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Mariah Carey did not steal “Everything I want at Christmas is you” from other writers, says the judge

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The federal judge in Los Angeles said that Mariah Carey did not steal his long -term megahit “All and Want for Christmas is you” from other songs.

Judge Moznica Ramírez Almadani awarded Carey’s request on Wednesday to issue a summary sentence, giving her and co -author and co -accused Walter Afanasuff victory with out a trial.

In 2023, the Kisters of Andy Stone from Louisiana – who passes through the Vince Vance scene – and Troy Powers from Tennessee filed a lawsuit price $ 20 million, claiming that the Carey song from 1994, which since then became a Christmas and annual sensation of streaming, violated the copyright of his country from 1989.

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Their lawyer Gerard P. Fox said he was “disappointed” in the mail to the Associated Press.

Fox said that this is his experience of judges at this level “they almost at all times reject the musical case and that it is mandatory to confer with the reversal and referring the jury’s case. My client will soon resolve whether he appealed.

Stone and Powers’ Suit said that “everything I want at Christmas is you” comprises a novel language structure, by which an individual, dissatisfied with expensive presents and seasonal comforts, desires to be with a loved one, and subsequently writes a letter to Santa. “

They said that there was “overwhelming probability” that Carey and Afanasuff heard their song – which at some point reached 31 place for Hot Country Chart – and violated their copyright, taking significant elements from her.

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After hearing from two experts on all sides, Ramírez Almadani agreed with people from defense who said that the writers hired a joint Christmas stereotype that existed before each songs, and that Carey’s song used them in another way. She said that the plaintiffs did not meet the burden of showing that the songs were essentially similar.

Ramírez Almadani also ordered sanctions against the plaintiffs and their lawyers, saying that their lawsuit and subsequent subjects were frivolous and that the plaintiff lawyers “did not” make any reasonable efforts to make sure that that actual disputes of evidence of evidence “.

She said that they’d to pay at least a few of the lawyers’ lawyers.

Carey lawyers and journalists did not immediately answer at the request for comment.

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Carey’s festive colossus has develop into a fair greater hit in recent times than in the Nineties. In the last six years in a row has reached the no 1 on the Hot 100 Billboard list-what every week measures the hottest songs-not only in the festive theme-with the help of Airplay, Sales and Streaming.

Carey and Afanasuff had their very own public misunderstanding – although not one which went to court – who wrote how much songs. But the case meant that at least temporary allies.

Rihanna makes Mariah Carey signed her breasts during a great holiday route in the final:

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Outkast has changed the sound of hip-hop-they are going to Rock & Roll Hall of Fame

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At the weekend, it was announced that Outkast along with Chubby Checker, Bad Company, White Stripes, Soundgarden and Cyndi Lauper might be introduced to Rock & Roll Hall of Fame. The commercial was released live during the Rock & Roll Hall of Fame episode. When I saw the message, as well as to saying “of course”, I also had a moment of reflection on how significant education and hip-hop life were. While most hip-hop groups, especially people who gained importance in the Nineties, are less apprehensive about recognizing the mainstream (like grammy), seems significant for Rock & Roll Hall of Fame.

At the starting, this can be a confirmation of “establishing” power and hip-hop power, through which various acts of the previous few years have been introduced. Past Hip-hop inuktei Take under consideration Eminem, DJ Kool Herc, tribal task, Missy Elliot, Jay-Z, LL Cool J, Tupac Shakur, The Notorious Big and NWA, Public Enemy, Beastie Boys, Run-DMC and Grandmaster Flash and The Furious Five.

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The way the Wu-Tang clan just isn’t yet in the corridor is beyond me, but fortunately Outkast will soon add Rock & Roll Hall to their already strengthened legacy. Outkast is a bunch that made many children in the south who grew up on hip-hop, seen in a way that other groups didn’t do. Sure, from the south there have been many groups that preceded the Atlanta duo before he hit the national stage in 1994 – groups similar to Houston’s the Geto Boys and Memphis’ 8Ball & MJG to mention only just a few – but there was something about outkast, which made it different.

