prove the concept, Neville shot a 90-second video of Williams reflecting on his upbringing and his inspirations from artists like Stevie Wonder. (The “Songs in the Key of Life” vinyl record is one other one in all those belongings you never expected to see as Lego.)
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“I went away from saying, ‘This is definitely going to work,’” Neville says. “And everyone we showed it to understood. They said: I need to see this movie.
Still, Neville and Williams knew the Lego approach would mean working inside PG parameters. Some things about Williams’ life – comparable to being young and famous while performing in the highest circles of pop and hip-hop – would not fit right into a family film. Williams claims the film “paraphrases” his life.
“There were definitely some areas that didn’t meet my expectations of where we could go,” Wilfert says. “We had good dialogue throughout the entire process. Morgan and Pharrell, there was mutual respect because we are a brand that people have high expectations of and expect certain things from. So we worked with them on the areas that we thought made sense and the areas that didn’t make sense.”
It also pushed Lego in other ways. Williams is especially happy with the actual fact that Lego has expanded the range of skin tones and hair textures available because of the film. Williams’ Lego – which he carried proudly for the premiere of Piece by Piece on the Toronto International Film Festival – it was specially designed to match his skin tone.
“Name the type of person. We fought hard for its existence and recognition,” Williams says. “Lego has made a commitment and I think the brand is better for it.”
One of the film’s most inventive designs is illustrating songs that Williams created on his own or in collaboration, comparable to Snoop Dogg’s “Drop It Like It’s Hot,” Gwen Stefani’s “Hollaback Girl,” Nelly’s “Hot in Herre” and Pharrell’s “Happy.” Each one is rendered as a novel, small, glowing set of Lego bricks put together.
The other, less completely happy facets of Williams’ life are out of the query. You won’t see anything “Blurred Lines” lawsuit by which Marvin Gaye’s estate sued for copyright infringement and won. There’s also nothing within the video about Williams’ recent legal spats with Neptunes co-founder Chad Hugo. Earlier this 12 months, Hugo filed a trademark opposition to the duo’s name, alleging that Williams had “fraudulently” tried to realize control of it. Williams’ representatives disagreed, saying Williams “contacted the company on numerous occasions to share ownership.”
However, “Piece By Piece” provides a positive portrait of Hugo, particularly from Williams’ early days in Virginia Beach when the 2 began making music together.
“There is nothing bittersweet. I am grateful for my experiences. “Chad is an integral part of the beginning, the genesis of my musical exploration and being there,” Williams says. “I met him in second grade in band class and the memories we have of making music together, I wouldn’t be sitting here if it weren’t for our meeting.”
Williams, who’s Men’s Creative Director at Louis Vuittonhas a talent for brand management. He released his debut solo album “In My Mind” in 2006 and way back got here into the highlight himself. However, as he himself admits, he remained a producer at heart. Not the whole lot in Piece by Piece was easy for him.
“A lot of this stuff felt vulnerable to me,” Williams says. “I cried twice during this story. I didn’t consider that he might ask questions that would trigger emotions. I’m such a manufactured person. I have produced so much of myself.”
It’s a sense that Neville can relate to, as a protean documentarian who’s accustomed to adapting to the style and attitude of his subjects.
“Pharrell, as a producer, often holds a mirror up to artists so they can see themselves. My job is to put a mirror in front of him so he can see himself,” Neville says. “I have a strange feeling that we have the same job.”
When Neville interviewed other musicians for the film, he told them they might be animated. But he didn’t say how. Only later did they learn that they might be Lego minifigures.
“Everyone was shocked and excited,” Williams says. “I feel prefer it brought out the inner child in each of them. Some of them take a look at life that way anyway. Others, even the tough ones, said, “Oh man, this is great.”
Capturing Williams’ life in a fun, even childlike way will definitely help some younger viewers connect with his story. Becoming a world-famous multi-hyphenate could seem unattainable to most, but “Piece by Piece” makes it seem almost like a lightning bolt.
“Lego highlights universality,” says Neville. “I have the impression that this whole film is an experiment in the tension between the specificity of real life and documentaries, and imagination and the universality of imagination.”