First of all, they represented Atlanta at a time when Atlanta became black national curiosity. For those of us who’ve connections with the city of Macocha, it comes from Atlanta, so my grandmother’s house on the west side of the city seemed zero for all emotions related to the music scene of Atlanta, mainly from the western and south-western part of the city-he felt like “home”. Their first video for “Player’s Ball” was in such a well -known character in 1993. I used to be 14 when “Play’s Ball” fell and fell in love with hip-hop.

However, most of the music I loved got here from the west coast. Ice Cube, Dr. Dre and Snoop Doggy Dogg took the whole space in my tape waist, and the movies from these places introduced me to remote places that I didn’t know if I ever see. The same thing was about New York. Hip-hop made me miss a city that I didn’t see for the first time until June 2001, after I was 22 years old. But Outkast made his movies in Atlanta and I knew Atlanta. I saw the streets I knew and stored, which weren’t removed from my grandmother’s house. I saw the house.

https://www.youtube.com/watch?v=vfofklw4

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This feeling led me to my whole profession. Despite the indisputable fact that it’s one of the most successful hip-hop groups in history, their sound has changed almost blockades with the city, if it doesn’t change the sound of the city. I actually have long told a story about how I remember the exact automobile parking space of K-Mart, through which I used to be, after I first heard the changing album (for me), “Wind (Me & U)” in the summer of 1996. This song meant rather a lot to me.

This changed the way I listened to music and the way I interacted with what I knew I used to be a hip-hop. While their first album was a southern classic, they stuck the convention and transformed their second album “Atliens” into Odea to space and ethereal sound. The whole album sounds Muddy, the sound of Kanye West and Drake will popularize over a decade later, turning it into the sound of music as a complete.

Their Magnum Opus, “Aquemini”, was “one”. This album made sure that the whole country must sway with Outkast. They were lyrical at the top of their games and sound on one other planet, delving into funk, jazz, boom-bap … mainly every form of black music. And because we were all like “Yes!” They took their formula from “Stankconia”, an album that gave us two of their most species albums in “Bob” and “Mrs. Jackson”.

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And because no discussion on Outkast will be conducted without their last act (as a duo) in avoiding tradition, to give every little thing we knew about hip-hop, “Loud BOOKXX/The Love below” appeared in 2003, and since it was so left fields, eventually the Grammy awarded for “Album of the Year” Lauryn Hill.

For those of us who grew up from Outkast, their introduction to Rock & Roll Hall of Fame is just one other pen of their hat. This is a pleasant distinction that permits fans like me to visit their catalogs again and appreciate them again. But this recognition would exist with or without every other awards.

When I used to be 14, Outkast created a everlasting fan of me, giving me a sound that looked like the spaces I knew and knew. Hip-hop has long been music about the environment, and other people and outkast talked about them each. It helped me that I could give you them in a food market if the right matter called. At this point, their contribution to music is needed; They belong to Rock & Roll Hall of Fame and I’m excited that they still get flowers once they are still nearby to smell them.

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Room, a-city down.

5 things you should know about Shedeur Sanders, the latest member of Cleveland Browns NFL

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“Luther” Kendrick Lamar and Sza is at the top of the charts at the 7th week in a row, which is … so amazing

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Kendrick Lamara’s reign at the top of the hip-hop world lasts for one more week, as his hit “Luther”, in which his tourist Shaz performs during the upcoming “Grand National” route, runs the Hot 100 Billboard Billboard Charts for the seventh week in a row. Record samples of Luther Vandross’s vocals together with his Cover 1982 recordings of Marvin Gaye and Tammi Terrell, “If this world were mine”—Vandross’ version incorporates Cheryl Lynn.

The single represents the sixth time of Lamara at the top of the charts and follows the success of the largest record 2024, “Not Like Us”. For Sza, whose album “SOS” seems continue to exist the Billboard charts, “Luther” represents her third time on the song charts. In addition to keeping the Billboard Hot 100 charts, the single also runs a radio song table and doesn’t appear to be on the method to implementation in the near future.