Film
Keke Palmer became a millionaire at age 12 by teaching us how to spell “pulchritude” – which actually turned out to be a win-win
I do not know exactly when it happened, but Keke Palmer became certainly one of African Americans’ favorite people. Maybe it was while playing lie detector segment for Vanity Fair she, like lots of us, couldn’t recognize Dick Cheney in a photograph and gave us certainly one of the best sound bites of all time. Or possibly that is once we all realized how human she was as she handled a family situation that was made public. The possibilities are countless because I feel like Keke Palmer has been in my life without end, despite the fact that I’m 14 years older than her. I used to be actually years old today after I discovered that as of this writing she is just 31 – and I even have never felt older.
Recently beloved artist he went on, “Club Shay Shay” to speak about her life, profession and every little thing else under the sun, likely to promote her just-released book “Master of Me: The Secret to Controlling Your Narrative.” During a conversation about dating (which Keke was mainly flexing, roughly), she mentioned that she became a millionaire at the age of 12 and that got me considering: what was she doing at age 12 that made her a millionaire? The second query, in fact, is: what did I do at the age of 12 that made me a millionaire? The answer definitely involved riding the bike out of the garage and seeing if I could land it without breaking the bike or any bones.
NO. At age 12, I used to be introducing my parents to latest and revolutionary ways to take care of disappointment.
Anyway, my curiosity about how she managed to turn out to be a millionaire at the age of 12 (which would have been 2005) made me check her IMDB credits and yes, it coincided along with her breakout role as Akeelah Anderson within the film , “Akeelah and the Bee”, a movie I still love to this present day. I watch it every time it’s on and have even decided to dedicate an episode to the podcast “Dear Culture” for the movie. I actually attribute to Keke Palmer that I do know the word “prestidigitation” (though I do not know what it means), but most significantly, I do know the word “pulchritude”, which comes from Latin and means “Beautiful” which means beautiful.
I am unable to say this strongly enough: if it weren’t for this movie, I might never have learned this word, and if Keke Palmer made a million dollars for me to learn this word, she was underpaid. The variety of times I threw the word “pulchritude” at people, it should be illegal. I do not even use the word “beautiful” anymore; I only refer to my wife as “pulchritudinous”. Because she is. And there’s just one person I can thank for that: Akeelah Anderson. And Akeelah Anderson is Keke Palmer.
Thank you Keke Palmer for helping me expand my horizons and vocabulary. And for ensuring I all the time and without end know how to spell “pulchritude.”
Film
Netflix’s ‘Meet Me Next Christmas’ Starring GOAT and Christina Milian Is Everything I Need in a Holiday Movie
There was a point in my life when I was a supporter of Christina Milian. I bought all of her albums when it was time to go to the shop and spend physical money on such endeavors. I was convinced it was her song from 2004 “Whatever You Want” featuring Joe Budden was a hit that catapulted her to the highest, if only the label would really get behind it. I had many conversations with friends during which I confessed my love for her as a person and my appreciation for her art. To know me in the start was to know the way I handled Christina Milian. I’m sure I’ve watched her movie “Love Don’t Cost” more times than Christian and Nick Cannon ever did.
So you’ll be able to imagine my delight (possibly not, but sway with me) when I noticed that Christina Milian had entered the Hallmark movie market on Netflix as a leading lady, starting with the 2019 movies “Falling Love for an Inn” where her heroine wins an inn in New Zealand and finds love. Then it was 2021 “Escape to Love” where her character is a pop star who has to sing at her ex’s resort wedding… and finds love. Listen, because I love love and Christina Milian, I am committed to this era of her life.
I was lucky when I turned on Netflix a few weeks ago and watched a movie called “Meet Me Next Christmas” starring Christina Milian and Devale Ellis and something like Kofi Siriboe.
I love Christmas movies. First of all, I love a good romantic comedy, and most Christmas movies are romantic comedies. I especially love black romantic comedies because, you recognize, I’m black and they sometimes star people I know since the Black Hollywood actor base is not very large. Plus, Christmas movies are frequently so sweet; they are frequently family friendly, and with love in the air, hope and the promise of joy are never far-off. Christmas movies are stuffed with good things, and I like good things. I principally watch all of the Christmas movies that come out on all of the streaming services, like “Meet Me Next Christmas.”
“Meet Me Next Christmas” is the story of Layla (Milian) who tries to go home to her boyfriend for Christmas, but meets James (Siriboe) in an airport lounge. they hit and he fired. They conform to meet on the Pentatonix concert NEXT Christmas in the event that they are each single. Plus, Pentatonix… is hilarious in this movie. Anyway, a 12 months later, single Layla is trying to seek out tickets to Pentatonix in hopes of meeting James, who will bring their legendary meeting full circle and begin essentially the most epic love story of all time. But to get a ticket to the sold-out Christmas show at Rockefeller Center, he has to make use of the concierge. Teddy (Ellis) enters. Shenanigans ensue.
I won’t spoil the movie because, again, I like good things and I guess you do too. But let me inform you. In this movie there may be comedy, there may be love and there may be the promise of affection. It has essentially the most random antics, Poughkeepsie and, most significantly, Christina Milian, who is actually great in these kinds of movies. I cannot say this enough: I would watch a marathon of Christina Milian in Hallmark-adjacent movies. She just has that something that makes romantic comedies work.
Devale Ellis can also be great in this movie. Let me inform you, Devale could have a serious profession ahead of him in this romantic comedy. He seems down-to-earth and likable enough to play the male romantic role. And it’s funny. I cannot pretend to know a ton about his film and TV profession; I watched “Zatima” and a few episodes of “Sistas”, but let’s just say the fabric didn’t quite let it…cook. I’ve seen him here and there, but I hope he gets more probabilities to play a number of the leads. I’m not saying his role as Teddy in this movie was an Oscar-worthy performance, but you recognize what, it worked and I thought he must have added a little more bite to the most important character’s energy.
Look, most Christmas movies are a lot of crap, and “Meet Me Next Christmas” is just the best amount of fluff with equal parts ballyhoo. You know where the movie goes. There are not any surprises in the ending. But I don’t think Christmas movies needs to be as twisty as “The Sixth Sense”; Christmas movies are comfort food that could be played in the foreground or background while the family sits and drinks hot chocolate (or wine for the adults in the room). This movie is great for that. Maybe I’m biased because I expressed my honest attitude towards all the pieces related to Christina Milian. But I liked this movie enough to observe it multiple times, not because I missed things the primary time, but since it was charming enough and had enough “shudder, why not” moments that I now got into it to my annual canon of holiday viewing. If you watch this, it’d do the identical for you. It has all the pieces I need for Christmas.
And do you recognize what meaning?
We’ll all… get together next Christmas to observe it together… again? NO?
I’ll see you.
Film
Denzel Washington Claims His Same-Sex Kiss Was Cut From ‘Gladiator II’; “I think they have chicken.”
Denzel Washington has been a long-time topic rumors about his stance on kissing white women on screen; But based on the acting icon, viewers will now miss his first known on-screen same-sex kiss. Washington claims that the “full lip” moment between his character and one other male character was not the ultimate montage of the upcoming epic “Gladiator II.”
“I actually kissed a man in the video but they took it down. They cut it; I think they have chicken,” the veteran actor revealed Gayeta press service in response to the query: “How gay is the Roman Empire?” As he noticed Variety magazinethe “Gladiator II” script mentions that Washington’s character, Macrinus, was in a same-sex relationship. Confirming the characterization and the footage that ended up on the cutting room floor, he said: “I kissed a man hard on the lips and I do not think he was ready for it yet. I killed him about five minutes later. It’s “Gladiator”. It’s the kiss of death.”
What is unquestionably not the kiss of death is Washington’s portrayal of a wealthy and powerful Roman who “maintains a stable of gladiators for sport.” Although Ridley Scott’s sequel to the 2000 hit “Gladiator” doesn’t debut until November 22, the role has already earned the two-time Oscar winner in Washington, D.C., a nomination for second best supporting actor. The veteran actor attributes these accolades to his reunion with “American Gangster” director Scott.
“I have to be inspired by a director, and Ridley inspired me tremendously,” Washington previously said Empire Magazine. “We did great in the primary round and here we’re. He is engaged. He is worked up about life and his next film. He is an inspiration. We should all wish to feel this manner at 86.
“Gladiator II” in cinemas from November 22.
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