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In the next interesting bow to Lamar and various distinctions of his catalog, “Luther” is currently the longest -working rap song at the top of the Billboard Hot 100 charts since 2021, when the 24kgoldna “Mood” song “Mood” has hosted the charts for eight weeks. “Luther” has one other month to beat the album for the 2020, which is currently 11 weeks for Roddy’s song Ricch “The Box”.

Because no discussion about Kendrick Lamar at this moment is complete without a quick discussion about Drake and his current place on the charts, his current single “Nokia” is situated on machines No. 3 on the same Hotu 100, but everyone says “girl”, so it’s really a victory for everybody.

“Luther” is currently one of the six Lamar records on Hot 100 Charts, including: “Not Like Us”, “TV OFF”, “30 for 30” from SZA, “Scarbable Up” and “Peekaboo”.

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Coco Jones is fearless on the debut album “Why not more?”

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What music would you create if there have been no external influences or imposed creative restrictions? This is what the singer Coco Jones considered.

“What would I do if I wasn’t afraid to compare myself with” Oio “and my EP? And if I thought there was a formula that people wanted from me? ” Jones wondered. “It was a kind of mood: just or fearless.”

The R&B star tried to answer her debut album – “Why not more?” – publishing Friday. She follows her breakthrough EP 2022 “What I didn’t tell you.”

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“I am simply proud of every version of myself that I was and who I will become after this album,” said Jones, who took her first grammy home at the starting of this yr, winning the best performance of R&B “ICU”. “And really proud of preparing a project in which I feel confident.”

The 14-seater album from the actor “Bel-Air” goes through the spectrum of R&B Sonics and Vibes, from intraosphere to seductive, pop & b to the trap and b. Writing about each song, Jones secured the production from Stargate, London on Da Track and Jasper Harris in addition to Future and Yg Marley functions.

One of the latest generation of R&B faces does not shun the pressure, which may come from an try to repeat the success of a song equivalent to “ICU”.

“There was pressure to outdo myself. But I also have to remember that I didn’t try to win anything … I just did me” – explained Jones, who said for the first time that she was patient during a studio session, not focusing on going out with the song ended each time. “I just did what was right. I was honest, I was just defenseless.”

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“Why not more?” He emphasizes the huge range of Jones melodic styles. Four singles were released, including “Here We Go (UH OH)”, which won Jones his first number one on the AirPlay Adult R&B Billboard and “Taste” list, which accommodates the interpolation of the hit song Britney Spears “Toxic” and is currently at number 15.

In the ballad “other side of love” Jones is on a crossroads in a relationship, singing: “I don’t know why I can’t get your love, my mind / it’s like trying, but you come back every time.”

“This is probably the oldest song on the album … It was always a song I knew about it on the back burner, whenever I was ready, I had something ready on them. But it was a bit of time,” said 27-year-old from Tennessee. “I can drop a song like” Taste “, but I will always have a song like” Another side of affection “because I can’t deny this version of myself either.”

Coco Jones talks to Grammy, nodding, overcoming obstacles after Disney's fame, Hollywood's Pay Equity

Undertaking is also a subject, rejecting interdependence and covering love for “by yourself”.

“The song that defines me the most is” through me. ” I literally wrote it because I was literally looking at the situation and I thought that I didn’t want to feel that anyone else is so important to me to be the best version of me – I can’t live like that – she said. “All answers cannot come from anyone else … I’m so big in internal work and therapy and growing emotionally.”

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Jones, which appears as Hilary Banks in the dramatic series “Bel-Air”, is preparing for the fourth and last season, which did not start production. It will balance filming with the upcoming route, introducing on May 6 in Philadelphia.

Former actor Disney Channel, he described, says that there are a lot of goals he wants to realize, but travels in the right direction.

“My childhood dreams, I still have to achieve them all. I definitely see how they materialize, but the way I thought about myself as a child was huge, how life than life,” said Jones, who first signed a contract at 14. “I even have some ways to actually be what Coco saw for me from my childhood. And I hope I did it.

The era of Coco Jones is now

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